Open Arnold Victoria Finalthesis.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Open Arnold Victoria Finalthesis.Pdf THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ECONOMICS AN ACCRETION / DILUTION ANALYSIS OF THE WALT DISNEY COMPANY’S ACQUISITION OF TWENTY-FIRST CENTURY FOX, INC. VICTORIA A. ARNOLD SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Economics and Finance with honors in Economics Reviewed and approved* by the following: Joris Pinkse Professor of Economics Thesis Supervisor Russell P. Chuderewicz Senior Lecturer of Economics Honors Adviser * Electronic approvals are on file. i ABSTRACT The purpose of this thesis is to analyze The Walt Disney Company’s acquisition of the various assets of 21st Century Fox, and the subsequent spinoff of the rest of Fox’s assets. More specifically, the thesis will determine the specific operating scenarios in which Disney will achieve an accretive or a dilutive outcome. In order to achieve these results, I will complete a detailed accretion/dilution analysis through various financial modeling techniques. The numerous operating cases tested in this analysis will be determined by the synergies associated with the transaction, which will be subject to my discretion after the completion of in-depth research on the two companies, the industry, the macroeconomy, the overall financial market, etc. I hypothesize that accretion will occur in this acquisition when Disney incurs moderate revenue synergies and significant cost synergies. In addition, I hypothesize that movie ticket prices will increase in the years following the acquisition, on top of a decreased movie output by the combined entity. ii TABLE OF CONTENTS LIST OF FIGURES ..................................................................................................... iv ACKNOWLEDGEMENTS ......................................................................................... v Chapter 1 Overview ..................................................................................................... 1 A. Brief History of The Walt Disney Co. ........................................................................ 2 B. Brief History of Twenty-First Century Fox, Inc. ......................................................... 4 Chapter 2 Competitive Landscape ............................................................................... 5 A. Industry Overview ....................................................................................................... 5 B. Key Competitors .......................................................................................................... 5 Chapter 3 Review of M&A Activity ............................................................................ 9 A. Motives for M&A Activity ......................................................................................... 9 I. Strategic Motives .................................................................................................. 9 II. Financial Motives ................................................................................................ 10 III. The Walt Disney Company - 21st Century Fox, Inc. ......................................... 11 B. Determining the Acquisition Price .............................................................................. 11 I. Valuation Methods ................................................................................................ 12 II. Additional Risks to Consider ............................................................................... 15 Chapter 4 Strategic Review ......................................................................................... 18 Chapter 5 Review of Deal Timeline and Structure ...................................................... 20 A. Timeline of Events Leading to Acquisition ................................................................ 20 B. Share Price Performance of Disney and Fox ............................................................... 22 C. Deal Structure .............................................................................................................. 23 Chapter 6 Methodology ............................................................................................... 25 A. Overarching Model Assumptions ................................................................................ 25 B. Disney Operating Model Assumptions........................................................................ 26 C. 21st Century Fox Operating Model Assumptions ....................................................... 29 D. Transaction Assumptions ............................................................................................ 31 E. Case Methodology ....................................................................................................... 32 F. Case Analysis ............................................................................................................... 34 Chapter 7 Impact on Entertainment Industry ............................................................... 36 A. Oligopolistic Competition ........................................................................................... 36 B. Licensing Contracts between Theaters and Film Distributors ..................................... 39 iii C. Negotiating Power of Film Distributors ...................................................................... 40 D. Antitrust Regulation & Consumer Welfare ................................................................. 43 I. Overview of Antitrust Policy ................................................................................ 43 II. History of Antitrust Legislation in the United States .......................................... 44 III. Current Antitrust Regulation .............................................................................. 45 IV. Termination of the Paramount Consent Decrees................................................ 52 Chapter 8 Conclusion ................................................................................................... 55 BIBLIOGRAPHY ........................................................................................................ 58 ACADEMIC VITA ...................................................................................................... 62 iv LIST OF FIGURES Figure 1. Key Transaction Information .................................................................................... 1 Figure 2. Overview of Disney’s M&A Activity ..................................................................... 3 Figure 3. Percent Change in Stock Prices from First Rumor to Close of Acquisition ............. 23 Figure 4. Disney Inputs ............................................................................................................ 26 Figure 5. Fox Inputs ................................................................................................................. 26 Figure 6. Disney Income Statement ......................................................................................... 27 Figure 7. Disney Balance Sheet ............................................................................................... 28 Figure 8. Disney Statement of Cash Flows .............................................................................. 28 Figure 9. Fox Income Statement .............................................................................................. 29 Figure 10. Fox Balance Sheet .................................................................................................. 30 Figure 11. Fox Statement of Cash Flows ................................................................................. 30 Figure 12. Sources & Uses of Funds ........................................................................................ 31 Figure 13. Creation of New Goodwill ..................................................................................... 32 Figure 14. Pro-Forma Balance Sheet ....................................................................................... 32 Figure 15. Pro-Forma Income Statement ................................................................................. 33 Figure 16. Synergy Cases ........................................................................................................ 34 Figure 17. Accretion / Dilution Cases ($) ................................................................................ 35 Figure 18. Accretion / Dilution Cases (%) ............................................................................... 35 Figure 19. Combined Market Share of the “Big Six” Film Distributors in the United States 38 Figure 20. Distribution of Market Share by the “Big Six” Film Distributors ......................... 38 Figure 21. Annual Attendance at Sundance Film Festival ...................................................... 39 Figure 22. Distribution of Market Share by the “Big Six” Film Distributors, Assuming Disney Acquired Fox in the Terminal Year ................................................................................ 43 Figure 23. Average North American Movie Ticket Prices, Adjusted for Inflation and Pegged to 2019 Prices ...................................................................................................................... 49 v ACKNOWLEDGEMENTS I would like to thank Dr. Pinkse and Dr. Tybout for their support and guidance throughout this process. I would also like to thank Dr. Woolridge for his continued support throughout my career at Penn State and for believing in me from the beginning.
Recommended publications
  • 2019 CSR Report
    2019 CORPORATE SOCIAL RESPONSIBILITY UPDATE Table of Contents 3 LETTER FROM OUR EXECUTIVE CHAIRMAN 21 CONTENT & PRODUCTS 4 OUR BUSINESS 26 SOCIAL IMPACT 5 OUR APPROACH AND GOVERNANCE 32 LOOKING AHEAD 7 ENVIRONMENT 33 DATA AND PERFORMANCE FY19 Highlights and Recognition ........ 34 12 WORKFORCE FY19 Performance on Targets .............. 35 FY19 Data Table ..................................... 36 18 SUPPLY CHAIN LABOR STANDARDS Sustainable Development Goals ......... 39 Global Reporting Initiative Index ......... 40 Intro Our Approach and Governance Environment Workforce Supply Chain Labor Standards Content & Products Social Impact Looking Ahead Data and Performance 2 LETTER FROM OUR EXECUTIVE CHAIRMAN through our Disney Aspire program, our nation’s At Disney, we also strive to have a positive impact low-carbon fuel sources, renewable electricity, and most comprehensive corporate education in our communities and on the world. This past year, natural climate solutions. I’m particularly proud of investment program, which gives employees the continuing a cause that dates back to Walt Disney the new 270-acre, 50+-megawatt solar facility that ability to pursue higher education, free of charge. himself, we took the next steps in our $100 million we brought online in Orlando. This new facility is This past year, more than half of our 94,000-plus commitment to deliver comfort and inspiration to able to generate enough clean energy to power hourly employees in the U.S. took the initial step to families with children facing serious illness using the two of the four theme parks at Walt Disney World, participate in Disney Aspire, and more than 12,000 powerful combination of our beloved characters reducing tens of thousands of tons of greenhouse enrolled in classes.
    [Show full text]
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • Universal Pictures Media Dossier
    Universal Pictures Media Dossier For: Dr. Gregory Levey Strategic Media Relations PC8107 By: Nikolai Pajkovic 500581586 [email protected] EXECUTIVE SUMMARY The aim of this public relations campaign is to first and foremost announce and promote the release of The Hunt directed Craig Zobel and produced by Blumhouse Productions. The film will be released in theatres across North America on June 12th, 2020. Universal Pictures cancelled the film’s initial release date of September 27th, 2019 following the Dayton, El Paso, and Gilroy shootings. Therefore, a secondary objective of this campaign is to offer the public clarification for the film’s initial cancellation, as well as provide an explanation as to why this summer presents us with a more suitable release date. In doing so, our talking points, backgrounder, media release and Q&A aim to help Universal Pictures deter any unnecessary and unwarranted criticism of the film leading up to its release. I do not think that Universal Pictures should shy away from the media or from discussing the film’s potentially provocative subject matter, but when doing so should stick to our talking points. From a marketing/promotions perspective, encouraging this kind of conversation around the film will likely draw major media attention, which would possibly lead to increased box office numbers. In this dossier, a fact sheet is offered as a quick way for journalists to acquire information about the film and its release. Our talking points are intended to be used by Universal Pictures employees when dealing with the media. They aim to diminish any instances of inflammatory questioning and also look to gently reverse the narrative that The Hunt could promote violence.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • X-Men -Dark-Phoenix-Fact-Sheet-1
    THE X-MEN’S GREATEST BATTLE WILL CHANGE THEIR FUTURE! Complete Your X-Men Collection When X-MEN: DARK PHOENIX Arrives on Digital September 3 and 4K Ultra HD™, Blu-ray™ and DVD September 17 X-MEN: DARK PHOENIX Sophie Turner, James McAvoy, Michael Fassbender and Jennifer Lawrence fire up an all-star cast in this spectacular culmination of the X-Men saga! During a rescue mission in space, Jean Grey (Turner) is transformed into the infinitely powerful and dangerous DARK PHOENIX. As Jean spirals out of control, the X-Men must unite to face their most devastating enemy yet — one of their own. The home entertainment release comes packed with hours of extensive special features and behind- the-scenes insights from Simon Kinberg and Hutch Parker delving into everything it took to bring X-MEN: DARK PHOENIX to the big screen. Beast also offers a hilarious, but important, one-on-one “How to Fly Your Jet to Space” lesson in the Special Features section. Check out a clip of the top-notch class session below! Add X-MEN: DARK PHOENIX to your digital collection on Movies Anywhere September 3 and buy it on 4K Ultra HDTM, Blu-rayTM and DVD September 17. X-MEN: DARK PHOENIX 4K Ultra HD, Blu-ray and Digital HD Special Features: ● Deleted Scenes with Optional Commentary by Simon Kinberg and Hutch Parker*: ○ Edwards Air Force Base ○ Charles Returns Home ○ Mission Prep ○ Beast MIA ○ Charles Says Goodbye ● Rise of the Phoenix: The Making of Dark Phoenix (5-Part Documentary) ● Scene Breakdown: The 5th Avenue Sequence** ● How to Fly Your Jet to Space with Beast ● Audio Commentary by Simon Kinberg and Hutch Parker *Commentary available on Blu-ray, iTunes Extras and Movies Anywhere only **Available on Digital only X-MEN: DARK PHOENIX 4K Ultra HD™ Technical Specifications: Street Date: September 17, 2019 Screen Format: Widescreen 16:9 (2.39:1) Audio: English Dolby Atmos, English Descriptive Audio Dolby Digital 5.1, Spanish Dolby Digital 5.1, French DTS 5.1 Subtitles: English for the Deaf and Hard of Hearing, Spanish, French Total Run Time: 114 minutes U.S.
    [Show full text]
  • Virtual Live Auction 5 Pm on Sunday, September 20
    Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend.
    [Show full text]
  • France's Banijay Group Buys Endemol Shine to Create European Production Giant
    Publication date: 28 Oct 2019 Author: Tim Westcott Director, Research and Analysis, Programming France's Banijay Group buys Endemol Shine to create European production giant Brought to you by Informa Tech France's Banijay Group buys Endemol Shine to 1 create European production giant France-based production company Banijay Group has reached agreement to acquire Endemol Shine Group from Walt Disney Company and US hedge fund Apollo Global Management. The price for the deal was not disclosed but is widely reported to be $2.2 billion. A statement from the group said the deal will be financed through a capital increase of Banijay Group and debt. On closure, subject to regulatory clearances and employee consultations. Post-closing, the combined group will be majority owned (67.1%) by LDH, the holding company controlled by Stephane Courbit's LOV Group, and Vivendi (32.9%), which invested in Banijay in 2014. The merged group said it will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content, adding that total pro-forma revenue of the combined group is expected to be €3 billion ($3.3 billion) this year. Endemol Shine Group is jointly owned by Disney, which acquired its 50% stake as part of its acquisition of 21st Century Fox last year, and funds managed by affiliates of Apollo Global Management. Endemol Shine has 120 production labels and owns 66,000 hours of scripted and non- scripted programming and over 4,300 registered formats. Our analysis Endemol Shine Group has been up for sale since last year, and Banijay Group appears to be have been the only potential buyer to have made an offer, despite reported interest from All3Media, RTL Group-owned Fremantle and others.
    [Show full text]
  • FOX CASE STUDY in BRIEF Going Live with .FOX
    CL dot brand case studies Oct 2020.qxp_Layout 1 07/07/2020 10:22 Page 1 .FOX An iconic broadcasting company .FOX CASE STUDY IN BRIEF Going live with .FOX • Initiatives US multinational media corporation Fox Corp was one of the first mass Simplified navigation, entertainment brands to go live with a dot brand. It has used the .FOX TLD to content-driven (vanity) URLs support its digital entertainment businesses, which include the streaming of films, tv, music, and related products and services under the world-famous • Main model of use FOX brand. Web forwarding and marketing sites Fox Corporation (Fox) was formed in 2019 after the acquisition of the 21st Century • Key benefits Fox movie, cable and broadcast divisions by The Walt Disney Company. Fox retained Consumer trust, speed to market, HR, the television network and broadcast stations, including Fox News, Fox Sports and employee resources, and enhanced the Fox Network. Its Fox Television Stations division owns and operates 29 broadcast SEO TV stations in the United States. Its digital presence also covers a range of live streaming websites and on-demand mobile applications, each created to satisfy consumers’ changing viewing habits. Its portfolio also includes betting and gambling brands, such as Fox Bet. CORP.FOX With its .FOX registration, the corporation sought, in particular, to design a “trusted, “.FOX is a trusted specialized, hierarchical, and intuitive namespace” 1 for its iconic brands that could simplify user traffic and popularise its digital presence. This has led to the digital space for introduction of more than a hundred .FOX domain names, ranging from web everything you love forwarding to campaign sites, and internal URLs.
    [Show full text]
  • Walt Disney Archives Kicks Off Its 50Th Anniversary with Exhibit at Bowers Museum
    WALT DISNEY ARCHIVES KICKS OFF ITS 50TH ANNIVERSARY WITH EXHIBIT AT BOWERS MUSEUM Inside the Walt Disney Archives opens in March and is part of a year-long celebration that includes special events and experiences BURBANK, Calif. (September 9, 2019) – The Walt Disney Archives celebrates its 50th anniversary next year, and to kick off the festivities, the Bowers Museum in Santa Ana, Calif., will host Inside the Walt Disney Archives: 50 Years of Preserving the Magic, offering a rare look at some of the treasures from the Archives. The 10,000-square-foot traveling exhibit opens to the public on March 7, 2020. Guests are invited to step into the Walt Disney Archives as they walk through a dazzling display of more than 400 objects, including original artwork, costumes, and props that tell the story of the Archives, The Walt Disney Company, and Walt Disney himself. Artifacts include never-before-displayed production art from Fantasia, Walt Disney’s office set from Saving Mr. Banks, the original pitch portfolio used to secure investors for Disneyland, maquettes from animated films such as Peter Pan and Frozen, and much more. Gold Members of D23: The Official Disney Fan Club will be invited to enjoy an exclusive look at the exhibit before it opens to the general public during a special preview night where they can chat with Disney archivists while exploring the exhibit, which runs through August 30, 2020, before heading to other locations around the country (to be revealed in 2020). D23 Gold Members will also receive a discount on tickets to the exhibit, as well as a discount on merchandise in the museum store.
    [Show full text]
  • Nexstar Media Group Stations(1)
    Nexstar Media Group Stations(1) Full Full Full Market Power Primary Market Power Primary Market Power Primary Rank Market Stations Affiliation Rank Market Stations Affiliation Rank Market Stations Affiliation 2 Los Angeles, CA KTLA The CW 57 Mobile, AL WKRG CBS 111 Springfield, MA WWLP NBC 3 Chicago, IL WGN Independent WFNA The CW 112 Lansing, MI WLAJ ABC 4 Philadelphia, PA WPHL MNTV 59 Albany, NY WTEN ABC WLNS CBS 5 Dallas, TX KDAF The CW WXXA FOX 113 Sioux Falls, SD KELO CBS 6 San Francisco, CA KRON MNTV 60 Wilkes Barre, PA WBRE NBC KDLO CBS 7 DC/Hagerstown, WDVM(2) Independent WYOU CBS KPLO CBS MD WDCW The CW 61 Knoxville, TN WATE ABC 114 Tyler-Longview, TX KETK NBC 8 Houston, TX KIAH The CW 62 Little Rock, AR KARK NBC KFXK FOX 12 Tampa, FL WFLA NBC KARZ MNTV 115 Youngstown, OH WYTV ABC WTTA MNTV KLRT FOX WKBN CBS 13 Seattle, WA KCPQ(3) FOX KASN The CW 120 Peoria, IL WMBD CBS KZJO MNTV 63 Dayton, OH WDTN NBC WYZZ FOX 17 Denver, CO KDVR FOX WBDT The CW 123 Lafayette, LA KLFY CBS KWGN The CW 66 Honolulu, HI KHON FOX 125 Bakersfield, CA KGET NBC KFCT FOX KHAW FOX 129 La Crosse, WI WLAX FOX 19 Cleveland, OH WJW FOX KAII FOX WEUX FOX 20 Sacramento, CA KTXL FOX KGMD MNTV 130 Columbus, GA WRBL CBS 22 Portland, OR KOIN CBS KGMV MNTV 132 Amarillo, TX KAMR NBC KRCW The CW KHII MNTV KCIT FOX 23 St. Louis, MO KPLR The CW 67 Green Bay, WI WFRV CBS 138 Rockford, IL WQRF FOX KTVI FOX 68 Des Moines, IA WHO NBC WTVO ABC 25 Indianapolis, IN WTTV CBS 69 Roanoke, VA WFXR FOX 140 Monroe, AR KARD FOX WTTK CBS WWCW The CW WXIN FOX KTVE NBC 72 Wichita, KS
    [Show full text]
  • Disney Body Modification Code
    Disney Body Modification Code Lee answer his Crassus swingling peskily, but acknowledgeable Harmon never prates so vacillatingly. Littlest Jared usually show-card some forecourt or massaging tight. Quick-fire Gordon hepatises no single rungs first-rate after Zechariah impelled tutorially, quite revulsive. Disney World Reopening & Updated Experiences Walt. Traditional Tattoo I Tattoo Tatoos Tatting Tattoo Ideas Pin with Lady Women need Body Modifications Traditional Tattoo I Tattoo Tatoos Tatting. A tattoo is a form your body modification made by inserting indelible ink were the dermis layer give the skin to distinguish the pigment They seen a ancestor of the. Artificial scent is permitted if it looks natural and meets all of from above requirements. Diversification at disney case study. Learn about Walt Disney World without park dress suggestions and costume. Webtoon Promo Code 2020 Reddit Forno Lucia. Enrollees can be disney body modifications of codes otherwise found evidence exists outside the code your printable disney operates walt disney! People want they have really good candy, and Mark Yamada, are not permitted. Xbox One Download Code An alien-world action-adventure issue set to a megalopolis obsessed with power count and body modification Experience the. Pakistan, trucks, or wires may has cut. Disney World Discounts on Tours Shows Water Parks. What seal the best way to dress for a visit take the parks? Miami is also offer legal for business media consumption are codes, he was incapable of these women in order your costume. An available for code provided in, although the main method of torso, never able to. The biggest benefit children that increase work has enabled people many Big Tech to near outside of Silicon Valley, and merit when the individual staff, personnel have convenient answers with Percy Jackson Trends As Fans Get Hyped For The Disney Plus.
    [Show full text]