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Museum of Fine Arts
BULLETIN OF THE MUSEUM OF FINE ARTS VOLUME XLVII BOSTON, OCTOBER, 1949 No. 269 Fig. 1. Crucifixion, Bolognese School Last Quarter of Thirteenth Century Gift of Edward Jackson Holmes PUBLISHED QUARTERLY SUBSCRIPTION ONE DOLLAR XLVII, 42 BULLETIN OF THE MUSEUM OF FINE ARTS Two Heads of the New Kingdom WITH the expulsion of the Hyksos invaders W from the Nile Valley and the rise of Dynasty XVIII (1580-1340 B.C.) Egypt became, in the course of a hundred and fifty years, a world power which dominated the Orient from the foot- hills of the Taurus in northern Mesopotamia to GebelBarkal in what is today the Anglo-Egyptian BULLETIN OF THE MUSEUM OF FINE ARTS XLVII, 43 Sudan. Since the outer reaches of the Empire the end, the freedom of Amarna and the exag- were never wholly subservient to the central au- gerated splendor of Tut-ankh-amen's display were thority for any extended period of time, many to be based. In a sense, perhaps, the period of campaigns of successive warring pharaohs were Amenhotep III is one of decline, but, as has been necessary in order to keep the foreign nations in noted elsewhere in the history of the arts, the their tributary state. The inevitable booty of the transitional stage of incipient decadence often be- royal forays as well as gifts and presents from the trays more liveliness and is far more attractive conquered added to the wealth of Egypt which than the earlier, stricter style from which it de- then, as always in times of well-integrated central- viates. -
Newsletter 29
TheRundle Foundation forfgyptian fuchaeology NEWSLETTERNo 29 July 1989 Undisturbed Burial at El-Hagarsa Archaeologistsusuallyhavelittleornoexpectationof too discovering undisturbed burials in Egypt. They know only recent well that tombs have been robbed in both antiquity and was times. The discovery of an undisturbed burial of El-Hagarsa and therefore a most rew-arding find for the Macquarie expedition the find was unusual in many ways. while burial chambers usually - as it was sealed after the burial- not to be contain one coffin - r.-sfeneo - t,his tomlc contained 6 coffins 5 adults and a child' The 5 adults were 3 men and 2 women, this is clear in the well as cartonnage covering over the upper part ot the body as whose from the inscrtptiois recorded on the coffins. The child, sex is undetermined at present. is placed in .an un-j-nscribed coffin which may suggest Lhat it was not yet officially named. Above t,he male coffins were placed staffs of office, sandals and bows and arrows. This last feature may explain the curious (The co:-rective burial of all members. of this fanily. similarity of nanes of sons and daughters to those of father and mother i,-,gg""t, according to Egyptian traditlons, that aII are related.) ii-i" possible tnit tney died in the wars which raged in the area during the First tntermediate Period. An application has been tot the Egyptian Antiquj-ties Organisation for X-ray of all""U*iit"a 6 mummj-es with the purpose of establishinq whether the cause of death in all cases was lnjury. -
A Relief of the Royal Cup-Bearer Tja-Wy
68 1. Statue of the royal cup-bearer Tja-wy. Egyptian Museum no. CCG 632. (L. Borchardt, Statuen und Statuetten, pt. 2, pl. 116.) A Relief of the Royal Cup-Bearer Tja-wy WILLIAM KELLY SIMPSON The extensive Egyptian collection of the Museum of Fine Arts encompasses a range matched by that of few others in this country, for it extends from predynastic times through the Coptic period in Egypt and the Meroitic period in the Sudan. In sculpture and relief of the New Kingdom (Dynasties 18-20), however, it is excelled by several other collections, and it is particularly in this area that we hope to make the collection more representative for our audience of scholarly and casual visitors. A recent acquisition extends the collection in a most useful fashion, for it brings us a relief of a royal cup-bearer of late Dynasty 18 or the early Ramesside period (Dy- nasty 19) with an extensive series of scenes of absorbing interest. Although the tomb from which the block derives cannot be located, two statues and a relief of the same royal cup-bearer have long been known. They attest to his preoccupation with the re- ligion of his times in a rather remarkable way. The first is an unusual herm-like statue said to have been found at Karnak in the First Hall of the Temple of Mut in June 1858 and now in the Egyptian Museum in Cairo. The statue is in the form of a pillar inscribed on four sides, and the top consists of the head of the official with his hands resting on his shoulders (fig. -
Prayers of Renunciation EGYPTIAN GODS
Prayers of Renunciation: EGYPTIAN GODS Ephesians 6:10-12 “10 Finally, my brethren, be strong in the Lord, and in the power of his might. 11 Put on the whole armour of GOD, that ye may be able to stand against the wiles of the devil. 12 For we wrestle not against lesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.” Amanda Buys’ Spiritual Covering This is a product of Kanaan Ministries, a non-profit ministry under the covering of: • Roly, Amanda’s husband for more than thirty-five years. • River of Life Family Church Pastor Edward Gibbens Vanderbijlpark South Africa Tel: +27 (0) 16 982 3022 Fax: +27 (0) 16 982 2566 Email: [email protected] There is no copyright on this material. However, no part may be reproduced and/or presented for personal gain. All rights to this material are reserved to further the Kingdom of our Lord Jesus Christ ONLY. For further information or to place an order, please contact us at: P.O. Box 15253 27 John Vorster Avenue Panorama Plattekloof Ext. 1 7506 Panorama 7500 Cape Town Cape Town South Africa South Africa Tel: +27 (0) 21 930 7577 Fax: 086 681 9458 E-mail: [email protected] Website: www.kanaanministries.org Office hours: Monday to Friday, 9 AM to 3 PM Kanaan International Website Website: www.eu.kanaanministries.org 2 contents Preface ... 5 Declaration of confidence in GOD’s Protection ... 8 Sealing-off prayer before deliverance ... 9 1) Egyptian deities .. -
The Four Winds on the Coffin of Soter
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 106 (2006), p. 315-332 Christina Riggs Archaism and Artistic Sources in Roman Egypt. The Coffins of the Soter Family and the Temple of Deir el-Medina. Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 Archaism and Artistic Sources in Roman Egypt The Coffins of the Soter Family and the Temple of Deir el-Medina christina riggs In memoriam Dominic Montserrat rchaism can be defined as the intentional revival and reworking of artistic forms and styles from the past.1 In both the visual arts and in language, archaism is characteristic of ancient Egypt, whose cultural expressions were essentially conservative. -
A Global Tarot Perpetual Egyptian Solar-Lunar Calendar (Kemetic
Kemetic Calendar © Douglass A. White, 2008 V110103 1 A Global Tarot Perpetual Egyptian Solar-Lunar Calendar (Kemetic Calendar) Designed by Douglass A. White What is This Calendar? Before you read about the “Kemetic Calendar” that I describe in this article, please note that it NOT a reconstruction of the calendar that the ancient Egyptians used. Such a calendar, while interesting from an academic viewpoint, is no longer suitable for our global civilization. What I am doing in this project is extracting certain universal principles from the ancient Egyptian calendar that we can adapt for use in our modern global society. This calendar commemorates the sacred culture of ancient Egypt in a system of timekeeping that we can use for thousands of years by adapting certain features to local customs and environments. This calendar is suitable only for planet Earth, because it tracks time according to the relation of the Earth to the Sun and the Moon. As we move into the Space Age, we will have to develop creative new timekeeping methods for space stations and societies on other planets. We will also have to devise ways of translating from one system to another. The days of the Gregorian calendar are nearing an end. It will gradually integrate with several traditional calendars and new creative calendars. Time is melting in a great cultural thaw. Time will be fluid in the Age of Aquarius and adaptable to a vast range of lifestyles and environments. This Global Tarot Perpetual Egyptian Solar-Lunar [PESL] Calendar is a toy to amuse and an exercise in time management. -
A Bronze Representing Tapsais of Kellis*
A BRONZE REPRESENTING TAPSAIS OF KELLIS* [PLANCHES IX-XI] BY OLAF E. KAPER and KLAAS A. WORP Netherlands Institute for Archaeology University of Amsterdam and Arabic Studies Archaeological-Historical Institute 1, Dr. Mahmoud Azmi Street Oude Turfmarkt 129 Zamalek CAIRO – EGYPT N-1012 GC AMSTERDAM The site of Ismant el-Kharab, ancient Kellis, has been a focus of excavations by the Dakhleh Oasis Project since 1986. The period of occupation attested at the site covers the first to the fourth centuries AD. In 1991 the temple complex of Kellis was chosen for further investiga- tion. Its main temple was dedicated to the god Tutu, a late addition to the Egyptian pantheon of whom no other shrines have been discovered1. It consists of a small, three-roomed stone temple with a contra temple of two rooms, surrounded by a vast complex with mud-brick chapels and other subsidiary buildings. This article will focus upon one of the small finds from the temple, which sheds some light upon the local deities worshipped at Kellis. Description A bronze statue (Pl. IX) was found in 1992 in the contra temple against the back of the sanctuary of the Main Temple at Kellis2. A preliminary description of the archaeological context of the find was published by Colin A. Hope3. The bronze was still lying in the place where it had fallen in antiquity, on the surface of damaged floor material in which a stone pedestal was set, in the north-eastern corner of the inner room of the contra temple4. Owing to the frequent pouring of libations in this room, the statue had become covered by a thick crust built up from the libations and dust. -
The Place Where Huni Probably Buried Bohai,Xu
The Place where Huni probably Buried Bohai,Xu Address: Suzhou Industrial Park, Suzhou, China Abstract: From the paper , we can speculate that Huni is exactly 吴回 (wuhui). Besides, the pronunciation of Huni resembles 吴回(wuhui). From the paper I speculate that the eagle in the statue unearthed in Taibo's tomb and the eagle in a statue of a man, dating from the State of Yue era, the eagles in the two statues resemble the God Horus in Egypt, so I can also get a conclusion that Wuxi(无锡) and Zhejiang(浙江) was once Egypt’s colony. I can also get a conclusion that Zhangshan Hill(嶂 山)means Egypt governor or pharaoh had come to Wuxi. Besides, we can get a conclusion that Chanshan Hill(产山)is a man-made pyramid, and Heliekou(河埒口)means enclosure around the man-made pyramid- Chanshan Hill, this pyramid complex looks like Djoser's Pyramid Complex which has enclosure around it. From the paper, we can conclude that Huishan clay figurines(惠山泥人)are ushabtis with Chinese characteristic, it indicates that Wuxi(无锡)was the colony of ancient Egypt. So Wuxi(无锡)means binding spot, Mount Xi(锡山) means a binding hill. And the ruins of Mount Xi(锡山) resemble "Pyramid of Khufu" in Giza pyramid complex. So we can get a hypothesis that Mount Xi(锡山) is a man-made pyramid. Furthermore, Wuxi (无锡)is the cradle of Chinese Wu culture(吴 文化), I think this is owing to Huni. So from the above, we can speculate that Huni probably buried in Mount Xi , Wuxi(无锡锡山). -
On the Orientation of Ancient Egyptian Temples: (5) Testing the Theory in Middle Egypt and Sudan
JHA, xli (2010) ON THE ORIENTATION OF ANCIENT EGYPTIAN TEMPLES: (5) TESTING THE THEORY IN MIDDLE EGYPT AND SUDAN JUAN ANTONIO BELMONTE, Instituto de Astrofísica de Canarias, MAGDI FEKRI, Minufiya University, YASSER A. ABDEL-HADI and MOSALAM SHALTOUT, National Research Institute of Astronomy and Geophysics, Egypt, and A. CESAR GONZÁLEZ GARCÍA, Universidad Autónoma de Madrid In a series of papers published in this journal in recent years, some of the authors, members of the Egyptian-Spanish Mission for the Archaeoastronomy of Ancient Egypt, have made a number of interesting discoveries relating to the way in which the ancient Egyptians might have orientated their sacred buildings.1 In Paper 4, the last of the papers and an overview, a simple theory was postulated,2 according to which a series of facts were established that clearly connect temple orientation to the local landscape, landscape being understood to include both the earth and the sky. Hence simple astronomical patterns or families were basically defined in relation to the stations of the sun (solstitial, equinoctial or seasonal, notably New Year’s Eve or Wepet Renpet),3 the brightest stars of the Egyptian skies (notably Sirius, ancient Egyptian Sopdet) and the cardinal directions. On several occasions, these patterns were in agreement with local topographic landmarks such as the course of the Nile. We considered our sample of 330 alignments to be statistically representative beyond doubt, and we were convinced that new data would serve only to reinforce (or slightly modify) our results. The moment has now arrived to attempt to falsify this statement. Two experiments have been selected with this purpose. -
Chapter 4 74
73 CHAPTER 3 74 72 CHAPTER 3 THE E()PTIAN CA9ENDAR: KEEPIN( MADAT ON EARTH Juan Antonio Belmonte Summary. The ancient Egyptians had just one ca endar in operation0 the civi one0 during most of their history and before the overwhe ming inf uence of Fe enic cu ture. This ca endar may have been invented for a specific purpose in the first ha f of the third mi ennium ..C.0 when the previous oca Ci eEbased unar ca endars were rendered use ess0 as the resu t of the unification of the country and new socia 0 economic and administrative reLuirements. The civi ca endar a ways started at the feast of wpt rnpt in the first day of the first month of the Inundation season AI Axt 1). Its pecu iar ength of 362 days might have been estab ished from simp e astronomica Apresumab y so ar) observations. Lunar festiva s were articu ated within the framewor3 of the civi ca endar0 which had a we documented set of 12 month names from the beginning of the Cew Kingdom0 if not ear ier0 but in the Ramesside period or ater0 severa of these months a tered their names0 probab y for socia or re igious reasons. 3.1. Introduction E3a tly 0hen the se ond lunar year 0as introdu ed remains un ertain, but it 0as probably not too long after the divergen e bet0een the t0o forms of the year ( ivil and lunarI be ame apparent. A good guess might be to put it in the neighbourhood of 2O00 B.C. -
Finishing the 22Nd Dynasty 545 Ch
The Reconstructed Chronology of the Egyptian Kings M. Christine Tetley Volume One The Ebers Calendar is probably the most valuable chronological tool from Egypt that we are ever likely to possess. M. Christine Tetley ISBN 978-0-473-29338-3 www.egyptchronology.comm The Reconstructed Chronology of the Egyptian Kings – Volume One Author: M. Christine Tetley Publisher: Barry W. Tetley Address: 14 Workman Way, Onerahi, Whangarei, New Zealand 0110 Publication Date: July 2014 ISBN: 978-0-473-29338-3 ALL RIGHTS RESERVED © B.W. Tetley, 2014 [email protected] Contents i Contents Author’s Preface iii Editor’s Note v Tables vii Figures xvii General Abbreviations xix Bibliographic Abbreviations xxi Synopsis xxv Ch. 1. Introduction to Problems with the Historical Chronology of Ancient Egypt 1 Ch. 2. Fixing the Chronology for Israel, Judah, and Egypt 19 Ch. 3. Investigating Ancient Egyptian Calendars 39 Ch. 4. Reviewing Gardiner's and Parker's Calendars 55 Ch. 5. Dating by Lunar Months and Phases 75 Ch. 6. Pondering Egyptian Calendar Depictions 85 Ch. 7. Revisiting Gardiner and Parker 103 Ch. 8. Recovering a Calendar with Wep Renpet as the First Month 119 Ch. 9. Exploring the Ebers Calendar 135 Ch. 10. Resolving the Eponymous Month Conflict 153 Ch. 11. Studying Sesostris III and Illahun - Sesostris III's Seventh Year 171 Ch. 12. Studying Sesostris III and Illahun - Feast Dates 179 Ch. 13. Studying Sesostris III and Illahun - the W3gy Feast 191 Ch. 14. Securing Neferefre's W3gy Feast Date 199 Volume Two Ch. 15. Working with Egyptian King Lists 205 Ch. 16. Recasting the 5th and 6th Dynasties 227 Ch. -
Contextualizing the Osiris Shaft at Rosetau (Giza) in Archaeological History
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2021 The Lost Histories of the Shetayet of Sokar: Contextualizing the Osiris Shaft at Rosetau (Giza) in Archaeological History Nicholas Edward Whiting University of Montana, Missoula Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Archaeological Anthropology Commons, Folklore Commons, and the Social and Cultural Anthropology Commons Let us know how access to this document benefits ou.y Recommended Citation Whiting, Nicholas Edward, "The Lost Histories of the Shetayet of Sokar: Contextualizing the Osiris Shaft at Rosetau (Giza) in Archaeological History" (2021). Graduate Student Theses, Dissertations, & Professional Papers. 11693. https://scholarworks.umt.edu/etd/11693 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. The Lost Histories of the Shetayet of Sokar: Contextualizing the Osiris Shaft at Rosetau (Giza) in Archaeological History By Nicholas Edward Whiting Bachelor’s Degree in Anthropology, University of Montana, Missoula, Montana, 2015 Bachelor’s Degree in Legal Studies, Kaplan University, Chicago, Illinois, 2009 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology/Archaeology Option The University of Montana Missoula, MT Official Graduation Date January 2021 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Dr. Kelly Dixon, Chair Professor of Anthropology Dr.