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Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz
Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro blems of cleaning up radioactive substances left by the re cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant. -
Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns. -
“Restless” Via Rca Records Listen Now
MOON TAXI RELEASES NEW SINGLE “RESTLESS” VIA RCA RECORDS LISTEN NOW: https://smarturl.it/mtRestless [New York, NY – June 26, 2019] Nashville’s own alt-rock-five-piece band Moon Taxi today releases their brand new single “Restless” via RCA Records. Listen HERE. “Restless” follows the band’s latest tracks “Now’s the Time” and “This World” released this spring. STREAM/BUY “RESTLESS” https://smarturl.it/mtRestless Spencer Thomson of Moon Taxi explains: “The song ‘Restless’ was inspired by the innovative spirit of trailblazers like Steve Jobs. When we wrote ‘Restless,’ we wanted to create a song that paid homage to that spirit of invention. These pioneers didn’t settle for the status quo and were able to see the world from a different view. So often they started from humble beginnings, starting out in garages or out of someone’s house, not unlike a lot of rock ‘n roll bands and artists. We tried to have the track capture a mix of that punk rock energy mixed with futuristic sounding elements. We’re excited to have ‘Restless’ out in the world.” Known for their critically-acclaimed live shows, the band is currently on the summer festival circuit performing at The Forecastle Festival in Louisville, Voodoo Festival in New Orleans, The Moon River Music Festival in Chattanooga, and more. Check out their upcoming show schedule HERE. Moon Taxi released their 5th studio album and first for RCA entitled Let The Record Play, last year, featuring their breakthrough single “Two High.” “Two High” propelled the band to new heights, with over 121 million streams on Spotify to date, surpassing 3 million video views (lyric + official), enjoying heavy rotation play on multiple SiriusXM stations, topping the AAA radio chart #1 and charting Top 10 at Alternative Radio. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Trinity Tripod, 1979-02-27
.!-..._-_-_•-•-. :.^. '. ^ i "..-'".•.. -..• , _L" .. •• v-.. .--' r -.-V--. :'-"-,•;-:- .-•:,••..'. -.*/. *:?-"" i-,««•*•?*'-tiffJ/TW H VRTFORD. A- Vol. 77 THE TRINITY Issue 19 TRIPOD FeSmiary 27,1978 ! , Fraternities Challenged To 'Clean House' by Dick Dahling & Alan Levlne prohibit women members, he is fraternities' attitudes, both In response to several com- success has made them to appear Citing evidences of racism and generally against the "exclusivity" nationally and locally toward the plaints concerning the timing of the not as open as the administration sexism on campus, President that necessarily occurs in frater- inclusion of minorities and women. letters' writing and Lockwood's would like." Theodore Lockwood, in a letter nities which have no women or She was surprised to find on the departure for two months, Gael "The letter should be read in a dated January 29, reminded all six minority members. whole that they are much more O'Brien, Administrative Assistant broad frame of reference, O'Brien issues,v as well as discussing their Representatives of each inclined to accept minorities than to the President emphasized that emphasized, going on to say that role should be with respect to these fraternity were told to consult with women as members. In most cases, the, letter was not a "high-handed other student organizations, such issues, as well as relating to their Assistant Dean of Students Barbara women only have partial mem- effort" on the part of the as the S.G.A. have made moves to general purpose at Trinity. Robinson-Jackson to duscuss their bership. President." She noted that his try to deal with problemsof racism, Dean of Students David Winer views and plans for dealing with the Jackson says that the frater- original plan was to meet with each with fraternities serving as another reported that Lockwood had been issues at hand before Lockwood. -
Box of Frogs Box of Frogs Mp3, Flac, Wma
Box Of Frogs Box Of Frogs mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Box Of Frogs Country: Canada Released: 1984 Style: Blues Rock, Arena Rock MP3 version RAR size: 1384 mb FLAC version RAR size: 1915 mb WMA version RAR size: 1277 mb Rating: 4.1 Votes: 635 Other Formats: DMF VOX VQF AC3 MP4 DTS ASF Tracklist Hide Credits Back Where I Started A1 3:54 Harmonica – Mark FelthamKeyboards – Peter-John Vettese* Harder A2 3:44 Lead Guitar, Backing Vocals, Percussion – Ray Majors Another Wasted Day A3 4:12 Keyboards – Peter-John Vettese* Love Inside You A4 2:47 Slide Guitar, Lead Guitar – Dzal* The Edge A5 4:02 Slide Guitar – Rory Gallagher B1 Two Steps Ahead 4:33 Into The Dark B2 4:07 Lead Guitar – Dzal*Slide Guitar, Sitar [Electric] – Rory GallagherTrumpet – Guy Barker Just A Boy Again B3 5:38 Lead Guitar – Dzal*Piano – Peter-John Vettese* Poor Boy B4 4:26 Piano – Geraint Watkins Companies, etc. Manufactured By – CBS Records Canada Ltd. Distributed By – CBS Records Canada Ltd. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Credits Bass, Backing Vocals, Percussion, Synthesizer – Paul Samwell-Smith Design – Mark Larson Drums, Percussion, Backing Vocals – Jim McCarty Keyboards – Max Middleton (tracks: A2, A4, A5, B2) Lead Guitar – Jeff Beck (tracks: A1, A3, B1, B4) Lead Vocals, Acoustic Guitar, Electric Guitar, Backing Vocals, Percussion, Synthesizer – John Fiddler Mixed By – Gary Edwards Photography By – Chris Dreja, Peter Wood Producer – Paul Samwell-Smith Recorded By – Max Norman Rhythm Guitar, Lead Guitar, Backing -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Chuck Klosterman on Pop
Chuck Klosterman on Pop A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Fargo Rock City copyright © 2001 by Chuck Klosterman, Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2477-9 Portions of this work originally appeared in The New York Times Magazine, SPIN magazine, and Esquire. Contents From Sex, Drugs, and Cocoa Puffs and Chuck Klosterman IV The -
Masculinity in Children's Film
Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________ -
Untitled Document
Untitled Document http://www.pivotalalliance.com/webzine/reviews.php?subaction=showf... 5 – The album is excellent, it could also be considered perfect or near perfect. There may be a few glitches or setbacks, but they are not detrimental. 4 – The album is very good. There aren’t too many glitches or setbacks but the ones that are present keep the album from being excellent. 3 – The album is mediocre. While the album is alright, there isn’t anything that makes it stand out above other albums. Some of it is good, and some of it needs work. 2 – The album is bad. Many things have gone wrong, and unless it happens to be within your personal favorite genre, chances are it’s not even worth your time. The band has a lot to work on. 1 – The album is terrible. The album isn’t worth your time, no exceptions. Note: Be aware that in November 2004 the grading scale was revised to how it is shown above in order to maintain more consistences between our reviewers. Many of the reviews in our Archive may include ½ marks and ¼ marks and please be aware that the ratings at that time were also more open to our reviewers’ interpretations of the rating scale, as opposed to this now absolute grading scale which our reviewers are responsible to follow in their rating procedures. Cactus - Live (DVD) - added - November 25th, 2007 Reviewer: Ruben Mosqueda Cactus returned to form in the summer of 2006, hot on the heals of their V album. The band received rave reviews for the album and also for their first performance in 30 years, which took place at B.