The BG News December 4, 1991
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Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
5713 Theme Ideas
5713 THEME IDEAS & 1573 Bulldogs, no two are the same & counting 2B part of something > U & more 2 can play that game & then... 2 good 2 b 4 gotten ? 2 good 2 forget ! 2 in one + 2 sides, same story * 2 sides to every story “ 20/20 vision # 21 and counting / 21 and older > 21 and playing with a full deck ... 24/7 1 and 2 make 12 25 old, 25 new 1 in a crowd 25 years and still soaring 1+1=2 decades 25 years of magic 10 minutes makes a difference 2010verland 10 reasons why 2013 a week at a time 10 things I Hart 2013 and ticking 10 things we knew 2013 at a time 10 times better 2013 degrees and rising 10 times more 2013 horsepower 10 times the ________ 2013 memories 12 words 2013 pieces 15 seconds of fame 2013 possibilities 17 reasons to be a Warrior 2013 reasons to howl 18 and counting 2013 ways to be a Leopard 18 and older 2 million minutes 100 plus you 20 million thoughts 100 reasons to celebrate 3D 100 years and counting Third time’s a charm 100 years in the making 3 dimensional 100 years of Bulldogs 3 is a crowd 100 years to get it right 3 of a kind 100% Dodger 3 to 1 100% genuine 3’s company 100% natural 30 years of impossible things 101 and only 360° 140 traditions CXL 4 all it’s worth 150 years of tradition 4 all to see (176) days of La Quinta 4 the last time 176 days and counting 4 way stop 180 days, no two are the same 4ming 180 days to leave your mark 40 years of colorful memories 180° The big 4-0 1,000 strong and growing XL (40) 1 Herff Jones 5713 Theme Ideas 404,830 (seconds from start to A close look A little bit more finish) A closer look A little bit of everything (except 5-star A colorful life girls) 5 ways A Comet’s journey A little bit of Sol V (as in five) A common ground A little give and take 5.4.3.2.1. -
Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
K-Mix User Manual
1 = 2 4 6 8 8 6 4 2 Mic / Line Aux 3 Aux 2 Aux 1 Main = Inst / Line 3 5 7 7 5 3 1 µPre™ INPUTS OUTPUTS (BALANCED) (BALANCED) K-MIX 8 In 10 Out Audio Interface Programmable Mixer K-M IX U SER M AN U AL K-MIX Created by Keith McMillen, Evan Adams, Noah Ambrose, Evan Bogunia, Chuck Carlson, Emmett Corman, Dave Criss, Tom Ferguson, Mauricio Greene, Matt Hettich, David Hishinuma, Sarah Howe, Andrej Hronco, Conner Lacy, Kyle Lobedan, Dan McAnulty, Dennis Saputelli, Dustin Schultz, Chloe Stamper, Maxime Stinnett, Nick Wang, Carson Whitley, Greg Wille, Brian Wright, Stephen Wright, and Nathan Zorndorf. This reference manual was written and designed by Carson Whitley. Version 1.3.5, October 24, 2016. The content of this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Keith McMillen Instruments. Every effort has been made to ensure that the information in this manual is accurate. No warranties, express or implied, are made with regard to the quality, suitability, or accuracy of this document. Keith McMillen Instruments reserves the right to change the contents of this document and/or the associated products at any time without the provision of prior notice to specific persons or organizations. Keith McMillen Instruments shall not be held liable for damages of any kind arising from the use, or the inability to use this product or its documentation, even if the possibility of such damage is known. No part of this publication may be copied, reproduced, edited, or otherwise transmitted or recorded, for any purpose, without prior written permission by Keith McMillen Instruments. -
Optn TOMOR TILL 00! 52 U.S
WEDNESDAY, MARCH 29, 1961 PAGE TWENTY-EOXJR ArtngB Daily Net Press Run ^attrtf>Bts^r Sorning iimtlb i For tlM We«k Ended The Weather Much U, 1961 FereoMt of E. 8. Westher BareM Fair and coder tonlxlit Vnw 13,317 26-S2. Friday fair, not eo cod, Member of the Audit cloudIneM in aftemoos. Hlfh 48- BareM of OlronlsUon Manchester-—A City of Village Charm so. VOL. LXXX, NO. 152 (TWENTY-FOUR PAGES— IN TWO SECTIONS) MANCHESTER, CONN., THURSDAY, MARCH 30, 1961 (Clsmifled Advertlslnf on Pmge t t ) PRICE FIVE CENTS 21 Overseas OPtN TOMOR TILL 00! 52 U.S. Bases U.S. Pushing Buildup Other days to 5:45 Face Cutback Of Military Near Laos STAMPS Tomorrow Washington," March SO (A>)— The Defense Department an DOUBLE GREEN nounced today the closing or curtailment of activities at 52 C A S H SALES W ITH ALL military bases and installations in the United States. Twenty- one bases overseas also .nre being closed or cut back. Secretary of Defense Flobert S.^ McNamara said this was the first TB T Reds Want Awaits Red To enter Kathy’s new phas contest, please send yonr Whlllilte House plan to eliminate ob name and telephone niinri- solete or surplus InstEiIlations State J\ews her to Kathy Godfrey. NOW...SPRING COAT SALE! among- the 6.700 bases, big and lit Laos Truce Accord on WINF, Manchester. tle, at home and abroad. The estimated annual savings Roundup from today’s action may eventual ly reach $220 million, although After Talks Ctease-Fire this amount would not be saved COAT VALUES TO $45 during the several years needed Moscow, March 30 (/P)— Vientiane, Laos, March 30 T to carry out the cutback pro Montville Man There were indications in in 29 99 (iP)—The Laotian govern . -
ABSTRACT SMITH, KATHLEEN NICOLE. Career Narratives Of
ABSTRACT SMITH, KATHLEEN NICOLE. Career Narratives of Future K-12 STEM Teachers in the North Carolina Teaching Fellows Loan Forgiveness Program. (Under the direction of Dr. Joy Gaston Gayles and Dr. Paul Umbach). This narrative case study features an in-depth exploration of the career experiences and decisions of 10 participants in the recently reinstated North Carolina Teaching Fellows Program (NCTFP). The NCTFP incentivizes talented postsecondary students’ entry and retention into teaching careers in STEM and special education by providing selected students with up to $8,250 per year in forgivable loan funding. Forgivable loans must be paid back after graduation, either through qualifying teacher service in North Carolina public schools or in cash with interest within 10 years of degree completion. Program participants must attend one of five partner campuses and complete enrichment activities in preparation for teaching careers. The present study employs social cognitive career theory and concepts drawn from behavioral economics to understand the development of participants’ career interests over their life course and students’ decisions to participate in the NCTFP. Findings suggest that for most participants, interests in teaching careers began very early in life, long preceding the introduction of the NCTFP. Overall, the NCTFP was most appealing to students whose existing career goals already fit program requirements, as these participants saw minimal costs and maximal benefits to participating in the program. Students who changed their career plans to participate in the program incurred larger proximal costs and may demonstrate lower commitment to these career goals. Findings demonstrate that the upfront forgivable loan money granted by the NCTFP was the most compelling aspect to participants’ decisions to participate in the program. -
Nightlife Albums
THURSDAY, JULY 12, 2007 19 [email protected] comedy music film on line radio pop culture live downloads television DIVE DIVE DIVE: Sam Walsh, foreground, and Adam McKay nightlife captains of The Yellow Submarine. PICTURE: Bruce Mercer waikato Hannah Curwood and Simon Comber at La Commune. TONIGHT Ric Rush and Kellyn with a new The Big Pay Back at Sekure, with monthly event at The Loft Kellyn and Ric Rush. showcasing new and old house grooves, electro-funk and assorted Rubix Cuba (Australia), Dynamo beats. Go plus guests at Yellow Submarine (see main story). out of town TOMORROW (internationals) Evil, the new project from The 3Ds’ David Mitchell, at Ward SUNDAY Lane. Local support from Skelitor Bobby Brown, American R&B and Yokel Ono, door charge $15. singer, Energy Events Centre, Yellow Submarine Benefit Show Rotorua, tickets from Ticketek. (see main story). Kimbra solo acoustic show at La WEDNESDAY Commune. Regina Spektor, Russian-born Sophie serving up house classics, singer-songwriter, Bruce Mason rolling beats and funk at Sekure. Centre, Takapuna. Tickets from Ticketek. SATURDAY Unearth, Boston metalcore The Bleeders at Yellow Submarine exponents, The Studio. Tickets (see main story). from Ticketek. Paul Orion (Auckland) lashing Bobby Brown, TelstraClear Events out house, breaks and electro- Centre, Manukau. Tickets from styled tunes at Sekure. Ticket Direct. Email event info to [email protected] The submarine surfaces The Mole Music chaps are making a new stand for The Yellow Submarine. make it a nice environment to be in.” local music. “The scene relies on people coming to shows — even With a maximum capacity of more than 300 people Sam Walsh and Adam McKay, the 23-year-olds who when there is not 150 or 200 people there, even when — the bunker-like bar is deceptively large once you formed Hamilton’s fledgling Mole Music label, have it’s quite small,” says McKay. -
THE DARK ETERNAL NIGHT As Recorded by Dream Theater (From the 2007 Album "Systematic Chaos")
THE DARK ETERNAL NIGHT As recorded by Dream Theater (from the 2007 Album "Systematic Chaos") Transcribed by Anton Lidstrˆm Words by Dream Theater Music by Dream Theater A Intro All guitars are 7-string in standard tuning (e B G D A E B). Moderate Metal P = 111 Gtr. IV is Keys / Organ arranged for guitar. N.C. Gtr. V is Piano arranged for guitar. g 1 gg 4 k k k I 4 gV Vf V VgV V V V Vf V Vf V V V Vf V VgV f V V V V V V V V V V V V V V V V VgV V f V V Gtrs I, II (dist.) f P.M. P.M. P.M. P.M. T A 6 B 4 5 4 5 4 1 2 1 7 6 0 0 0 6 7 7 6 0 7 6 0 0 0 0 0 0 2 0 7 6 0 0 0 3 4 4 3 0 P H H P P P P H H P g 4 gg k k k I 3 3 V gV V f V V gV V V V V f V V f V V V gV f V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. T A 6 5 6 B 4 5 4 5 4 4 3 0 0 0 0 0 0 0 7 6 0 0 0 6 7 7 6 0 7 6 0 0 0 0 0 0 2 0 P sl. -
You Can Get There from Here
You can get there from here. www.pjc.edu STUDENT ACADEMIC CALENDAR 2006-2007 (Dates subject to change.) FALL 2006 SPRING 2007 SUMMER 2007 Session A Session B Session C Session D Session A Session B Session C Session D Session A Session B Session C Session D (16 wks) (8 wks) (13 wks) (8 wks) (16 wks) (8 wks) (13 wks) (8 wks) (12 wks) (6 wks) (8 wks) (6 wks) 8/24-12/19 8/24-10/19 9/15-12/1910/20-12/19 1/8-5/7 1/8-3/5 1/30-5/7 3/6-5/7 5/9-8/6 5/9-6/20 6/7-8/6 6/25-8/6 Faculty Return Aug 21 Aug 21 Aug 21 Aug 21 Jan 5 Jan 5 Jan 5 Jan 5 May 9 May 9 May 9 Jun 25 Classes Begin Aug 24 Aug 24 Sep 15 Oct 20 Jan 8 Jan 8 Jan 30 Mar 6 May 9 May 9 Jun 7 Jun 25 Schedule Adjustment (Drop/Add) Period Ends Aug 30 Aug 30 Sep 18 Oct 23 Jan 16 Jan 16 Jan 31 Mar 7 May 10 May 10 Jun 11 Jun 26 Last Date to Provide Documentation for Residency Change Aug 30 Aug 30 Aug 30 Aug 30 Jan 16 Jan 16 Jan 16 Jan 16 May 10 May 10 May 10 May 10 Mid-Term Oct 19 Sept 21 Oct 31 Nov 17 Mar 5 Feb 5 Mar 15 Apr 9 Jun 25 May 30 Jul 9 Jul 16 Last Date to Withdraw Nov 13 Oct 3 Nov 20 Dec 1 Apr 3 Feb 15 Apr 10 Apr 19 Jul 12 Jun 7 Jul 18 Jul 24 Final Exams (Day)* Dec 13-19 Oct 18-19 Dec 18-19 Dec 18-19 May 1-7 Mar 2-5 May 4-7 May 4-7 Aug 2-6 Jun 20 Aug 6 Aug 6 Final Exams (Evening)* Dec 12-14, 18 Oct 17-18 Dec 12-14, 18 Dec 14, 18 Apr 30 Feb 28 Apr 30 May 2-3 Jul 30-31 Jun 18-19 Aug 1-2 Aug 1-2 May 1-3 Mar 1 May 1-3 Aug 1-2 Last Day of Term Dec 19 Oct 19 Dec 19 Dec 19 May 7 Mar 5 May 7 May 7 Aug 6 Jun 20 Aug 6 Aug 6 Graduation Dec 19 Dec 19 Dec 19 Dec 19 May 7 May 7 May 7 May 7 Summer Term graduates are invited to participate in the Spring Commencement on May 7. -
1 Introduction
ICMR Inserm Development of Biomarkers for CVD & Diabetes 22-24 January 2007 INTRODUCTION In 2001, an NIH working group standardized the definition of a biomarker as "a characteristic that is objectively measured and evaluated as an indicator of normal biological processes, pathogenic processes, or pharmacologic responses to a therapeutic intervention" and defined types of biomarkers Our ability to study and treat diseases including diabetes, heart diseases, obesity and metabolic syndrome is hampered by a lack of unique, reliable, quantifiable, easily measured biomarkers that correlate well with disease progression. The clinical presentation of these chronic diseases is more often at a stage at which reversal or optimal control is very difficult. Compounding the problems in disease management is the non-availability of methods for monitoring disease progression or the efficacy of potential therapeutic interventions short of frank, clinically observable signs or symptoms. Similarly, clinical trials are especially difficult to design for chronic diseases. These trials for new therapies are often impractical or very expensive; since large numbers of patients must be followed for the long periods of time needed to achieve hard clinical endpoints such as non fatal MI or MI caused deaths. Therefore, robust biomarkers for cardiovascular diseases and diabetes need to be developed. These must be quantifiable and correlate well with clinical and biochemical measures of disease progression, and should be relatively inexpensive and noninvasive so that they can be measured serially over time. Efforts are also required to identify biomarkers which can reduce the need to achieve hard clinical endpoints in clinical trials, and would therefore help to lower the associated costs by reducing the number of patients needed and the time during which they are monitored. -
Dream Theater – Dream Theater (2013) English Review
Dream Theater – Dream Theater (2013) English Review dtnorway.com/2013/09/dream-theater-dream-theater-2013-english-review/ Les alle innlegg av Kim Arthur Sakariassen → Dream Theater – Dream Theater (2013) (Roadrunner Records) 1. False Awakening Suite – 2:42 1. Sleep Paralysis 2. Night Terrors 3. Lucid Dream 2. The Enemy Inside – 6:17 3. The Looking Glass – 4:53 4. Enigma Machine – 6:02 5. The Bigger Picture – 7:41 6. Behind the Veil – 6:53 7. Surrender to Reason – 6:35 8. Along for the Ride – 4:45 9. Illumination Theory – 22:18 1. Paradoxe de la Lumière Noire 2. Live, Die, Kill 3. The Embracing Circle 4. The Pursuit of Truth 5. Surrender, Trust & Passion «Dream Theater» by Dream Theater is the bands twelfth studio album, and it’s their fourth album with Roadrunner Records. Its release date is September 24. This is the second album recorded with Mike Mangini as the drummer in the band, however it is the first where Mangini participated in the writing process from day one. The album is the first self titled in it’s career, and us prog nerds just love some fun trivia; 20 years ago another famous prog band, Genesis, released their self titled album. It was that bands twelfth studio album. The album also contained 9 tracks. Obviously this is just pure coincidence, it’s just some fun trivia for you all. Now, there may be some questions as to why self titled this far into their career. When a band names an album after itself, it’s usually the album that introduces the band to the world, or an album that signifies a complete rebirth or re- imagining of what the band stands for.