A Reading Group Guide
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2018 Brochure
THE COMMUNITY OF WRITERS 20I8 Summer Workshops... • Poetry Workshop: June 23 - 30 • Writers Workshops in Fiction, Nonfiction & Memoir: July 8 - 15 The Community of Writers For 48 summers, the Community of Writers at Squaw Valley has brought together poets and prose writers for separate weeks of workshops, individual conferences, lectures, panels, readings, and discussions of the craft and the business of writing. Our aim is to assist writers to improve their craft and thus, in an atmosphere of camaraderie and mutual support, move them closer to achieving their goals. The Community of Writers holds its summer writing workshops in Squaw Valley in a ski lodge at the foot of the ski slopes. Panels, talks, staff readings and workshops take place in these venues with a spectacular view up the mountain. ...& Other Projects • Published Alumni Reading Series: Recently published Writers Workshops alumni are invited to return to the valley to read from their books and talk about their journeys from unpublished writers to published authors. • Omnium Gatherum & Alumni News Blog: Chronicling the publication and other successes of its participants. • Craft Talk Anthology – Writers Workshop in a Book: An anthology of craft talks from the workshops, edited by Alan Cheuse and Lisa Alvarez. • Annual Benefit Poetry Reading: An annual event to raise funds for the Poetry Workshop’s Scholarship Fund. • Notable Alumni Webpage: A website devoted to a list of our notable alumni. • Facebook Alumni Groups: Social media alumni groups keep the community and conversation going. • Annual Poetry Anthology: Each year an anthology of poetry is published featuring poems first written during the Poetry Workshop in Squaw Valley. -
The Zen Master's Comics: Self-Awareness And
19 NEW MODES OF SELF-FASHIONING THE ZEN MASTER’S COMICS: SELF-AWARENESS AND POPULAR CULTURE IN GLEN DAVID GOLD’S I WILL BE COMPLETE ALEXANDRU BUDAC West University, Timişoara Abstract: Raised in a chic California mansion at the peak of the counterculture movement, novelist Glen David Gold recounts the tormenting relationship with his estranged parents, and especially with his bohemian and deeply troubled mother. When the latter leaves him alone in San Francisco, at the age of twelve, he has to find ways to survive and attend school. I assess how comic books, movies, music, Gold’s passion for the Japanese culture, and his perception of time make for the labyrinthine structure of his memoir. Keywords: Glen David Gold, American memoir, San Francisco, comic books, Jun’ichirō Tanizaki 1. Introduction: mother and son Is the need to confess considerably stronger nowadays than it used to be? Probably not, but we have found the means to make this need a public – and global – asset. Or at least many people belive it to be so. Technically, in the age of the Internet and social media, everyone’s private life might come under everyone’s scrutiny and it is increasingly difficult to tell the mere online confession from dishonest self-advertising, or truth-telling from malicious fabrications. Assessing the impact of generalized “confessionalism”, as he calls it ironically, on memoir writing – a venerable genre besieged by fraud and commercial success during the last decades – William Giraldi (2018: 99) notices that “social media has turned untold citizens into hourly memoirists in miniature. We live now in a culture of incessant confession and self-discovery: a non-stop spelunking into empty caves.” It comes as no surprise then that professional writers stand up for the memoir as an artistic form and genuine self-examination, rather than self-interest. -
PICADOR INTERNATIONAL RIGHTS GUIDE FRANKFURT BOOK FAIR 2017 Devon Mazzone Director, Subsidiary Rights [email protected]
PICADOR INTERNATIONAL RIGHTS GUIDE FRANKFURT BOOK FAIR 2017 Devon Mazzone Director, Subsidiary Rights [email protected] 18 West 18th Street, New York, NY 10011 (212) 206.5301 Amber Hoover Foreign Rights Manager [email protected] 18 West 18th Street, New York, NY 10011 (212) 206.5304 2 FICTION 3 Donohue, Keith THE MOTION OF PUPPETS A Novel October 2016 (finished copies available) In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside. The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins a dual odyssey: of a husband determined to findhis wife, and of a woman trapped in a magical world where her life is not her own. -
In the Jazz Age Thank You for Joining Us! Jazz Age San Francisco 101
San Francisco in the jazz age Thank you for joining us! Jazz Age San Francisco 101 We hoped you enjoyed These links are from the ‘101’ on San Francisco. our special Zoom ep- isode of the Strong 1920 San Francisco Sense of Place pod- This video — with a very dramatic soundtrack cast with special guest — takes you to San Francisco landmarks in- Jasmin Darznik. This cluding Fleishhaker Pool, the Legion of Honor, PDF is filled with sou- Golden Gate Park, and The Cliff House. venirs from our virtu- https://www.youtube.com/watch?v=czxBZvMU- al trip to Jazz Age San Wwg Francisco, including links to more informa- About Donaldina Cameron tion about the stuff we Photos and more on the story of this bold woman discussed, book de- and social reformer. tails, delicious Italian and Chinese food recipes https://bit.ly/3sn2Mkb (as befits San Francisco), and all the ways you can stay in touch with us. The 1920s Were SF’s Best Decade SFGate invited readers to share their opinions about the best decades in the city’s history. This writer makes the case for the Jazz Age. https://bit.ly/3wZvZ83 - 1 - Jazz Age San Francisco 101 Recommended Books (continued) San Francisco Fashion From the 1920s These are the books we discussed in our session. Super glam and sassy photos of formal wear, All links connect to Bookshop.org, an online bathing suits, and street style in the ‘20s. bookstore with a mission to financially support https://bit.ly/3gjlMxH independent bookstores and give back to the book community. -
THE LOVELY BONES Screenplay by Fran Walsh, Philippa Boyens
THE LOVELY BONES Screenplay by Fran Walsh, Philippa Boyens & Peter Jackson Based on a novel by Alice Sebold © WingNut Films Productions Ltd. 2006 PO Box 15-208 Final Draft 2009 Miramar Wellington 6243 NEW ZEALAND Tel. +64 4 388 9939 © 2007 WINGNUT FILMS PRODUCTIONS RESTRICTED IN CONFIDENCE 1 INT SALMON HOUSE - DAY (WINTER, 1963) CLOSE ON: The BLURRED IMAGE of a WORLD, distorted by a wall of CLEAR PLASTIC ... CAMERA is INSIDE a small SNOW GLOBE, looking out ... as we glimpse PEOPLE moving about in the room beyond. They only come into FOCUS when they get CLOSE. SUSIE (V.O.) I remember being really small, too small to see over the edge of a table. CHUBBY, LITTLE FINGERS grope towards the OBJECT ... a 3 year old SUSIE SALMON comes into FOCUS ... a YOUNG FATHER, JACK SALMON looks over his daughter’s shoulder. In the BACKGROUND, IMAGES flicker on black and white TELEVISION. SUSIE (V.O.) (CONT’D) There was a snow globe. CLOSE ON: SUSIE, captivated by the PLASTIC PENGUIN wearing a red and white striped scarf around it’s neck ... LARGE in the FOREGROUND. SUSIE (V.O.) (CONT’D) And I remember the penguin who lived inside the globe. He was all alone in there and I worried for him ... JACK crouches down next to his daughter. JACK Don’t worry, kiddo. He has a nice life - he’s trapped in a perfect world. JACK reaches towards camera, takes hold of the GLOBE and flicks it. A SHOWER of SNOW FLAKES explode across the screen. INT. SALMON HOUSE, YEARS PASS - DAY/NIGHT ON THE SOUND TRACK: I Hear You Knockin’ - Dave Edmunds ABIGAIL - JACK’S WIFE - in BED reading a LITERARY TEXT. -
Reading Gender-Based Violence in Rape Survivor Discourse
Politicizing the Personal: Reading Gender-Based Violence in Rape Survivor Discourse Rachel Sarah Jo Macreadie Submitted in total fulfilment of the requirements of the degree of Master of Arts in Gender Studies (Thesis) September 2014 School of Culture and Communication, Faculty of Arts The University of Melbourne Produced on archival quality paper ii Reading Gender-Based Violence in Survivor Discourse Rachel Macreadie iii Abstract Rape is about power. Women writing about their experiences of rape often find that the disempowering effects of rape continues into the aftermath when they face a hostile environment that frequently denies and silences their experience. Even where rape circumstances fit within the definitions of the ‘standard rape narrative’, survivors must still compete against victim-blaming attitudes, rape myths and cultural silencing. In order to find an audience to bear witness to the trauma, women often have to perform according to social expectations, modify their emotions to be accepted and dilute any politically disruptive messages. To cultivate an awareness of the complex and multifaceted influences and power dynamics shaping the rape story, I examine the development and production of survivor discourse. I argue for the value in conceptualizing three primary ‘gatekeepers’ of the rape story (cultural, literary and judicial) that force a particular kind of story to emerge, which can lead to survivor narratives paradoxically perpetuating rape myths and recuperating dominant discourses. In the last few decades, disciplines of criminology, social psychology, linguistics, and legal studies have used a variety of social research methodologies to enhance understandings of rape myths and the context within which survivors make sense of their experience. -
The Lovely Bones Centers on a Young Girl, Susie Salmon, Who Has Been Murdered and Watches Over Her Family—And Her Killer—From Heaven
Bones_Teachers_JR.qxd 11/19/09 10:57 AM Page 3 Reproducible Master ACTIVITY ONE COMING OF AGE Based on the critically acclaimed best-selling novel by Alice Sebold, and directed by Oscar ® winner Peter Jackson ( The Lord of the Rings trilogy), The Lovely Bones centers on a young girl, Susie Salmon, who has been murdered and watches over her family—and her killer—from heaven. She must weigh her desire for vengeance against her need for her family to heal. The Lovely Bones is a coming-of-age story, which means that adolescent characters mature in some way—either by taking responsibility or learning a lesson. In most societies, the teen and early adulthood years are traditionally associated with coming-of- age rituals and lessons. But in The Lovely Bones , even the adults learn that coming of age is a lifelong process as they deal with death, justice, and the differing paths to peace. Coming-of-age stories have similar of coming-of-age novels and films with which you are PART A. characteristics. For example, most familiar. Consider what characteristics the stories have in protagonists go through a period of physical or emotional common. Do the characters have similar experiences and separation from family members. Or, they begin to challenge emotions? Are there similarities in what the characters learn an adult’s teaching. Begin this activity by brainstorming a list on their journey to maturity? Coming-of-Age Stories Plot Similarities and Protagonist Similarities What Does the Differences and Differences Protagonist Learn? 1. 2. 3. After viewing The Lovely Bones , consider to escape her now tragic life; Jack, Susie’s guilt-ridden PART B. -
Fleming Flashpaper June 2018
FLEMING FLASHPAPER JUNE 2018 CARYL FLEMING IBM RING 21 NORTH HOLLYWOOD CALIFORNIA Celebrating the enjoyment and camaraderie of magic since 1938! DON’T MISS OUT: WHAT’S COMING UP! RING 21 CLUB MEETING: IMPORTANT NOTICE! First Thursday of the month We will not have our regular Thursday evening meeting this month. NEXT MEETING: Instead, we are having our annual… Saturday June 9th 3:00 pm to 5:00 pm Church of Jesus Christ LDS 15555 Saticoy Street PICNIC Van Nuys 91406 SATURDAY JUNE 9TH Church of Jesus Christ LDS We are on twitter! 15555 Saticoy Street @ibmring21 Van Nuys 91406 And the internet! 3:00 TO 4:00 PM DINING www.ibmring21.org 4:00 TO 5:00 PM SHOW If so, then add our website link to your favorites and use the Amazon link at the bottom of our web page. Our club will get a referral bonus! TH JULY 5 : Four on the Fourth! We will be doing a four corners demonstration meeting in honor of the Fourth of July. So far, we have two confirmed demonstrators. If you would like to be one of our demonstrators, please let Bob Thomas know. See his contact info at the end of the newsletter. JULY 7-8: Bill Turner Magic sale. Stay tuned for details. 1 MAGIC RESOURCES Westside Wizards Sam 291 Mark Wilson IBM Ring 280 Note: See www.westsidewizards.org for calendar of events Note: See www.ibmring280.com for info and calendar Stoner Park OPICA Adult Day Care The Boys & Girls Club of Santa Clarita Valley 11759 Missouri Ave, Los Angeles, CA 24909 Newhall Ave. -
The Lovely Bones
THE LOVELY BONES ALSO BY ALICE SEBOLD Lucky THE LOVELY BONES a novel Alice Sebold LITTLE, BROWN AND COMPANY B OSTON N EW Y ORK L ONDON Copyright © 2002 by Alice Sebold All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. The characters and events in this book are fictitious. Any simi- larity to real persons, living or dead, is coincidental and not intended by the author. Book design by Jo Anne Metsch Little, Brown and Company 1271 Avenue of the Americas New York, NY 10020 An AOL Time Warner Company First eBook Edition: October 2002 ISBN: 0-7595-9802-9 Visit our web site at www.twbookmark.com. AOL Keyword: Lovely Bones Always, Glen THE LOVELY BONES Inside the snow globe on my father’s desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, “Don’t worry, Susie; he has a nice life. He’s trapped in a perfect world.” ONE M y name was Salmon, like the fish; first name, Susie. -
2011 Brochure
COMMUNITY SUMMER WRITING WORKSHOPS OFWRITERS POETRY WORKSHOPS: July i6 - 23, 20ii WRITERS WORKSHOPS: August 6-i3, 20ii SCREENWRITING WORKSHOPS: August 6-i3, 20ii COMMUNITY OF WRITERS AT SQUAW VALLEY TRAVEL Every summer for 42 years, the Community of Writers at Squaw Valley is located seven miles from Tahoe City and ten Squaw Valley has brought together poets and prose writers miles from Truckee. It is a four-hour drive from the Bay Area, for separate weeks of workshops, individual conferences, and an hour from the Reno/Lake Tahoe International Airport. lectures, panels, readings, and discussions of the craft and It is not necessary to have a car during the week. Upon accep- the business of writing. Our goal is to assist writers to tance, participants will be sent more information about air- improve their craft and thus move them closer to publication. port shuttles, carpooling to the valley, and accommodations. SQUAW VALLEY, CALIFORNIA HOUSING & MEALS Squaw Valley, located in the California Sierra Nevada, close to Evening meals are included in the tuition, but participants the north shore of Lake Tahoe, is a ski resort, the site of the are on their own for breakfast and lunch. Nearby in the valley 1960 Winter Olympics. Summers are warm and sunny; partici- are cafes and restaurants and a small general store. Houses pants will have opportunities to hike to the local waterfalls, and condominiums in the valley are rented for participant take nature walks up the mountain, swim in Lake Tahoe, housing. Participants share these units and may choose sin- and play tennis, ice skate, or bike along the Truckee River. -
Reading Group Guide Spotlight
Spotlight on: Reading Group Guide The Lovely Bones Author: Alice Sebold Family: Born c. 963; married Glen David Gold (a Name: Alice Sebold writer). Education: Studied at Syracuse University, Born: c. 963 980-c.84; graduated from University of Houston; Education: Studied at University of California--Irvine, M.F.A., 998. Syracuse University, Addresses: Home: CA. Agent: c/o Author Mail, 980-c.84; graduated from Little, Brown & Company/Warner Books, 27 University of Houston; Avenue of the Americas, New York, NY 0020. University of California-- Irvine, M.F.A., 998. Addresses: Home: CA. Agent: c/o Author Mail, Little, Brown & Company/ Warner Books, 27 Career: Avenue of the Americas, Writer and teacher. New York, NY 0020. Awards: Bram Stoker Award for best first novel and nomination for best novel, Horror Writers Association, both 2002, for The Lovely Bones. Writings by the Author Lucky (memoir), Scribner (New York, NY), 999. The Lovely Bones: A Novel, Little, Brown (Boston, MA), 2002. Media Adaptations: The Lovely Bones was adapted as a screenplay by Lynne Ramsay and Liana Dognini, to be directed by Ramsay and produced by Aimee Peyronnet in conjunction with FilmFour. www.kpl.gov/bookclubkit . Author: Alice Sebold (2) Sidelights: Alice Sebold’s first published book was a memoir of her rape as an eighteen-year-old college freshman. Titled Lucky because one of the policemen told her that she was lucky to be alive—not long before Sebold’s attack, another young woman had been killed and dismembered in the same tunnel—the book was many years in the making. -
The Lovely Bones, Behind the Scenes with Director/ Co-Writer/Producer Peter No Flesh on Jackson the Lovely Bones
aBOVE: SaoirSe ronan, who StarS aS SuSie Salmon in the lovely bones, behind the SceneS with director/ co-writer/producer peter no flesh on JackSon The Lovely Bones Peter Jackson’s adaptation of Alice Sebold’s novel privileges style over substance, writes Brian McFarlane. 46 • Metro Magazine 164 The opening image of Peter Jackson’s film In the hours after I was murdered, as ‘What can possibly happen?’ The answers adaptation of The Lovely Bones (2009) my mother made phone calls and my are ‘She does’ and ‘A great deal’. is that of a penguin in one of those glass father began going door to door in the snow domes. As the voice-over spells neighbourhood looking for me, Mr Harvey Even before I came to the novel’s fleeting out, what you get before you shake it is ‘a [the murderer] had collapsed the hole in the reference to Thornton Wilder’s play Our nice life – trapped in a perfect world’. On- cornfield [the murder site] and carried away Town, I’d thought to myself that not since screen, a little girl is playing with a top as a sack filled with my body parts. that beautiful paean to ordinary life had I her father reads. A few brief shots later, she come across this representation of a dead is a teenager with a camera, ‘capturing a And nearly a year after: ‘By late summer person’s view of what the living are up moment’, and a few further moments later 1974, there had been no movement on to.