Staff for the Chelsea Theater Center Artistic Director

Total Page:16

File Type:pdf, Size:1020Kb

Staff for the Chelsea Theater Center Artistic Director The Chelsea Theater Center of Brooklyn Artistic Director Executive Director Productious Director Robert Kalfin Michael David Burl Hash presents (andicfe Book adaptea Music Composed by • from Voltaire by Lyrics by Leonard Bernstein Hugh Wheeler Richard Wilbur With Additional Lyrics by Stephen Sondheim and John Latouche With Mark Baker June Gable Robert Hendersen Kathryn Ritter Gail Boggs Lynne Gannaway David Horwitz Deborah St. Darr Maureen Brennan Chip Garnett Jeff Keller Renee Semes Jim Corti Carlos Gorbea Marti Morris Lewis J. Stadlen Sam Freed Mary-Pat Green Joe Palmieri Production Designed by Musical Director Orchestrations by Eugene and Franne Lee John Mauceri Hershy Kay Choreographed by Patricia Birch Directed by Harold Prince Assistant Director Ruth Mitchell Production Stage Manager Jaunes Doolan Cast in Order of Appearance Dr. Voltaire, Dr. Pangloss, Governor, Host, Sage --------·---------------------- ---------Lewis J. Stadlen Chinese Coolie, Westphalian Soldier, Priest, Spanish Don, Rosary Vendor, Sailor, Lion, Guest ------ ------------------ --------------------Jim Corti Candide ------------ ------------ ------------------------------------------------------------------------------------------------Mark Baker Huntsman, 1st Recruiter, Agent, Executioner, Spanish Don, Cartagenian, Priest, 3rd Sailor, Eunuch ----------------------------------------------------------------------------David Horwitz Paquette ------------- ---------------------------------------------------------------- ---------------------------------Deborah St. Darr Baron, Grand Inquisitor, Slave Driver, 1st Sailor ----------------------------------------------Joe Palmieri Baroness, Harpsichordist, Penitente, Steel Drummer, Houri, Cow ______ __ ____ __Mary-Pat Green Cunegonde -------------------------------------------------------- ------------------------------------------------Maureen Brennan Maxmillian ----------------------------------------------------------------------------------------------------------------------Sam Freed Servant, Bulgarian Sergeant, Agent of the Inquisition, Executioner, Spanish Don, Cartagenian, Sailor .......... Robert Hendersen 2nd Recruiter, Rich Jew, Judge, Man in Black, Cartagenian, Pirate, German Botanist and Guest ----------------Jeff Keller Penitente, Whore, Houri -------------------------------- ----------------------------------------------------------Gail Boggs Penitente, Cartagenian, Houri ------------------------ ------------------------------------------------Lynne Gannaway Aristocrat, Cartagenian, 2nd Sheep ------------------------------------------------------------------------Marti Morris Westphalian Soldier, Agent, Guard, Governor's Aide, Pirate, Guest ............Chip Garnett Bulgarian Soldier, Aristocrat, Fruit Vendor, 2nd Sailor, Pygmy, Cow ..........Carlos Gorbea Lady with Knitting, Cartagenian, 1st Sheep __ :____________________ _________________ ____ ____ ___ _____ Renee Semes Aristocrat, Whore, Houri (Cunegonde Alternate) ------------------------------------------Kathryn Ritter Old Lady ------------------------------------------------------------------------------------------------------------------------June Gable Understudies Sam Freed for Lewis J. Stadlen; Robert Hendersen for Sam Freed and Mark Baker; David Horowitz for Joe Palmieri and Jeff Keller; Renee Semes for June Gable; Lynne Gannaway for supporting female roles; Carlos Gorbea for supporting male roles. Undersrudies never substitute for-listed players unless a specific announcement for the appearance is made at the time of the performance. Musical Numbers Life is Happiness Indeed ----------------------------------------------------Baker, Brennan, Freed, St. Darr The Best of All Possible Worlds ----------------------------Stadlen, Baker, Brennan, Freed, St. Darr Oh Happy We ---------------------·--------------------------------·························-----------------------Baker, Brennan It Must Be So --------------------------------------------·-······------------·-----·-·--·················--···············-···········BalCer 0 Miserere ·---··-----·--·--·------------······----··················--------··-·····------·-····--·-Gannaway, Boggs, Morris Reprise- Oh Happy We ---------··-----------------···------·-·················-······-····--·---·········Baker, Brennan Glitter and Be Gay ------------------------·-------------------·----·-···----·-·---···-··----·-··········--------···········--·-Brennan Auto Da fe (What A Day) ·----·-·--··-··-··-··--··-···--·-·--·--·--····································-···········-Company This World ·····--·--·--------·-------··-------·-··----·-··-----------·······---····---·----···-············--·-······--················Baker · You Were Dead, You Know -----------·······---------·----·-···---····-----·--·--······-···---··-----·····Baker, Brennan l am Easily Assimilated ·····--·----·--··---····--···-······ .................... Gable, Corti, Hendersen, Horwitz Reprise - I am Easily Assimilated ...................................................... Gable, Baker, Brennan My Love ·----------··---------------------------------·----·--------··········-----·-----···-------·---··----·-·····----·--·-·-·····---Stadlen Fons Pietatis ------·-················································---··--···------····---·-·----------·--·-············----·--··-Company Sheep's Song -------------·----------·-·----·········--·-····---··· ............ Morris, Semes, Corti, St. Darr, Baker Bon Voyage --···--·---·--·-····------·-··········----·············· ·····--------·-·------------------------Stadlen and Company Reprise- The Best of all Possible Worlds ______ _____ _Gable, Baker, St. Darr, Semes, Morris Reprise - You Were Dead, You Know ........ ··------·-----------·---··----------------·-···-----Baker, Brennan Make Our Garden Grow ···----···-·--·-----··-···---·-···········-···························-·---·---·-·-------------Company Musicians Piano .............................. ................ .............................................................................................. Tom Pierson Joseph D. Lewis Albin Konopka Trombone ................................................................................... ...................................................0. T. Myers Cello .............................................................................................................................................. David Sella Percussion ....................................................................................................................................Rick Cohen Double Bass .......................................................................................................................... Dennis Masuzzo ViolinjViola .......................................................................................... Ruth MillhousejYuval Waldman Trumpet ............................................................................... ....... ..................................................Grant Keast Scott Wharton Clarinet, Flute, Piccolo, Alto Recorder .......................................................................... Charles O'Kane Clarinet, Saxophone, Bass Clarinet ............................................................................................ Phil Bashor Clarinet, Oboe, Bassoon .................................................................................................. Virginia Hourigan MARK BAKER (Candide) was a Cherub at North­ where he played Mortimer in Arsenic And Old Lace western University and first studied acting with and the title role in George M! Me. Corti is a gradu­ Alvina Krause. He later entered Carnegie-Mellon ate of Loyola University, Chicago. He has studied University to study theatre design, but soon discovered with Alvina Krause at the Pacific Conservatory Judith that acting was more important. In 1968 he enrolled Gick of the Royal Academy of Dramatic Art, Har:>ld at the Neighborhood Playhouse where he studied with Lang of the Central School, London, and Vincent Sanford Meisner. He first appeared as Linus in Dowling of the Abbe~· Theatre, Dublin. You're A Good Man Charlie Brown and performed it for President and Mrs. Johnson at the White * * * House. He ~ppeared witn Margaret Hamilton and SAM FREED (Maximillian) has appeared off-Broad­ Vivian Vance in Here Today, in Love Me, Love My way in What's A Nillf! Country Like You Doing In Children at the Mercer Arts Center, as Barnaby in Hello Dolly with Molly Picon, The Fantasticks with A State Like This and The Proposition. He played John Gavin, and on Broadway· in Via Galactica. His in The Taming Of The Shrew at the Actors' Theatre most recent appearance was in the New York pro­ of Louisville and in Romeo And Juliet and The .l duction of Got/spell. Mr. Baker is currently studying Drrmkard at the Penn State Festival Theatre. Mr. voice with Ryan Edwards and Tom Rosinsky. His Freed was also seen in the NET production Mas­ J spare-time interest is the creation and study of puppets. querade. His summer stock credits include leading roles in L'il Abner, Show Me Where The Good Times * * * Art•, and Star Spangled Girl. GAIL BOGGS (Penitente, Whore, Houri) has been * * .. seen in ]ems Christ Superstar and Mother f.ttrlb on Broadway. In Australia she appeared in 1u o Gt! nlh·· JUNE GABLE (Old Lady) was last seen in the men of Verona. Off-Broadway she played in the Publit· Chelsea production of The Beggar's Opera as Lucy Thelter production of Ipigenia and in the show Ti Lockit. Her other off-Broadway credits include
Recommended publications
  • Program Design: Tim Osborne
    MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A.
    [Show full text]
  • " Real Women" Essay Writing Competition Guide. National
    DOCUMENT RESUME ED 253 449 SO 016 129 AUTHOR Ruthsdotter, Mary, Ed. TITLE "Real Women" Essay Writing Competition Guide. National Women's History Week, March 3-9, 1985. INSTITUTION National Women's History P.oject, Santa Rosa, CA. PUB DATE 85 NOTE 60p. AVAILABLE FROMNational Women's History Project, P.O. Box 3716, Santa Rosa, CA 95402 ($6.00). PU9 TYPE Guides - Non-Classroom Use (055) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Awards; Content Area Writing; Creative Writing; ' Elementary Secondary Education; *Essays; *Females; 0 History Instruction; Program Content; Program Descriptions; Recognition (Achievement); School Community Programs; *Social Studies; Student Projects; Womens Studies IDENTIFIERS r *Contests; *National WomensHistory Week Project; Sample Materials ABSTRACT Step-by-step guidelines to help educators and community groups implement a National Women's History Week essay contest, in which elementary and secondary studentswrite about women, are provided. Students areencouraged to write about a woman they personally know so that they can conduct an oralhistory interview. An alternate approach would be to havestudents focus on women from the past--women they havelearned about through classroom lessens. The guidelines contain information aboutsponsorship and co-sponsorship by educators and business and community groups, costs, essay content, contest rules, thejudging process, publicity, the awards event, and prizes. The appendices contain samplesof helpful information used in an essay contest sponsored in Sonoma County, California. Included are a letter to school principals, a packetof materials for project contact persons, materials for potential judges, a packet for participating judges, a press releaseannouncing competition, a letter notifying winners, a press releaseannouncing winners, the printed program for the awards event, acertificate of participation, a letter thanking judging panelists, and logos for National Women's History Week.
    [Show full text]
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • February 12 – 16, 2016
    February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • The Key Reporter
    reporter volume xxxi number four summer 1966 NEW PROGRAMS FOR THE HUMANITIES The National Foundation on the Arts and the Humanities aspects of the program. Panels for review of proposals are celebrates its first birthday next month. One of the youngest also set up in selected fields. The Councils are obliged to make federal agencies, the Foundation was established last year by annual reports to the President for transmittal to Congress. the 89th Congress on September 16. Although legislation in Federal Council on the Arts and the Humanities support of cultural undertakings, particularly the arts, had been before Congress for some 88 years, last year was the first In order to avoid duplication of programs and with an eye to time that legislation had been introduced to benefit both the assuring maximum opportunity for cooperative activities humanities and the arts means of one independent national by the among federal government agencies, a Federal Council on foundation. That Congress voted to enact this legislative pro Arts and the Humanities was also established by Congress. gram the first time it was introduced can be attributed to strong There are nine members on the Federal Council, including the Administration backing of the proposed Foundation, biparti Secretary of the Smithsonian Institution, who serves as chair san support and sponsorship of the legislation in Congress, man. The Federal Council is authorized to assist in co and general public recognition and agreement that the national ordinating programs between the two Endowments and with government should support and encourage the humanities and related Federal bureaus and agencies; to plan and coordinate the arts.
    [Show full text]
  • A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
    L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Mixed Folios
    mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • A Midsummer Nights Dream 11 'T} S , O(;;)-2 by Wilham Shakespeare
    A Midsummer NightS Dream 11 't} s , o(;;)-2 by WilHam Shakespeare ~ BAm~ Tiieater BRooKLYN AcADEMY oF Music Compa11y ~~~~~~~~~ \.. ~ , •' II I II Q ,\.~ I II 1 \ } ( "' '" \ . • • !I II'" r )DO I \ ., : \ I ~\ } .. \ ;; .; 'I' ... .. _:..,... 1t ; rJ ,.I •\ y v \ YOUR MONEY GROWS LIKE MAGIC AT THE THE DIME SAVINGS BANK DF NEW YORK -..1-..ett•O•C MANHATTAN • DOWNTOWN BROOKLYN • BENSONHURST • FLATBUSH CONEY ISLAND • KINGS PLAZA • VALLEY STREAM • MASSAPEQUA HUNTINGTON STATION TABLE OF Old CONTENTS Hungary "An authentic ~ ounpany~~~~~~~ Hungarian restaurant right here in Brooklyn" Beef Goulash, Ch1cken Papnka, St uffed Cabbage, Palacsinta and other traditional dishes " Live Piano Music Nightly" The Actors 5-8 PRE-T HEATRE AND AFTER THEATRE DINNER 142 Montague St., Bklyn . Hghts. Notes on the Play 9-14 625· 1649 Production Team 15 § The Staff 16 'R(!tauranb The Actors 17-19 tel: 855-4830 Contributors 20-21 UL8-2000 Board of Directors 22 open daily for lunch and dinner till 9 P. M. Italian and A m erican Cuisine special orders upon request Flowers, plants and fruit baskets for all occasions (212) 768-6770 25th Street & 768-0800 5th Avenue Deluxe coach service following DIRECTORY BAM Theater Company Directory of Facilities a nd Services Box Office: Monday 10 00 to &.00 Tue.day throu~h ~tur performances day 10 00 to Y 00 Sunday Performance limes only Lost ond ~o und : Telephone &36-4 150 Restroom: Operu We pick you up and take you back llouse Women .ond Men. Mezzanme level. HandKapp<.·d Or c h c~t r a level Ployh ou,e: Women Orchestra l~vcl ,\.1cn .'Ae1 (to Manhattan) 1.anme lt•vel llandocapped Orchestra level Lepercq Spucc: The BAMBus Express will pick-up BAM Theater Company Wom en ,,nd Men Tht•c.H e r level Public T ele phon es.
    [Show full text]
  • Morning Line 11.3.14.Pdf
    SUNDAY, NOVEMBER 2, 2014 DAMON WINTER / NEW YORK TIMES Page 1 of 4 DAMON WINTER / NEW YORK TIMES Bradley Cooper at the Booth Theater. Page 2 of 4 T. CHARLES ERICKSON JOAN MARCUS . KEITH BERNSTEIN . Page 3 of 4 Page 4 of 4 November 1, 2014 From Month to Month, in a Work of the Eerie and the Oddball ‘October in the Chair and Other Fragile Things’ By Alexis Soloski A sad tale’s best for winter, Shakespeare tells us. So what’s the right kind of story for this time of year? A spooky one, of course. Old Sound Room, a young company built by recent Yale School of Drama graduates, has five on offer. In “October in the Chair and Other Fragile Things,” an enjoyably eerie if overwrought piece, the ensemble adapts yarns plucked from “Fragile Things,” a collection of miscellany by the fantasy writer Neil Gaiman. On a set bedecked with cobwebs and dead trees, five performers (including the director, Michael McQuilken) play various months of the year. Wearing ragtag clothes and the sort of stage makeup that resembles a wasting disease, they take turns telling anecdotes and legends. (What of the other seven months? I guess it’s a very short year.) August offers a standard-issue chiller; February, a sad romance; May, a metafictional jumble; March, a bit of faux-Victoriana; and October, an early version of Mr. Gaiman’s much-loved “The Graveyard Book.” Much of this is in the story theater vein, with the months narrating the characters’ actions. Mr. Gaiman has a restless, playful intelligence and a fan boy’s devotion to oddball genre, and the performances are deft and spirited.
    [Show full text]