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Resume-08-12-2021
Mike Milo Resume updated 08-12-2021 • OBJECTIVE: • To create stories, characters and animation that move the soul and make people laugh. CREDITS: • DIRECTOR- Warner Bros. Animation-HARLEY QUINN (current) • WRITER and PUNCH-UP on unannounced Netflix/ Universal- WOODY WOODPECKER movie • Supervising DIRECTOR- Age of Learning/Animasia- YOUNG THINKER’S LABORATORY • Story Artist- Apple TV- THE SNOOPY SHOW • Story Artist- Warner Bros. Animation SCOOBY DOO HALLOWEEN • DIRECTOR- Bento Box/ Apple TV- WOLFBOY AND THE EVERYTHING TREE • Freelance Animation DIRECTOR for Cartoon Network/HBO Max’s TIG ‘n’ SEEK • SHOWRUNNER/DIRECTOR- Universal’s WOODY WOODPECKER • DIRECTOR-Warner Bros. Animation- SCOOBY DOO AND GUESS WHO • Freelance Animation DIRECTOR for Warner Bros. Animation LOONEY TUNES 1000-ongoing • Freelance Animation DIRECTOR for Cartoon Network's CRAIG OF THE CREEK • Story Artist- CURIOUS GEORGE- Universal/DreamWorks • Creator, Writer, Director, Designer, Story Artist- GENIE HUNTERS- Cartoon Network • Freelance Animation DIRECTOR for Cartoon Network's UNCLE GRAMPA • Freelance Animation DIRECTOR for Cartoon Network's Justice League Action • Freelance Animation DIRECTOR for Netflix’s STRETCH ARMSTRONG • Storyboard Supervisor/Director/Teacher/Technology consultant: storyboards, writing, animation, design, storyboard direction and timing- RENEGADE ANIMATION • Freelance Storyboards and writing- THE TOM AND JERRY SHOW- Renegade Animation Freelance Animation DIRECTOR for Cartoon Network's BEN 10 • Freelance Flash cartoons for PEOPLE MAGAZINE and ESSENCE MAGAZINE • Flash storyboards, Direction, animation and design- Education.com on BRAINZY • Freelance Exposure Sheets for Marvel Entertainment- AVENGERS ASSEMBLE • Flash storyboards for Amazon pilot: HARDBOILED EGGHEADS • •Character Design and Development- Blackspot Media NYC- IZMOCreator, Writer, Director, Designer, Story Artist- Nickelodeon development BORIS OF THE FOREST with BUTCH HARTMAN • •Story Artist at Nickelodeon Animation Studios- FAIRLY ODD PARENTS • •Freelance Character Design at Animae Studios- LA FAMILIA P. -
Full Games List Pandora DX 3000 in 1
www.myarcade.com.au Ph 0412227168 Full Games List Pandora DX 3000 in 1 1. 10-YARD FIGHT – (1/2P) – (1464) 38. ACTION 52 – (1/2P) – (2414) 2. 16 ZHANG MA JIANG – (1/2P) – 39. ACTION FIGHTER – (1/2P) – (1093) (2391) 40. ACTION HOLLYWOOOD – (1/2P) – 3. 1941 : COUNTER ATTACK – (1/2P) – (362) (860) 41. ADDAMS FAMILY VALUES – (1/2P) – 4. 1942 – (1/2P) – (861) (2431) 5. 1942 – AIR BATTLE – (1/2P) – (1140) 42. ADVENTUROUS BOY-MAO XIAN 6. 1943 : THE BATTLE OF MIDWAY – XIAO ZI – (1/2P) – (2266) (1/2P) – (862) 43. AERO FIGHTERS – (1/2P) – (927) 7. 1943 KAI : MIDWAY KAISEN – (1/2P) 44. AERO FIGHTERS 2 – (1/2P) – (810) – (863) 45. AERO FIGHTERS 3 – (1/2P) – (811) 8. 1943: THE BATTLE OF MIDWAY – 46. AERO FIGHTERS 3 BOSS – (1/2P) – (1/2P) – (1141) (812) 9. 1944 : THE LOOP MASTER – (1/2P) 47. AERO FIGHTERS- UNLIMITED LIFE – (780) – (1/2P) – (2685) 10. 1945KIII – (1/2P) – (856) 48. AERO THE ACRO-BAT – (1/2P) – 11. 19XX : THE WAR AGAINST DESTINY (2222) – (1/2P) – (864) 49. AERO THE ACRO-BAT 2 – (1/2P) – 12. 2 ON 2 OPEN ICE CHALLENGE – (2624) (1/2P) – (1415) 50. AERO THE ACRO-BAT 2 (USA) – 13. 2020 SUPER BASEBALL – (1/2P) – (1/2P) – (2221) (1215) 51. AFTER BURNER II – (1/2P) – (1142) 14. 3 COUNT BOUT – (1/2P) – (1312) 52. AGENT SUPER BOND – (1/2P) – 15. 4 EN RAYA – (1/2P) – (1612) (2022) 16. 4 FUN IN 1 – (1/2P) – (965) 53. AGGRESSORS OF DARK KOMBAT – 17. 46 OKUNEN MONOGATARI – (1/2P) (1/2P) – (106) – (2711) 54. -
America Animated: Nationalist Ideology in Warner
AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Except where reference is made to the work of others, the work described in this thesis is my own or was done in collaboration with my advisory committee. This thesis does not include proprietary or classified information. ___________________________ Megan Elizabeth Rector Certificate of Approval: ____________________________ ____________________________ Susan Brinson Kristen Hoerl, Chair Professor Assistant Professor Communication and Journalism Communication and Journalism _________________________ ____________________________ George Plasketes George T. Flowers Professor Dean Communication and Journalism Graduate School AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Megan Elizabeth Rector A Thesis Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Master of the Arts Auburn, Alabama December 19, 2008 AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Megan Elizabeth Rector Permission is granted to Auburn University to make copies of this thesis at its discretion, upon request of individuals or institutions at their expense. The author reserves all publication rights. _____________________________ Signature of Author _____________________________ Date of Graduation iii VITA Megan Elizabeth Rector, daughter of Timothy Lawrence Rector and Susan Andrea Rector, was born June 6, 1984, in Jacksonville, Florida. She graduated from Lewis-Palmer High School with distinction -
JEFF HARTER 351 New Hudson Road, Aurora OH 44202 [email protected] 330.995.6507 (Land) 330.998.1547 (Cell)
JEFF HARTER 351 New Hudson Road, Aurora OH 44202 [email protected] 330.995.6507 (land) 330.998.1547 (cell) TEACHING EXPERIENCE 2015 – Present: Assistant Professor and Chair of Illustration, Cleveland Institute of Art. Manage a department of approximately 70 students and 9 faculty. Courses taught: Advanced Illustration Studio, Animation, BFA Thesis Defense, BFA Preparation, Character Design + Development, Community Projects, Freshman Elective, Fundamentals of Illustration, Layout Rendering Techniques, Principals of Illustration, Storyboarding and Sequential Art, Advanced Illustration, Final Project 2013 – Cleveland Institute of Art, Adjunct Instructor, Courses taught: Animation/Illustration: Visual Story Telling 2010, 2013 – Aurora High School, Internship Mentor 2012– Kent State, Adjunct Instructor Courses taught: Design/Illustration Techniques I 1999, 2000 – Cazenovia College, Adjunct Lecturer Courses taught: Advanced Illustration, Professional Workshop/Portfolio Preparation 1999 – Onondaga Community College, Adjunct Instructor Courses taught: Drawing PROFESSIONAL EXPERIENCE 2009 – 2015: American Greetings Alternative Humor - Senior Character Designer/Humorous Illustrator 2004 – 2009: American Greetings Intellectual Properties - Senior Creative Developer, (Character Design, Layout, Visual Development, Story Development) 2000 – 2004: Supervising Character Artist, Disney Consumer Products 1999: Graphic Artist, Mackenzie-Childs 1996 – 1999: Assistant Animator, Walt Disney Feature Animation 1996 Walt Disney Feature Animation Training -
The Animation, the Best Kept Secret in North Korea Margarita Rodriguez BBC World Service They Are Tender, Playful, Colorful An
The animation, the best kept secret in North Korea Margarita Rodriguez BBC World Service They are tender, playful, colorful and come from a country isolated, belligerent and nuclear ambitions. Do not be surprised that any cartoon you see on your screen is a creation of Pyongyang. Thanks to the business of outsourcing in North Korea, with the low costs and government support to the sector of the animation, the Asian nation has rubbed shoulders with the best in the industry almost in secret, because the end user is often unaware of the origin of product. The North Korean animation studio SEK occupies position 85 in the ranking of the hundred most influential animation studio of all time Animation Career Review, a website specializing in animation "For decades, North Korea has been an ethical conundrum, but what makes their strict society more difficult to understand is their extremely docile side for the arts in all its forms," said the website. Youth in front of computers Youth in processes of digital animation production. Photo: Paul Tjia. "This study has shown that Pyongyang 'Light Years' (a science fiction also known as 'Gandahar') (...) and 'Empress Chung' ('Empress Chung')-a fantasy movie simple and beautiful-can compete with the best films for families in the United States if given the opportunity. " Paul Tjia, founder of GPI Consultancy Dutch technology advice and who has visited North Korea, he told BBC News that since 1986 the North Korean animation studios have received orders from abroad for cartoon production in 2D and 3D. "The state corporation SEK, established in 1957, has more than 1,600 employees working for several European film production studios," Tjia wrote in the report: "Inside the Hermit Kingdom: IT and outsourcing in North Korea" ("Inside the Hermit Kingdom: IT and outsourcing in North Korea "), published in 2012. -
What Animated Cartoons Tell Viewers About Assault
What Animated Cartoons Tell Viewers About Assault Hugh Klein Kenneth S. Shiffman ABSTRACT. Relying upon a content analysis of one specific type of medium to which young people are exposed beginning at an early age, on a regular basis, and for many years (i.e., animated cartoons), the present study examines what types of messages are provided about violence that takes the form of simple assault. Results indicate ihat assaul! is fairly prevalent in car- toons and that this prevalence has diminished over time. Most of the time, cartoons show assaults to "land" on their intended victims, but having done so, to cause few if any adverse effects. Moreover, assaults rarely backfire on the perpetrators. Anger, revenge, and inherent mean-spiritedness are the Hugh Klein, PhD. earned his doctoral degree in Sociology al Washington University in St. Louis. He was the principal investigator for the research study from which the current article derived, and he is President of Kensington Research Institute. Dr. Klein's main areas of professional expertise and interest are in the dclds of substance use/abuse. HIV/AIDS, sexual behavior, and the media. Kenneth S. Shitfman, MA, earned his tiiaster's degree in journalistn at the University of Missouri-Columbia. He served as the co-principat investigator for the research study from which the current article derived, and he is Senior Producer at the Cable News Network (CNN). Mr. Shiffman's main areas of pro- fessional expertise and interest are in the fields of investigative journalism, the development of documentaries, and the impact that the media have on viewers. -
The House of Mouse
ONCE UPON A TIME, a mouse and a cricket were worried about THE HOUSE what would happen to all the creatures if the forest disappeared. So they turned to an old friend for help. The kind and gentle man built a beautiful castle in a Magic Kingdom for Mickey and Jiminy to live in. OF MOUSE Then he made sure that many of America’s forests and streams were preserved as wildlife habitat, because he loved HELPING PAINT IT GREEN real animals, too. This part of the story is not a fairy tale. Although most people think of Walt Disney as a pioneer in the entertainment industry, he was also an early environ B Y L EAH K O LT mentalist. In 1950 he launched a life-long campaign to help Americans understand how “the natural resources of our vast continent are not inexhaustible” – six years ahead of Rachel Carson’s seminal book Silent Spring. Conservation isn't just the business of a few people, Walt explained then, expressing a sentiment that was years ahead of its time. “If we will protect our wildlife and preserve our lakes and streams, these things will last us for generations to come," he said 58 years ago. Walt did more than just wish upon a star, as attested by the many honors he received for his lifetime commitment to the environment from such groups as the National Audubon Society, National Wildlife Federation, Sierra Club, and the American Humane Association. Walt’s love of nature still infuses the company today. One example, The Jiminy Cricket Environmentality™ Challenge, encourages students to tackle real-world environmental chal lenges. -
Winter 2008 Vol. 17 No. 4
Winter 2008 vol. 17 no. 4 Jada and Lawrence Smith of Florida, Members since 2005, cruise past the construction site of the Treehouse Villas at Disney’s Saratoga Springs Resort & Spa. Illustration by Keelan Parham Disney Files Magazine is published by the good people at Disney Vacation Club If I were to list what I love most about living in Florida P.O. Box 10350 and working for the Mouse, “employer’s liberal use of Lake Buena Vista, FL 32830 code names” would have to make my top 10, somewhere behind “sunscreen in January” and slightly ahead of All dates, times, events and prices “humidity in January.” (Just missing the cut: “saltiness of printed herein are subject to turkey legs” and “abundance of white pants.”) change without notice. (Our lawyers Nothing delights middle managers more than sitting do a happy dance when we say that.) around a conference table acting like the room is bugged. MOVING? The rapid dropping of names like “Project Quasar” (Disney’s Update your mailing address Animal Kingdom Villas) and “Project Crystal” (Bay Lake Tower online at www.dvcmember.com at Disney’s Contemporary Resort) can transform any meeting into a scene from Windtalkers (albeit with more nametags and less Nicolas Cage). Of course, not MEMBERSHIP QUESTIONS? all codes are tough to decipher. Case in point: our cloaking of the Treehouse Villas at Disney’s Contact Member Services from Saratoga Springs Resort & Spa with the code name “Project Tarzan.” Not very subtle, but I 9 a.m.-5:30 p.m. Eastern daily at suppose it beats “Project Treehouse.” (800) 800-9800 or (407) 566-3800 You’ll read more about “Project Tarzan” in this edition of your magazine (pages 2-4), but allow me to first introduce a few other key features by revealing their rejected code names. -
Response to This Article About the Hasbro/Discovery Hub Shift In
Response to this article about the Hasbro/Discovery Hub shift in power...which turned into another my long-winded, thoughtful rants: http://online.wsj.com/articles/discovery-to-take-control-of-the-hub-network- 1410979842 Well, that's...somewhat shocking. From what I can tell, the Hasbro/Discovery partnership in The Hub has been an amazing success. I watch the channel almost every day. Most of its programming is--and has been, for the past 3.5 years--excellent. From the original series (FiM, Pound Puppies, Strawberry Shortcake, LPS, Dan Vs., Aquabats Super Show, Family Game Night, Care Bears, Transformers, Haunting Hour), to all the other wonderful shows/sitcoms (oh my goodness!! Tiny Toon Adventures, Animaniacs, Goosebumps, Laverne & Shirley, Happy Days, Mork & Mindy, Step By Step, Who's the Boss, Family Ties, The Facts of Life, Sister, Sister, Sabrina, Atomic Betty, etc.), to the extremely well-chosen family movies (I loved it when they aired the Homeward Bound films, All Dogs Go to Heaven 2...today I saw Spaceballs...and they've just made so many other great movie picks every season.) They've been an outstanding example of listening to your viewers and giving them what they want. Even their misfires and middle-of-the-road shows are more than bearable (SheZow, animated Sabrina, Teenage Fairytale Dropouts, Kid President, Parents Just Don't Understand, and such.) If Hasbro were to grow dissatisfied with controlling six hours of its toy-based cartoons daily on Hub (which seems like a fair deal they've cut, tbh), and moved them over to Cartoon Network or Disney...well, at least the shows would still continue on, and be a MASSIVE boon to either of those channels. -
SB Resume 1:19
STEVEN R. BERNSTEIN Representation: Soundtrack Music Associates (310) 260-1023 TELEVISION ANIMANIACS (2020 ‘reboot’) Warner Brothers Animated Series: Underscore, Songs, Orchestration (26 episodes) ANIMANIACS (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Series: Underscore, Songs (See AWARDS) PINKY AND THE BRAIN (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Series: Underscore, Songs, Vocals (See AWARDS) PINKY, ELMYRA AND THE BRAIN Warner Brothers (STEVEN SPIELBERG PRESENTS) Animated Series: Underscore, Vocals (Main Title) FREAKAZOID (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Series (See AWARDS) HISTERIA! Warner Brothers Animated Series: Underscore, Songs, Vocals (See AWARDS) BABY LOONEY TUNES Warner Brothers Animated Series (See AWARDS) SYLVESTER AND TWEETY MYSTERIES Warner Brothers Animated Series TAZ-MANIA Warner Brothers Animated Series TINY TOONS: IT’S A WONDERFUL CHRISTMAS Warner Brothers (STEVEN SPIELBERG PRESENTS) Animated Special TINY TOONS: NIGHT GHOULERY (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Special TINY TOONS: EASTER SPECIAL (STEVEN SPIELBERG PRESENTS) Warner Brothers Animated Special TINY TOON ADVENTURES Warner Brothers (STEVEN SPIELBERG PRESENTS) Animated Series: Additional Music, Orchestration (more) STEVEN R. BERNSTEIN (Television cont.) TOONSYLVANIA (STEVEN SPIELBERG PRESENTS) Dreamworks Animated Series: Main Title SAFETY SMART: ONLINE SAFETY Disney Animated Educational Video: Underscore HAVE A LAUGH Disney Animated Interstitials: Restoration of original scores, Arrangements, Additional -
Ucla Law Super Lawyers “Rising Stars” Congratulations to the Ucla School of Law Alumni Named California “Rising Stars” in 2013
FALL PRESORTED FIRST CLASS MAIL 2013 US POSTAGE 405 Hilgard Avenue PAID VOL. UCLA Box 951476 36 Los Angeles, CA 90095-1476 NO. 1 CLINICALLY PROVEN Building on UCLA Law’s Leadership in Hands-on Skills Training MEDICAL-LEGAL PARTNERSHIP Grant Establishes Innovative New Program WILLIAms INstItutE GIFT $5.5 Million Gift Will Support the Institute’s Growth 219405_Cover_r2.indd 1 9/14/2013 12:43:31 PM contents FALL 2013 VOL. 36 NO. 1 © 2013 REGENTS OF THE UNIVERSITY OF CALIFORNIA UCLA SCHOOL OF LAW OFFICE OF EXTERNAL AFFAIRS BOX 951476 | LOS ANGELES, CALIFORNIA 90095-1476 Rachel F. Moran UCLA LAW BOArd OF ADVISORS 52 Dean and Michael J. Connell Nelson Rising ’67, Chair Distinguished Professor of Law Nancy L. Abell ’79 Lauri L. Gavel James D. C. Barrall ’75 Executive Director of Jonathan F. Chait ’75 Communications Melanie K. Cook ’78 David J. Epstein ’64 EDITORS David W. Fleming ’59 Lauri L. Gavel Richard I. Gilchrist ’71 53 54 Executive Director of Arthur N. Greenberg ’52 Communications Bernard A. Greenberg ’58 Antonia Hernandez ’74 WILLIAMS INSTITUTE GIFT FUNDS STUDENT RESNICK PROGRAM Sara Rouche Margarita Paláu Hernández ’85 Communications Officer RECEIVES MAJOR GIFT SCHOLARSHIPS FOR FOOD LAW Joseph K. Kornwasser ’72 Stewart C. Kwoh ’74 AND POLICY A $5.5 million gift from Gift from Justice Joan DESIGN Victor B. MacFarlane ’78 Chuck Williams will Dempsey Klein ’54 and First-of-its-kind program Rebekah Albrecht Michael T. Masin ’69 Contributing Graphic Designer Alicia Miñana de Lovelace ’87 support the institute’s Conrad Lee Klein funds established to help Frank Lopez Wendy Munger ’77 growth and leadership. -
Newsletter 01/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/09 DIGITAL EDITION Nr. 243 - Januar 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/09 (Nr. 243) Januar 2009 editorial Hallo Laserdisc- und DVD-Fans, zwischen zwei Double Features (ein Hallo Laser Hotline Team, liebe Filmfreunde! Film vor Mitternacht, der zweite da- aus Eurem letzten Editorial (Newsletter Nr. 242) meine ich herauszuhören ;-) , dass der Herzlich willkommen zur ersten Ausga- nach) oder dem überlangen gewöhnliche Sammler von Filmen, Musik und be unseres Newsletters im Jahre 2009! AUSTRALIA, den Theo fachmännisch was auch immer, irgendwann auf den Down- Allen unseren guten Vorsätzen für das so aufbereitete, dass es kurz vor Mit- load via Internet angewiesen sein wird. Ich neue Jahr zum Trotz leider wieder mit ternacht eine Pause gab. Immerhin fan- denke (hoffe), nein! Ich verstehe alle Be- fürchtungen, dennoch, solange unsere Gene- etwas Verspätung. Alte Gewohnheiten den sich für alle Filmpakete auch Zu- ration lebt, wird es runde Scheiben geben! los zu werden ist eben nicht so einfach. schauer – wenn auch nicht sehr viele. Glaubt mir! Aber es gilt natürlich wie immer unser Doch aller Anfang ist schwer. Hier wird Das Internet ist im Access-Bereich bei der Leitspruch: “Wir arbeiten daran!” Ein sicherlich bei der nächsten Silvester- doppelten Maximalrate von DVD angelangt, dennoch tun sich alle VOD (video on Gutes hat die kleine Verspätung je- Film-Party die Mundpropaganda zu demand)- Dienste extrem schwer.