Walter Heebner Papers PA Mss 114
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!1 of !77 Ruined Books Blog A Book of Bibliolages—initial post, Feb. 27, 2013 A Book of Bibliolage makes a good place to begin this blog. The website goes back a few weeks now. The practice of bibliolaging goes back seven to ten years, depending on your definition. The word bibliolage goes back about three years, my invention, I think. And the blog starts now. A bibliolage is always an “altered book”—that’s the family—but, strange child in the corner, it abides by its own rules, sucks its very own thumb. (When I came up with the motto “Puerility Taken to a Whole New Level!” it made me smile, but it’s not terribly self-respectful.) A bibliolage is also always a collage, but it so severely does not hang on a wall, I had to build a website to hang it anywhere. A bibliolage sits on a shelf, here a creaky one, because the art takes a heavy book and makes it heavier. It takes a page and squares it, so the binding typically bulges. A library shelf keeps books aloft, vertical, slim, and Ssshhh-ed! My shelves sag, and the engorged volumes seem angry with being books. They protest at gravity, clamoring mirth. They revel in ruin and rue preservation. They do not resign to a system, least of all Dewey decimal. They do not speak for authority but squeal for special attention from the court. On the site you can find a list of titles, some eighty-six in the columns as of now, but the ranks are uneven, as some have struck off in wayward directions, but so far no new tendency has turned me from the !2 of !77 extraillustrative ‘lage. -
A Formal Analytical Approach Was Utilized to Develop Chart Analyses Of
^ DOCUMENT RESUME ED 026 970 24 HE 000 764 .By-Hanson, John R. Form in Selected Twentieth-Century Piano Concertos. Final Report. Carroll Coll., Waukesha, Wis. Spons Agency-Office of Education (DHEW), Washington, D.C. Bureauof Research. Bureau No-BR-7-E-157 Pub Date Nov 68 Crant OEC -0 -8 -000157-1803(010) Note-60p. EDRS Price tvw-s,ctso HC-$3.10 Descriptors-Charts, Educational Facilities, *Higher Education, *Music,*Music Techniques, Research A formal analytical approach was utilized to developchart analyses of all movements within 33 selected piano concertoscomposed in the twentieth century. The macroform, or overall structure, of each movement wasdetermined by the initial statement, frequency of use, andorder of each main thematic elementidentified. Theme groupings were then classified underformal classical prototypes of the eighteenth and nineteenth centuries (ternary,sonata-allegro, 5-part or 7-part rondo, theme and variations, and others), modified versionsof these forms (three-part design), or a variety of free sectionalforms. The chart and thematic illustrations are followed by a commentary discussing each movement aswell as the entire concerto. No correlation exists between styles andforms of the 33 concertos--the 26 composers usetraditional,individualistic,classical,and dissonant formsina combination of ways. Almost all works contain commonunifying thematic elements, and cyclicism (identical theme occurring in more than1 movement) is used to a great degree. None of the movements in sonata-allegroform contain double expositions, but 22 concertos have 3 movements, and21 have cadenzas, suggesting that the composers havelargely respected standards established in theClassical-Romantic period. Appendix A is the complete form diagramof Samuel Barber's Piano Concerto, Appendix B has concentrated analyses of all the concertos,and Appendix C lists each movement accordog to its design.(WM) DE:802 FINAL REPORT Project No. -
May Artist and Binding
Book Arts and design bindings window to the texture of Lux Mentis, Booksellers papers that evoke Lux Mentis specializes in fine press, fine bindings, and Jerusalem stone, from the olive green color meant to esoterica in all areas, books that have been treasured and evoke the Jerusalem will continue to be treasured. As a primary focus is the landscape to blind building and/or deaccessioning of private collections, our embossment of a Jewish selections is diverse and constantly evolving. If we do not star–I am always evoking have what you are seeking, please contact us and we will meaning in a multiplicity strive to find it. All items are subject to prior sale. Shipping of ways. Over the past ten years and handling is calculated on a per order basis. Please do making The Amichai not hesitate to contact us regarding terms and/or with any Windows, I wanted people questions or concerns. to experience this artist book not only by reading A Selection of Book Arts the poems but by lifting a and Design Bindings curtain, handling the papers, touching the blind embossment. Aside from playing with the visibility of 1. Amichai, Yehuda [poet]; Black, images in a window, I am also toying with the materiality Rick [artist]. The Amichai of the book itself. Windows. Arlington, VA: Turtle Light Press, 2017. Limited I spun my own metaphors out of Amichai's poems. I also Edition. Tight, bright, and mirrored Amichai's own process of combining images unmarred. from different places and time periods in my collages. Numbered limited edition, this These multi-layered spreads–which include letterpressed being 6 of 18 copies. -
View the Fine Art Book Catalogue
MARY HEEBNER & simplemente maria press fine art books 1995-2018 mary heebner cassandra a poem by stephen kessler mmxix Cassandra is a major work, one that unites a complex understanding of the way perspective and diverse materials fracture time and space, while the hand and memory of the artist unite them. Heebner’s visual dialogue with Kessler’s poem powerfully brings to life the legendary voice of Cassandra. To paraphrase the poet, a lovely myth rises in art to beggar disbelief. Bruce Robertson Director, Art, Design & Architecture Museum Professor, History of Art & Architecture University of California, Santa Barbara Images from the collage series, Veiled/Unveiled, paired with the poem Cassandra by Stephen Kessler, and printed letterpress across a 14 panel accordion fold book, 10 x 10 x 1,” The images printed on the spreads are then individually embellished with collage and pigment. The book rests in a handcrafted zinc box, the lid is etched with a drawing. In addition, a handsewn booklet of rag and handmade paper contains the poem, a description of the mythological character of Cassandra, the colophon and a quotation, all printed letterpress, and it also includes an image from the Veiled/Unveiled series, printed on cotton rag paper. CASSANDRA read more The edition is limited to 25 copies. $4000.00 INTIMACY: drawing with light; drawn from stone 2017 16 x 16.75 x 1.5” watch the video: https://vimeo.com/192957730 Twelve watermarked sheets of handmade paper, pigmented ivory or ultramarine blue, with graphic elements printed in letterpress and also embellished on the verso with graph- ite or watercolor, a plexiglass viewing easel, and two 6” x 4” books, Schizzi, containing a suite of fourteen prints from the Rome Sketches series, and Marmo, an accordion fold book with original text about the livingness of marble, also translated into Italian. -
Rudolph Ganz Swiss Pianist, Conductor and Composer
AMICA International Automatic Musical Instrument Collectors' Association Honor Roll Rudolph Ganz Swiss pianist, conductor and composer Zurich, 24.02.1877 - Chicago, 02.08.1972 RUDOLPH GANZ BY EMMETT M. FORD The AMICA, v.14, No 4, May 1977 Rudolph Ganz, distinguished pianist, composer, conductor,Duo-Art, Welte-Mignon and Ampico recording artist and phonograph recording artist was born in Zurich, Switzerland, February 24, 1877. His early studies were at the Zurich Conservatory with Robert Freund in piano and cello with John Hegar. Later he went to Lausanne to receive piano instruction from his uncle, Carl Eschmann-Dumur, and composition with Charles Blanchet. At the Conservatory in Strasburg, Alsatia, he was the pupil of Fritz Blumer. Going to Berlin, he studied piano with Ferruccio Busoni and composition with Heinrich Urban. At the age of ten he appeared in public for the first time as a cellist in his home town. He turned to the piano as a future choice in instruments and at the age of twelve made his pianistic debut in 1889 in Zurich. Many concerts were made after his Zurich debut. At his Berlin debut he performed the Beethoven Concerto in E Flat and the Chopin E Minor Concerto. His first appearance as an orchestral conductor was in May of 1900 conducting the Berlin Philharmonic Orchestra in the performance of his first symphony. It was in this year when he composed a piano and orchestra composition entitled "Konzertstuck." In July, 1900 he married an American concert singer, Mary Forrest. The couple came to the United States where Mr. Ganz became head of the piano department of the Chicago Musical College, the post vacated by A. -
Quarterly News·Letter
the Quarterly news·letter volume lxxix · number 2 · spring 2014 A Brief Editorial Manifesto by Peter Rutledge Koch What is Fine Printing Anyway? by Peter Rutledge Koch Forthcoming from the Publications Committee by Jennifer Sime Report from the Toronto Book Fair by Bruce Whiteman Review by Crispin Elsted Like a Moth to a Flame by Bo Wreden Southern California Sightings by Carolee Campbell News from the Library by Henry Snyder News & Notes Letter to the Editor New Members published for its members by the book club of california the book club of california is a non-profit membership corporation founded in 1912. A Brief Editorial Manifesto Based on One It supports the art of fine printing related to the history and literature of California and the Hundred Years of Tradition With a Few Minor western states of America through research, publishing, public programs, and exhibitions. Suggestions To Account for Changes in Our The Club is limited to 1,250 members, and membership in the Club is open to all. Annual renewals are due by January 1 of every year. Memberships are: Regular, $95; Sustaining, $150; Patron, Perception of Fine Printing in the Real West $250; Sponsor, $500; Benefactor, $1,000; Apprentice, $35; and Student, $25. All members by Peter Rutledge Koch receive the Quarterly News-Letter and, except for Apprentice and Student members, the current keepsake. All members have the privilege—but not the obligation—of buying Club publications, which are limited, as a rule, to one copy per member. All members may purchase extra copies of keepsakes or QN-Ls, when available. -
2018-2020 Impact Report
IMPACT REPORT I Message from the University Librarian Since we celebrated the 75th anniversary of UC Santa Barbara last year I have been reflecting on how the UCSB Library has always been a community hub, supporting our faculty and students to be successful in everything they do and engaging the Santa Barbara community in the intellectual and cultural life of UC Santa Barbara. The last few decades have shown how the internet and the web have transformed libraries. Having been a librarian throughout this transition, I can assure you that libraries are—and I believe will remain—adaptive and durable institutions in the digital age. Libraries have embraced new technologies, leveraging them to make many of our unique collections available to the world and to bring the world of scholarship to the desktops of our researchers and students. But the digital library revolution is also complex and brings with it unintended consequences. Since journals began to move online in the 1990s, scholarly journal publishing has grown to become a $10 billion industry, largely funded by research Kristin Antelman libraries, and one in which most content sits behind increasingly expensive paywalls. Over the last year, the University of California has found itself on the world stage showing unprecedented leadership in standing up to publishing giant, Elsevier, by terminating our contract with them until we can negotiate both a more sustainable price and open access publishing for all UC-authored articles. As a public institution whose research is funded largely by public money, it is core to the UC mission to make that research openly available to be used by the residents of California, and beyond. -
Year of Exhib. Dates of Exhibition Title Of
File Cab.- Drawer File #1: File #2: File #3a: File #4: Year of Exhib. Dates of Exhibition Title of Exhibition or Row/Shelf Objects/Installation Publications Press Background 1941 June 5-September 1 Painting Today and Yesterday in the U.S 19-1 ? Yes Yes ? Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection 19-1 ? Yes ? ? Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) 19-1 ? Yes Yes ? United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. 19-1 ? ? Yes ? Yes 1942 July 1-July 31 Modern Mexican Painters 19-1 Yes ? ? Five Centuries of Painting lent by Jacob 1943 March 7-April 11 Heimann 19-1 ? No ? ? Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck 19-1 No No Yes 1943 October 3 - ? America in the War. 19-1 No Yes 1943 November 16-December 7 Paintings by Agnes Pelton 19-1 ? No ? ? 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark 19-1 ? Yes ? ? Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society 19-1 Yes ? ? ? 1944 April 8-April 30 Paintings by Hilaire Hiler 19-1 Yes ? ? ? 1944 July 8-July 23 Abstract and Surrealist Art in the United States 19-1 ? Yes ? ? 1944 September 5-October 5 First Annual National Competitive Exhibition 19-1 ? Yes ? ? Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 Row 21, Shelf 3 ? 1043.S3) ? ? Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor 19-1 ? Yes ? ? 1945 March 11- The Debt to Nature of Art and Education 19-1 ? Yes ? ? Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
FROM ARTIFACT to ICON: an Analysis of the Venus Figurines in Archaeological Literature and Contemporary Culture
Durham E-Theses From artifact to icon: an analysis of the Venus gurines in archaeological literature and contemporary culture Lander, Louise Muriel How to cite: Lander, Louise Muriel (2005) From artifact to icon: an analysis of the Venus gurines in archaeological literature and contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3027/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 FROM ARTIFACT TO ICON: An Analysis of the Venus Figurines in Archaeological Literature and Contemporary Culture Volume 5 of5 Louise Muriel Lander A Thesis Submitted for the Degree of Doctor of Philosophy University of Durham Department of Archaeology 2004 A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. -
Gitta Cottle, 80, Concert Piano Artist
AMICAlnternational JYews BuUetin DOROTHY BROMAGE, PUBLISHER POB 275CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffiCERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per Pres: Phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: Jack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma ,. All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAL. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign' countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7Y2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7Y2"x43A" 50.00 Pres: Bob Taylor Pres: Jim Edwards Vice Pres: Frank Diamond Vice Pres: Carol Dayton & 3 Quarter page 3%"x4 A" 25.00 Sec: Frank Basil Mabel Zivin • Each photograph or half-tone $7.00 Treas: len Wert Sec: Bob & Gloria Taylor '_ Reporter: Bob Rosencrans Treas: Bill & Dee Kavouras • See Bulletin deadlines on this page. -
Theatre. Monday
Page Six THE DAILYWORKER, NEW YORK, SATURDAY’, NOVEMBER 12, 1927 f- : j" The New Plays “SPELLBOUND” by Frank Vos-' j A Theatre Guild Production per opens at the Earl Carroll I | Theatre next Monday evening with I San Carlo Singers Open FRANCO TAFURO Pauline Lord as the star. A GENIAL PHILANDERER 1 “NEW YORK” by Samuel Rus- Final Week With kin Golding, will be presented at “Tosca” | the Mansfield Theatre. Monday. “And So to Bed” Keeps Audience Wide Awake PORGY George Mac- A FOLK Ruth Shepley and Opera Com- .... PLAY at the Shubert Theatre The San Carlo Grand BY DUBOSE AND DOROTHY HEYWARD Quarrie are featured. pany, which opened the new Gallo MARQUISE,” a new play West 52d St. Evs. 8:40 “THE Eddinger, Theatre last Monday night, announces rfllin THFA to open THO Wallace as Samuel WALTER HAMPDEN UUILI/ 1IlllfL, Mats. Thurs. & Sat. 2:40. bv Noel Coward scheduled * the repertoire for the final week Monday Pepys, the world’s most famous MOVES MONDAY, NOV. 21, TO REPUBLIC THEATRE at the Biltmore Theatre, here. Only one'work in last week’s evening. Billie Burke is starred. diarist, contributes to ear strain at faulty enunciation, list will be repeated: “Madama But- AND MODELS.” times because of “ARTISTS his portrayal of the leading role in terfly” at Saturday’s matinee. The new Shubert Revue will have, The week’s offerings are: Monday, “Thrilling story. ; “And So to Bed,” endeared the ras- Superb play. Enthusiastically received.” 1 its premier at the Winter Garden “La Shalow, Schalker cally Pepys (pronounced peeps) to Tosca” with —Times. -
Curriculum Vitae
ROBERT HAMILTON, Pianist Curriculum Vitae EMPLOYMENT CONTRACTS 1980-Present: Arizona State University Professor of Music . Studio Piano instruction: DMA Performance & Performance Pedagogy, MM Performance & Performance Pedagogy, BM Performance, BME Education . DMA & MM Advisor, Committee Chmn. & Member . Studio Performance Classes twice weekly . Keyboard Area Coordinator 3 times . Performance Division Chmn./Advisory Council . SOM Personnel Committee 3 times . College Personnel Committee 2 times . Piano Search Committee Chmn.5 times . Artist Diploma Chmn. 1998-Present/July-August: PianoSummer International Festival, New York . Distinguished Colleagues: Vladimir Feltsman, Susan Starr, Paul Ostrovsky, Alexander Korsantia, Anthony Newman, Robert Roux, Phillip Kawin, Alexander Slobodyanik, Eteri Andjaparidze 1992-1998/July-August: London International Piano Festival Artistic Director and Teacher . Distinguished Colleagues: Julian Martin, Yong-Hi Moon, Young-Sook Kim, Nako Paik, Boaz Sharon, Colin Kingsley, Phillip Kawin 1975-1980: Wichita State University Associate & Full Professor of Piano . Studio Piano instruction: MM Performance & Pedagogy, BM Performance, BME Education . MM Advisor, Committee Chmn. & Member . Studio Performance Class weekly . Piano Area Coordinator . Personnel Committee 1967-1975: Indiana University School of Music-South Bend Pianist in Residence, Assistant and Associate Professor of Piano . Studio Piano instruction: MM Performance, BM Performance, BME Education . MM Advisor, Committee Chmn. Head, Piano Department . Dean’s