Tailgate Ramblings

Total Page:16

File Type:pdf, Size:1020Kb

Tailgate Ramblings TAILGATE RAMBLINGS July 1980 In the hospitality line, it was agreed that individual Board members should handle the gate at least once a year and that more effort should be made to welcome people at special events. The TAILGATE RAMBLINGS PRJC membership is high — over 1,000 members — VOLUME 10, NUMBER 7 but the dropout rate is also high. If someone J u ly 1980 doesn't like the music after joining (incredible as that seems), that is not a problem we can solve. But i f someone d o e s n 't find a fr ie n d ly Editor: Ken Kramer group, we can do something. Contributing Editors: As a service to members we wish to continue Mary Doyle Harold Gray allowing the private sale of records or other jazz Joe God frey Dick Baker memorabilia. However, the Board agreed th at the George Kay Floyd Levin PRJC g a te w i l l not handle these sa les in the Vivienne Brownfield future. We are often asked to handle books on jazz or to sell records at a small profit to the PRJC President: Mary Doyle Club. But the work involved is tremendous, (703) 280-2373 because i t means keeping an inventory and books o f receipts and hauling these items to Specials. I f Vice President: Ken Kramer anyone in the Club is interested in this (703) 354-7844 undertaking, please let us know. TAILGATE RAMBLINGS is the monthly p u b lication Also in the hospitality line, musicians who are o f the Potomac R iver Jazz Club. The Club booked for this area often with to stay in private stands for the preservation, encouragement, homes in order to meet members o f clu b s. Thanks and advancement of traditional jazz. This to the C. Y. Browne's and the Roy Hostetters ' who means ja z z from 1900 to 1930 in th e New agreed to take four musicians from the B o a trid e. Orleans, Chicago, and Dixieland styles, Sometimes the le ft hand doesn't know what the including their various revivals, as well as right hand is doing, however, so this plan didn't blues and ragtime. TAILGATE RAMBLINGS work ou t. Contact a board member i f a you have a welcomes contributions from its readers. comfortable room available and would like to meet some out-of-town musicians. It's fun and cuts GREETINGS FROM YOUR PRESIDENT down on the overhead for the PRJC. The Board met before the Boatride for its usual Our next Special is in August. I t ' s th e third Wednesday o f the month meeting. Its first Natural Gas, a grea t West Coast ja zz band. See action was the election of Evelyn Franklin to fill you then. the remainder o f Bob Thulman's term. Evelyn has been active in the single's group and has served Mary H. Doyle at the door many times at Specials. She is presently in charge of sales and hopes for a good year in that department. New PRJC T-shirts w ill AD RATES be purchased in time for the picnic. Display ads in Tailgate are $90 for a full The Turk Murphy Special was a fin a n c ia l page, $55 for a half page, $35 for a quarter page, success. He is a big draw to Washington area and $20 for an eighth page. Small ads are free to members, and it was great to have him back again. PRJC members (eighth page and downwards). Payment for ad is due with copy submitted. Extra art work Congratulations are certainly in order fo Don that may be required is at the expense of the Angell for his masterful handling of advance sales submitter. Camera-ready copy is required. for the Severn River Boatride. This nonpaying job required full-time work, to say nothing of a million phone calls. Tickets were sold on a TAILGATE DEADLINES first-com e basis, and it was a sell-out. Musically it was also a great success, and Don The absolute deadline for Tailgate Ramblings also arranged for fantastic weather. copy is the 25th o f each month. Copy that is not in the sweaty and ink-stained hands o f the e d ito r w ill be held over to a possible later issue. "HAPPY BIRTHDAY, DEAR SATCHMO, Barney Bigard, Jack Teagarden, Earl Hines, A r v e ll HAPPY BIRTHDAY TO YOU!" Shaw, and Cozy Cole! I had enough m aterial for six broadcasts. by Floyd Levin I reca ll another Armstrong birthday celebration The last time I heard that joyous phrase was on behind the bandstand at D isneyland, where Louis the 4th of July, 1976. I had proudly climbed on a Armstrong's All-Stars were featured in one of the flat bed rail car adjacent to Jacksor Square in "Dixieland at Disneyland" events that were held New Orleans to present the new Louis Armstrong for many years in the giant park. I think it was statue to Mayor Moon Landrieu on b e h a lf o f the 1967. The occasion was marred by an unexpected 1,000 fans who had contributed to the Louis rainstorm . As we huddled beneath an improvised Armstrong Statue Fund. The M ississippi R iver was canvas shelter, trombonist Tyree Glenn muttered to our backs as we faced the old statue o f Andrew some unprintable remarks about "Sunny C a lifo rn ia ." Jackson and listened to Danny B ark er's band with During that moist intermission, I decided that i t Blue Lu Barker singing the birthday theme. would be a good idea to plan a special birthday party for the next year so Armstrong could have 12 Standing t a ll and proud, the recently uncrated months to arrange his schedule for a rare day o f f . bronze figure o f Louis' Armstrong looked down on I promised Louis that, if he could attend, we the scene w h ile the TV cameramen recorded the would dedicate the entire day to celebration of event as part of the nation's bicentennial his birthday. We'd invite his favorite friends, celebration. Unfortunately, the network editors serve his favorite food, and have a memorable opted to provide extended coverage of the Tall holiday in his honor. He accepted the invitation Ships' foray up the Hudson River. As a result the but could not promise that the Associated Booking national TV audience had little opportunity to Corporation would arrange his schedule to witness the great honor that had been given to accomnodate our plans. Louis Armstrong in particular - and jazz in general. (The statue is now in its permanent We had the Arm strong b irth d a y p a rty th e location in the recently dedicated Louis Armstrong following year. It was a huge success. Our yard Park in New Orleans.) was decorated with toy trumpets dangling in the trees. Our backyard wall was covered with a July 4, 1930 is the 80th anniversary of 70-foot banner that proclaim ed "HAPPY BIRTHDAY Armstrong's b irth . Over the years, I have had to LOUIS ARMSTRONG, 1968." The vast panorama o f the privilege of sharing that event with Satchmo on San Fernando Valley below us was obscured by h a lf many occasions — both in body and in s p ir it . a hundred revelers celebrating the great occasion. Joe Darnsbourg spent several hours in our k itch en My first meeting with the great man was on his concocting pots full of red beans and rice, Louis' 48th birthday. Despite the passage of 32 years, favorite. Several musicians began a jam session the event is quite vivid in my mind. He had just in the yard that filled the neighborhood with returned from a successful European tour with his happy sounds. Inside, stereo speakers in every recently formed All-Stars. The band was booked room continually poured forth recorded sounds of in to The Oasis, a questionable venue in Southwest the Hot Five, Hot Seven, etc. A huge blowup of Los Angeles. With a borrowed Webcor tape Satchmo hung from L u c ille 's cherished c r y s ta l recorder, I meekly ventured into Louis' dressing chandelier. We consumed about eight cases of beer room during an intermission. I asked if he would and great quantities of liquor as we continually allow me to tape an interview for my radio program toasted the happy occasion . The only in v ite d — which was heard by only those very few who had guest unable to attend was Louis Armstrong. He encountered the recent innovation, FM radio. sent his regrets from England and in d ica ted that he would have preferred our pqrty to the audience I was ushered into an adjacent room, where I he had with the Queen that day! was greeted by a smiling Louis Armstrong nibbling a piece of birthday cake — stark naked! He was Armstrong's most momentous birthday took place changing cloth es between sets and agreed to talk here in Los Angeles in 1970. This was his last to me as he dressed. After our brief local appearance and it provided some o f the most conversation, he invited me to remain and dramatic moments of his entire career. A sell-out interview the members of his band. Before the audience in the huge Shrine Auditorium watched vening was over, I had recorded conversations with Louis climb a flight of stairs to reach the top of So this year, on July 4th, I w ill hoist a glass to again salute Satchmo.
Recommended publications
  • QUASIMODE: Ike QUEBEC
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
    [Show full text]
  • John Colianni Marty Grosz Quintet and His Hot Winds
    THE TRI-STATE SKYLARK STRUTTER Member of South Jersey Cultural Alliance and Greater Philadelphia Cultural Alliance VOLUME 19 NUMBER 7 BEST OF SOUTH JERSEY 2008 MARCH 2009 ******************************************************************************************************************************** OUR NEXT CONCERTS SUNDAY, MARCH 15 SUNDAY MARCH 29 2 PM 2 PM JOHN COLIANNI MARTY GROSZ QUINTET AND HIS HOT WINDS BROOKLAWN AMERICAN LEGION HALL Dd CONCERT ADMISSION $20 ADMISSION $15 MEMBERS $10 STUDENTS $10 FIRST TIME MEMBER GUESTS Pay At the Door No Advanced Sales S SAINT MATTHEW LUTHERAN CHURCH JOHN COLIANNI 318 CHESTER AVENUE John Colianni grew up in the Washington, D.C. metro area and first heard Jazz MOORESTOWN, NJ 08057-2590 on swing-era LP re-issues (Ellington, Goodman, Jimmie Lunceford, Count Basie, Armstrong, etc.) in his parents' home. A performance by Teddy Wilson 3 BLOCKS from Main Street in Washington attended by John when he was about 12 years old also left a strong impression, as did a Duke Ellington performance (more later). 1 THE QUINTET : In 2006, looking for an outlet for his high velocity piano for Torme' from early 1991 to mid 1995, touring and recording six albums. improvisations, John formed the John Colianni Quintet. In July 2007, the group recorded its first CD, "Johnny Chops" (Patuxent Records), which was released PLAYERS FEATURED ON JOHN'S CURRENT CD this year. JUSTIN LEES: Justin, whose guitar work is characterized by a bluesy and LES PAUL: Les Paul offered the piano spot in his group to John in August infectiously swinging phrasing and a distinctive tone, is a fresh face on the jazz 2003. Les had not used a pianist in his combo since the 1950s and, in looking scene.
    [Show full text]
  • Down Beat October 19 1967
    SOUND PERFECTION... JOE MORELLOI LUDWIG! As in his playing, many times jazz poll ^'?j winner Joe Morello insists on perfection in his drums! That’s why Joe insists on Ludwig! Only Ludwig1 drums provide him with the exceptional tone, response and durability required for his great performances. For over 10 years, Joe has played and travelled with the Dave Brubeck Quartet ... a rigorous and demanding career which has earned Joe the wide acclaim he deserves. And, wherever you see and hear Joe play, you'll be witnessing the finest drummer playing the finest drums . Ludwig! experience/imagination/craftsmanship October 19, 1967 Vol. 34, No. 21 ONCE MORE FROM THE 1 DAN MORGENSTERN WEST down ' • BILL QUINN COAST IRA GITLER LEONARD FEATHER beat BARBARA GARDNER HARVEY SIDERS THE BIWEEKLY MUSIC MAGAZINE On Newsstands Throughout the World MARTIN GALL AY Every Other Thursday READERS IN 142 COUNTRIES GLORIA BALDWIN contents 6 Chords and Discords 13 News 16 The Natural: A Conversation with Erroll Garner: After years at the top, the famous pianist is seeking additional outlets for his musical ideas. By V/V6-8671 Harvey Siders Along comes California’s vibist-in- 19 Body & Soul: The Total Experience of Denny Zeitlin: Pianist Zeitlin achieves residence with some choice new Latin cooking, seasoned with Soul. a harmonious balance of mind and emotion, resulting in the “Now” sound. By Steve Toomajian 21 Cheers for Shearing: The resurgence of spirit and drive he shows in his Bolakete playing makes George Shearing seem ageless. By Harry Frost __ atthe 23 Down Patti: A Profile of Patti Bown: In the midst of a music world dominated Monterey by men, Miss Bown is recognized as an equal.
    [Show full text]
  • “Big Chief” Moore, in New York a Few Weeks Earlier on January 16
    WIND12413 ITF Douglas Yeo ITA.qxp_Layout 1 5/22/17 11:24 AM Page 1 July 2017/ Volume 45, Number 3 / $11.00 Denson Paul Pollard — Page 36 Douglas Yeo Depends on Yamaha “Yamaha trombones are the most flexible, finely engineered and well-made instruments INTERNATIONALINTERNATIONAL I have ever played. They allow my musical voice to be expressed beautifully every time I have a trombone in my hands.” Douglas Yeo Visit 4wrd.it/yeoITA2 for details World-renowned Bass Trombonist ASSOCIATION JOURNAL THETHE QUARTERLYQUARTERLY PUBLICATIONPUBLICATION OFOF THETHE ITAITA Take it, Big Chief! An Appreciation of Russell Moore Photo credit: Timothy Hutchens INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA Volume 45, Number 3 / July 2017 General News — Page 6 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Take It, Big Chief: An Appreciation of Russell Moore ITA JOURNAL STAFF by Douglas Yeo .............................................................. 18 Managing Editor A Conversation with Denson Paul Pollard Diane Drexler by Douglas Yeo ................................................................ 36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] Associate Editors Feature Stories – Bruce Gunia Departments [email protected] Announcements ...................................................................... 2 Jazz – Antonio Garcia President’s Column - Ben van Dijk ..........................................
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Jazz in Der Schweiz 1924-1976 Zeitdokumente Des Hans Philippi Aus Basel Das Verzeichnis Alben Album/Seq Datum Beschreibung Album 1 1924 - 1939
    Erstellungsdatum 15.02.2006 Mario Schneeberger Jazz in der Schweiz 1924-1976 Zeitdokumente des Hans Philippi aus Basel Das Verzeichnis Alben Album/Seq Datum Beschreibung Album 1 1924 - 1939 1 / 1 1924-1928/08 Engagements Lanigiro 1924 bis Aug. 1928: Liste vom 1929/09/15 1 / 2 1925 Foto und Karte Tanzkurs mit Lanigiro 1 / 3 1925/07 Programm THE MINSTREL'S CLUB ORCHESTRA 1 / 4 1925/11/22 Programm Lanigiro Schützenhaus Basel 1 / 5 1926/03/07 Gastspiel Sam Wooding Orch. & Chocolate Kiddies im Stadttheater Basel: Programm, Besetzung aus Berlin 1925 *), Pressefotos *) Besetzung aus Berlin, Mitte 1925: Sam Wooding(p), Tommy Ladnier(co), Bobby Martin, Maceo Edwards(tp), Herb Fleming(tb), Garvin Bushel(cl,as), Gene Sedric(ts), Willy Lewis(as), John Mitchel(bjo), John Warren(tuba), George Howe(dr) 1 / 6 1926/11/23 Neger-Revue Black People mit Sidney Bechet im Stadttheater Basel: Programm 1 / 7 1927 Veranstaltungen Lanigiro 1 / 8 1933 Jazz Club de Belgique/Anvers: Programme, Annoncen 1 / 9 1934/04/17 Cab Calloway in Antwerpen: Programm 1 / 10 1934/04/18 Cab Calloway in Brüssel: Annonce, Foto mit H.Philippi und Belgiern 1 / 11 1934/02 "Wo ist die schweizerische Jazzbewegung?". Jazzclubs in Europa* und [fehlende] in der Schweiz: Artikel von H.Philippi aus Belgien in der Zürcher Zeitschrift "Jazz", Nr.22. Mit Dank an Hr. [Ernest] Berner für seine Bemühungen für eine schweizerische Jazzbewegung. *Es existieren Jazzclubs in Belgien (der "Jazzclub" und der "Hot and Sweet"), England, Frankreich und Holland. 1 / 12 1934/06 L.Löffler schreibt mit Bezug auf Philippis Artikel in der Zeitschrift "Jazz" vom Februar 1934 an H.Philippi nach Belgien, er würde ihn mit seinen Jazzverteidigern bei der Gründung eines Jazzclubs unterstützen.
    [Show full text]
  • Punk · Film RARE PERIODICALS RARE
    We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly.
    [Show full text]
  • Arvell Shaw & the Louis Armstrong Legacy Band
    Free to choose Free to dream Free to remember Free to discover 1994 SEASON Free to choose Free to dream Free to remember Free to discover MIKKI SHEPARD/LEONARD GOINES Authors, MIKKI SHEPARD & LEONARD GOINES except where noted Executive Producers Editor, ruDE-LAURE DENIS Program Booklet Design, LOIS PYANOWSKI 1 994 BETTY CARTER: JAZZ AHEAD "95 SEASON The Majestic Thea ter Sat, April 9 - 8:00pm L ~ AND THE Dear Friend: Su n, Apri l 10- 3:00pm r'\ """) MAJESTIC ATA \J I THEATER FLYIN' WEST J In living life, the choices you make, the dreams you dream and the GLANCE (New York Premiere): The Majestic Theater history you remember all join together to make you who you are. 65 1 is a producer and presenter of Tu es, April 19 - 7:00pm arts, education and humanities Wed-Sat, Apri l 20-23- 8:00pm programs which reflect and cele­ Sat-Sun , April 23-24 - 3:00pm It is the fusion of those choices, dreams and memories that resonate in brate YOU - and your cultural our minds as we look forward to future seasons and programming that iCELEBRACION! heritages and traditions. Home is Downtown Brooklyn's award-win­ continues to reflect the different faces of you. WILLIE COLON. RAY BARRETIO & HIS ORCHESTRA ning Majestic Theater. Once one of Opera Hou se the borough's great Legitimate the­ Saturday, April 30- 8:00pm aters and later a popular movie Come and share in all the excitement at 651 this season - from the house, the Majestic is now one of tumultuous Dance of choreographer Donald Byrd; the humor and insight SOUL SISTERS: Brooklyn's finest centers for the of Pearl Cleage's Theater celebrating black women pioneers in America's MARTHA BOWERS performing arts.
    [Show full text]
  • Louis Armstrong All Stars Satchmo in Pasadena Mp3, Flac, Wma
    Louis Armstrong All Stars Satchmo In Pasadena mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Satchmo In Pasadena Country: Germany Released: 1956 Style: Big Band, Swing MP3 version RAR size: 1469 mb FLAC version RAR size: 1106 mb WMA version RAR size: 1492 mb Rating: 4.7 Votes: 737 Other Formats: AU MMF FLAC ADX RA MP1 AA Tracklist Hide Credits Way Down Yonder In New Orleans A1 Written-By – Creamer*, Layton* You Can Depend On Me A2 Written-By – Carpenter*, Hines*, Dunlop* Just You, Just Me A3 Written-By – Greer*, Klages* Indiana B1 Written-By – McDonald*, Hanley* The Huckle Buck B2 Written-By – Gibson*, Alfred* My Monday Date B3 Written-By – Earl Hines Credits Bass – Arvell Shaw Clarinet – Barney Bigard Drums – Cozy Cole Piano – Earl Hines Trombone – Jack Teagarden Trumpet, Vocals – Louis Armstrong Vocals – Velma Middleton Notes Aufgenommen am 30.1.1951 in America durch Decca Records Inc., New York BIEM Made in Germany Other versions Category Artist Title (Format) Label Category Country Year Louis Armstrong Satchmo At DL 8041 And The All Decca DL 8041 US 1951 Pasadena (LP) Stars* Satchmo At Louis Armstrong Verve B0012372-02, Pasadena (CD, B0012372-02, And The All Records, US 2009 DL 8041 Album, RE, RM, DL 8041 Stars* Decca Dig) Louis Armstrong Satchmo At MCA ORL 8134 And The All Pasadena (LP, ORL 8134 Italy Unknown Coral Stars* Album, RE) Louis Armstrong Satchmo At SDL-10214 And The All Pasadena (12", Decca SDL-10214 Japan Unknown Stars* Album) Louis Armstrong Satchmo At VIM-4621 (M) And The All Pasadena (LP, Decca VIM-4621 (M) Japan 1980 Stars* Mono, RE) Related Music albums to Satchmo In Pasadena by Louis Armstrong All Stars Louis Armstrong All Stars / Louis Armstrong And His Orchestra - Satch And His Trumpet Louis Armstrong And The All Stars - Satchmo At Symphony Hall Louis Armstrong And His Hot Seven - The Louis Armstrong Story, Volume II: Louis Armstrong And His Hot Seven Louis Armstrong - Satchmo .
    [Show full text]
  • Bobby HACKETT
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Bobby HACKETT: Bobby Hackett -co; George Brunies -tb; Pee Wee Russell -cl,ts; Bernie Billings -ts; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Johnny Blowers -d; Lola Bard -vo; recorded February 16, 1938 in New York 57864 YOU, YOU AND ESPECIALLY YOU 2.57 M754-1 Voc/Okeh 4142 57865 IF DREAMS COME TRUE 2.52 M755-1 Voc/Okeh 4047 57866 THAT DA-DA STRAIN 2.44 M757-1 Voc/Okeh 4142 57867 AT THE JAZZ BAND BALL 2.34 M756-1 Voc/Okeh 4047 "The Saturday Night Swing Club is On The Air" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Eddie Condon -g; Clyde Newcomb -b; George Wettling -d; recorded June 25, 1938 in Broadcast, New York 70029 AT THE JAZZ BAND BALL 3.06 Fanfare LP17-117 Bobby Hackett -co; Brad Gowans -vtb,as; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Andy Picard -d; Linda Keene -vo; recorded November 04, 1938 in New York 57860 GHOST OF A CHANCE 2.55 M917-1 Voc/Okeh 4499 57861 POOR BUTTERFLY 2.22 M918-1 --- 57862 BLUE AND DISILLUSIONED 2.25 M916-1 Voc/Okeh 4565 57863 DOIN' THE NEW LOW-DOWN 2.29 M919-1 --- "Bobby Hackett and his Rhythm Cats" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Andy Picard -d; recorded December 21, 1938 in New York 68471 SKELETON JANGLE 2.29 IAJRC-LP1 Bobby Hackett -co; Sterling Bose, Jack Thompson -tp;
    [Show full text]
  • Audio-1960-Aug.Pdf
    .A \EW LOW- \OISE TWIN TRIODE to improve performance and simplify the design of Audio Pre- Amplifier Stages Low noise, high performance, moderate cost - provided by the new RCA -6EU7, a high -mu, nine- pin miniature twin triode designed especially for high -gain, resistance- coupled, audio pre -amplifier stages -in high fidelity amplifiers (monaural or stereo), amplifier kits, tape recorders, juke boxes, and public address systems. Noise and hum are minimized by the use of double - wound, helical heaters, and a new base layout which keeps heater leads well away from the grid leads. Low microphonism, high mechanical strength, and reli- ability are assured by a short, rugged cage which provides sturdy support for the tube electrodes. New base arrangement also simplifies stereo layouts. The accom- panying diagram shows how the basing arrangement facili- tates the design of an amplifier using the two triode units for isolated stereo channels. For technical information, contact the RCA Sales Repre- sentative at our office nearest you, or write directly to RCA Electron Tube Division, Commercial Engineering, Section H 91-DE. Harrison, New Jersey. EAST: 744 Broad Street, Newark 2, N. J. HUmboldt 5-3900. MID-WEST: Suite 1154, Merchandise Mart Plaza, Chicago 54, III. WHitehall 4-2900. WEST: 6355 E. Washington Blvd., Los Angeles 22, Cal. RAymond 3 -8361. The Most Trusted Name in Electronics RADIO CORPORATION OF AMERICA AUGUST, 1960 VOL. 44, No. 8 Successor to RADIO, Est. 1917. only for those who want the ultimate "TOP RATED" AU D Io again and again ENGINEERING MUSIC SOUND REPRODUCTION -and NOW AGAIN! C.
    [Show full text]
  • Jazz Jazz Is a Uniquely American Music Genre That Began in New Orleans Around 1900, and Is Characterized by Improvisation, Stron
    Jazz Jazz is a uniquely American music genre that began in New Orleans around 1900, and is characterized by improvisation, strong rhythms including syncopation and other rhythmic invention, and enriched chords and tonal colors. Early jazz was followed by Dixieland, swing, bebop, fusion, and free jazz. Piano, brass instruments especially trumpets and trombones, and woodwinds, especially saxophones and clarinets, are often featured soloists. Jazz in Missouri Both St. Louis and Kansas City have played important roles in the history of jazz in America. Musicians came north to St. Louis from New Orleans where jazz began, and soon the city was a hotbed of jazz. Musicians who played on the Mississippi riverboats were not really playing jazz, as the music on the boats was written out and not improvised, but when the boats docked the musicians went to the city’s many clubs and played well into the night. Some of the artists to come out of St. Louis include trumpeters Clark Terry, Miles Davis and Lester Bowie, saxophonist Oliver Nelson, and, more recently, pianist Peter Martin. Because of the many jazz trumpeters to develop in St. Louis, it has been called by some “City of Gabriels,” which is also the title of a book on jazz in St. Louis by jazz historian and former radio DJ, Dennis Owsley. Jazz in Kansas City, like jazz in St. Louis, grew out of ragtime, blues and band music, and its jazz clubs thrived even during the Depression because of the Pendergast political machine that made it a 24-hour town. Because of its location, Kansas City was connected to the “territory bands” that played the upper Midwest and the Southwest, and Kansas City bands adopted a feel of four even beats and tended to have long solos.
    [Show full text]