Alumni Association Got Your Back Saluting Our Military Alumni
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Stevens Indicator Spring 2015
FALL 2017 THE MAGAZINE OF THE STEVENS ALUMNI ASSOCIATION IN THIS ISSUE: ALZHEIMER'S ALGORITHM | AVOCADOS FOR OPIUM | REMEMBERING BUZZ DEPARTMENTS 2 PRESIDENT’S CORNER 3 LETTER TO THE EDITOR/SOCIAL MEDIA 4-7 GRIST FROM THE MILL 27 CALENDAR OF EVENTS 37 SPORTS UPDATE 43-71 ALUMNI NEWS/CLASS LOGS 70 VITALS 72 A FINAL THOUGHT FEATURES 8-25 DOING IT DIFFERENTLY Alumni Entrepreneurs Make Their Mark 26-27 ALUMNI WEEKEND 2017 Seen and Heard During This Year’s Celebrations and Reunions 28-29 PROFILE: ALBERTO FURMANSKI ’72 MMS ’74 30-31 PROFILE: PETER BRADY ’61 M.S. ’63 32-33 PROFILE: FALAK ZAFFER GHATALA ’03 M.S. ’06 34-35 ALLY AGAINST ALZHEIMER’S New Stevens Screening Tool May Help Identify Early Signs of the Disease 36 AVOCADOS FOR OPIUM Anthony Rios Class Of 2020 is a Competitive ‘Wonk’ 38-39 BUZZ & BRUCE A Moving Tribute to Buzz Seymour by Bruce Boylan ’63 40-41 BRINGING IN THE BEST AND BRIGHTEST Pinnacle Scholars are Drawn to the Perks of the Program 42 COMMENCEMENT Photos, Memories from the 2017 Graduation Ceremonies On the Cover: Illustration by Neil Webb Campus Photo: Jeff Vock FALL 2017 1 PRESIDENT’S CORNER INNOVATION & ENTREPRENEURSHIP: STEVENS’ LEGACY, SOCIETY’S FUTURE The university’s founding family established PHOTO: AARON HOUSTON Stevens provides other tools to promote a legacy of technological innovation and en- entrepreneurship as well, including the Ste- trepreneurship that persists in our academic vens Venture Center (SVC). Established in culture many decades later. It inspires our re- 2016 and located just a few blocks from the search, contributes to the stellar outcomes of campus, the SVC provides member compa- our graduates and undoubtedly distinguishes nies with experience-based guidance and Stevens as an institution that has had a signifi- education by a group of entrepreneurs-in- cant impact on industry and society. -
Právnická Fakulta Masarykovy Univerzity Právo Informačních A
Právnická fakulta Masarykovy univerzity Právo informačních a komunikačních technologií Ústav práva a technologií Rigorózní práce Tvorba YouTuberů prizmatem práva na ochranu osobnosti dětí a mladistvých František Kasl 2019 2 Prohlášení Prohlašuji, že jsem rigorózní práci na téma: „Tvorba YouTuberů prizmatem práva na ochranu osobnosti dětí a mladistvých“ zpracoval sám. Veškeré prameny a zdroje informací, které jsem použil k sepsání této práce, byly citovány v poznámkách pod čarou a jsou uvedeny v seznamu použité literatury. ……………………….. František Kasl Právní stav byl v této práci zohledněn ke dni 1. 6. 2019. Překlady anglických termínů a textu v této práci jsou dílem autora práce, pokud není uvedeno jinak. 3 4 Poděkování Na tomto místě bych rád velmi poděkoval všem, kteří mi s vypracováním této práce pomohli. Děkuji kolegům a kolegyním z Ústavu práva a technologií za podporu a plodné diskuze. Zvláštní poděkování si zaslouží Radim Polčák za nasměrování a validaci nosných myšlenek práce a Pavel Loutocký za důslednou revizi textu práce a podnětné připomínky. Nejvíce pak děkuji své ženě Sabině, jejíž podpora a trpělivost daly prostor této práci vzniknout. 5 6 Abstrakt Rigorózní práce je věnována problematice zásahů do osobnostního práva dětí a mladistvých v prostředí originální tvorby sdílené za pomoci platformy YouTube. Pozornost je těmto věkovým kategoriím věnována především pro jejich zranitelné stádium vývoje individuální i společenské identity. Po úvodní kapitole přichází představení právního rámce ochrany osobnosti a rozbor relevantních aspektů významných pro zbytek práce. Ve třetí kapitole je čtenář seznámen s prostředím sociálních médií a specifiky tzv. platforem pro komunitní sdílení originálního obsahu, mezi které se YouTube řadí. Od této části je již pozornost soustředěna na tvorbu tzv. -
LOCAS: the MAGGIE and HOPEY STORIES by Jaime Hernandez Study Guide Written by Art Baxter
NACAE National Association of Comics Art Educators STUDY GUIDE: LOCAS: THE MAGGIE AND HOPEY STORIES by Jaime Hernandez Study guide written by Art Baxter Introduction Comic books were in the midst of change by the early 1980s. The Marvel, DC and Archie lines were going through the same tired motions being produced by second and third generation artists and writers who grew up reading the same books they were now creating. Comic book specialty shops were growing in number and a new "non- returnable" distribution system had been created to supply them. This opened the door for publishers who had small print runs, with color covers and black and white interiors, to emerge with an alternative to corporate mainstream comics. These new comics were often a cross between the familiar genres of the mainstream and the personal artistic freedom of underground comics, but sometimes something altogether different would appear. In 1976, Harvey Pekar began self-publishing his annual autobiographical comics collection, American Splendor, with art by R. Crumb and others, from his home in Cleveland, Ohio. Other cartoonists self-published their mainstream- rejected comics, like Cerebus (Dave Sim, 1977) and Elfquest (Wendy & Richard Pini, 1978) to financial and critical success. With proto-graphic novel publisher, Eclipse, mainstream rebels produced explicit versions of their earlier work, such as Sabre (Don McGreggor & Paul Gulacy, 1978) and Stewart the Rat (Steve Gerber & Gene Colan, 1980). Underground comics evolved away from sex and drugs toward maturity in two anthologies, RAW (Art Spiegleman & Francoise Mouly, eds., 1980) and Weirdo (R. Crumb, ed., 1981). Under the Fantagraphics Books imprint, Gary Groth and Kim Thompson began to publish comics which aspired to an artistic quality that lived up to the high standard set forth in the pages of their critical magazine, The Comics Journal. -
Creating a Sustainable Future Through Innovative Chemistry Sustainability Report 2020 ABOUT INFINEUM HIGHLIGHTS About This CEO MESSAGE
Creating a sustainable future through innovative chemistry Sustainability Report 2020 ABOUT INFINEUM HIGHLIGHTS About this CEO MESSAGE CREATING A Report SUSTAINABLE FUTURE THROUGH INNOVATIVE CHEMISTRY Welcome to the Infineum Group’s¹ first sustainability report. Content and scope of this report PROTECTING THE ENVIRONMENT As part of our corporate strategy, we are committed to This report covers all of Infineum’s owned and operated delivering a sustainable future through innovative chemistry locations, including our Manufacturing Plants and Business OUR PEOPLE and in doing so, we aim for the utmost transparency of our and Technology Centres. Data in the report covers the year environmental, social and governance performance. 2020, but as this is Infineum’s first sustainability report we OUR In the preparation of this report, we reviewed the also cover activity commenced during 2019. COMMUNITIES requirements of the Global Reporting Initiative (GRI), and To find out more about our business and our sustainability the United Nations Sustainable Development Goals (SDGs), work, please visit Infineum.com/sustainability. THE WAY WE DO and have started a process to align our work and progress BUSINESS If you have any questions or comments about this report, towards these frameworks. We have taken inspiration from please contact us at Infineum Sustainability. Thank you for the Global Reporting Initiative with regards to our data KEY FIGURES your interest in Infineum. and disclosures and will work towards more comprehensive compliance with the GRI standard in the future. 1The Infineum Group is comprised of various affiliated companies located around the world. The term “Infineum” in this report refers individually and collectively to these affiliated companies. -
MS-042 John T. Reeder Photograph Collection
John T. Reeder Photograph Collection MS-042 Finding aid prepared by Elizabeth Russell, revised by Rachael Bussert. This finding aid was produced using the Archivists' Toolkit June 26, 2014 Describing Archives: A Content Standard Michigan Technological University Archives and Copper Country Historical Collections 1400 Townsend Drive Houghton, Michigan, 49931 906-487-2505 [email protected] John T. Reeder Photograph Collection MS-042 Table of Contents Summary Information ................................................................................................................................. 4 Biography.......................................................................................................................................................5 Collection Scope and Content Summary...................................................................................................... 5 Arrangement...................................................................................................................................................5 Administrative Information .........................................................................................................................6 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 8 Series I, Inventories and General Records..............................................................................................8 -
Report on Micro Data, Sorted by Title
English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004 Table of Contents: Chapter 1: Playtime, Paytime ..............................................................................................................................................1 Chapter 2: Not in Kansas Any More....................................................................................................................................6 Chapter 3: A Quiz in Time Saves Six................................................................................................................................18 Chapter 4: Peach Pitstop....................................................................................................................................................22 Chapter 5: Copter, Copter, Overhead, I Choose Fourside for my Bed...........................................................................35 Chapter 6: EZ Phone Home ..............................................................................................................................................47 Chapter 7: Ghost Busted....................................................................................................................................................58 Chapter 8: Pipe Dreams......................................................................................................................................................75 Chapter 9: Victual Reality................................................................................................................................................102 -
Invoicing Requirements
INVOICING REQUIREMENTS This Exhibit I sets forth several invoicing and payment methods for Goods or Services. Supplier with agreement from Purchaser shall use one of the methods below: 1. Electronic Invoice submission by Email 2. Einvoicing using the Ariba Supplier Network 3. OTHER INVOICING METHODS: • Evaluated Receipt Settlement (ERS) • Procurement Card Payments (Pcard) Purchaser may, at any time by notice to Supplier, offer additional methods for invoicing and payment or discontinue any of the methods shown in this Exhibit I. Invoice Payment Method Purchaser shall pay Supplier by Electronic Funds Transfer. 1. ELECTRONIC INVOICE SUBMISSION BY EMAIL 1. The following guidelines must be met to ensure Emailed invoices are handled promptly: • Infineum’s Affiliate name must be added to the subject of the email. • Send only one invoice with supporting documentation per attachment. • Send only one attachment per Email. • All invoices must be in the form of an attachment (i.e. no invoice data in the body of the Email). • Email size cannot be greater than 10MB • Do not include embedded links or pictures in the Email or attachment. • Do not include handwritten information on the invoices. • Invoices submitted via Hyperlink through tools like Accellion cannot be accepted and are rejected by automated workflow tools. Send invoices as a PDF readable attachment via Email to Infineum Payables via the correct Infineum affiliate email as listed below: Purchaser (Affiliate’s Name) Delivery of Invoice Infineum USA L.P. [email protected] Infineum -
In SLOW RECOVERY
THE PROFESSIONAL WINTER 2011 A Publication of the Associated Subcontractors of Massachusetts, Inc. Mass. Subcontractors Project of the Year – East Find BRIGHT SPOTS Genzyme in Project of the SLOW Year – West RECOVERY Springfield College Meet the New DCAM Commissioner Carole Cornelison THE PROFESSIONAL A Publication of the Associated Subcontractors of Massachusetts, Inc. cover story 16 Recovery is Slow, The Massachusetts economy and the construction industry appear to have entered But Some Sectors a recovery that’s been under way Are Booming Again for over a year. features 04 PRESIDENT’S VIEW 12 BIDDING Year in Review Understanding the Variables of Successful Bidding 06 BEACON HILL SPOTLIGHT Meet Carole Cornelison, 14 MARKETING AND PR DCAM Commissioner 3 Secrets Most Social Media Marketers Won’t Tell You 08 REO Court Invalidates Fall River 20 PROJECT OF THE YEAR – EAST Responsible Employer Genzyme Ordinance 22 PROJECT OF THE YEAR – WEST 10 INSURANCE Springfield College Purchasing Contractors’ Pollution Liability Coverage departments 24 PHOTO GALLERY Member Projects 2011 28 MEMBER NEWS The Professional Contractor 3 PRESIDENT’S VIEW BY DAVID G. CANNISTRARO Year in Review very year, this issue of The Professional Contractor fast-track rebuilding of Springfield College dorms devas- gives us an opportunity to look back at the year just tated by the June tornadoes. Both projects show project Epast, to comment on changes and showcase achieve- teamwork at its best. ments, and to look forward to the new year ahead. No recap of 2011 would be complete without men- This is now the fourth year this column has acknowl- tioning the one-year anniversary of the Massachusetts edged the down economy, and its major impact on Prompt Pay law, which took effect in November 2010. -
About Tracy Repchuk
About Tracy Repchuk Tracy Repchuk, is an International Bestselling Author and Online Marketing and Social Media Strategist and will show you the step-by-step solution to attract more leads, get more clients and make more sales. As an award-winning entreperneur sicnce the age of 19, she has helped thousands of clients get their message online fast and effectively. She has appeared on TV for NBC, Fox, CBS, CW, ABC. newspapers such as Washington Post, Forbes, USA Today, Chicago Tribune and has over 60 additional appearances in over 35 Countries. 7 Time International Bestselling Author including 31 Days to Millionaire Marketing Miracles from Wiley Publishing World-renowned speaker in over 35 countries including Keynote in China at Global Leaders Economic Summit for presidents, heads of state and CEOs for technology Award winning entrepreneur, writer and speaker since 1985 at the age of 19 when she started her software company including awards from Senate, Assembly, and the White House Presidential Award from President Obama Been on the internet developing brands, websites, SEO and now social media since 1994 and currently serving on the Forbes Coaching Council Featured in over 22 National and Local TV as a trusted resource for technology, internet and social media including ABC, NBC, CBS, FOX and appeared in 3 motivational movies Director of Technology and eCommerce Strategies for the World Film Institute, Family Film Awards and Olympia Awards for the 7 Arts Served thousands of clients around the world to develop a fully branded end to end website presence so they can professionally match, rise above the competition, and reach millions with their message. -
Celebrity Endorsers Vs. Social Influencers Vrinda Soma a Thesis
Celebrity Endorsers vs. Social Influencers Vrinda Soma A thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree Master of Business (MBus). 2019 Faculty of Business, Economics and Law 1 Abstract The purpose of this research is to measure how effective social influencers and celebrity endorsers are in persuading individuals to like, purchase and/or share information about a brand or specific product. Previous literature has discussed how different source characteristics and endorsers influence individuals. However, rapid change in information and communication channel evolution means that the research on endorsements conducted before social media channels arose is in need of updates and extensions to examine how current forms of communication drive brand conversations. Source characteristics impact how a social influencer or celebrity endorser is effective when communicating to an audience. In the endorsement setting, the most important attributes are trustworthiness, expertise, attractiveness, authenticity and credibility (Erdogan, 1999). As the literature shows, these attributes are the most likely to contribute to attitude change and eventual behaviour change (Erdogan, 1999; Kapitan & Silvera, 2016). These attributes have been individually studied for celebrity endorsers (i.e., Erdogan, 1999), however, the rise of online social influencers makes it important to re-evaluate and compare and contrast social influencers and celebrity endorsers so that brands, endorsers and researchers have a better understanding of what viewers are looking for. Two areas of interest drive the quantitative research undertaken in this thesis: (1) an evaluation between attitudes generated by social influencers and celebrity endorsers and (2) the willingness to purchase an endorsed product or brand depending on endorser type.