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National Library of Australia Annual Report 2008-2009
ANNUAL REPORT 2008-2009 NATIONAL LIBRARY OF AUSTRALIA ANNUAL REPORT 2008–2009 NATIONAL LIBRARY OF AUSTRALIA Published by the National Library of Australia Parkes Place West Parkes Canberra ACT 2600 ABN: 28 346 858 075 Telephone: (02) 6262 1111 TTY: 1800 026 372 Facsimile: (02) 6257 1703 Website: www.nla.gov.au Annual report: www.nla.gov.au/policy/annual.html © National Library of Australia 2009 National Library of Australia Annual report / National Library of Australia. — 8th (1967/68) — Canberra: NLA, 1968– — v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report — National Library of Australia. 1. National Library of Australia –– Periodicals. 027.594 Coordinated and produced by the Executive and Public Programs Division, National Library of Australia Printed by Paragon Printers Australasia, Canberra Cover image: Craig Mackenzie (b.1969) The podium of the National Library of Australia, 2009 The Library building was opened in August 1968 and this year celebrated its 40th anniversary. The Library now holds more than 10 million items in its collections and is visited annually by some 550 000 people. NATIONAL LIBRARY 01 AuSTRALIA CANBERRA ACT 2600 AUSTRALIA TEL +61 262621111 FAX +61 2 6257 1703 The Hon. Peter Garrett AM, MP TTY 1800 026 372 Minister for the Environment, Heritage and the Arts www.nla.gov.au ABN 28 346 858 075 Parliament House CANBERRA ACT 2600 Dear Minister The Council of the National Library of Australia has pleasure in submitting to you, for presentation to each House of Parliament, its forty-ninth annual report covering the period 1 July 2008 to 30 June 2009. -
Cartographic Perspectives Information Society 1
Number 53, Winterjournal 2006 of the Northcartographic American Cartographic perspectives Information Society 1 cartographic perspectives Number 53, Winter 2006 in this issue Letter from the Editor INTRODUCTION Art and Mapping: An Introduction 4 Denis Cosgrove Dear Members of NACIS, FEATURED ARTICLES Welcome to CP53, the first issue of Map Art 5 Cartographic Perspectives in 2006. I Denis Wood plan to be brief with my column as there is plenty to read on the fol- Interpreting Map Art with a Perspective Learned from 15 lowing pages. This is an important J.M. Blaut issue on Art and Cartography that Dalia Varanka was spearheaded about a year ago by Denis Wood and John Krygier. Art-Machines, Body-Ovens and Map-Recipes: Entries for a 24 It’s importance lies in the fact that Psychogeographic Dictionary nothing like this has ever been kanarinka published in an academic journal. Ever. To punctuate it’s importance, Jake Barton’s Performance Maps: An Essay 41 let me share a view of one of the John Krygier reviewers of this volume: CARTOGRAPHIC TECHNIQUES …publish these articles. Nothing Cartographic Design on Maine’s Appalachian Trail 51 more, nothing less. Publish them. Michael Hermann and Eugene Carpentier III They are exciting. They are interest- ing: they stimulate thought! …They CARTOGRAPHIC COLLECTIONS are the first essays I’ve read (other Illinois Historical Aerial Photography Digital Archive Keeps 56 than exhibition catalogs) that actu- Growing ally try — and succeed — to come to Arlyn Booth and Tom Huber terms with the intersections of maps and art, that replace the old formula REVIEWS of maps in/as art, art in/as maps by Historical Atlas of Central America 58 Reviewed by Mary L. -
WHAT MAKES a MAP a MAP? North Carolina State University, Raleigh
81 WHAT MAKES A MAP A MAP? DENIS WOOD North Carolina State University, Raleigh, North Carolina, United States Abstract Cartographers have long pretended that the authority structure of the world expressed in map form," where of the map was a function of its resemblance to the world. Hence "map" was to be taken, "in the concrete sense of the con cartographers' obsessive concern with accuracy. Here it is argued ventional map, so that the products resemble that the map's power derives from the audiority the map steals maps."'Distinguishing among six hypothesized map from its maker. types, I characterized this standard map as, "what we are used to calling a map," going on to note that such a map, What makes a map a map? It is its mask that makes it "can be acquired at any gas station free or purchased in a map, its mask of detached neutrality, of unbiased com book stores or found bound into atlases."2 prehensiveness. Why does the map wear this mask? Not That is, we were at pains to distinguish among three as it might be imagined to obscure a blemish, but because things: a map (the concrete artifact available at gas sta it finds itself in a situation never meant to be. This is tions), an experimental sketch map (a maplike sketch- true of all alienated sign systems, they have become un product created by people in an experimental setting), and moored from the dock of human intercourse, they are a mental map (the presumed neural medium for purpose floating on a turbulent stream, objects in the world, but ful action in the world). -
[T]He Poet Would Define the Amount of the Unknown Awakening in His Time in the Universal Soul
[T]he poet would define the amount of the unknown awakening in his time in the universal soul.... Poetry.. .will be in advance. Arthur Rimbaud. (Tijverything in the world exists to end in a book. The qualities required in this work - most certainly genius - frighten me as one of those devoid of them: not to stop there, and granted that the volume requires no signatory, what is it? - the hymn of the connexions between all things, harmony, and joy, entrusted with seeing divinely because the bond, limpid at will, has no expression except in the parallelism of leaves of a book before his glance. Stephane Mallarme [rjt's a faith in what used to be called in old Victorian novels 'the Divine Mystery.' I can't find a better word for it, because it is a mystery to me. All I know is that it pours down love.. .[and] I worship that with my uttermost being. Bruce Beaver 2 Introduction For critics of recent contemporary Australian poetry, the term 'New Poetry' sug• gests primarily the work of those poets published in John Tranter's 1979 anthology, The New Australian Poetry.1 According to Tranter these twenty-four poets, only two of whom are women, formed a 'loose group'2 of writers associated with various poetry readings, little magazines and small presses in Sydney and Melbourne during the late sixties and seventies.3 Although there were many little magazines and small presses associated with the period, and earlier anthologies which had gathered together achievements of the New Poets,4 to a significant extent Tranter's anthology has circumscribed for critics the boundaries of the New Poetry group, and those poets published in the anthology have attracted a measure of critical acclaim. -
Kenneth Slessor Science, Sex and Mr
ESTERLY stories poems reviews articles Collage-Principle in Recent Australian Writing Kenneth Slessor Science, Sex and Mr. Wells Singapore Writing in English The Mysterious Fate of the "Aagtekerke" a quarterly revi ew price two dollars registered at gpo perth fo r transmi ssion by post as a peri odical Category' B' PATTERNS VOL4 n03 Fremantle Arts Centre poetry magazine published three times a year by the Fremantle Arts Centre with the assistance of the Literature Board of the Australia Council and with support from the Western Austral ian Literary Fund Now in its fourth year, PATTERNS publishes work from all over Australia and from New Zealand. It particularly welcomes work from Western Australian poets. The Winter 1978 number just published includes writing by Thomas Shapcott, Graeme Hetherington and Hal Colebatch Single copy $150 (postage 30c) annual subscription $540 including postage order from Fremantle Arts Centre 1 Finnerty St Fremantle 6160 WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Fay Zwicky CONSULTANTS: Alan Alexander, Swami Anand Haridas (Harry Aveling) Westerly is published quarterly by the English Department, University of Western Australia, with assistance from the Literature Board of the Ausb'alia Council and the Western Australian Literary Fund. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly, Department of English, University of Western Australia, Nedlands, Western Australia 6009 (telephone 3803838). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. -
Chapter 1 Douglas Stewart
CHAPTER 1 DOUGLAS STEWART: THE EARLY YEARS 1925-1938 Throughout the many scholarly works that focus on Stewart’s place in Australian literature, the word that recurs in respect of Douglas Stewart’s creative work is ‘versatile’. One of its first appearances is in Nancy Keesing’s Douglas Stewart, which begins with the precise statement: ‘Douglas Stewart is the most versatile writer in Australia today ⎯ perhaps the most versatile who ever lived in this country. He is a poet whose poetry and nature as a poet are central to everything in which he excels’.93 Stewart was not only a poet whose early philosophy that the closer one moves towards nature the closer one moves towards the spirit of the earth, developed as a line of continuity which contributed to his total philosophy; this chapter focuses on Stewart’s life and poetic ambition in New Zealand until his move to Australia as an expatriate in 1938. As a mature poet he was then concerned to apply this pantheism to modern responses regarding humans and their experiences. The purpose of the introductory part of this chapter is to clarify the theme of the dissertation ⎯ Douglas Stewart’s creative impulse; the second part involves a discussion of the poet’s visit to England where he met poets Powys and Blunden. At this time he also journeyed to his ancestral home in Scotland. Upon his return to Australia in 1938 he was offered a position with Cecil Mann at the Bulletin. Stewart was also a distinguished verse dramatist, a successful editor, particularly of the Red Page of the Bulletin from 1940 to 1960,94 and a participant of some repute in journalism and publishing. -
AN AUSTRALIAN COMPASS Essays on Place and Direction in Australian L~Erature
AN AUSTRALIAN COMPASS Essays on Place and Direction in Australian L~erature BRUCE BENNETT "Bruce Bennett's scholarship is superb ... he ranges wide and free through Australian writing, his impressive fund of information allowing him to make new and challenging connections between unlikely elements of our culture ... No other literary critic now at work has made us more aware of the value of the local in interpreting ourselves to ourselves." HP Heseltine rrp $24.95 FREMANTLE ARTS CENTRE PRESS WESTERLY a quarterly review ISSN 0043-342x EDITORS: Bruce Bennett, Peter Cowan, Dennis Haskell EDITORIAL ADVISORS: Margot Luke (prose),DelysBird(poetry),B rendaWalker(reviews) EDITORIAL CONSULTANTS: Diana Brydon (University of Guelph), John Hay (Monash University ),Dorothy Hewett (Sydney ),Brian Matthews (Flinders University), VincentO' Sullivan (Victoria University, Wellington), Peter Porter (London), Anna Ruthelford (University of Aarhus), Edwin Thumboo (National University of Singapore), Albert Wertheim (University of Indiana) ADMINISTRATOR: Caroline Horohin Westerly is published quarterly at the Centre for Studies in Australian Literature in the English Department, University of Western Australia with assistance from The Literary Arts Board of the Australia Council, the Federal government's arts funding and advisory body, and the State Government of W.A. through the Department for the Arts. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly, Department ofEnglish, University of Western Australia, Nedlands, Western Australia 6009 (telephone (09) 380 210 I). Unsolicited manuscripts not accom panied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. -
Selected Poems by Kenneth Slessor
ENGLISH TEXT SUMMARY NOTES “Selected Poems by Kenneth Slessor” Text guide by: Fran Bernardi TSSM 2009 Page 1 of 35 Copyright © TSSM 2009 TSSM ACN 099 422 670 ABN 54 099 422 670 A: Level 14, 474 Flinders Street Melbourne VIC 3000 T: 1300 134 518 F: 03 97084354 W: tssm.com.au E: [email protected] TSSM 2009 Page 2 of 35 TSSM 2009 Page 3 of 35 CONTENTS Area of Study Chapter Topics Chapter 1 – Author Notes 2.1 War Chapter 2 – Historical 2.1.1 World War I Context 2.1.2 World War II 2.2 The ‘Roaring Twenties’ Chapter 3 – Genre 3.1 Modernism 3.2 Romanticism Chapter 4 – Structure Chapter 5 – Style 5.1 Imagery 5.2 Rhythm and Rhyme Area of Study 1- Reading and 6.1 Australia responding Chapter 6 – Setting 6.1.1 The City of Sydney 6.1.2 The Australian Bush 6.2 Springwood Chapter 7 – Poem Summaries 8.1 Male Characters Chapter 8 – Character 8.1.1 Exotic Figures Profiles 8.2 Female Characters 9.1 Time Chapter 9 - Themes and 9.2 Love Issues 9.3 Art and Nature 9.4 Life and Death Chapter 10 – Important Quotations TSSM 2009 Page 4 of 35 Chapter 11 - Sample Essay Topics Chapter 12 – Final Examination Advice 13.1 References Used Chapter 13 – References 13.2 References for Students 13.2.1 Kenneth Slessor’s Essays 13.2.2 Kenneth Slessor’s Poetry Collections TSSM 2009 Page 5 of 35 AREA 1: READING AND RESPONDING Chapter 1 AUTHOR NOTES Kenneth Adolph Slessor was born in Orange, New South Wales in 1901, the year of Australian federation. -
Updated 12/4/19 the Guy Burnham Index Was First Produced in June
The Guy Burnham Index was first produced in June 1964 by then director of the Graduate School of Geography, Raymond Murphy. We have continued to keep this record updated as accurately as possible. We update this document and post it to the web twice per year summer and mid-year of the academic year. We have kept the original forward written by Prof. Murphy with the history of the making of the Burnham Index. FOREWORD On June 7, 1964, Clark University awarded its three hundred seventy-second M.A. in geography and its one hundred ninety-second Ph.D. Where are these five hundred and sixty- four graduates now? Just when did they get their degrees? And what were the subjects of their theses and dissertations? Details for Our First Twenty-Five Years are available from the well-known bulletin of that name issued by former President Atwood, and most of the more recent names and addresses can be dug out of the Clark University Alumni Directory. But that's doing it the hard way. We believed that it would be worthwhile to bring together the names and addresses of all M.A. and Ph.D. recipients, along with a listing of their thesis and dissertation topics. That is what we have done in this document. The information is presented through June, 1964, in as full and accurate form as we could make it. We regret that we could not include the names and current addresses of many other students in the Graduate School of Geography but did not complete the degree requirements. -
Designs on Signs: Myth and Meaning in Maps
DESIGNS ON SIGNS / MYTH AND MEANING IN MAPS DENIS WOOD AND JOHN FELS School of Design / North Carolina State University / United States and School of Natural Resources / Sir Sandford Fleming College / Canada ABSTRACT Every map is at once a synthesis of signs and a sign in itself: an instrument of depiction - of objects, events, places - and an instrument of persuasion — about these, its makers and itself. Like any other sign, it is the product of codes: conventions that prescribe relations of content and expression in a given semiotic circumstance. The codes that underwrite the map are as numerous as its motives, and as thoroughly naturalized within the culture that generates and exploits them. Intrasignificant codes govern the formation of the cartographic icon, the deployment of visible lan• guage, and the scheme of their joint presentation. These operate across several levels of integration, activating a repertoire of representational conventions and syntactical procedures extending from the symbolic principles of individual marks to elaborate frameworks of cartographic discourse. Extrasignificant codes govern the appropriation of entire maps as sign vehicles for social and political expression — of values, goals, aesthetics and status - as the means of modern myth. Map signs, and maps as signs, depend fundamentally on conventions, signify only in relation to other signs, and are never free of their cultural context or the motives of their makers. Spread out on the table before us is the Official State Highway Map of North Carolina. It happens to be the 1978—79 edition. Not for any special reason: it just came to hand when we were casting about for an example. -
Nature Poetry in Australia Is Viewed a Little Like A
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 Gathering points: Australian poetry: a natural selection Phillip Hall University of Wollongong Recommended Citation Hall, Phillip, Gathering points: Australian poetry: a natural selection, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3471 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. gathering points: AUSTRALIAN POETRY: a natural selection Phillip Hall Submitted in fulfilment of the requirements of the Doctor of Creative Arts degree of Wollongong University 2011 1 CONTENTS Section One: Introduction 6 A definition of ‘nature’ 9 Dwelling in nature 12 A definition of ‘nature poetry’ 14 The place of science in nature poetry 18 Romanticism and Australian nature poetry 21 Pastoral and Australian nature poetry 22 Ecocriticism and Australian nature poetry 24 Postcolonialism, place and Australian nature poetry 27 Gathering Points: Australian Poetry: A Natural Selection 30 Section Two: Australian Poetry: A Natural Selection 32 Australian nature poetry of praise 34 RF Brissenden, Les Murray, Robert Adamson and Judith Wright 34 Praise poetry of unlikely living things 38 Praise poetry of rural Australia 41 Praise poetry of nature in urban and suburban Australia 46 Praise poetry for the capacity of regeneration in nature -
Friends Newsletter
FRIENDS NEWSLETTER DECEMBER 2011 From ‘Ayam-Ayam Kesayangan’ (Donald Friend Diaries: MS 5959) Manuscripts Collection MS 5959) Manuscripts (Donald Friend Diaries: Kesayangan’ ‘Ayam-Ayam From Shoppers at Night, Bondi Junction Mall Shoppers Donald Friend (1915–1989) Friends of the National Library of Australia Inc. Canberra ACT 2600 Telephone: 02 6262 1698 Fax: 02 6273 4493 Email: [email protected] MESSAGE FROM THE OUTGOING CHAIR 1 Dear Friends Welcome to the final edition of the Friends Newsletter for 2011. The Friends have played a very active part in the life of the National Library during 2011. We have welcomed the new Director-General to the Library, Anne-Marie Schwirtlich; we’ve participated in the opening of the Library’s wonderful new Treasures Gallery, and we’ve made a significant financial contribution to the new Oral History Wall in the Library’s new central foyer. Joan Kennedy 3 Our annual Friends functions, the Kenneth Myer lecture, delivered by eminent social psychologist Hugh Mackay, and our Celebration, honouring the distinguished Australian novelist Alex Miller, have been successful and enjoyable times. The Asian Treasures White Gloves evening, held in July, was fascinating.The cocktail party to celebrate the opening of the new Treasures Gallery was elegant and fun. The Canberra Series lectures, by Janet Jeffs and by Friends medalist Linda Groom, have been interesting and stimulating occasions, and we’ve had a very successful Friends day trip to Braidwood. Underpinning these pleasant events has been the ‘behind the scenes’ work of our Friends Committee and Sub-Committees, who have worked hard to ensure that everything takes place as planned, ‘on time and on budget’.