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Thus Spake Zarathustra
1 1892 THUS SPAKE ZARATHUSTRA Friedrich Nietzsche translated by Thomas Common Nietzsche, Friedrich (1844-1900) - German philosopher and poet. He rejected religion and believed that people should concentrate on this world rather than the next. His ideas are said to have influenced German attitudes in the Third Reich. Thus Spake Zarathustra (1883-1892) - Zarathustra, an ancient Persian philosopher, is used to express Nietzsche’s most famous theory of the Ubermensch (Superman or Overman). 2 Table Of Contents PROLOGUE . 6 CHAPTER 1 The Three Metamorphoses . 18 CHAPTER 2 The Academic Chairs of Virtue . 20 CHAPTER 3 Backworldsmen . 23 CHAPTER 4 The Despisers of the Body . 26 CHAPTER 5 Joys and Passions . 28 CHAPTER 6 The Pale Criminal . 30 CHAPTER 7 Reading and Writing . 32 CHAPTER 8 The Tree on the Hill . 34 CHAPTER 9 The Preachers of Death . 37 CHAPTER 10 War and Warriors . 39 CHAPTER 11 The New Idol . 41 CHAPTER 12 The Flies in the Market-Place . 44 CHAPTER 13 Chastity . 47 CHAPTER 14 The Friend . 48 CHAPTER 15 The Thousand and One Goals . 50 CHAPTER 16 Neighbour-Love . 52 CHAPTER 17 The Way of the Creating One . 54 CHAPTER 18 Old and Young Women . 57 CHAPTER 19 The Bite of the Adder . 59 CHAPTER 20 Child and Marriage . 61 3 CHAPTER 21 Voluntary Death . 63 CHAPTER 22 The Bestowing Virtue . 66 SECOND PART CHAPTER 23 The Child with the Mirror . 70 CHAPTER 24 In the Happy Isles . 73 CHAPTER 25 The Pitiful . 76 CHAPTER 26 The Priests . 79 CHAPTER 27 The Virtuous . 82 CHAPTER 28 The Rabble . 85 CHAPTER 29 The Tarantulas . -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Cold War Playboys: Models of Masculinity in the Literature of Playboy
Humanities & Communication - Daytona Beach College of Arts & Sciences 3-31-2011 Cold War Playboys: Models of Masculinity in the Literature of Playboy Taylor Joy Mitchell Embry-Riddle Aeronautical University, [email protected] Follow this and additional works at: https://commons.erau.edu/db-humanities Part of the Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, North America Commons Scholarly Commons Citation Mitchell, T. J. (2011). Cold War Playboys: Models of Masculinity in the Literature of Playboy. , (). Retrieved from https://commons.erau.edu/db-humanities/17 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. This Dissertation is brought to you for free and open access by the College of Arts & Sciences at Scholarly Commons. It has been accepted for inclusion in Humanities & Communication - Daytona Beach by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 Cold War Playboys: Models of Masculinity in the Literature of Playboy Taylor Joy Mitchell University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation Mitchell, Taylor Joy, "Cold War Playboys: Models of Masculinity in the Literature of Playboy" (2011). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/3249 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Paper XI: the 20Th Century Unit I Joseph Conrad's Heart of Darkness
1 Paper XI: The 20th Century Unit I Joseph Conrad’s Heart of Darkness 1. Background 2. Plot Overview 3. Summary and Analysis 4. Character Analysis 5. Stylistic Devices of the Novel 6. Study Questions 7. Suggested Essay Topics 8. Suggestions for Further Reading 9. Bibliography Structure 1. Background 1.1 Introduction to the Author Joseph Conrad, one of the English language's greatest stylists, was born Teodor Josef Konrad Nalecz Korzenikowski in Podolia, a province of the Polish Ukraine. Poland had been a Roman Catholic kingdom since 1024, but was invaded, partitioned, and repartitioned throughout the late eighteenth-century by Russia, Prussia, and Austria. At the time of Conrad's birth (December 3, 1857), Poland was one-third of its size before being divided between the three great powers; despite the efforts of nationalists such as Tadeusz Kosciuszko, who led an unsuccessful uprising 2 in 1795, Poland was controlled by other nations and struggled for independence. When Conrad was born, Russia effectively controlled Poland. Conrad's childhood was largely affected by his homeland's struggle for independence. His father, Apollo Korzeniowski, belonged to the szlachta, a hereditary social class comprised of members of the landed gentry; he despised the Russian oppression of his native land. At the time of Conrad's birth, Apollo's land had been seized by the Russian government because of his participation in past uprisings. He and one of Conrad's maternal uncles, Stefan Bobrowski, helped plan an uprising against Russian rule in 1863. Other members of Conrad's family showed similar patriotic convictions: Kazimirez Bobrowski, another maternal uncle, resigned his commission in the army (controlled by Russia) and was imprisoned, while Robert and Hilary Korzeniowski, two fraternal uncles, also assisted in planning the aforementioned rebellion. -
Ronald Colman
RONALD COLMAN Période 1919-1929 Né le 9 février 1891 à Richmond dans le Sur Puis Samuel Goldwyn lui signe un contrat à rey, Ronald Colman fut le comédien britanni long terme et le comédien entame la période la que le plus populaire du cinéma américain de plus fructueuse de sa carrière, tournant sans l'entre-deux guerres. discontinuer. Goldwyn met en œuvre plusieurs Suivant d'abord le conseil de ses parents, il fit films construits autour de sa personnalité (il des études d'ingénieur avant de s'engager en produira près de 20 films avec R. Colman de 1914 à la déclaration de guerre. Après avoir 1924 à 1933): L'acteur aura pour partenaires combattu en France et en Belgique, il est démo quelques-unes des plus grandes stars du muet : bilisé en 1916 à la suite d'une blessure. Irrésisti Lillian Gish, Constance Talmadge (LA blement attiré par les planches, il commence GALANTÈ MÉPRISE, SA SŒUR DE PARIS), une carrière d'acteur dans le théâtre londonien. May McAvoy (L'ÉTREINTE DU PASSÉ, 11 tourne un petit iilm en 1918, un " deux L'É"VENTAIL DE LADY WINDERMERE), bobines » qui apparemment ne sera jamais dis Norma Talmadge (KIKI), Lily Damita (LE tribué, puis quelques bandes mineures, et FORBAN) et surtout Wilma Banky avec décide d'aller tenter sa chance aux États-Unis. Il laquelle il formera dans cinq films le couple le émigre en 1920 et joue sur les scènes de New plus célèbre du cinéma américain de l'époque York et de Los Angeles, attendant le succès. (L'ANGE DES TÉNÈBRES, BARBARA FILLE Il se fait remarquer dans une pièce qu'il inter DU DÉSERT. -
IDENTITY and EMIGRATION in the WORKS of JULIA ALVAREZ, CRISTINA Garcia, ESMERALDA SANTIAGO and MARIA AMPARO ESCANDON MARTA VIZCA
IDENTITY AND EMIGRATION IN THE WORKS OF JULIA ALVAREZ, CRISTINA GARCiA, ESMERALDA SANTIAGO AND MARIA AMPARO ESCANDON MARTA VIZCAYA ECHANO PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JUNE 2004 TABLE OF CONTENTS Page Acknowledgments vi Abstract vii INTRODUCTION 1 PART I Auto/biography, Fiction and Social Concerns 22 CHAPTER 1 Life-Writing and Social Commitment 23 i Problematising Authorial Social 24 Commitment ii Different Possibilities of Life-Writing 30 iii Representing Individual and Collective 43 Identities CHAPTER 2 Questions of Genre 51 i Butterflies: Testimonial Novel And 53 Historiographic Metafiction ii Under the Shadow of Magical Realism: 64 Garcia and Escand6n PART II History, Culture and Immigration 74 CHAPTER 3 Garcia's DC and TAS: 'Is Mercy More 78 Important than Truth?' i Cultural Presences in Cuban 80 Identity ii National and Family Histories 82 iii Gender Struggles and Historical 85 (Re)Constructions iv Physical and Psychological Exiles 91 i DC: 'What Unknown Covenants 93 11 Led Ultimately to This Hour And This Solitude?' ii TAS: 'Everyone's Vision's Splintered' 97 v Garcia and the Cuban American 103 Novel CHAPTER 4 History in Alvarez's Auto/Biographical Fictions 107 i Revising Dominican History 109 i The Conquest 110 ii Trujillo's Era 112 iii After the Dictatorship 116 iv Relations With Cuba 118 vi U.S.-Dominican Relations and 120 Immigration vii "Was It for This, The Sacrifice of the 123 Butterflies?" ii Questions of Gender, Race, and Class 129 i Class Structures and Social Mobility 129 ii -
Silent Film Music Collection PASC-M.0012
http://oac.cdlib.org/findaid/ark:/13030/tf958009cm No online items Finding Aid for the Silent Film Music Collection PASC-M.0012 Finding aid originally prepared by UCLA Library Special Collections staff, 1999. Finding aid updated by Alex Adame and Jasmine Jones, 2019. UCLA Library Special Collections Online finding aid last updated on 2019 August 6. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Silent Film PASC-M.0012 1 Music Collection PASC-M.0012 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Silent film music collection Identifier/Call Number: PASC-M.0012 Physical Description: 17 Linear Feet(32 boxes) Date (inclusive): circa 1900-1930 Language of Material: Materials are in English. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Silent Film Music Collection (Collection PASC-M 12). -
Lost Silent Feature Films
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady, -
Thus Spake Zarathustra Nietzsche, Friedrich Wilhelm (Translator: Thomas Common)
Thus Spake Zarathustra Nietzsche, Friedrich Wilhelm (Translator: Thomas Common) Published: 1885 Categorie(s): Non-Fiction, Human Science, Philosophy Source: Wikisource 1 About Nietzsche: Friedrich Wilhelm Nietzsche (October 15, 1844 – August 25, 1900) was a German philosopher. His writing included cri- tiques of religion, morality, contemporary culture, philosophy, and science, using a distinctive style and displaying a fondness for aphorism. Nietzsche's influence remains substantial within and beyond philosophy, notably in existentialism and postmod- ernism. Nietzsche began his career as a philologist before turn- ing to philosophy. At the age of 24 he became Professor of Classical Philology at the University of Basel, but resigned in 1879 due to health problems, which would plague him for most of his life. In 1889 he exhibited symptoms of a serious mental illness, living out his remaining years in the care of his mother and sister until his death in 1900. Also available on Feedbooks for Nietzsche: • Beyond Good and Evil (1886) • The Antichrist (1888) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Part 1 Prologue 3 1. WHEN Zarathustra was thirty years old, he left his home and the lake of his home, and went into the mountains. There he enjoyed his spirit and his solitude, and for ten years did not weary of it. But finally he had a change of heart - and rising one morning with the dawn, he went before the sun, and spoke thus to it: "Oh great star! What would your happiness be if you did not have us to shine for? "For ten years you have climbed here to my cave: you would have become weary of shining and of the journey, had it not been for me, my eagle, and my serpent. -
The Courier-Gazette Saturday
Issued Tuesday Saturday Thursday Saturday The Courier-Gazette Issue Established January, 1846. By Th. Courler-Gu.tt.„ 465 Main 8t„ Ent.r.d aa Saeand Claw Mail Mattar. Rockland, Maine, Saturday, May 9, 1925. THREE CENTS A COPY Volume 80.................Number 56. The Courier-Gazette SEAV1EW CEMETERY A PAGE FROM THE PLAINS EOWDOIN’S INSTITUTE THREE-TIM ES-A-WEEK Park Commissioner Ingra- Notable Literary Men and ham Urges Spring Clean- Herd of Texan Driven Throu8h Our City Streets (Happy Surprises. ALL THE HOME NEWS Women Taking Part In Subscription $3.00 per year payable ln ad ing Be Given It. To RodcvUlen-Mr. Carroll Has Plans. vance ; single copies three cents. Great Celebration. Advertising rates based upon circulation and very reasonable. A visit to Sea View Cemetery, [Special to The Courier-Gazette] NEWSPAPER HISTORY Rockland was treated Thursday af around apprehensively to see what Sunday, moved the writer again to pole they could climb, in a pinch. Bowdoin College's Institute of The Rockland Gazette was established ln appeal to those who own lots in that ternoon to an impromptu Wild West (Mother 1846. In 1874 the Courier was established What really happened was no more Modern Literature opened in Me- city of the dead, or have loved ones Show, when Oscar W. Carroll trans and consolidated with the Gazette ln 1882. exciting than what usually happens mortal Hall The Free Press was established ln 1855, and I buried there, to do what can be done Monday night when ferred a herd of 38 cattle from on a Maine farm when cows are 1 ln 1891 changed Its name to the Tribune.