26Sunday-Pg16-0.Qxd (Page 1)

Total Page:16

File Type:pdf, Size:1020Kb

26Sunday-Pg16-0.Qxd (Page 1) Culture Station 16 Mumbai, February 27, 2011 Beatallica is a Beatles and Metallica mash up band with songs like Hey dude, All you need is blood and I want to choke your band They look, sound and act like your favourite INDIAN INK rockstars, only they're not. But if you can’t see the KALPISH RATNA Cloning original rock acts in the flesh, tribute bands are the Writing on next best option, says Elizabeth Soumya the wall… se it or lose it is an evolutionary Breathe — The Floyd Sound, a UK-based Pink Floyd maxim. A smug corollary, called tribute band performed in Bangalore yesterday UDollo’s Law, jeers ‘and it ain’t ever rockstars Getty Images coming back’. This has always worried hat would you say if the quar- tic Monkeys) performing this year. Mar- me. It is punitive, like religion, and tet from Liverpool, with their Australian Singer tin Dimery of Sgt. Pepper's Only Dart sounds like bad science. My suspicion mop-top hairstyles and all in- Craig Pesco is Board Band, who is also the author of Be- was vindicated last month by a tree frog. tact, were still in circulation? Freddie Mercury ing John Lennon, tries figuring out why About 200 million years ago, frogs decid- The boys, in fact, just per- down to his they’re swelling in number: “Western pop- ed to jettison the teeth in their lower jaws. Wformed their set, including A Day in the Life, ular music has changed little over the last But a splinter group of tree frogs grew fingertips. He I Am the Walrus, and the big medley from claims to have kept 50 years. The music of Elvis Presley, The them right back again 20 million years Abbey Road — which had never been sung the spirit of Queen Beatles, Pink Floyd and The Stones, for ex- ago. Today, Gastrotheca guentheri has un- live before — in an English pub the other day. alive with his ample, resonates with young people today questionable bite. We have John Weins of Wait a minute; these aren’t the Beatles or performances just as it did with their parents. For those Stony Brook, New York to thank for dis- their ghostly apparitions. This is a Beatles who missed the ‘golden age’ of ’50s or ’60s covering this spot of re-evolution. look–alike, sound-alike, act-alike tribute pop music, and for those who nostalgical- When millions crowded Tahrir clique — Sgt. Pepper's Only Dart Board ly look back to that era, tribute bands are Square, the Western press wondered if Band. That’s no John Lennon, that’s John often their only chance to get an idea of Egypt was ready for democracy. Would Legend (Martin Dimery) with Paul Mc- what this music sounded like live”. they be able to tolerate it, after years of Coatoff (John Freeman); George Hare Singh- Breathe — The Floyd Sound, is the sec- dictatorship? Haven’t they evolved into Song (Colin Holley); Ringo Stalin (Marc Ben- ond tribute band to perform in Bangalore gormless flakes devoid of will and action? dell) and Sgt. Pepper himself thrown in too this year following Led Zepplica, a Led Zep- Like Guenther’s tree frog, Egypt has re- (Rob Waller). The Dart Board Band is just pelin tribute band that dropped by last evolved. That’s a terrible word. It exists one of numerous Beatles tribute acts, shar- month, while Guns 2 Roses will tour India only because we haven’t invented one, not ing the heritage with Beatlejuice, Beatle- next month. Sanjit Ganguly of Campus In- yet, for ‘evolution revised.’ Evolution was mania, 1964 the Tribute, The Bootleg Beat- fotainment is a resolute believer in tribute derived from the Latin for unrolling. Dar- les, The Fab Four, The Fab Faux and RAIN, bands. “As an organiser, you can’t afford win never used the term for his celebrat- to name a few clones that come closest to the the original international bands which ed theory; rather his friend and champi- original pin-ups. might cost a thousand times more. At the on Charles Lyell first used it in this con- In fact, the tribute band phenomenon can same time, not everyone wants to hear up- nection. Devolution, the reversal or re- be traced to the advent of the Beatlemania coming, original music,” he says. gression to a more primitive state, makes portmanteau. The Buggs were perhaps the As for the sentiments of the purists, he for great science fiction, but is seldom first music maniacs who wanted to be real- true in biology. This tree frog’s decision istic copies of the authentic four. They SOUNDS LIKE demands a new word. It also demands that formed in the mid-1960s, and had a some- we start thinking outside the box. what original Liverpool sound, only differ- Tribute band names try to Stones) Since 25 January, the Arabic word ence being that it came from Nebraska, USA. retain some essence of the Beninem (Eminem) tahrir has become synonymous with lib- By the late ’90s tribute acts had become a original bands with name erty. American papers call it Liberation Oasisn't (Oasis) serious trend — more than a few songs re- puns and references to Square with faint irony as though liber- hashed here and there. “It was an entire sub- songs. Red Hot Chili Beans (RHCP) ty were a stay-at-home location, rooted culture that essentially existed in a parallel The Muffin Men (Frank Who's Who (Who) firmly in the Verrazano Narrows. To the universe,” says Darren Hacker, who set out Zappa) rest of the No (Yes ) with co-director Jeff Economy to capture Dread Zeppelin (Led world, tahrir this other universe of rock imitators in their MetalLiquor (Metallica) has spelled Björn Again Zeppelin) documentary An Incredible Simulation Simon and Garth's Uncle hope. Tahrir is a tribute (2000). ing to play as tribute acts, instead of per- will settle for the next best thing I guess,” aRe wE them (REM) has a second show to the Initially,Economy confesses he was both forming their own material. But what did reckons vocalist Robby Walsh, from the Rolling Clones (Rolling (Simon & Garfunkel ) connotation — Swedish “disgusted and fascinated” by the fact that make an impression on the duo was the im- Deep Purple tribute band Purpendicular. it also means pop group so many local (Chicago) bands were choos- peccable attention to detail, the time, ener- The result was that some of the most suc- writing, and the ABBA gy and expense that went into the dedicat- cessful tribute bands in the world were says, “Only 10 per cent of the audience is liberation that ed duplication of music. The band Prezence formed in Australia: the Australian Pink very discerning. We respect them, but we ensues from a could play literally every song in the Led Floyd, Beatnix, Zeppelin Live and Björn are not really catering to them. Others just piece of writ- Zeppelin catalogue. The Kiss tribute Strut- Again (an Abba tribute band). want to have a good experience.” he says. ing. It is this meaning that worked for me ter performs over 200 shows a year,complete Today tribute bands are rampant in the But the tribute audience aren’t really a as I read the words of those millions gath- with makeup and costumes to the blood- US, Australia and the UK; so much so that bunch of clueless dunces who don’t ap- ered in Cairo, people like you and me who spitting, fire-breathing pyrotechnics. it’s a crowded market. “In fact there’s so preciate music. On the contrary,“they are had never before raised their voices in The drive for authenticity by bands that much competition that we have to try to very exacting. After a gig they’ll walk up protest, never publicly voiced their con- focus on covers of a particular music band stay at the top of the game,” says Dave Gee, to you and say that note in such and such victions. can vary in its manifestation. While some drummer of Breathe — The Floyd Sound, a song was off. Or they’ll ask us which ver- The net is a great example of tahrir. bands focus on re-creating only the sound; a Floyd tribute band that performed in Ban- sion we were listening to. Some will even Never in the history of human thought others push the envelope to mimic every nu- galore yesterday. say the guitar you’re using isn’t the same has information been so universally ac- ance of their idols including the superficial. Celebrating this trend is Glastonbudget as Floyd,” says Chris Barnes, Breathe’s vo- cessible. Writing is freedom. The moment “Several band members have actually gone — an annual music festival held in Leices- calist. it is censored or banned, democracy is to the extreme lengths of having facial re- tershire which will have bands such as Kaz- There are even examples of tribute gone. Hosni Mubarak, like all dictators, construction surgery,”says Hacker. abian (Kasabian), Oasish (Oasis), Blings of bands being acknowledged by the origi- broke the pens of dissident writers. And Australia, in particular, has been a cra- Leon (Kings of Leon), Greendate (Green nal heroes. Former Oasis lead singer Noel Egyptians saw it for the fearful, cowering dle of tribute bands. With big bands leaving Day), Guns 2 Roses (Guns and Roses), Four Gallagher had called No Way Sis the "sec- gesture it was. the continent out of their itineraries, local Fighters (Foo Fighters), The Fillers (The ond best band in the world", and presented We haven’t had our pens broken, but bands had to recreate their music.
Recommended publications
  • The Deep Purple Tributes
    [% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra.
    [Show full text]
  • Nr. 90 2015 Nr. 90 2015
    Nr. 90 Sept./Oktober 2015 18.Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE inHard_inMusic_S1_S16 20.09.2015 23:54 Uhr Seite 16 Seite Uhr 23:54 20.09.2015 inHard_inMusic_S1_S16 MONATS DES CD MUDDY WATERS 100 ROBERT FORSTER DUKE ROBILLARD ARCTIC SUNRISE KETIL BJORNSTAD & V.A. Songs To Play The Acoustic Blues & A Smarter Enemy OLE PAUS Raisin’ Music/in-akustik Tapete Records/Indigo Roots Of Echozone/Bob Media Frolandia ###### ###### Dixie Frog/H’Art ##### Grappa/Galileo MC ##### ##### Anlässlich des 100. Geburts- Auf das neue Soloalbum von Wer auch nur etwas für gut- tages von Muddy Waters hat Robert Forster, dem Gründer Duke Robillard huldigt sei- gemachten Synthie-Pop üb- Die beiden Norweger Ole Bluesgitarrist John Primer der legendären Go-Bet- ner Liebe zum Roots Blues rig hat, sollte das Debüt von Paus (vocals) und Ketil ein tolles Tribute-Album-Pro- weens, haben sicherlich schon seit vielen Jahrzehn- Arctic Sunrise anchecken. Bjornstad (piano) kennen jekt ins Leben gerufen, das nicht wenige Fans gewarte- ten. Ob auf seinen vorzügli- Die beiden Mönchenglad- sich schon seit vielen Jahr- als edel aufgemachtes Hard- te. Nun steht „Songs To Play“ chen Soloveröffentlichungen bacher Torsten Verlinden zehnten und haben musika- cover-CD-Buch mit 48 seiti- endlich in den Plattenläden oder als Mitglied bei „Room- (vocals) und Stev Baltes lisch auch schon oft zusam- gem Booklet erscheint. Im und kann schon gleich mit ful Of Blues“. Seine neue (electronis) haben sich von men gearbeitet. Mit „Fro- Studio von Chicago fand sich dem charmant nach vorne Scheibe hat er der ameri- ihren großen Vorbildern landia“ legen die beiden die Creme der Blues-Elite preschenden Opener „Learn kanischen Roots-Musik ge- (Ultravox, Depeche Mode + Künstler nun ein wunderbar ein, um 15 Waters-Klassi- To Burn“, in den sich auch widmet, die zwischen den Heaven 17) inspirieren las- ruhiges und anmutiges Sin- kern neues Leben einzu- das Fiddle-Spiel von Geige- 1920er bis 1940er Jahren sen und ein melancholi- ger/Songwriter & Folkalbum hauchen.
    [Show full text]
  • February 2019 a Monthly Guide to Living in Basel
    YOUNG PICASSO EXHIBIT • SNOWSHOEING & FONDUE • MUBA • EXPAT EXPO • ART ON ICE Volume 7 Issue 5 CHF 6 6 A Monthly Guide to Living in Basel February 2019 Learn German All Levels: A1–C2 nsh.ch Intensive courses: 3× or 5× per week in the morning Standard courses: 2× per week in the evening or on Saturday morning Register now! 2 Basel Life Magazine / www.basellife.com LETTER FROM THE EDITOR Dear Readers, Starting this February, the Fondation Beyeler in Riehen will be dedicated February 2019 Volume 7 Issue 5 entirely to Pablo Picasso for a couple of months—presenting the ambitious and highly anticipated exhibit “The Young Picasso—Blue and Rose Periods” TABLE OF CONTENTS with some 80 of his early works created between 1901 and 1906, as well as a complimentary show entitled “Beyeler Collection / Picasso Panorama” that will feature 40 additional pieces created between 1907 and 1972. Also Feature Event: "The Young Picasso" 4–5 this month, you should not miss the last edition of Switzerland’s oldest con- sumer fair, the MUBA, which has been an annual highlight in Basel for more than 100 years! This 10-day home show really has something for everyone, Events in Basel: February 2019 6–9 whether you are looking to decorate your home, discover new wines and foods, try on some unique fashion or jewelry, learn through science experi- ments, or visit the special exhibit of insects and lizards, some of which have Fun Outings: Beyond Basel 10–11 never before been seen in Europe. During the colder months, you have the opportunity to expose your children to a multitude of cultural activities in Basel, including children’s theaters, Swiss Culture and Traditions: Cheese Fondue 12–13 musical plays, puppet theater, and a variety of concerts designed specifically for children and their families.
    [Show full text]
  • DEEP PURPLE “Whoosh!“ VÖ: 07.08.2020 (Earmusic / EDEL)
    DEEP PURPLE “Whoosh!“ VÖ: 07.08.2020 (earMusic / EDEL) Erhältlich als limitiertes CD+DVD Mediabook (inkl. 1h Video "Roger Glover and Bob Ezrin in Conversation" und der erstmaligen Veröffentlichung der vollständigen Perfomance der Band beim Hellfest 2017) 2LP+DVD Edition , limitiertes Boxset und als digitale Version "Whoosh! " kann hier vorbestellt werden: https://deeppurple.lnk.to/WhooshPR DEEP PURPLE KÜNDIGEN IHR BRANDNEUES STUDIOALBUM AN “WHOOSH!” ERSCHEINT AM 7. AUGUST ÜBER earMUSIC “Another album?! Whoosh?!! Gordon Bennet!!!” ‘When the Deep Purple falls Over sleepy garden walls And the stars begin to twinkle In the night…’ Ian Gillan Deep Purple geben den Titel und das Veröffentlichungsdatum ihres brandneuen Studioalbums bekannt. "Whoosh! " ist der Nachfolger der weltweiten Chart-Erfolge "inFinite " (2017) und " NOW What?! " (2013). Nachdem kryptische Botschaften und Interviews des Sängers Ian Gillan im vergangenen Dezember Spannung und Spekulationen innerhalb der Fangemeinde ausgelöst haben, bestätigt die Band nun die Veröffentlichung ihres 21. Studioalbums am 7. August 2020 über earMUSIC . Für „ Whoosh !“ vereinen Deep Purple zum dritten Mal ihre Kräfte mit Produzent Bob Ezrin . Gemeinsam schrieben und nahmen sie in Nashville die neuen Songs auf und kreierten das bislang vielseitigste Werk ihrer Zusammenarbeit. Deep Purple lassen sich in ihrem Schaffen nicht eingrenzen, strecken sich in alle Richtungen aus und lassen ihrer Kreativität freien Lauf. "Putting the Deep back into Purple " wurde im Studio schnell zum inoffiziellen Motto. Bereits mit den ersten Songs war klar: Deep Purple und Bob Ezrin waren auf dem Weg ein neues Album zu schaffen, das die Grenzen der Zeit überschreitet, während sie sich mit ihrem Unmut über die aktuelle Situation der Welt an alle Generationen richten.
    [Show full text]
  • Geen 15De Editie Hibra!
    R PA AA KT J ! 8 2 1 L A E J 128 E E SINDS 1888 D I E D K T R N A WWW.MEERBODE.NL TEL: 0297-341900 EDITIE: AALSMEER 16 JUNI 2016 1 KORT NIEUWS: KNIP- EN KLEURSALON SENDY Oplichting in Stingray75 o.a. knippen 19. supermarkten Tel. 0297-321569 GROOTS DOOR ONZE LAGE PRIJS! Aalsmeer - Op dinsdag 7 ju- ni zijn twee supermarkten in het Centrum van Aalsmeer en Zij- delwaardplein in Uithoorn opge- licht door een manspersoon die Lotto formulieren aankocht. Na- dat de pintransacties afgebro- ken werden, bleek dat de man Koster kans had gezien om nieuwe for- mulieren te wisselen voor ande- Elke zondag geopend van 12.oo-18.00 uur. re exemplaren. Het betreft een blanke man met licht gekleurd haar. Hij is ongeveer 1.80 meter lang en rond de 20 à 25 jaar oud. Hij had een zwart petje op van het merk Nike, droeg een don- kere joggingbroek, licht gekleur- de sportschoenen en beige jasje, Aalsmeerderweg 238 te Aalsmeer kort model. Mogelijk zijn er in- woners die meer informatie over Voor zowel onderhoud als aanleg van uw cv, de oplichter hebben. Zij worden airconditioning en ventilatie systeem verzocht contact op te nemen “Invulling leegstaande panden door groep creatieve geesten” Bel 0297 325629 of mail naar [email protected]. met de politie via 0900-8844. Klimroos Info-avond Centrumvisie: gestolen ook 50+ van harte Aalsmeer - Op zaterdag 11 juni Denk mee over winkelgebied Wij zijn met spoed op zoek naar een serieuze welkom is rond kwart voor vijf in de mid- dag een klimroos gestolen uit Aalsmeer - Het college van bur- sluitvorming voor te leggen aan de jes en taartjes.
    [Show full text]
  • “Classic Deep Purple Live” Performed by Glen Hughes Keswick Theatre Friday, September 7
    “CLASSIC DEEP PURPLE LIVE” PERFORMED BY GLEN HUGHES KESWICK THEATRE FRIDAY, SEPTEMBER 7 Glenn Hughes, former bassist and singer of Deep Purple, known to millions as the ‘Voice of Rock’, Rock and Roll Hall of Fame inductee, and the current front man for rock super group Black Country Communion is pleased to announce that he will be performing Deep Purple only material with his “CLASSIC DEEP PURPLE LIVE” at the Keswick Theatre in Glenside, PA on Friday, September 7. The tour promises to be dynamic, a turn-back-the-clocks, two-hour live extravaganza homage to his tenure in MK 3 and MK 4 incarnations of Deep Purple - one of music history’s most seminal and influential rock and roll groups. "I'm excited to be touring the “Classic Deep Purple Live” in the US this year. I first toured Classic Deep Purple Live in Australia and New Zealand last year and it went down like a storm. We’re also touring the show throughout South America and international festivals throughout the summer. By the time we tour the US, then the UK in October, we’ll be on fire.” As well as Glenn on lead vocals and bass guitar, the touring band also features Soren Anderson (guitar), Jesper Bo Hansen (keyboards) and Fer Escobedo (drums) Deep Purple took a quantum leap when the then 20-year-old Glenn Hughes was seconded from British funk-rock outfit Trapeze in mid-1973. As bassist and co-vocalist (with David Coverdale), he helped steer the legendary rock group in the progressive direction of Burn (1974), Stormbringer (1974) and Come Taste the Band (1975), while touring the world for three years.
    [Show full text]
  • WHAT's GOING on HERE As Recorded by Deep Purple (From the 1974 Album "Burn")
    WHAT'S GOING ON HERE As recorded by Deep Purple (from the 1974 Album "Burn") Transcribed by Slowhand Words by Ritchie Blackmore, Glenn Hughes, Jon Lord, Ian Paice & David Coverdale Music by Ritchie Blackmore, Glenn Hughes, Jon Lord, Ian Paice & David Coverdale A Intro P = 128 (P P = PDPR) A5 B5 E5 A5 B5 E5 c c 1 gg 4 j k c V W V c V I 4 V W V V W V V W V V V W V V W V Gtr I T A 9 9 9 9 B 7 9 9 7 7 7 7 9 9 7 5 7 7 5 7 7 g 4 j V V V V V W k j j V V V V V I g 4 V u Gtrs II, III Full Full Full Full M M |||||||||| M M T 9 9 9 9 7 7 9 9 9 9 7 A 9 B sl. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ WHAT'S GOING ON HERE - Deep Purple Page 2 of 14 A5 B5 G5 c 5 gg W V c I W V V W V V U V W V V U T A 9 9 5 5 B 7 7 7 9 9 5 5 5 7 7 3 3 g W k c V V V V V U I g V V Gtr II Full Full ||||||||||||||||||||| M M ||| T 7 9 9 9 9 7 7 A 7 9 B V V U g W k c V V V I g V V Gtr III Full Full ||| ||||||||||||||||||||| M M T 10 10 10 7 9 9 9 A 7 9 B Fb5 8 gg c k j I V V T A 4 B 4 2 3 3 3 3 3 V gg V V V f V V V V I V V V V V V V V V V V V V V w/ wha 3 3 Gtr II FullM FullM 2 T 2 2 4 5 4 2 4 2 2 2 2 4 2 2 2 A 4 4 4 2 4 4 B Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ WHAT'S GOING ON HERE - Deep Purple Page 3 of 14 B 1st - 3rd Verses TN.C.
    [Show full text]
  • Sensitivity and Protein-To-Protein Consistency of Flamingo™ Fluorescent Gel Stain Compared to Other Fluorescent Stains
    Electrophoresis tech note 5705 Sensitivity and Protein-to-Protein Consistency of Flamingo™ Fluorescent Gel Stain Compared to Other Fluorescent Stains Tom Berkelman, Life Science Group, Bio-Rad Laboratories, Inc., Hercules, CA 94547 UV transillumination. Differential protein-to-protein staining was Introduction examined using a collection of proteins selected to represent Proteomics research often involves 1-D or 2-D electrophoretic diversity in charge, size, and posttranslational modification. separation of protein mixtures in polyacrylamide gels. Methods Following electrophoresis, the gels are stained for detection Criterion™ Tris-HCl 4–20% gels with eighteen 5 mm wide and quantitation of the separated proteins. Fluorescent wells were used for SDS-PAGE. Gel images generated by stains are commonly used for this purpose due to the high laser scanning were produced using the Molecular Imager® sensitivity and wide dynamic range possible using fluorescent PharosFX™ system. Gels were scanned using either 532 nm reagents. Quantitation is most reliable when the fluorescence or 488 nm excitation as indicated. Fluorescence emission response is linear with respect to the amount of protein over on all scans was filtered through a 605 nm bandpass filter. the widest possible range. Ideally, a fluorescent stain should Except when indicated, the photomultiplier tube (PMT) setting also respond similarly to diverse proteins. There should be for low-intensity samples was used. Gel images generated minimal specificity with respect to the physical or chemical by UV transillumination were produced using the VersaDoc™ characteristics of an individual protein. 3000 imaging system with 300 nm bulbs, 520 nm longpass emission, and the camera aperture fully open. All images A number of fluorescent protein stains are now available.
    [Show full text]
  • VY 32 INOVACE HV 03 Deep Purple.Notebook
    VY_32_INOVACE_HV_03_Deep Purple March 07, 2014 Žáci 2. stupně ZŠ Mgr. Roman Benca Prezentace na Smart boardu Populární a rocková hudba 20. století Smart Notebook Frontální výuka, kdy se žáci seznámí se životem a tvorbou VY_32_INOVACE_HV_03_Deep Purple nejznámějších hard rockových skupin 20. století 16.10.2013 Číslo projektu: Členové skupiny Deep Purple Současní členové Ian Paice – bicí, perkuse (1968–1976, 1984–dosud) Ian Gillan – hlavní vokály, harmonika, konga (1969–1973, 1984–1989, 1992–dosud) Roger Glover – baskytara (1969–1973, 1984–dosud) Steve Morse – kytara (1994–dosud) Don Airey – klávesy, varhany (2002–dosud) Bývalí členové Jon Lord – klávesy, varhany, doprovodné vokály (1968–1976, 1984–2002) Ritchie Blackmore – kytara (1968–1975, 1984–1993) Nick Simper – baskytara, doprovodné vokály (1968– 1969) Rod Evans – zpěv (1968–1969) Glenn Hughes – baskytara, vokály (1973–1976) David Coverdale – hlavní vokály (1973–1976) Tommy Bolin – kytara, doprovodné vokály (1975– 1976; zemřel 1976) Deep Purple v roce 2004 Joe Lynn Turner – hlavní vokály (1989–1991) Roger Glover, Ian Paice, Ian Gillan, Don Airey a Steve Morse Joe Satriani – kytara (1993–1994) Diskografie Historie skupiny anglická rocková skupina, která byla založena v Shades of Deep Purple (1968) Hertfordu roku 1968 hrají heavy metal, hard rock, blues rock, progresivní rock Deep Purple - Perfect Strangers Live (2013) v tvorbě této skupiny docházelo ke spojení klasické > Shades of Deep Purple (1968) hudby, jejímž propagátorem byl zejména Jon Lord, a > The Book of Taliesyn (1968) hardrockových motivů, které prosazoval Ritchie > Deep Purple (1969) > Deep Purple in Rock (1970) Blackmore > Fireball (1971) > Machine Head (1972) spojení těchto dvou druhů hudby oslovilo mladé > Who Do We Think We Are (1973) > Burn (1974) posluchače první poloviny 70.
    [Show full text]
  • Ian Gillan: the Autobiography of Deep Purples Singer Free
    FREE IAN GILLAN: THE AUTOBIOGRAPHY OF DEEP PURPLES SINGER PDF Ian Gillan | 288 pages | 08 Dec 2016 | John Blake Publishing Ltd | 9781786061355 | English | London, United Kingdom Ian Gillan - Caramba! Y ou might think Ian Gillan, at 75 years old, would be fed up with singing Smoke on the Water. It was even a slightly ill-fitting encore during his brief spell fronting Black Sabbath in the early 80s. He recalls the plight of Luciano Pavarotti, with whom he sang a couple of times, and who one day expressed his jealousy of Gillan getting to sing Smoke on the Water. We have to mimic our original interpretation. Which is unfortunate, because almost everyone who knows his work would describe Gillan as a hard-rock singer. Not least because he continues to front Deep Purple, who have just released Whoosh! A few years here, then on to something else. But we do pass messages, and the atmosphere is quite good. I was swatting at the air to wave away the smoke. It was pure Spinal Tap, a moment of panic. Then there was the Stonehenge stage set itself. Either the specifications had been in metres when they should have been in feet, or it was built at actual size. Either way, it was too big for many of the venues Sabbath were meant to play. The crowd reaction at that opening show was not the awe Sabbath had been hoping for. It was unbelievable. His autobiography suggests he spent a great deal of time either drinking or in search of drink, but he was a social drinker who drank to get drunk, rather than someone who needed a bottle next to him at all times, he says.
    [Show full text]
  • Großbritannien 1994
    Kieler Beiträge zur Filmmusikforschung, 5.3, 2010 // 407 COME HELL OR HIGH WATER Großbritannien 1994 R: Hugh Symonds. P: Heinz Henn, Lana Topham. K: David Amphlett. S: Niven Howie. T: Chris McDermott. Beteiligte Bands: Deep Purple. DVD-/Video-Vertrieb: BMG Video. Video-Auslieferung: Oktober 1994 (Großbritannien). DVD-Auslieferung: 29.05.2001 (Großbritannien). 124min, 1,33:1, Farbe, Dolby Digital 2.0 Stereo/Dolby Digital 5.1. „Es würde mehr Spaß machen, mit Saddam Hussein auf der Bühne zu stehen als mit Ian Gillan,“ erklärte Ritchie Blackmore nach seinem zweiten und endgültigen Abschied von Deep Purple im Jahr 1993 [1]. Die Spannungen zwischen dem Sänger Gillan und dem Gitarristen Blackmore sorgten immer wieder für Probleme in der Band, förderten gleichzeitig aber auch die Kreativität der Mark II genannten Besetzung Ian Gillan (Gesang), Ritchie Blackmore (Gitarre), Jon Lord (Orgel/Keyboard), Roger Glover (Bass) und Ian Paice (Schlagzeug), die von 1969 bis 1973, 1984 bis 1989 sowie 1992 bis 1993 gemeinsam aktiv war. Insgesamt existierten von der Bandgründung im Jahr 1968 bis heute zehn verschiedene Line-Ups, betitelt mit Mark I bis Mark X. Der größte Erfolg war dabei, gemessen an Platten- und Ticketverkäufen, stets Mark II beschieden. Auch die großen Hits der Band wie Highway Star, Perfect Strangers oder das weltbekannte Smoke On The Water stammen von dieser Besetzung, in anderen Konstellationen war die Gruppe verhältnismäßig unproduktiv. Die Rivalitäten zwischen Gillan und Blackmore führten immer wieder dazu, dass einer von beiden Deep Purple verließ – in der Regel der Sänger Gillan (so geschehen 1973 und 1989), den Blackmore – er war Gründungsmitglied der Formation – weniger als vollwertiges Bandmitglied, sondern vielmehr als bezahlten Sänger betrachtete, den man nach Belieben ersetzen konnte.
    [Show full text]
  • Cartouche Issue 1
    The Free Online Ritchie Blackmore Fanzine Editorial Contents Pages Hello Blackmore fans, Blackmore’s Night News Roundup……….. 3, 4 Blackmore’s Night Tour Dates……………. 5 Our idea is to produce a free Ritchie Blackmore Shadow of the Moon – First Impressions…. 6 fanzine, which involves putting the resultant Club de Official de BN Fans en Espana…… 7 JPEG fanzine pages onto certain fan forum boards, so Blackmore’s Night Polish Street Team……. 8 that fans can read them and /or copy the pages to their An Interview with Candice Night…………. 9 – 15 own computers and thus print out the pages at home. 10 Years of Blackmore’s Night……………. 16 We thus present to you, a trial issue to see if the idea Blackmore’s Night: A Personal Perspective. 17, 18 works. Blackmore’s Night: 1999 – 2008………….. 19 Blackmore’s Night is running out of Ideas? 20 Thank you so much, to the fans that have contributed to 10 Anni di Blackmore’s Night…………….. 21 this project already and also especially, to Candice “Paris Moon” Reviewed…………………… 22 Night who gave us some brilliant and comprehensive A Trip to Paris……………………………... 23 interview answers! “The Next Stage” Reviewed………………. 25 2007 UK Tour Diary………………………. 26 – 34 Editor: Mike Garrett Morning Star - BN Tribute Band ………… 36, 37 [email protected] An Interview with LA ZAG……………… 38, 39 “Still I’m Sad” – A Tribute to Cozy Powell. 40 – 43 Deputy Editor: Kevin Dixon What if RJD had joined Deep Purple?…….. 44 [email protected] “Ritchie Blackmore’s Rainbow” retrospect.. 45, 46 Deep Purple – Is the colour fading?……….
    [Show full text]