TFL Catalogue 2016

Total Page:16

File Type:pdf, Size:1020Kb

TFL Catalogue 2016 TorinoFilmLab Catalogue CatalogueCatalogueCatalogue2016 Catalogue TFL Catalogue 2016 16projects | talents | films In 2016, running up to our Meeting Event’s 9th edition, TorinoFilmLab’s Alumni have been selected and awarded at all major Festivals. And there was also a touch of magic, right at the beginning, with 3 Alumni in the Oscar race… Starting from January, the film The Innocents was selected in the Sundance competition and went on to achieve huge box office success not only in France, but now also in the US. In a truly special year, 7 TFL films were presented across the various sections in Cannes; films that had participated in different TFL programmes - some being developed, some also financially supported. In Locarno Godless won the Golden Leopard and in Venice, Fien Troch was awarded Best Director of the Orizzonti section. During the Torino Film Festival, we are presenting the biggest number of TFL films ever, 14 in total, TorinoFilmLab with Jesús in competition and The Happiest Day in the Life of Olli Mäki in Festa Mobile. Only in 2016, 25 TFL-supported films were released, bringing the number up to 68 for the first 9 years. For our 10th year, we have already announced some changes and some novelties. TFL is venturing into new territories that need to be explored. We will try and do it with the energy and commitment that has guided us through these years. As we write, our newly launched SeriesLab has reached 100 applications, from all over Europe and abroad. All of this would not be possible without the numerous institutions and partners that support us: the Italian Ministero dei Beni e delle Attività Culturali e del Turismo, Regione Piemonte, Comune di Torino, Creative Europe. Many countries have welcomed TFL’s activities: Belgium, Czech Republic, France, Poland, Slovenia, Sweden and Switzerland. Thank you. Alberto Barbera Chairman of the Advisory Board & Jury Savina Neirotti Executive Director 2 supported by supported by supported by promoted by promoted by promoted by main venue main venue main venue ocial carrier 3 ocial carrier ocial carrier Index 6 TFL Meeting Event 8 Jury FrameWork 10 Alumni Meeting 40 Introduction 42 And They May Still Be Alive Today Tudor Cristian Jurgiu Script&Pitch 46 La Vita Nuova PROJECTS Carlo Zoratti, Cosimo Bizzarri 14 Introduction 50 Port Authority 16 A Zone to Defend Danielle Lessovitz Romain Cogitore 54 Shake Your Cares Away 18 Almost in Love Tom Shoval Leonardo Brzezicki 58 The Fever 20 Blood-drenched Beard Maya Da-Rin Aly Muritiba 62 The Guest 22 Feathers of a Father Duccio Chiarini Omar El Zohairy, Ahmed Amer 66 The Orphanage 24 January Shahrbanoo Sadat Andrey Paounov, Alex Barrett 70 The Staffroom 26 Living Sonja Tarokić Vuk Ršumović 74 Yalda 28 Pamfir Massoud Bakhshi Dmytro Sukholytkyy-Sobchuk 30 Samira Yael Bartana, Yuval Aharoni 32 Teenage Jesus AdaptLab Marie Grahtø 80 Introduction 34 The Best Reward Federico Ferrone Own adaptation projects 36 Zama 84 City of Small Blessings Philippe Lacôte Chen-Hsi Wong 86 Harder Than Snow Kadir Balci 88 Imperium Jan-Ole Gerster 90 Natural Light Dénes Nagy 92 White Hunger Mikko Kuparinen FrameWork 94 Youth’s Hopes Audience Minna Prader Design Projects based on pre-selected novels 122 Introduction 98 TALENTS Bad Trunk 124 Weronika Czołnowska Cristina Bîlea 125 Tina Lešničar 100 Fathers and Sons Lawrie Doran 126 Kirsten Loose 102 Kamal Jann 127 Kristoffel Mertens Khurrum M. Sultan 128 Francesca Pionati 104 Sound Proof Eun-Zi Kim 129 Ahmed Sobky 106 The Gene of Doubt 130 Audience Design Strategies Frédéric Zeimet 108 Waiting Town Tamara Erde 134 FILMS TFL Coming Soon 146 TFL Films 2016 Story Editing Guest projects 112 Introduction 162 Introduction 114 Erica Barbiani 164 Quixote’s Last Film Tom Wilson 115 Delphyne Besse 166 Beyond the Blue Bridge AdaptLab 116 Vanessa Ciszewski Isabel Lamberti 117 Patricia Drati 118 Aleksandra Świerk 168 Tutors / Trainers / Talent Advisors 119 Marijana Verhoef 174 Advisory Board 175 Staff Welcome to you all in Torino! Preparing this Meeting Event always feels very similar to the tragicomic path of any wedding plans in the world. And as we are now on our way to the 9th edition, let us tell you we have experienced already many parties, more often than not crazy, hopefully never dull, with their share of dramas, moments of pure bliss, and tears of happiness! To start with, the list of guests is a joyful nightmare. There are the respectable uncles & aunts: a must; the distant cousins, who potentially would be good matches for your old maid friends; the ex- lovers: those who should definitely not be seated at the same table; and the children: should they be TFL Meeting Event invited at all? Our concern at the moment is to grow while remaining genuine. After all, we are very attached to a famiglia kind of atmosphere, and don’t want our celebration to look like those fancy-kitschy oligarch or pop-star weddings – not that we could even afford them! The Meeting Event – and TorinoFilmLab at large – is not an exclusive club. It shall be open, inclusive, welcoming innovation and new faces. That’s why we are very glad that most of you come for the very first time to Torino this year. And old friends, we love you the same! The great thing is that we are not celebrating one kind of love only, one way of understanding, experiencing, and creating cinema, but the immense diversity of the film rainbow. In that sense, it all looks like a mass wedding ceremony. With no priest involved! Amen. Moderator Matthieu Darras Artistic Director Gino Ventriglia Italy Mercedes Fernandez Alonso Managing Director 6 associated partners supported by sponsor technical partners THE FINE DINING WATERS promoted by A QUADRATO Dual Brand - Logo 27/03/13 in collaboraton with media partner media partners main venues main venue ocial carrier 7 Jury Alberto Barbera Monia Chokri Hanaa Issa Italy Canada Lebanon/Canada Born in 1950 (Biella, Italy). Born in Quebec city (1982), she Hanaa Issa joined the Doha Graduated in Literature in Torino, began her acting career after her Film Institute at its inception in where he worked in AIACE studies at Montreal’s Conservatory 2009. She led several senior (Associazione Amici Cinema of Dramatic Arts in 2005. management responsibilities d’Essai), from 1977 to 1989 as through the founding and President. From 1980 he was Monia defended no less than a establishment of DFI, including film critic for several daily and dozen plays on the boards of its strategic planning, revenue news magazines, TV and radio Montreal theaters. In 2006 she generation, and strategic programmes. He curated several founded the company Théâtre partnerships development. publishings including for example DuBunker. In addition, she has François Truffaut (La Nuova Italia, received remarkable roles in films Currently, as Director of Strategy Firenze, 1976), Leggere il cinema presented at the Cannes Film & Development, she oversees the (Mondadori, Milano, 1979), Dennis Festival directed by Québécois Institute’s Film Programmes and Hopper (with Davide Ferrario, filmmakers, namely Denys Arcand Funding initiatives, including the AIACE, Torino, 1988), Mohsen and Xavier Dolan. Grants Programme, Co-Financing, Makhmalbaf (Lindau, Torino, Training & Development, and 1996), Kiarostami (Electa, Milano, The quality of her acting has been Programming. In this role, Hanaa 2003), Cabiria (Il Castoro, Milano, noted by critics, notably in Les provides leadership for the core 2006), and Noi credevamo (Il Inrockuptibles and Le Monde. businesses to deliver on their Castoro, Milano, 2011). mission of fostering an ecosystem From 1982 Barbera worked with In addition, in 2013, she wrote to nurture and strengthen a viable Festival Internazionale Cinema and directed her first short film film industry in Qatar and the Giovani (now Torino Film Festival), An Extraordinary Person, which region. as General Secretary and Selection earned her several awards Hanaa is also the Deputy Director Committee member, from 1989 including the Jutra for Best Short of Qumra, DFI’s annual industry to 1998 as Director. From 1999 /Medium-length Film (2014), the event that seeks to provide to 2001 he was Director of the Narrative Short Award at SXSW leadership, nurturing and hands- Cinema Department in Biennale (2014) and 5 awards at the 11th gala on development for emerging di Venezia. From July 2004, he Prend ça court (2014). filmmakers worldwide. is Director of Museo Nazionale del Cinema di Torino and since January 2012 he is Director of the Venice Film Festival. 8 Oscar Ruiz Navia Jožko Rutar Colombia Slovenia In 2006 he founded Contravia Born in 1970. After graduation from Films, one of the most recognized the Faculty of Economics in Ljubljana art-house film companies in he started working as a producer of Colombia. His first film is El Vuelco cultural events and performances. Del Cangrejo (FIPRESCI Award, He worked with the contemporary Berlinale Forum 2010). dance group EN-KNAP for 5 years as a producer of dance His short film Solecito, an invitation performances and films. Between from the artist Olafur Eliasson, 2004 and 2011 he was managing premiered at Cannes Directors’ Staragara production company and Fortnight 2013. His second film produced several features, shorts is Los Hongos (Special Jury Prize and documentary films. From July Filmmakers of the Present, Locarno 2011 to July 2016 he was Managing Film Festival 2014). Director of Slovenian Film Centre, His new film Epifanía, in National Film Agency. As Head of codirection with Anna Eborn, Agency he was responsible for script premiered at Busan Film Festival, and project development, production Korea 2016. support of co-productions, and national/international cultural policy He produced the films La Sirga on the audiovisual field. He produced (Cannes Directors’ Fortnight 3 feature films and numerous 2012) and Sal by William Vega shorts and documentaries.
Recommended publications
  • Cinema Canvas – Persdossier – Juni 2017 1
    Cinema Canvas – persdossier – juni 2017 1 Inhoud De strafste films komen naar jouw stad met Cinema Canvas 3 Week 1 - Kortrijk Woensdag 5 juli: One Flew over the Cuckoo’s Nest (de keuze van Jan Eelen) 4 Donderdag 6 juli: The Searchers (de keuze van Johan Heldenbergh) 5 Vrijdag 7 juli: Me and You and Everyone We Know (de keuze van Patricia Toye) 6 Week 2 - Kortrijk Woensdag 12 juli: Jaws (de keuze van Erik Van Looy) 7 Donderdag 13 juli: Fight Club (de keuze van Tim Van Aelst) 8 Vrijdag 14 juli: Babel (de keuze van Dorothée Van Den Berghe) 9 Week 3 - Antwerpen Woensdag 19 juli: Dangerous Liaisons (de keuze van Hilde van Mieghem) 10 Donderdag 20 juli: La Piscine (de keuze van Nathalie Basteyns) 11 Vrijdag 21 juli: A Clockwork Orange (de keuze van Marcel Vanthilt) 12 Week 4 - Genk Woensdag 26 juli: Badlands (de keuze van Fien Troch) 13 Donderdag 27 juli: Miller’s Crossing (de keuze van Matthias Sercu) 14 Vrijdag 28 juli: Magnolia (de keuze van Luk Wyns) 15 Week 5 - Leuven Woensdag 2 augustus: Donnie Darko (de keuze van Jonas Govaerts) 16 Donderdag 3 augustus: Casablanca (de keuze van Steven De Foer) 17 Vrijdag 4 augustus: Dog Day Afternoon (de keuze van Robin Pront) 18 Week 6 – Sint-Truiden Woensdag 9 augustus: Casino (de keuze van Michaël Roskam) 19 Donderdag 10 augustus: La grande belezza (de keuze van Amira Daoudi) 20 Vrijdag 11 augustus: Les vacances de Mr. Hulot (de keuze van Frank Van Passel) 21 Week 7 – Gent Woensdag 16 augustus: The Green Butchers (de keuze van Tom Van Dyck) 22 Donderdag 17 augustus: Nobody Knows (de keuze van Nathalie Teirlinck) 23 Vrijdag 18 augustus: Blow Out (de keuze van Patrick Duynslaegher) 24 Week 8 - Vilvoorde Woensdag 23 augustus: Dr.
    [Show full text]
  • Factsheet MEDIA Success Stories
    Factsheet MEDIA success stories Saul Fia (Son of Saul, 2015) directed by László Nemes (HU) Oscar for Best Foreign Language Film Grand Prix at Cannes Film Festival Support: € 697,585 for its distribution across Europe Son of Saul is a small-budget film – €1.5 million. MEDIA decided to back the project and contributed to distributed it in 24 countries across Europe – a record on its own. La Grande Bellezza (The Great Beauty, 2013) directed by Paolo Sorrentino (IT) Oscar and Golden Globe for Best Foreign Language Film Support: € 491,531 for its development and its distribution across Europe With La Grande Bellezza, Paolo Sorrentino gained international acclaim as a European director who could encapsulate the human dimension of his characters in a perfect shot. Youth (also funded by MEDIA) continued along the same path. In 2016, Sorrentino made a successful foray into television, with The Young Pope which he considers to be a 10 hour-long movie Ida (2013) directed by Pawel Pawlikowski (PL) Oscar for Best Foreign Language Film Lux Prize Support: € 646,282 for its development and its distribution across Europe MEDIA provided seed money for the development of Ida. It also helped foreign distributors to show the film abroad through distribution schemes: Memento Films in France received €29,000 to show Ida to French audiences. France had the highest proportion of admissions for the film across Europe, with 484,000 viewers, one third of its total admissions. Tabu (2012) directed by Miguel Gomes (PT) 18 prizes and 40 nominations Support: € 192,800 for its development and its distribution across Europe Tabu, by Portugese director Miguel Gomes, was developed with the support of MEDIA.
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • Annelies Beck Expressionisme: Das Cabinet Des “BOEIEND OM TE ZIEN Dr
    Gratis fi lmmagazine NIEUWS INTERVIEWS ARTIKELS RECENSIES Een duizelingwekkende dosis cinema BROER THE DANISH GIRL JENNIFER LAWRENCE PROBLEMSKI HOTEL CAROL TheWoelige winterpret met QuentinHateful Tarantino Eight # januari 2016 18 WE ALL LIVE OR WE ALL DIE. CHRIS PINE ONTDEK ONZE VERTIGO VIERT CASEY AFFLECK ABONNEMENTEN! BEN FOSTER OUD & NIEUW EN ERIC BANA IN CINEMA CARTOON’S ANTWERPEN ABONNEE ›› Vertigo thuisbezorgd €50 ›› 1 T-shir t ZONDAG 10 JANUARI ›› Vertigo thuisbezorgd 2015 MATINEE VRIEND ›› 1 T-shir t ›› Voorrang op Vertigo-events €100 ›› (minstens 10 duotickets) DINSDAG 19 JANUARI ›› Vertigo thuisbezorgd ›› 2 T-shir ts 2016 TOPPER VIP ›› Voorrang op Vertigo-events ›› (minstens 10 duotickets) MET EEN RECEPTIE VOOR VIPABONNEES €200 E ›› Exclusieve VIP-tickets OP DE 26 ETAGE VAN DE BOERENTOREN OOK APART VERKRIJGBAAR TSHIRT €20 (INCLUSIEF VERZENDING) Dames: Rood en blauw Mannen: Grijs en bordeaux GEBASEERD OP HET ONGELOOFLIJKE WAARGEBEURDE VERHAAL Verschillende maten ALLE INFO OP Walt Disney Studios België VANAF 27 JANUARI IN DE BIOSCOOP VERTIGOWEB.BE The Finest Hours - Vertigo.indd 1 22/12/2015 18:06 66746 OPM VERTIGO ADV 1_1.indd 1 21/12/15 14:31 Het wilde Westen oen in 1903 de eerste western The Great Train Robbery in première ging, dook het onervaren publiek weg van het scherm, uit T angst voor een bandiet die recht naar hen schoot. De toon was gezet: het genre zou synoniem worden met adembenemende actie, stoere cowboys en snode Indianen. Door de filmgeschiedenis heen werd de western meermaals doodverklaard, maar telkens verrees IN 2016 IS DE SCANDIMANIA TERUG! hij – vaak glorieuzer dan ooit tevoren. Bij de start van 2016 is het genre in ieder geval springlevend, met Ontdek de nieuwe lichting grand cru series gloednieuwe voorbeelden van de hand van Quentin Tarantino en Alejandro González Iñárritu.
    [Show full text]
  • Erzsebet Forgacs
    Erzsebet Forgacs Key Make-Up Artist Education: • 1970: Study French in l,Alliance Francaise in Paris • 1972: Certificate of Final Examination in Secondary School Specialited in French • 1975-76: Study Italian lanquage and literature in Institute Italian in Budapest • 1978: Certificate Secondary of Study Foreign Trade Qualification: • 1980: Certificate for Cosmetician Profession-State Owned School for Professionals • Received the Award of "Ida Dallos" of the Cosmetician School • 1986: Certificate from the Cultural Ministry for Film Professionals,Scenic Section, High School Degree Nyelvismeret: • French - Stat Superior Certificate 1987 • Italian - Superior • English - Intermediate • German - Basic Position: • KEY MAKE-UP ARTIST from 1986- • Assistant Make-Up Artist from 1981- Exhibition: • 2007: III Richard on the Wall - organization and direction, for performance III Richard of the Theatre Vörösmarty of City Székesfehérvár with Hungarian Theatre Museum and Institute (2007) Teacher: • 2007-08: Teacher of Make-Up branch of the Crew-school of H.S.C. - (The Hungarian Society of Cinematographers) • Member of the Make-Up Section of H.S.C. (The Hungarian Society of Cinematographers) • 2010-11: Private tution in the subject of Make-Up on the Visual Education Department of the Hungarian University of Fine Arts (MKE) Award: • 2007: "JOLÁN ÁRVAI" AWARD Received the Diploma of the Award for outstanding work for the Hungarian Movie nominated by the Hungarian Directors and Cameramen Nominations: • 2001: NOMINATION of PARAMOUNT CLASSICS for the Best Period Make-Up (Feature) of Hollywood Make-Up Artist and Hair Stylist Guild Awards for the Film "SUNSHINE" • 2010: NOMINATION of DAVID DI DONATELLO Award 2010 (of Italian Film Academy) for the Best Make-Up (with Luigi Rochetti) for the Film "Memories of Anne Frank".
    [Show full text]
  • Dossier Presse Joseph
    Les Films de la Croisade en coproduction avec Iota Production et uFilm en association avec uFund avec la participation de France Télévisions Joseph l’insoumis Une fiction de 90’ inspirée de la vie du Père Joseph Wrésinski, fondateur d’ATD Quart Monde avec Jacques Weber, Anouk Grinberg Nicolas Louis, Patrick Descamps, Laurence Côte Salomé Stévenin, Anne Coesens, Isabelle de Hertogh Un film de Caroline Glorion Projet labellisé réalisé avec le soutien de : CNC, Région Aquitaine, Communauté Française de Belgique, Commission Européenne, Conseil Général de Gironde, Ville de Bordeaux, Ministère de la Santé et des Sports - Délégation à l’information et à la Communication, L’Acsé –Fonds Images de la Diversité, Observatoire National de la Pauvreté, Caisse des Dépôts, Fondation Bettencourt Schueller, Association Georges Hourdin, du Programme Media de l’Union Européenne, de Soficinéma 5 Développement et de TV5 Monde Joseph l’insoumis Le Rachaï Joseph l’insoumis Début des années 60, un bidonville aux portes de Paris. Une poignée de familles survivent sous des abris de fortune dans une misère effroyable et une violence quotidienne. Un homme, le Père Joseph Wrésinski, décide de s’installer au milieu de ceux qu’il appelle « son peuple ». Parmi ces familles, celle de Jacques. Sa vie va être transformée par sa rencontre avec le Père Joseph. La sienne mais la vie aussi de ceux qui vont rejoindre le combat de ce curé révolutionnaire. Un combat contre l’assistance et la charité qui dit-il « enfoncent les pauvres dans l’indignité Distribution artistique Joseph
    [Show full text]
  • The European Development Programme for Limited Budget
    20 17 with the support of in partnership with in partnership The European development programme for limited created by created budget feature films created by Le Groupe Ouest, European Film Lab was founded on the coast of western Brittany (France) in 2006. Over 500 filmmakers have received residential coaching since work started, making Le Groupe Ouest the acknowledged leader in this field. In 2016, after founding the Cross Channel Film Lab and on the back of its experience as TorinoFilmLab’s longstanding French associate, Le Groupe Ouest launched LIM, following an initial pilot year with Romanian partner Control N. Le Groupe Ouest is LIM’s managing partner and coordinator. with the support of in partnership with Founded in 2009 by The Flanders Audiovisual two screenwriters and Fund (VAF) is the a director, Control N cultural public funding is a cultural association, body of Belgium’s whose projects center Flemish Community. around training workshops, VAF aims to stimulate and film courses and seminars, support the independent most of them dedicated audiovisual creation to amateurs. Although in Flanders through its projects touch different an integrated approach. areas of culture (theatre, VAF also offers the dance, photography), Flemish professional Control N’s main focus sector the necessary is screenwriting, script framework, along with development and film a wide range of related events. Its declared accompanying activities purpose is to discover and support measures and promote young in the area of Talent talented film enthusiasts Development, Research, and to push for cinema Film Activities and with the support of education in Romania. Sustainability - the latter known as ‘e-Mission’.
    [Show full text]
  • Miss Montigny Un Film De Miel Van Hoogenbemt
    Sébastien Delloye , Jani Thiltges, Olivier Charvet présentent Miss Montigny Un film de Miel van Hoogenbemt Avec Sophie Quinton - Ariane Ascaride Johan Leysen Chansons originales : Axelle Red Musique Originale : Molly Nyman & Harry Escott France /Belgique – 2005 - 35mm – Couleurs – 1:85 – 96 minutes – Dolby Digital Sortie nationale : le 2 mai 2007 Distributeur : Floris Films 26, rue de l’Etoile – 75017 Paris – tél : 01 40 68 99 20 – [email protected] Attaché de presse : François Vila 64, rue de Seine – 94140 Alfortville – tél 01 43 96 04 04 – [email protected] Miss Montigny Synopsis A Montigny, Sandrine qui n’a pas encore vingt ans, poursuit un rêve : ouvrir son salon d’esthétique. Sa mère Anna la pousse à fond dans cette voie afin que sa fille réussisse là où elle a échoué. Un jour dans la rue, Sandrine entend parler de l’élection de Miss Montigny. Elle n’hésite qu’un court instant avant de s’inscrire : si elle gagne, elle obtiendra la confiance des banquiers qui jusqu’à présent lui refusent obstinément un prêt. C’est aussi, surtout l’opportunité de devenir quelqu’un de « connu », ce qui ne manquera pas d’attirer les clients. Entretien avec Miel van Hoogenbemt, réalisateur Comment est né le film « Miss Montigny » ? Après avoir fait deux documentaires à Charleroi (‘Un jour ou l’autre’ et ‘Demain est un autre jour’) sur des gens en difficulté financière et donc sociale, et un film sur des élections de Miss à Schaerbeek (‘Miss in Dreams’), j’ai voulu aller plus loin en faisant un long métrage de fiction, ‘Miss Montigny’.
    [Show full text]
  • SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
    SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ......................................................................................................................................
    [Show full text]
  • Bong Joon Ho, Todd Haynes, Michel Hazanavicius, Taylor Sheridan and More
    THE WE’VE GOT CANNES COVERED MAY 2017 EXCLUSIVE Directors Portfolio: Noah Baumbach, Bong Joon Ho, Todd Haynes, Michel Hazanavicius, Taylor Sheridan and more THE ETHEREAL ARTISTRY OF TILDA Plus: The Cannes market, the Chinese giants, the streaming invasion Photographer: Nicolas Guerin/ Production: Clotilde Lecuillier & Sarah Lafrontiere Lafrontiere Clotilde Lecuillier & Sarah Nicolas Guerin/ Production: Photographer: SWINTON THE wEINSTEIN COMPANY IS PROUD TO PRESE NT OUR LINEUP AT THE 2017 CANNES FILM FESTIVAL AND MARKET THE CURRENT WAR THE WAR WITH GRANDPA Directed by: Alfonso Gomez-Rejon Directed by: Tim Hill Written by: Michael Mitnick Written by: Tom J. Astle & Matt Ember Producers: Harvey Weinstein, Based on the book by Robert Kimmel Smith Timur Bekmambetov, Basil Iwanyk, Cast: Robert De Niro, Uma urman, Steven Zaillian, Garrett Basch, Ann Ruark Christopher Walken Cast: Benedict Cumberbatch, Producers: Marvin Peart, Phillip Glasser, Michael Shannon, Katherine Waterston, Rosa Morris Peart Tuppence Middleton, Tom Holland, Release Date: 10/20/17 Nicholas Hoult Worldwide: TWC Release Date: 12/22/17 Worldwide: TWC POLAROID Directed by: Lars Klevberg MARY MAGDALENE Written by: Blair Butler Based on the short lm “Polaroid” Directed by: Garth Davis directed by Lars Klevberg WIND RIVER Written by: Helen Edmundson and Cast: Kathryn Prescott, Javier Botet, Mitch Pileggi Philippa Goslett Directed and Written by: Taylor Sheridan Producers: Roy Lee, Chris Bender, Producers: Basil Iwanyk, Peter Berg, Matthew George, Wayne Rogers, Elizabeth A. Bell
    [Show full text]
  • Paris, Sustainable Sets Eu, Trip Gets the Green Light
    News from European Film Commission Network ers have decided to extend the shoot in Croatia, adding locations in FRANCE and around Split to Season 4. According to Embassy Films, filming in Croatia will take place between the months of August and September. PARIS, SUSTAINABLE SETS On June 27th, Bruno Julliard, Deputy Mayor in charge of culture, and Christian Vivès, Director of Paris ERDF, signed the charter for filming CZECH REPUBLIC in Paris according to which the use of temporary electric connections is encouraged and made easier. This permits film crews to restrict the PRAGUE/INTERNATIONAL SETS use of generators, thus reducing sound and environmental disturbance. The Ridley Scott-produced Child 44, directed by Daniel Espinosa and TheCity of Paris and ERDF thus aim to facilitate the reception of film produced by Scott Free Productions, Prague’s Stillking Films, Sum- crews and preserve the quality of life of Parisians, while reducing the mit Entertainment and Worldview Entertainment, started its 75-day city’s environmental footprint. shoot in June. Featuring a stellar cast including Tom Hardy, Gary Old- ERDF, a public service company in charge of supplying electricity to man, and Noomi Rapace, the story is set in the Soviet Union during the 95% of the French metropolitan territory, has teamed up with the City Stalin era, where a disgraced Soviet military police officer investigates for the success of the Climate Plan. a series of child murders. Paris, capital of cinema, hosts more 950 film shoots in 6,000 different Another important international production starting in June in Prague locations every year.
    [Show full text]