The World's Columbian Exposition: Idea, Experience, Aftermath
The World's Columbian Exposition: Idea, Experience, Aftermath Julie Kirsten Rose Morgan Hill, California B.A., San Jose State University, 1993 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia August 1996 L IV\CLslerI s E~A-3 \ ~ \qa,(c, . R_to{ r~ 1 COLOPHON AND DEDICATION This thesis was conceived and produced as a hypertextual project; this print version exists solely to complete the request and requirements of department of Graduate Arts and Sciences. To experience this work as it was intended, please point your World Wide Web browser to: http:/ /xroads.virginia.edu/ ~MA96/WCE/title.html Many thanks to John Bunch for his time and patience while I created this hypertextual thesis, and to my advisor Alan Howard for his great suggestions, support, and faith.,.I've truly enjoyed this year-long adventure! I'd like to dedicate this thesis, and my work throughout my Master's Program in English/ American Studies at the University of Virginia to my husband, Craig. Without his love, support, encouragement, and partnership, this thesis and degree could not have been possible. 1 INTRODUCTION The World's Columbian Exposition, held in Chicago in 1893, was the last and the greatest of the nineteenth century's World's Fairs. Nominally a celebration of Columbus' voyages 400 years prior, the Exposition was in actuality a reflection and celebration of American culture and society--for fun, edification, and profit--and a blueprint for life in modem and postmodern America.
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