Grosvenor Prints Tel: 020 7836 1979 19 Shelton Street Fax: 020 7379 6695

Covent Garden [email protected] London WC2H 9JN www.grosvenorprints.com

This is an e-catalogue of our Web Catalogue 69, a collection of over 400 antiquarian prints and books, includes a largee selection of satire, sporting prints, portraits, natural history, transport, topography, a few Old Masters and much more.

This collection can be browsed with images on ouur web site www.grossvenorprints.com

Our forthcoming listings are:

26th April 2017 to coincide with the London Original Print Fair at the Royal Academy 4th-7th May.

24th May 2017 for the London International Antiquarian Book Fair at Olymmpia 1st -3rd June.

Cover illustration: Sartorius Hunting, set of fofour Item 382 43277

Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 1. Designs for Free Churches, Manses and Schools James Raeburn Architect, Edin. Drawn and presented by Rob.t R. Raeburn. Fr. Schenck Lith. Edin.r [1845] Lithograph, printed area approx. 250 x 390mm (9¾ x 15¼"). Creases. £260 Architectural designs promoting the work of Scottish architect James Raeburn (1787-1851) and drawn here by his son Robert Reid Raeburn (1819-88), also an architect. James was principal clerk at the Scottish Office of Works until its abolition in 1839, whereupon he retired to set up his own practice. The Dictionary of Scottish Architects suggests that James' 3 Warriston Place address at the time these designs were published indicates that his practice had not flourished, and this sheet of designs (including churches for Montreal and Banff in Canada) was presumably made in an attempt 4. [A Group of Figurres Representing to generate more business. It also publically indicated Study] the Raeburns' support of the Free Church of Scotland G.B. Cipriani invt. F. Bartolozzi sculpt. London Pubd. following the Disruption of 1843. as the Act directs F. Bartolozzi, 1788 Following James' death in 1851, Robert Reid continued Etching printed in sepia, plattemark 240 x 295mm (9½ his father's prractice, living in Edinburgh for the x 11½") very large margins. £180 remainder of his career. A drawing lesson. Etching by Francesco Bartolozzi Stock: 43412 (1725-1815), Florentine engrraver and founding member of the Royal Academy in 1768. After meeting 2. A Room in the House of A.H. Burkitt George III's librarian Richard Dalton in Italy in 1763, F.S.A. Clapham, Surry 1851 Antiquarian Dalton invited Bartolozzi to LLondon with a promise of an appointment as engraver tto the king. In England he Etching Club, Pl. 63 Vol. III beecame the most celebrated exponent of the 'stipple' A.H.B. [in image] technique whereby he produced prints using dots rather Etching, rare; platemark 165 x 120mm (6½ x 4¾"), than lines. This is the medium employed here, one of very large maargins. £95 many prints he made from designs by his fellow Etching by the printmaker and antiquary A.H. Burkitttt, Italian, G.B. Cipriani (it was published in 'A Set of of a room in his house in Clapham containing his Etchings by Francis Bartolozzi R.A. in Imitation of collection. Prrivate Collection. Stock: 43362 Drawings from the Sketches of the Late John Baptist Cipriani R.A.' in 1788. Calabi & De Vesme 692.iii Stock: 43415 3. [Titlepage and woodcut illustration from Hieronymus Rodler, 'Eyn schön nützlich 5. [The Chellini Madonna] Ex Archetypo büchlin und underweisung der kunst des AEreo penes Nobilis: Virum Marchionem de Messens [...]'] Rockingham. [Simmern: Hieronymus Rodler, 1531] Edw.d Rumsey Del.t J.K. Sherwin Sculp.t in aqua forti Two woodcuts, one with letterpress in black and red [London Published by R. Polllard Spa Fields Nov.r 25 ink; very scarce; sheets 290 x 185mm (11½ x 7¼") and 1790] 175 x 170mm (7 x 6¾"). Both glued to backing sheet. Etching, sheet 310 x 290mmm (12¼ x 11½"). Repairs £480 boottom left at corner. Trimmed inside platemark; £80 Two woodcut illustrations of artists at work, one Etching made from Donatelloo's relief of the 'Chellini showing five men at work in a studio, the other Madonna', at the time it was in the collection of showing an artist depicting the view from his window. William Wentworth Fitzwilliiam (1748-1833), From Hieronymus Rodler's 'Eyn schön nützlich büchhlin poolitician and landowner. The bronze roundel served as und underweisung der kunst des Messens mit dem a glass mould and perhaps allso as a birth tray for Zirckel Richtscheidt oder Linial. Zu nutz allen brringing sweetmeats to a moother after birth. Named for kunstliebhabbern furnemlich den Malern, Bildhawern,, the Florentine physician Giovvanni Chellini Samminiati, Goldschmiden, Seidenstickern, Steynmetzen, who received the roundel as ppayment from a patient he Schreinern, auch allen andern, so sich der kunst des was treating, it was brought tto England by Charles Messens (Perspectiva zu latin gnant) zugebrauchen lust Wentworth-Watson, second mmarquess of Rockingham haben...' (1531). Rodler adapted ideas from Albrecht and prime minister (1730-822). It then passed on Dürer's 1525 'Unterweysung der Messung', simplifying through the Wentworth familly by descent, before it them to make them accessible to a wider range of was acquired by the Victoria & Albert Museum in craftsmen. London in 1976. It is one of tthe most important objects Stock: 43669 in the V & A collection. Stock: 43150 Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large margins. £120 Plate eight of a series of 10 engravings of antique vases taken from frescos painted beetween 1520-1527 by Polidoro da Carravaggio in the Palazzo Milesi in Rome. Aegidus Sadeler II's engravings are a copy of a series of the same subject ennggraved by Cherubino Alberti in 1582. Stock: 43873

10. Poolydorus de Caravagio. In. Romæ. 7. [Aegidus Sadeler II after Cherubino Alberti.] Cum Privil. S. C. Mtis. [1605.] Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large 6. Tabula II animalium ex vetustissimis margins. £120 picturis Romae tractorum. [Picture II. From Plate seven of a series of 10 eengravings of antique the oldest picture of animals drawn in Rome.] vases taken from frescos painted between 1520-1527 Formis Ant. Lafrerii. [1547] byy Polidoro da Carravaggio iin the Palazzo Milesi in Engraving. Sheet 295 x 430mm (11½ x 17"). Trimmed Rome. Aegidus Sadeler II's engravings are a copy of a just within plate. Stained. £280 series of the same subject ennggraved by Cherubino A plate of exotic animals including an elephant, lion Alberti in 1582. and leopard, one of three plates of animals published Stock: 43872 by Lafreri in his 'Speculum Romanæ Magnificentiæ', the 'Mirror of Roman Magnificence'. He started this 11. Poolydorus de Caravagio. In. Romæ. 6. monumental series of prints recording the buildings [Aegidus Sadeler II after Cherubino Alberti.] Cum and artifacts of Ancient Rome in 1540 and completed it Privil. S. C. Mtis. [1605.] in 1575, two years before he died in 1577. BM: Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large 1871,0812.803. margins. £120 Stock: 43951 Plate six of a series of 10 engravings of antique vases taken from frescos painted beetween 1520-1527 by 7. An Address Delivered by William Morris Polidoro da Carravaggio in the Palazzo Milesi in at the Distribution of Prizes to Students of the Rome. Aegidus Sadeler II's engravings are a copy of a Birmingham Municipal School of Art on Feb. series of the same subject ennggraved by Cherubino 21, 1894. Alberti in 1582. [Printed at the Chiswick Press, in the ''Golden'' types Stock: 43871 designed by William Morris for the Kelmscott Press. 1898.] 12. Poolydorus de Caravagio. In. Romæ. 4. Crown 8vo, quarter cloth, paper covered boards, titled [Aegidus Sadeler II after Cherubino Alberti.] Cum in black on front board. 210 x 145mm (8¼ x 5¾"). Privil. S. C. Mtis. [1605.] Boards marked, corners worn. £70 Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large A bound copy of the speech given by designer William margins on 3 sides. £120 Morris (1834-1896) to the Birmingham School of Arrtt. Plate four of a series of 10 engravings of antique vases Extra-illustrated with a half-tone portrait and wood- taken from frescos painted beetween 1520-1527 by engraved facsimile of Morris's woodcut 'Psyche in Polidoro da Carravaggio in the Palazzo Milesi in Charon's Boat' after Edward Burne-Jones. Rome. Aegidus Sadeler II's engravings are a copy of a Stock: 43863 series of the same subject ennggraved by Cherubino Alberti in 1582. 8. Poolydorus de Caravagio. In. Romæ. 10. Stock: 43870 [Aegidus Sadeler II after Cherubino Alberti.] Cum Privil. S. C. Mtis. [1605.] 13. Poolydorus de Caravagio. In. Romæ. 3. Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large [Aegidus Sadeler II after Cherubino Alberti.] Cum margins. Paper tone. £120 Privil. S. C. Mtis. [1605.] Plate ten of a series of 10 engravings of antique vases Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large taken from frescos painted between 1520-1527 by margins. £120 Polidoro da Carravaggio in the Palazzo Milesi in Plate three of a series of 10 engravings of antique vases Rome. Aegidus Sadeler II's engravings are a copy of a taken from frescos painted beetween 1520-1527 by series of the same subject engraved by Cherubino Polidoro da Carravaggio in the Palazzo Milesi in Alberti in 1582. Rome. Aegidus Sadeler II's engravings are a copy of a Stock: 43874 series of the same subject ennggraved by Cherubino Alberti in 1582. 9. Poolydorus de Caravagio. In. Romæ. 8. Stock: 43869 [Aegidus Sadeler II after Cherubino Alberti.] Cum Privil. S. C. Mtis. [1605.] 14. Poolydorus de Caravagio. In. Romæ. 2. 18. [Illustration to Paris Galle, 'Novum Tres [Aegidus Sadeler II after Cherubino Alberti.] Cum Inter Deas Junonem Venerem Palladem Privil. S. C. Mtis. [1605.] Paridis Judicium [...]'] 1. Omnia vincit Amor. Engraving. Plate: 235 x 160mm (9¼ x 6¼") very large Virgil. Ecloga 10 [...] margins. Mark in plate £120 Nypoort fecit [1684] Plate two of a series of 10 engravings of antique vases Engraving with letterpress, printed area 255 x 160mm taken from frescos painted between 1520-1527 by (10 x 6¼"). Stamp verso 'K K Studien Bibliothek Polidoro da Carravaggio in the Palazzo Milesi in Salzburg'. £150 Rome. Aegidus Sadeler II's engravings are a copy of a Putto on a cloud, holding bow and quill, and series of the same subject engraved by Cherubino accompanied by a lion. "Love is the greatest cause; Alberti in 1582. she conquers all, she wants too. Then again it is Stock: 43868 necessary that Love conquerrs herself as well". Stock: 43682 15. Vasa. A. Polydroro. Caravagino. Pictore Antiquitatiso. Imitatore. Prestantiss. Inventa. 19. The Warwick Vase. Egidius Sadeler S.C.Mns. Sulptor In Æs Incidi Drawn on stone by W. Riderr. Printed by Rowney & Iussit Et Edidit Anno Pragæ MDCV. Romæ. Forster. Published by John Merridew, Warwick. [n.d., [Aegidus Sadeler II after Cherubino Alberti.] [1605.] c.1825.] Engraving. Plate: 270 x 180mm (10½ x 7"). Trimmed Lithograph, rare. Printed area 330 x 230mm (13 x 9") to plate on top edge. Light foxing. £90 £230 The frontispiece to a series of 10 engravings of antique The famous Warwick Vase, a Roman marble vase with vases taken from frescos painted between 1520-1527 Bacchic ornament, discovered in the silt of a marshy by Polidoro da Carravaggio in the Palazzo Milesi in poond at Hadrian's Villa abouutt 1771 by Gavin Hamilton. Rome. Aegidus Sadeler II's engravings are a copy of a He sold the fragments to Sir William Hamilton who series of the same subject engraved by Cherubino repaired it with Carrara marble and shipped it to his Alberti in 1582. nephew George Greville, 2nd Earl of Warwick, who Stock: 43867 set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was 16. Methode Tres Facile pour apprendre le made of it and two full-size bronze replicas were cast, Blason. 1670. A Messire Charles de Tilly one now in Windsor Castle, tthe other in the Fitzwilliam Marquis de Blaru, Par son tres-humble ettres Museum. At auction in 19788 the vase was purchased obeissant et oblige servit.r et sujet C: le byy the Metropolitan Museum of Art, but after it was Cellyer. Avec privilege du Roy. declared an object of national importance an export licence was denied. It is now in the Burrell Collection Chez Hubert Jaillot au bout du Pont Neuf proche les near Glasgow in Scotland. Augustins aux deux Globes 1670. Avec Privilege du Stock: 43348 Roy. Etching. 5200 x 405mm (20½ x 16"). Wear to edges of margin, creases. £480 'A very easy method of learning Heraldry' by Claude le Cellyer, with an engraved text and illustrated with numerous examples of coats of arms. Stock: 43479

17. [Four putti sacrificing a goat] [Francesco Bartolozzi with/or a student, c.1780] Etching and stipple printed in brown on embossed paper, platemark 195 x 230mm (7¾ x 9"). Trimmed to platemark top edge; glued to backing sheet; slight foxing. £180 Print from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of the work of Francesco Bartolozzi (1725-1815). In the catalogue, Calabi and de Vesme suggest the print was 20. [Reclining Woman.] probably executed by one of Bartolozzi's many Angelica Kauffman fec. Publlished Oct. 1.st. 1780. students, but with Bartolozzi's assistance. Calabi & de Etching with aquatint. Plate: 160 x 190mm (6¼ x 7½") Vesme 2367 very large margins. Some creasing in very large Stock: 43134 margins. Very small repaired punch hole near head. £280 A portrait of a woman lying against some rocks by Angelica Kauffman (1741-1807). Stock: 43665

21. Food for the Body [&] Food for the Soul Engrav'd frfrom the original Painting of Adrian Brower in 11747 A. Brower pinx Major sculp Pair of engravings, each approx. 185 x 120mm (7¼ x 4¾"). Both trimmed inside platemark and glued to backing sheeet £160 Pair of genre scenes after Adriaen Brouwer (1605x6-- 38), Flemish artist who made a significant contribution to peasant genre painting during his brief career. His admirers included Rembrandt and Rubens, both of whom reputedly owned several of his works. Private Collection. Stock: 43378

22. The Bookworm. J.A. Lomax pinx W. Wright Nooth sc. [c.1880] Engraving, platemark 200 x 235mm (8 x 9¼") very large marginns. £65 Engraving after a painting by John Artur Lomax (1857- 1923), Mancchester-born artist who studied in Munich and later lived in London, specialising in historical scenes. 26. [Shepherdess sat with sheep outside a Stock: 43366 cottage, spinning wool] Guidata ch'a la Greggia Irminda poi / S''asside e sta filando i 23. [Butterfly-winged putto hovering above a Lini suio pond] Francesco Bartolozzi scolp. Appo Teodoro Viero h. Prudhomme sc. imp.mé par Chardin fils [c.1835] Ven.d 1774 Engraving on india, fine proof impression; sheet 215 x Etching, fine impression; scarce; platemark 235 x 235mm (8½ x 9¼"). Trimmed to platemark; £120 175mm (9¼ x 7"). Thread margins. £220 Engraving by Hippolyte Prudhomme (1793-1853), One a series of six pastoral suubjects etched after French printmaker who engraved works by Paul designs by the Venice-basedd publisher and artist Delaroche and Horace Vernet amongst others, and Teodoro Viero (1740-95) byy Francesco Bartolozzi illustrated novels by Sir Walter Scott. (1725-1815). Stock: 43372 Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy 24. La Pan Toufle [The Slipper] Dedié a in London (the RA did not admit engravers at this time Monsieur Wistan de Scharp par son très buut made an exception in hiss case). He was already humble et très obeissant Serviteur Nerbé hailed as the best engraver in Italy when he met George [Anon., c.1770] Se vend à Paris rue du petit Bourbon III's librarian Richard Dalton in 1763. Dalton invited près la Foire St. Germain No. 23 Bartolozzi to London with a promise of an appointment Engraving, sheet 380 x 275mm (15 x 10¾"). Trimmed. as engraver to the king. In England he became the most Creasing; tear upper right. £130 celebrated exponent of the 'sttipple' technique whereby A woman uses her slipper to defend herself against he produced prints using dots rather than lines. In 1801 attempted rape. Bartolozzi was invited to Lisbon to reform the royal Stock: 43320 prrinting press, and he spent his final years in Portugal. Fine impression from the colllection of Dr. Augusto 25. Winter. Das den Citelkeiten absagende Calabi of Milan, art historian who co-authored (with und Ruhliebende Alter [...] [parallel text in A.B. de Vesme) the authoritative catalogue raisonné of Latin] Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi Cum Priv. Sac. Caes. Maj. Martin Engelbrecht excud: was in the Albertine Museum, Vienna. Calabi & de A.V. [c.1790] Vesme 1342 Engraving with hand-colouring, rare, platemark 295 x Stock: 43124 185mm (11½ x 7¼"). Slight loss to bottom left. Glueed to backing sheet; foxing. £140 One from a set of prints representing the season, with 27. [Young man fishing, with a woman and verses in German and Latin, shows a sedan chair in the small boy nearby] Osservato da Fille il Pesce background. piglia / Per sostentar la debil sua Famiglia Stock: 43594 Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774 Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins. £220 One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi waas a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugaal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné oof Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna. Calabi & de Vesme 1343 Stock: 43125 29. La Partie de Campagne. Gravée par Anne Philberte Coulet, de l'Académie 28. [Young couple embracing; young woman Impériale et Royale de Vienne, D'après le and sheep on right] Soglion gli Amanti coltivvar Tableau Original de P.J.. Loutherbourg, tiré du non poco / Le lusinghe, gli scherzi il riso, e il Cabinet de Monsieur Rooland. gioco P.J. Loutherbourg pinx. A.P.. Coulet Sculp.t. A Paris, Francesco Bartolozzi scolp. Appo Teodoro Viero Chéz Lempereur Graveur de leurs Majestés Impériale Ven.d 1774 et Royale, rue et Porte St Jacques. Etching, fine impression; scarce; platemark 235 x Etching. 330 x 380mm (13 x 15"). Thread margins, 175mm (9¼ x 7"). Thread margins. £220 worm hole in sky. £290 One a series of six pastoral subjects etched after A rustic scene, with a group of well-dressed people by designs by the Venice-based publisher and artist the side of a river, a church with a tall dome behind. Teodoro Viero (1740-95) by Francesco Bartolozzi Stock: 43486 (1725-1815). Bartlozzi waas a Florentine engraver who in 1768 was 30. [Cattle and sheep iin a field] Paul Potter. elected as a founding member of the Royal Academy D'après le Tableau Origiinal peint sur Bois, in London (the RA did not admit engravers at this time d'un Pied 3 Pouces 6 Lignes de haut, sur 1 Pied but made an exception in his case). He was already hailed as the best engraver in Italy when he met George 7 Lignes de Large. III's librarian Richard Dalton in 1763. Dalton invited Gravé par Couché. AParis chez Michel Vauthier, Bartolozzi to London with a promise of an appointment Peintre, rue de la Liberté, ci--devant des Fossés M.r le as engraver to the king. In England he became the most Prince No 43, Faub. St. Ger.n. [n.d., c.1800.] celebrated exponent of the 'stipple' technique whereby Soft ground etching on blue ppaper. Sheet 470 x 395mm he produced prints using dots rather than lines. In 1801 (18½ x 15½"). Trimmed within plate. £320 Bartolozzi was invited to Lisbon to reform the royal An atmospheric rustic scene after Paulus Potter (1625- printing press, and he spent his final years in Portugaal. 54) who produced about a hundred paintings before Fine impression from the collection of Dr. Augusto dying of tuberculosis at onlyy 28. Stock: 43463 Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné oof Bartolozzi's work. Inscription 'Solo all'Albertine' verso 31. Het Leven der Gavren. suggests the only other impression known to Calabi C. Decker in et fc [c.1700] was in the Albertine Museum, Vienna. Calabi & de Etching, sheet 180 x 270mmm (7 x 10½"). Folds as Vesme 1345 issued; trimmed. £65 Stock: 43126 Dutch book illustration. Stock: 43187

32. The Grange F.W.T. June 19. 1823 Lithograph, rare, printed area approx. 260 x 445mm (10¼ x 17½") very large marrgins Tear to top edge; foxing. £230 Distant vieww of a large two-storey house, with lake in 37. [Woman sitting beside path; stone foregound. footbridge behind] Amateur lithograph made by the army officer and [Robert Robinson, c.1690] politician Frederick William Trench (c.1777-1859). In Mezzotint, very rare, platemark 145 x 195mm (5¾ x December 1819 he was returned as an MP for 7¾"). £280 Cambridge in an election controlled by the Duke of Mezzotint by painter and engraver Robert Robinson Rutland, owner of Belvoir, and he made several (fl.1674-d.1706). Robinson iis chiefly remembered for lithographs of Belvoir castle. early mezzotints such as thiss, while the most notable of Trench was also keenly interested in architecture: in his surviving paintings are the panels he painted for a 1815 he proposed a vast monument to British naval house on St Botolph Street in the City of London, now and military victories over France on the site which housed at the Sir John Cass School in Aldgate. became Trafalgar Square, and in 1824 he launched a Stock: 43181 project for an embankment on the north side of the Thames (in conjunction with which a long print of the 38. [Ruins with two figures] project was produced). Foor Trench's embankment [Perhaps by J. T., c.1820] scheme see refs. 23749, 39952 &c. Etching, sheet 140 x 180mmm (5½ x 7"). Trimmed to Stock: 43938 pllatemark. £60 Stock: 43600 33. [Landscape with two peasants] C.W. f [c.1790] Etching, sheet 130 x 195mm (5 x 7¾"). Trimmed to image. £65 Stock: 43513

34. [Figures in landscape with ruins] J. Tobin del. et sculp. [c.1770] Etching, sheet 190 x 145mm (7½ x 5¾"). Trimmed to platemark. Slight foxing. £130 Landscape by the little-known etcher J. Tobin (1770s, fl.). As Joseph Strutt writes of Tobin in his biographical dictionary of engravers: 'he was a native of England, and etched several small plates of landscapes from H. Grim. We have also some small tinted plates from him, from Both, Ostade, and other painters'. Stock: 43597

35. A New Book of Landscapes Drawn by H.r Meyer, H.r Meyer inv.t C. Rosenberg fecit London Publishd as the Act directs jan.y 12 1790 by P. Cornman Great Newport St. Long Acre, 39. Winter A lean time the Village rouses in Six aquatints printed in sepia, in marbled wrappers, the fire, / While nell attessted, and as nell platemarks appprox 170 x 210mm (6¾ x 8¼"). Staining. £280 believed, / Heard solemn goes the goblin story Set of landscape prints probably engraved after desiggns round / Till superstitious horror creeps o'er all. by the Dutch landscape painter Hendrik Meijer (1744- Thom: Winter 93) by Christian Rosenberg. Having worked in Angelica Kauffman del.t Giuseppe dall'Acqua figlio di Haarlem, Leiden and Amsterdam for much of his Cristoforo Scul. Anno 1786 career, Meijer moved to London in the late 1780s Engraving, fine impression, sscarce; the "N" in winter is where he exhibted at the Royal Academy. inverted; platemark 360 x 3115mm (14 x 12½"). Small Stock: 43592 margins. £240 Scene from James Thompson's 'The Seasons', after 36. [Labourers crossing a moonlit heath] Angelica Kauffman, RA (1741 - 1807), Swiss-born [Anon., c.1750] Neoclassical painter who had a successful career in Etching, platemark 75 x 115mm (3 x 4½") large London and Rome. She attraacted international margins. £95 paatronage and was much admired by fellow artists. Stock: 43431 Kauffman's funeral in Rome was arranged by Antonio Canova and attended by reprresentatives from both the Roman and foreign academies, carrying along in triumph of two of Kauffman''s own works in obvious emulation of Raphael’s funerral. Copy, in reverse, of a stipple by Francesco Bartolozzi, byy his fellow Italian Giuseppe dall'Acqua, who seems to have primaarily copied prints produced in England by A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi, J.R. Smith, and other prominent engraverrs. Bartolozzi's work. Calabi & de Vesme 1651 i/ii; for a Fine impression from the collection of Dr. Augusto portrait of Churchill see ref. 27339. Calabi of Milan, art historian who co-authored (with Stock: 43130 A.B. de Vesme) the authoritative catalogue raisonné oof Bartolozzi's work. Calabi & de Vesme 716 (copy) Stock: 43127

40. [Mother & Child] Dilectus meus mihi, et ego illi Cipriani inv: P. de Colle sculp. ap Cavalli Venes. [c.1775] Engraving, platemark 235 x 170mm (9 x 6½") very large marginns. £120 The Virgin Mary holding the infant Jesus, His arms stretched out to front, looking up to the sky. Crest flanked by angels below image. Italian engraving after a design by Giovanni Battistaa Cipriani (1727 - 1785), Italian-born artist working in London. Probably copied from an engraving by Francesco Bartolozzi, published in London by John Boydell in 1768. For Bartolozzi's engraving of the same image see ref. 11757. Stock: 43117

41. [Proof frontispiece from John Bell's 'The poets of Great Britain, complete from Chaucer to Churchiill] [Churchill vol. 1 / Let one poor sprig of Bay around my head / Bloom... Candidate line 145] [Cipriani del. Bartolozzi sculp.t] [Printed for John Bell ... London Jul. 19th 1779] Etching and engraving printed in sepia, platemark 1440 x 95mm (5½ x 3¾"). Thread margins; glued to backing 42. 'T Boeren Leven Door Pieter Nolpe in 't sheet; glue stains at corners. Fine proof impression Cooper gemaakt. t'Amsteldam by Nicolaus before all letters. £110 Visscher met Privilegio. Proof impression of one of twenty-one frontispieces [c.1640] that Francesco Bartolozzi (1725-1815) made for John Etching, rare; platemark 145 x 90mm (5¾ x 3½"). Bell's 'The Poets of Great Britain', which he published Slight crease. £160 from 1777-82. Bell's edition consisted of 109 volumes Frontispiece to a set of etchings of peasants and in a relatively cheap yet well-produced pocket format, beeggars by Dutch reproductivve printmaker Pieter Nolpe and was a great success. This print, in its later lettered (b.1613-4, d.1652-3) after Piieter Quast (b.1605-6, state, was the frontispiece to the first of Bell's edition d.1647). of poems by Charles Churchill (1732-64). It included a Stock: 43352 line from hiss poem 'The Candidate', an attack on John Montagu, earl of Sandwich (1718-92) and his 43. [Front wrapper to F. Broughton and candidature for the high stewardship of Cambridge W.A. Delamotte, 'View of the Overland University. Journey to India'] Overrlland Journey. Twelve Bartolozzi (1725-1815) was a Florentine engraver who in 1768 was elected as a founding member of the Royal Views. Academy in London (the RA did not admit engravers Drawn on Zinc by W.A. Delaamotte. From the Original at this time but made an exception in his case). He was Sketches by F. Broughton H..E.I.C.S. London. already hailed as the best engraver in Italy when he met Published for the Proprietor by C. Chabot, Skinner George III's librarian Richard Dalton in 1763. Dalton Street [1847] invited Bartolozzi to London with a promise of an Lithograph, rare, printed area 250 x 315mm (9¾ x appointment as engraver to the king. In England he 12½"). £220 became the most celebrated exponent of the 'stipple' Abbey comments that the serries to which this print was technique whereby he produced prints using dots rather the front wrapper was "Probably privately produced for than lines. In 1801 Bartolozzi was invited to Lisbon to distribution to Broughton's (and Delamotte's?) friends'. reform the royal printing press, and he spent his finall See Abbey 522 (not numbered with plates but described years in Portugal. seeparately); for another platte from the volume see ref. Fine impression from the collection of Dr. Augusto 30315. Stock: 43377 Calabi of Milan, art historian who co-authored (with 44. [Frontispiece to James Howell, 'Lexicon 48. Britannia, who seat is as permanent as a tetraglotton'] Associatio Linguarum. La Ligue Rock, supported by Wisdom and Strength, des Langues under the Characters of Minerva and W Faithorne Fc. [c.1660] Hercules; whilst Mars and Neptune as Engraving, platemark 260 x 165mm (10¼ x 6½"). £280 protectors of Commerce introduce her with Frontispiece to a later edition of 'Lexicon tetraglotton' Product of the Universe iin her Train. (first edition 1660) by James Howell (1594?-1666), a Stothard del.t. Trotter. sculp.. Published as the Act dictionary inn four languages. The four women are directs, by Ja.s Mackgowan, & W.m Davis, Aug.t 26, emblematic of the English, French, Spanish and Italian 1780. languages. The publication of this work was supported Etching. 225 x 165mm (8¾ x 10½") large margins. by Bulstrode Whitelock (for whom see ref. 21594). £140 Engraving by William Faithorne (c.1620-91), A patriotic allegorical plate published during the printmaker who was apprenticed to the printseller American War of Independennce: Britannia sits William Peake, with whom he served in the royalist surrounded by Roman gods. Bottom left is a scroll with army during the civil war. At the Restoration Faithorne a map of Cul de Sac Bay on St Lucia, commemorating was appointed engraver in copper to the king, the Battle of Cul de Sac (or Battle of St Lucia), 15th doubtless as reward for his devotion to the Stuart December 1778, in which the British drove off a cause. The finest native British engraver born before French fleet attempting to stop the occupation of St the eighteenth century, Faithorne was highly esteemed Lucia. by Pepys (who recorded many visits to his shop) whille Stock: 43458 enthusiasts such as Horace Walpole ensured his posthumous reputation, which led to fine proofs of his work fetchinng extraordinary prices in the late Georgian period. Fagan p.86. Stock: 43674

45. Love Honour & Justice. Presenting to the Right Worshipful Grand Master of Ireland the Sentimeental & Masonic Magazine. J.G. O'Brien Del. J. Ford Sculp.t. [c.1795] Stipple printed in sepia, rare, sheet 205 x 120mm (8 x 4¾"). Trimmed. £75 Allegorical frontispiece for the Dublin journal, the 'Sentimental and Masonic Magazine', published by John Jones of Grafton Street between 1792 and 1795. Stock: 43325

46. And After...? Frances Martin ATS August 1942. Watercolour. Sheet: 165 x 130mm (6½ x 5"). £140 A woman sits at a table contemplating life after WW2. One thought shows London burning in the Blitz, her 49. Beauty. second shows a more idyllic modern society with high- G.B. Cipriani del.t F. Bartolozzi Sculp.t Published rise buildingss. according to Act, Nov.r 6th 1782, by the Proprietor, No Stock: 43980 5, Poland Street, Soho Stipple printed in sepia, platemark 250 x 190mm (9¾ x 47. Comic Muse. 7½"). Thread margins. £240 G.B. Cipriani del.t F. Bartolozzi Sculp.t London Woman sat on clouds with peeacock. Stipple engraving Publish'd Feb: 1st 1784 by J. Matthews byy Francesco Bartolozzi (1725-1815) after his frequent Stipple printed in sepia, platemark 185 x 145mm *7¼ collaborator Giovanni Battistta Cipriani (1727-85). x 5¾"). Thread margins; glued to backing sheet. Fine Calabi & de Vesme 576 iii/iiii impression. £180 Stock: 43144 Woman holding mask of comedy in her left hand. Stipple engraving by Francesco Bartolozzi (1725- 50. Faith Death's Terrror is the Mountain 1815) after his frequent collaborator Giovanni Battista Cipriani (1727-85). Faith recovers; / That Mountain Barrier Calabi & de Vesme iii/iii between Man and Peace [...] Stock: 43139 G.B. Cipriani Inven.t F. Barttolozzi Sculp.t Walker excudit. London. Publish'd July 1.st 1784 by Ja.s Walker Carver & Printseller No. 148 Strand. Stipple, fine impression; plattemark 215 x 210mm (8½ x 8¼"). Small margins. Glued to backing sheet at corners. £240 Woman holding cross, with two putti holding chalice. 53. Prudence [ms] Stipple engraving by Francesco Bartolozzi (1725- G.B. Cipriani Delin.t F. Barttoolozzi Sculp.t Pub.d 2.d 1815) after his frequent collaborator Giovanni Battista May 1783 by Mrs. Bryer N.13 Poland Street. Cipriani (1727-85). Stipple, platemark 260 x 205mm (10¼ x 8"). Thread Calabi & de Vesme 613 v/v margins; £160 Stock: 43145 Etching by Francesco Bartoloozzi (1725-1815), Florentine engraver who in 1768 was elected as a 51. Innoccentia. Ut flos in septis secretus founding member of the Royal Academy in London nascitur hortis, / Ignotus pecori, nullo contusus (the RA did not admit engravers at this time but made aratro [...] an exception in his case). Hee was already hailed as the Gavinus Hamilton pinxit 1766 Dominicus Cunego beest engraver in Italy when he met George III's sculp.t Romae E Tabula in Oedibus Nobilis Viri Duciis librarian Richard Dalton in 1763. Dalton invited de Rochefouucault Calabi & de Vesme 698 ii/iv.. Engraving, fine, platemark 465 x 275mm (18¼ x Stock: 43135 10¾") very laarge margins. £160 Fine engraving after a painting by Gavin Hamilton 54. [Autumn] (1723-98), Scottish painter, archaeologist and dealer. G.B. Cipriani Inv.t F. Bartolozzi Sculp.t [London While Hamilton's only identifiable pupil was David Pub.d Oct.r 12. 1783 by T. Macklin] Allan, his enncouragement assisted and influenced Stipple, Proof before publication line and title; artists in Rome, where he worked, for over thirty yearrs. pllatemark 185 x 145mm (7¼ x 5¾") large margins. He was instrumental, for instance, in persuading the £220 sculptor Antonio Canova to abandon Rococo for a One of a set of allegorical representations of the four more restrained Neo-classical style. seasons engraved by Francesco Bartolozzi (1725-1815) As the inscription states, this painting was then in the after his frequent collaborator Giovanni Battista collection of the duke of Rochefoucault, French writer Cipriani (1727-85). Shows a female Bacchus holding and explorer. wine. Stock: 43151 Calabi & de Vesme 711 ii/iv Stock: 43142

55. [Spring] G.B. Cipriani Inv.t F. Bartolozzi Sculp.t London Pub.d Oct.r 12. 1783 by T. Macklin Stipple, Proof before title; pllatemark 185 x 145mm (7¼ x 5¾") very large margiinns. £180 One of a set of allegorical representations of the four seasons engraved by Francesco Bartolozzi (1725-1815) after his frequent collaborator Giovanni Battista Cipriani (1727-85). Calabi & de Vesme 709 iii/iv Stock: 43136

56. [Foxhound.] Arthur Wardle 1897. Etching on india, printed in brown, signed in pencil by the artist. 220 x 280mm (8¾ x 11"). £240 Stock: 43345

57. Breaking-Up. G. Cruikshank fec.t. Pub.d Dec.r 12th 1826 by S Knights Sweetings Alley Royyal Exchange. Etching. Sheet 215 x 265mm (8½ x 10½"). Trimmed 52. Meekness. within plate. £140 G.B. Cipriani del.t F. Bartolozzi Sculp.t Published An end-of-term, show, with pupils performing for according to Act, Nov.r 6th 1783, by the Proprietor, No admiring relations and friends. Eight little girls in party 5, Poland Street, Soho frocks do dance-steps while aan agitated dancing-master Stipple printed in sepia, platemark 250 x 190mm (9¾ x leans angrily towards them, playing his fiddle. Boys sit 7½"). Thread margins. Fine impression. £240 in two tiers on an improvised platform from which they Woman sat on clouds with dove and sheep. Stipple have stuck pens in the wig off an aged schoolmaster engraving by Francesco Bartolozzi (1725-1815) after who is greeting a visitor. BM Satires 15187. his frequent collaborator Giovanni Battista Cipriani Stock: 43983 (1727-85). Calabi & de Vesme 658 ii/ii 58. [Emmanuel College.] Collegium Stock: 43143 Emanuelis. Dav: Loggan. [Cambridge: Loggan, 1690.] the founders, with behind him Thomas Beckington, Engraving. 370 x 505mm (14½ x 20"). Tear at centre John Forest, William Finderne and John Bucktot. fold, backed with old paper. £350 Another founder, Thomas Rotherham, is amongst the Elevated view of Emmanuel College, from David group of the right. Loggan's monumental 'Cantabria Illustrata, sive The engraver and antiquary George Vertue (1684- Omnium Celeberrimae istius Universitatis 1756) succheeded Michael Burghers as engraver to Collegiorum...' Oxford University in 1727, a post which included the Stock: 43455 responsibility of engraving almanacks such as this. Allexander 852 59. [Chapel of Emmanuel College.] Sacellum Stock: 43931 Collegii Emanuelis apud Cantab. Dav: Loggan delin et Sculp cum Privil S.R.M. 62. [Merton College] The Oxford Almanack [Cambridge: Loggan, 1690.] For the Year of Our Lord God Engraving. 310 x 480mm (12¼ x 18¾") very large MDCCXXXVII. margins. £380 G Vertue sculp. [1736] The chapel of Emmanuel College, designed by Etching with engraving, sheet 490 x 440mm (19¼ x Christopher Wren (1677). From Loggan's monumentaal 17¼"). Glued to backing sheeet; trimmed; fold on left. 'Cantabria Illustrata, sive Omnium Celeberrimae istius £240 Universitatiss Collegiorum...' A view of Merton College with a group of benefactors Stock: 43454 in the foreground, including Walter de Merton (d.1277) in the centre and to his left William Rede (d.1385), Bishop of Chichester and buiilder of the college library. The engraver and antiquary George Vertue (1684- 1756) succheeded Michael Burghers as engraver to Oxford University in 1727, a post which included the responsibility of engraving almanacks such as this. Allexander 752 Stock: 43929

63. [The Oxford Almanack for 1750, showing New Inn Hall] G Vertue sculp. [1749] Etching with engraving, sheet 365 x 450mm (14½ x 17½"). Trimmed, losing almmaanack text; glued to baacking sheet; fold on left. £220 Small view of New Inn Hall within elaborate design dividing image into three rococo compartments, with 60. [The Oxford Almanack for 1742, three groups of standing figures. showing Balliol College] The engraver and antiquary George Vertue (1684- G Vertue sculp. [1740/41] 1756) succheeded Michael Burghers as engraver to Etching with engraving, sheet 355 x 430mm (14 x Oxford University in 1727, a post which included the 17"). Trimmed, losing almanack text; glued to backing responsibility of engraving almanacks such as this. sheet. £240 Allexander 950 View of a scheme to rebuild Balliol College; this was Stock: 43932 started in 1738, but was not continued after 1743. Thhe lower half of the image includes eighteen identifiable 64. [Bookseller] Sold as Cheap as in London, figures associated with the college, including Bishop by John Hogben, Master of the Free-School, at John Robinson. Rye in Sussex. All sorts of Bibles and Common The engraver and antiquary George Vertue (1684- Prayers, Books of Diviniitty, History, and all 1756) succheeded Michael Burghers as engraver to other Books, both Ancient and Modern... Oxford University in 1727, a post which included the Globes, Maps, Pictures and Copy Books... By responsibility of engraving almanacks such as this. whom Books of all Sorts,, are neatly Bound, Alexander 8337 Stock: 43930 and buys Old Libraries, or Parcels of Books. [n.d., c.1760.] 61. [The Oxford Almanack for 1743, Letterpress advert, sheet 1655 x 115mm (6½ x 4½"). showing Lincoln College] Small tear in edge. £120 Besides books, etc, Hogben also sold toothpicks, G Vertue sculp. [1742] spectacles and fishing rods annd lines. Etching with engraving, sheet 365 x 435mm (14½ x Stock: 43891 17"). Trimmed, losing almanack text; glued to backing sheet. £220 View of Lincoln Collage, with two groups of figures above. On the extreme left is Richard Fleming, one of 67. [Woman with hat ccovering face] J.T. [c.1770] Etching, sheet 150 x 115mmm (6 x 4½") Small margins. £120 Figure study by the little-known etcher J. Tobin (1770s, fl.). As Joseph Struttt writes of Tobin in his biiographical dictionary of engravers: 'he was a native of England, and etched severral small plates of landscapes from H. Grim. We have also some small tinted plates from him, from Both, Ostade, and other paainters'. Stock: 43598

68. Coeffure Louis XV et XVI. M... Aubeut R du Chateau d''EEau [c.1870] Etching printed in sepia, sheet 290 x 205mm (11½ x 8"). Trimmed; fold through centre. £130 Historic French womens' haiirstyles. Ex: Norman Blackburn Collection. Stock: 43941

69. [St Beatus praying before a cave] Hic vera Helvetris ostendit numina Petri Unctus erat dextra, Barnabae allumnus erat [...] Jan Sadeler sculp Marti de Vos figur [c.1600] Engraving, sheet 165 x 210mm (6½ x 8¼"). Trimmed to image on 3 sides. £65 St Beatus praying before a cave, with a dragon nearby. After Marten de Vos (1532-1603), Flemish artist who 65. [Newspaper Reports of the Victory at was one of the most important painters of altarpieces in Waterloo June 22nd 1815.] Antwerp during the 1590s. 1815 Stock: 43119 4to folio, gilt. 450 x 300mm (17¾ x 12"). Letterpress, 385 x 270mm (15¼ x 10½"). Folds, tears and surface 70. The Mocking our Blessed Lord and dirt. Binding worn. £650 Two newspaappers reporting the news of the Battle of Saviour Jesus Christ. And when they had Waterloo. One is a bound copy of the Times, the platted a Crown of Thorrns, they put it upon his second is a copy of The Western Luminary: The head, and a Reed in his right hand [...] Family Newspaper of the Nobility & Gentry, Farmers Published 16 June 1795 by Haines & Son, 19 Rolls & Traders of the Counties of Devon, Cornwall, Dorset Buildings, Fetter Lane, London and Somerset which reports 'The Downfall of Mezzotint, rare, platemark 350 x 250mm (13¾ x 9¾"). Bonaparte'. £160 Stock: 43881 Christ taunted by soldiers placing crown of thorns on his head and offering him a rreed. 66. Sound philosophy. Captain Morris's Mezzotint droll after the painting by Anthony van Celebrated Drinking Song. ''And this I think's Dyck formerly in the Kaiser--Friedrich-Museum (but a reason fair, to fill my glass again.''. Sung by destroyed); another version with a dog is in the Museo del Prado, Madrid. William Faithorne also engraved Mr Dignum, Mr Taylor, & Mr Muden. (Tune two plates after the composittion. of Jolly Dick the Lamp Lighter.) (Never before Stock: 43152 Published). Publish'd June 4, 1806 by Laurie & Whittle,53 Fleet 71. [Christ and the Woman taken in Street, London. Adultery] Coloured etching. 250 x 210mm (9¾ x 8¼"). Laid on L: Cranach pinx: Nep: Strixner del. 1819 album paper. £140 Lithograph and tintstone, sheet 475 x 645mm (18¾ x Eight verses giving reasons to drink. The final verse 25½"). Foxing. £160 laments the inevitable shortage of port due to war with Large lithograph by Johann Neopomuk Strixner after France and Spain. Lucas Cranach the Elder, from the series 'Königlich Charles Morris (1745-1838) wrote a number of comic Baierischer Gemälde-Saal zu München und songs. BM Satires 10676. Schleissheim in Steindruck'. Stock: 43905 Stock: 43535

72. [Chrrist carrying the cross] Si quelqu'un and old master drawings lateer sold to Sir Thomas veut venir apres moy, qu'il renonce a luy Lawrence and now in the Asshmolean Museum. meme, et qu'il prenne sa Croix et me suive [...] Returning to London in 1799, Ottley set himself up as C. le Brun pinx. P. Picault Sculp. C.P.R. A Anvers a writer, connoisseur, and 'marchand-amateur'. In later chez C. Vermeulen et a Paris chez B. Picart rue St. life he also became keeper off prints and drawings at the Jacques au Buste de Monseigneur [c.1785] British Museum. Engraving, platemark 435 x 550mm (17 x 21½"). Stock: 43668 Crease in centre as normal. Small margins. £260 Large engraving after painting (now in the Louvre) by 74. [The angel expelling Adam and Eve from Charles Le Brun (1619-90), most famous for painting the garden of Eden] Juxta Exemplar in the ceilings of the Galerie des Glaces (Hall of Mirrorrs), AEdibus Praenobilis Jacobi Comitis Derby Versailles. According to Louis XIV Le Brun was 'the apud Knowseley greatest French artist of all time'. G. Reni pinx.t H. Winstanley fec.t apud Knowsley Stock: 43149 1728 Etching, platemark 315 x 335mm (12½ x 13¼") very large margins. £230 Engraving after Guido Reni. Part of a series of twenty pllates engraved by Hamlet Winstanley (1698 - 1756) after old master paintings at KKnowsley Hall, in the collection of the 19th Earl off Derby. Ex Coollection of Hon. C. Lennox-Boyd. Stock: 43155

75. Tum Josephum patrem suum Jacobum adduxit et in conspectu Pharaonis statuit. And Joseph brought in Jacob his father, and set him before Pharaoh. Genesiss Caput XLVII Ver. VII. Ferdinand Bol pinxit. J. Seydelmann delin.t Dresden. W. Ward Sculpsit. Published Jan.y 1. 1792 by A.C. Poggi, St George's Row, Hyde Park, London. Mezzotint, printed in colours. 475 x 565mm (18¾ x 22¼"), very large margins. Creasing, staining on right in margin. £240 Dsepite being extremely rare there is evidence of re- engraving, especially around Pharoah's face. Not listed in Frankau. Ex collection off the Hon. Christopher Lennox-Boyd. Stock: 43540

76. [Judith with the head of Holofernes] Quadro di Tiziano Vecellli. Alto Palmi 5 once 3 Largo Palmi 4 once 3 XXII 73. Twelve Stories of the Life of Christ. Loren. Lorenzi del. Carlo Faauucci sc. [c.1759] Engraved byy Thomas Piroli from the Designs of Engraving, platemark 400 x 3300mm (15¾ x 11¾") William Young Ottley Rome Febr. 1796 Published as very large margins. £160 the Act directs Feb. 1st 1796. Judith with the head of Holoffernes, after the painting Twelve aquatints with etched titlesheet, each sheet (c.1570) by Titian, now in the Detroit Institute of Arts. approx 185 x 265mm (7¼ x 10½"). Original stitching This print was made as part of a set, 'Raccolta di and dustsheets; foxing to titlesheet. Fine. £850 stampe rappresentanti i quaddri più scelti dei SS. Twelve scenes from the life of Christ, beginning with Marchesi Gerini di Firenze', reproducing paintings the Annunciation and concluding with the from the Gerini collection inn Florence. The painting Resurrection, etched in Rome by the Italian engraver entered the Gerini collectionn by 1677 and remained Tommaso Piroli (1752-1824) after designs by William there until it was auctioned in 1825. Young Ottley (1771-1836), writer on art and collector. Stock: 43153 The set was published during Ottley's period of study and travel in Italy (1791-99). Having began collecting 77. [Mother and Child] as a teenager, Ottley took advantage of the French Joh. Schoerel pinxt I. Bergmann del. 1826 Gedruckt invasion of Italy in 1796 to acquire works from many unter der Direction von Strixner in Stuttgart. prominent collectors wishing to sell their treasures Lithograph, sheet 435 x 320mm (17 x 12½"). Glued to before they were looted. These included paintings byy original backing sheet. £160 Botticelli and Raphael now in the National Gallery, Mary breastfeeding the Christ child in a landscape, 81. S. Augustinus. Immpletus est Quasi probably after a panel by the Netherlandish painter and Flumen Sapientia ecclesiastic Jan van Scorel (1495-1562). Merten de vos Inven [c.1600] Large lithograph by Ignaz Bergmann, probably for the Engraving, sheet 170 x 200mm (6¾ x 8"). Trimmed 'Galerie des Frères Boisserée', an ambitious project in inside platemark. £65 the early nineteenth century to publish prints of the Saint Augustine reading in the wilderness, after Marten extraordinary collection of early German and de Vos (1532-1603), Flemish artist who was one of the Netherlandissh painting assembled by Sulpiz and most important painters of alltarpieces in Antwerp Melchior Boisserée following the closure of many during the 1590s. churches and monsteries by the invading French. Thiis Stock: 43118 was instigated by Johsnn Neopomuk Strixner, who after seeing the collection in 1819 gave up a steady job, sold his house and possessions, and dedicated all of his energies to the project. Stock: 43530

78. The Days of Noah. ''All things continue as they were'' 2. Peter III.4. Studies from a Sketch Book No. 3 Designed & Etched by Ja.s Smetham. Published April 1860 by Williams & Lloyd 29 Moorgate Str. Etching, sheet 295 x 220mm (11½ x 8½"). Trimmed.. £120 Original etching from a set of twelve 'Studies from an Artist's Sketchbook' published in 1861-2 by artist and writer James Smetham (1821-99). An associate of the Pre-Raphaelites, Smetham's career was influenced by the positive that John Ruskin had to his work after meeting him in 1854. Stock: 43116

79. [Saint Onophrius] Quadro di Giuseppe Ribera d:o lo Spagnoletto Alto Palmi 6 once 2 Largo Pal. 4 once 10 XV Gius. Magni dis. Carlo Faucci sc. [c.1759] Engraving, platemark 400 x 300mm (15¾ x 11¾") very large maargins. £190 Saint Onophrius, after the 1642 painting by Jusepe de 82. [Charles I and Henrietta Maria offer Ribera now in the Boston Museum of Fine Arts. A symbols of their power to Marie de Medici] skull in foreground. This print was made as part of a Tes Enfans ravis de te voir / Toffrent leur set, 'Raccolta di stampe rappresentanti i quadri più sceptre et leur couronne / Ils te resignent leur scelti dei SS. Marchesi Gerini di Firenze', reproducing pouvoir / Par cette Espece quon se Donne. La paintings from the Gerini collection in Florence. The Serre painting entered the Gerini collection in the late [Wenceslaus Hollar, 1639] seventeenth century and remained there until the Etching, sheet 260 x 190mmm (10¼ x 7½"). Trimmed. nineteenth century. £260 Stock: 43154 Illustration to Puget de La Serre's 'Histoire de L'Entrée de la Reyne Mère dans la Grrande Bretagne' (1639), 80. [Six lithographs from frescoes by which recounted Marie de Medici's visit to England. Raphael in the Vatican Palace] Her daughter Henrietta Maria was the wife of Charles N. Consoni delin. Raph. Sanctio Pinxit Lud. Gruner I. Pennington 461 Direx Houlston & Stoneman, Paternoster Row; and W. Stock: 43311 Grigg 188, Regent Street: and J. Parker , Oxford. Six lithographs and tintstone, with original wrapper. 83. Procession of the Flitch of Bacon, at Each sheet 465 x 585mm (18¼ x 23"). Cover sheet Dunmow, Essex. very damaged. £230 [after Thomas Stothard] Printed & Sold by W. Belch, 6 Lithographs of six frescoes by Raphael: The Deluge, Bridge St Union St Boro' Abraham and the Angels, Jacob and Rachel, Joseph'ss Etching with hand-colouring, rare, sheet 185 x 285mm Dreams, Pharaoh's Dreams, and The Finding of Moses. (7¼ x 11¼"). Trimmed and glued to backing sheet Stock: 43608 (with popular print of a zebra verso). Foxing. £90 The procession of the flitch of bacon, part of the 'Flitch Trials' in Dunmow, Essex, which could be claimed by any couple who could swear that in 'twelvemonth and a day', they have 'not wisht themselves unmarried again'. 86. The Spirit of Reform. The King. His This popular print is copied from the painting of the Ministers. & The People.. subject by Thomas Stothard R.A., which was published [Published by Gabriel Shire TTregear, 1831] as a large engraving in 1832. For the engraving of Lithograph, rare, sheet 205 x 265mm (8 x 10½"). £120 Stothard's 'Flitch' see ref. 8614. In front of a tree, a gentleman holding a banner, a Stock: 43850 sailor to his right, a lawyer holding a document to his left and a guardsman in highhlland dress far left. 84. Gun-Powder Treason. Windsor castle in backgrounnd. Head of the King [Anon., c.1700.] William IV in trees. Hand-coloured engraving from an unidentified Stock: 43943 publication; image surrounded by red lines. Sheet: 195 x 120mm (7¾ x 4¾"). £130 87. The Distressed Mother. The eye of heaven condemns Guy Fawkes, who uses a G.B. Cipriani inv. F. Bartoloozzi sculps. London: torch to guide him towards the Houses of Parliament at Published as the Act directs 1 March 1785 by W. night. Byrne No 79 Titchfield Street. The Gunpowder Plot or Gunpowder Treason Plot of Stipple printed in sepia, platemark 215 x 225mm (8½ x 1605, was a failed assassination attempt against King 8¾") very large margins £220 James I of England and VI of Scotland by a group of Shows Mother & child escaping a fire in ancient Rome. provincial English Catholics led by Sir Robert Catesby. Stipple engraving by Francesco Bartolozzi (1725- The plan was to blow up the House of Lords during thhe 1815) after his frequent collaborator Giovanni Battista State Opening of Parliament on 5 November 1605, as Cipriani (1727-85). the prelude to a popular revolt in the Midlands during Bartolozzi (1725-1815) was bborn in Florence but which James's nine-year-old daughter, Princess migrated to England, and in 1768 was elected as a Elizabeth, was to be installed as the Catholic head off founding member of the Royal Academy in London state. Guy Fawkes (1570 – 1606), who had 10 years of (the RA did not admit engravers at this time but made military experience fighting in the Spanish Netherlands an exception in his case). Hee was already hailed as the in suppression of the Dutch Revolt, was given charge beest engraver in Italy when he met George III's of the explosives. librarian Richard Dalton in 1763. Dalton invited Stock: 43652 Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'sttipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal prrinting press, and he spent his final years in Portugal. This impression from the colllection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Calabi & de Vesme 1324. Stock: 43137

88. [Illustration] MBurg. sculp. [c.1700] Engraving, platemark 150 x 105mm (6 x 4") very large margins. £60 85. The Grand Funeral Procession of The Storm scene with objects raining down from the sky Most Noble Lord Viscount Horatio Nelson, upon a terrified crowd. One of these objects is a flag Duke of Bronti &c. Passing Through Temple inscribed 'nascentes moriburr'' ('when we are born we Bar and Fleet Street to St Paul's Cathedral, die'). January 9th 1806. Engraved by Michael Burghers (1653-1727), Dutch London: Published as the Act directs, Jan.y 18 1806, engraver who emigrated to England to become by P. W. Tomkins No. 49 New Bond Street. assistant to David Loggan, who he succeeded as Aquatint, very fine impression. 310 x 420mm (12¼ x engraver to Oxford Universitty after Loggan's death. 16½"). Central crease as normal. £260 Stock: 43857 The black-draped hearse turns through Temple Bar towards St Paul's. The image was engraved and 89. [Julius Caesar making an offering to the published in less than ten days. gods] [Vide Plin. Hist. Nat. LXXXVII C.II] Stock: 43287 G.B. Cipriani inv. F. Bartoloozzi sculp. London 1780 Etching and engraving, rare; platemark 330 x 240mm (13 x 9½"). Good impression; glued to backing sheet at corners. £260 Proof impression of the fronttispiece to the first volume of 'Geminarum antiquarum delectus...', a publication detailing highlights from the collection of gems assembled by the fourth Duke of Marlborough, George 91. Graussame Mordttat so in Wien gesehen Spencer (1739-1817) at Blenheim Palace. The book, in den 29ten Jener 1786 Offendliche hinrichtung two volumes, was initially printed in an edition of onne in Wien den 10te Marty 1786. hundred copies for private distribution before being [Anon., c.1790] republished in 1845. Etching by Francesco Bartolozzi Etching, scarce; platemark 145 x 230mm (5¾ x 9"). (1725-1815) after his frequent collaborator Giovanni £160 Battista Ciprriani (1727-85). Scenes of a murder and execcuution in Vienna, in 1786. Bartolozzi was born in Florence but migrated to Stock: 43188 England, and in 1768 was elected as a fof unding member of the Royal Academy in London (the RA did 92. Female Patriotismm. The Ladies of Paris not admit engravers at this time but made an exception presenting their Jewels to the National in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Assembly of France. Dalton in 1763. Dalton invited Bartolozzi to London [Anon., c.1790] with a promiise of an appointment as engraver to the Engraving, platemark 180 x 2210mm (7 x 8¼"), large king. In England he became the most celebrated margins Folds as issued. £85 exponent of the 'stipple' technique whereby he Depiction of women taking part in the voluntary produced prinnts using dots rather than lines. In 1801 'Patriotic Tax' established in revolutionary France in Bartolozzi was invited to Lisbon to reform the royal 1789, by offering up their jewels. Stock: 43206 printing press, and he spent his final years in Portugaal. This impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with 93. Peace with her olive Branch uniting the A.B. de Vesme) the authoritative catalogue raisonné oof King of Great Britain and Bonaparte first Bartolozzi's work. Calabi & de Vesme 1740 ii/iv; for Consul of France. Long may we flourish in the frontispiece to the second volume of the arts of Peace And the United Realm in 'Geminarum antiquarum delectus...' see ref. 42029. Happiness! Stock: 43148 W. Sadler Del. [c.1803] Engraving, sheet 210 x 125mm (8¼ x 5"). Trimmed; hole to title area. £75 Print possibly published duriing the Peace of Amiens (1802-3), the brief period of peace during the Napoleonic Wars. Stock: 43207

94. The Blessing Printed and Published by W. Davison Alnwick. Etching, platemark 170 x 235mm (6¾ x 9½") large margins. Creasing lower right. £95 A Jewish man sat at a desk, his spectacles on the desk and hat on his chair. A cat drrinks out of a bowl, and a piicture of Golgotha with the three crosses hangs on the wall behind. Etching published by William Davison, publisher of 90. Dramatic Effect or the Death of Gen.l poopular prints and satires, and pharmacist, usually Duroc. Vide French Bulletin. referred to as Davison of Alnwick after the London Pub.d June 9th 1813 by W.m Holland No.11 Northumberland town where he lived. In the period Cockspur Street. beetween 1812 and 1817, Davison produced a number Rare hand-coloured etching. Sheet: 240 x 310mm (9½ of caricatures often based on better known prints. x 12¼"). Trimmed, creasing. £240 Stock: 43837 A scene showing the death of French General Geraud Duroc, friend and aide-de-camp of Napoleon. Duroc 95. Boors on Politics. was killed at the Battle of Bautzen 20-21st May 1813 E. Hemskirk pinx.t. J. Goldaarr Sculp.t. [n.d., c.1790.] when a canonball bounced off a tree-trunk and ripped Engraving on wove paper. 330 x 370mm (13 x 14½"). through his abdomen. Duroc is shown lying in a bed iin £190 a tent on the battlefield, Napoleon holds his hand and The interior of an inn, the peeasants drinking, smoking weeps. BM Satire 12061. and discussing politics. Engrraved by John Goldar Stock: 43643 (1729-95) after Egbert van Heemskerk the Elder. Stock: 43346

96. [Boys Fighting] 100. Who would be Naughty to look so ugly G.B. Cipriani invt. F. Bartolozzi sculpt. London Pub'dd. [&] Who would not be Good to look so lovely as the Act directs Mar.h 1 1787 by F. Bartolozzi. Painted by Tho.s Duché Enggrav'd by Hen.y Birche Etching printed in sepia, platemark 230 x 290mm (9 x Publish'd March 25 1790 by B.B. Evans, Poultry, 11½") very laarge margins. £180 London Etching by Francesco Bartolozzi (1725-1815), Pair of mezzotints, scarce paair; each sheet 320 x Florentine engraver and founding member of the Royal 275mm (12½ x 10¾"). Both trimmed to plate; creases Academy in 1768. After meeting George III's librarian to 'Naughty'. £280 Richard Dalton in Italy in 1763, Dalton invited Pair of prints showing the archetypal good child Bartolozzi to London with a promise of an appointment (holding a quill and book of hhandwriting exercises) and as engraver to the king. In England he became the most naughty child (wearing a dunce's cap and tag inscribed celebrated exponent of the 'stipple' technique whereby 'Lyar'). he produced prints using dots rather than lines. This is Scarce prints after the little known painter Thomas the medium employed here, one of many prints he Spencer Duché, attributed to 'Henry Birche' (widely made from designs by his fellow Italian, G.B. Cipriani beelieved to be a pseudonym ffor Richard Earlom). For (it was published in 'A Set of Etchings by Francis colour-printed impression off 'Good' offered separately Bartolozzi R.A. in Imitation of Drawings from the seee ref. 8090 Sketches of the Late John Baptist Cipriani R.A.' in Stock: 43115 1788. Calabi & De Vesme 1253.iii Stock: 43424 101. The Sailors Return from a Cruise. [n.d. c. 1780.] 97. The Cradle Hymn. Engraving. Sheet: 145 x 150mmm (5¾ x 6"). Trimmed [n.d., c.1810.] and laid on an album sheet, ttitle excised. £65 Hand-coloured etchind. Sheet: 185 x 200mm (7¼ x A sailor enjoys the rewards of his travels. 8"). Trimmed and laid on album sheet. £95 Stock: 43973 A scene showing a young mother and father watching over their sleeping child, from above angels shower the 102. Cigar [&] Pipe cradle with flflowers. [Anon., c.1800] Stock: 43802 Two etchings and aquatints with hand colouring, each approx 110 x 90mm (4¼ x 3¾¾"). Originally a single sheet, trimmed into two separate sheets. £80 Comparison of two tobacco smokers, one opting for a cigar, the other preferring a pipe. Stock: 43846

103. Breakfasting &c. Hogarth Delin.t R.d Livesay Fecit Publish'd Nov.r 27 1781 by R.d Livesay at Mrs HHogarths Leicester Fields. Aquatint and etching, platemark 250 x 345mm (9¾ x 13½"). Small margins. Bit tiime stained. £160 In 1732 William Hogarth, wiith a group of friends including the artist Samuel Scott and lawyer and writer Ebenezer Forrest, undertook a five-day tour of the 98. The French Conscript. Thames and Medway estuariies. Forrest wrote an Painted by Tho.s Stothard R.A. Engraved by Jn.o account of the trip and Hogaarrth and others made Young Engraver on Mezzotint to his R.l H. the Prince drawings to illustrate it (thesse are now in the British of Wales. London Jan.y 1st 1800 by Jn.o Young No 58 Museum). In 1781, after Hogarth's death, Richard Upper Charlotte Street Fitzroy Square. Livesay engraved the plates aand published them, Fine mezzotint, printed in colours. 510 x 630mm (20 x together with Forrest's account, as 'Account of what 24¾"), large margins on 3 sides. Some toning of paper, seemed most remarkable in tthe five days' peregrination platemark repaired upper left, pinholes in inscription of … Tothall, Scott, Hogarth, Thornhill, and F.' (1782). area. £380 The figures in this scene are all identified by a key- A young man is pulled away from his rustic family. Ex Hogarth, as in his well-known picture 'The Calais collection of the Hon. Christopher Lennox-Boyd. Gate', is crouched on the leftt, 'drawing this drawing'. Stock: 43491 Stock: 43923

99. The Idle Scholar. 104. Henry V. Mrs. Quickly. So a bade me London Pub.d Jan.y 1826, by W. Cole, 10 Newgate lay more Clothes on his feet. I put my hand Street into the bed & felt them and they were as cold Aquatint with hand-colouring, sheet 145 x 125mm (5¾ x 5"). £40 as any stone. One of many prints in this period depicting delinquent [Anon., c.1800] students. Engraving, sheet 185 x 100mm (7¼ x 4"). Trimmed. Stock: 43849 £90 Nell Quickly mourns the death of Falstaff, one of 108. [The Triumph of Acis and Galatea] Shakespeare's most beloved characters, in Act II, Scene G.B. Cipriani invt. F. Bartolozzi sculpt. London Pub'd. III of 'Henry V'. as the Act directs Mar.h 1 1787 by F. Bartolozzi. Stock: 43429 Etching printed in sepia, plattemark 225 x 320mm (9 x 12½") very large margins. £240 Acis and Galatea, lovers whose story is recounted in Ovid's 'Metamorphoses', and went on to inspire numerous works of art, literature and music from the Renaissance onwards. Calabi & De Vesme 350.iii Stock: 43425

109. [Ariadne, Cupid annd Bacchus] G.B. Cipriani invt. F. Bartolozzi sculpt. London Pubd. as the Act directs F. Bartolozzi, 1788 105. [Eight illustrations to 'Lalla Rookh' by Etching printed in sepia, plattemark 270 x 235mm (10½ Thomas Moore] x 9¼") very lare margins. £160 J. Brown. H. Pyall. Pub.d by G. Stroud, 103, Strand Etching by Francesco Bartoloozzi (1725-1815), [c.1820]. Florentine engraver and founding member of the Royal Eight very fine aquatints printed in colour with gum Academy in 1768. After meeting George III's librarian arabic, each ssheet approx. 180 x 135mm (7 x 5¼"). Richard Dalton in Italy in 1763, Dalton invited £390 Bartolozzi to London with a promise of an appointment Set of illustrations to the elaborate oriental romance as engraver to the king. In England he became the most 'Lalla Rookh' (1817) by Irish poet Thomas Moore celebrated exponent of the 'sttipple' technique whereby (1779-1852). The work was immensely successful, he produced prints using dots rather than lines. This is going into many editions throughout the nineteenth the medium employed here, oone of many prints he century. made from designs by his felllow Italian, G.B. Cipriani Stock: 43673 (it was published in 'A Set off Etchings by Francis Bartolozzi R.A. in Imitation of Drawings from the 106. Poorr Richard's Way to Wealth. Sketches of the Late John Baptist Cipriani R.A.' in [Anon., c.1840] 1788. Calabi & De Vesme 361.iv Stock: 43416 Lithograph cut into twenty-five sections, each glued to same backing sheet, total sheet size 690 x 495mm (27 x 19½"). Vignettes arranged in different order from 110. [Group of Boys] original sheet. £85 G.B. Cipriani invt. F. Bartolozzi sculpt. London Pubd. Sheet of vignettes illustrating sayings from 'Poor as the Act directs March. 1 1787 by F. Bartolozzi. Richard's Almanack', a yearly almanac published by Etching printed in sepia, plattemark 190 x 250mm (7½ Benjamin Franklin from 1732 to 1758. The complete x 9¾") very large margins. £160 sheet is reproduced in 'The Autobiography of Benjamin Group of boys, catalogued by Calabi and De Vesme as Franklin: The Complete Illustrated History' (Voyageur crying at the death of a friend. Calabi & De Vesme Press, 2017); for another collection of vignettes 1249.ii Stock: 43418 illustrating 'Poor Richard' see ref. 22717. Stock: 43832 111. Cupid Making his Bow. Josepho II. 107. [Tancred and Erminia] [Then views thhe Romanorum Imperatorii &c. &c. &c. hero's wounds... Dedicate to James Tamesz Francesco Bartolozzi D.D.D. Grieve Esq.r by W. Palmer] A. Allegri da Correggio Pinx.t M. Benedetti del. F. G.B. Cipriani inv.t F. Bartolozzi sculp. [London, Pub. Bartolozzi Sculp.t Publish'd MMarch 1.st 1785 by Torre Dec.r 1st 1784 by W. Palmer] & Co. No. 28 Hay Market ett a Vienne chez Artaria Stipple printed in sepia, Proof before all letters; Co.o platemark 300 x 390mm (11¾ x 15¼"). Small margins. Stipple printed in sanguine, ffine impression; platemark Few foxing marks. £240 380 x 270mm (15 x 10½"). Slight creasing lower right; The injured Tancred supported by Vafrin, while small margins. £320 Erminia, kneeling on the ground, holds his hand. Scenne Cupid making his bow, afterr the painting by from 'Jerusalem Delivered' by Torquato Tasso (1544 - Parmigianino now in the Kunsthistorisches Museum, 1595).Stipple by Francesco Bartolozzi (1725-1815) Vienna. At the time this prinntt was made, the painting after his frequent collaborator Giovanni Battista was believed to be by Correggio. Cipriani (1727-85). Calabi & de Vesme 393 v/v. Calabi & de Vesme 1367 ii/iv; for another scene from Stock: 43129 'Jerusalem Delivered' by Bartolozzi see ref. 25067. Stock: 43147

112. [The Rape of Dejanira] 118. Country Sport G.B. Cipriani invt. F. Bartolozzi sculpt. Publish'd. as Printed and Published by W. Davison Alnwick. the Act directs by F. Bartolozzi, 1787. Etching, platemark 170 x 235mm (6¾ x 9½") large Etching printed in sepia, platemark 255 x 310mm (10 x margins. £50 12¼") very laarge margins. £220 Man and boy chasing a pig in vicinity of an alehouse. Very dramatic image showing Dejanira abducted by Another man lays sprawled on the floor, presmably the centaur Nessus. Calabi & De Vesme 455.iii having failed in an attempt to do likewise. Stock: 43419 Etching published by William Davison, publisher of poopular prints and satires, and pharmacist, usually 113. [The Death of Dido] referred to as Davison of Alnwick after the G.B. Cipriani invt. F. Bartolozzi sculpt. London Pub'dd. Northumberland town where he lived. In the period as the Act directs Mar.h 1 1787 by F. Bartolozzi. beetween 1812 and 1817, Davison produced a number Etching printed in sepia, platemark 215 x 270mm (8½ of caricatures often based on better known prints. x 10½") very large margins. £180 Stock: 43836 The death of Dido of Carthage, who committed suicide after the warrior Aeneas left her (as recounted in 119. La Basse Cour. Deediée a Monsieur le Virgil's 'Aeneid'). Calabi & De Vesme 406.ii Marquis de Mirabeau Par son tres humble Stock: 43427 serviteur J.P. Le Bas. D. Teniers pinx. J.P. Le Bas Sculp. A Paris Chez 114. [Melpomene] l'Auteur Graveur du Roy ruee de la Harpe 1743. G.B. Cipriani invt. F. Bartolozzi sculpt. London Pub'dd. Etching, fine impression. 365 x 450mm (14½ x 17¾"). as the Act directs Mar.h 1 1787 by F. Bartolozzi. Trimmed close to plate. £260 Etching printed in sepia, platemark 255 x 230mm (10 x The interior of a stable, with cows, pigs and chickens. 9") very large margins. £220 A couple feed the cattle. BM 1850,0713.62. Melpomene, the Tragic Muse, watching on as a boy Stock: 43465 weeps over a dead friend. Etching by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. Calabi & De Vesme 442.ii Stock: 43426

115. [Minerva and Mercury with a young man] G.B. Cipriani invt. F. Bartolozzi sculpt. London Pub'dd. as the Act directs Mar.h 1 1787 by F. Bartolozzi. Etching printed in sepia, platemark 260 x 270mm (10¼ x 10½") very large margins. £180 Calabi & De Vesme 406.ii Stock: 43428

116. [Nymphs Sporting] G.B. Cipriani invt. F. Bartolozzi sculpt. London Pubd. 120. Herrest November. as the Act directs March. 1 1787 by F. Bartolozzi. Pieter Nolpe fecit & Excud. [[after Paulus Potter.] [n.d., Etching printed in sepia, platemark 260 x 200mm (10 x c.1650.] 8") very large margins. £220 Rare etching. Sheet 400 x 5110mm (15¾ x 20") Thread Decorative nude scene. Etching by Francesco margins, repaired tear in cennttre of image. £480 Bartolozzi (1725-1815), Florentine engraver and The interior of a stable, with a woman washing clothes founding member of the Royal Academy in 1768. and three cows tethered in sttaalls. A rustic scene after Calabi & De Vesme 462.ii Paulus Potter (1625-54) who produced about a hundred Stock: 43417 paaintings before dying of tuberculosis at only 28. This was one of a series of the Twelve Months planned 117. [Nymphs Bathing] byy Pieter Nolpe but incomplete when he died in 1652. G.B. Cipriani invt. F. Bartolozzi sculpt. London Pubd. The plates were bought by Frrederick de Wit, who as the Act directs March. 1 1787 by F. Bartolozzi. renamed this plate 'Autumn' and issued it as one of a Etching printed in sepia, platemark 240 x 295mm (9½ set of 'Four Seasons'; with soome of the other plates x 11½") very large margins. £220 beecoming the 'Four Elements' See BM 1871,0812.3941 Very decorative nude image. Etching by Francesco - 3944 for de Wit's 'Seasons'.. Bartolozzi (1725-1815), Florentine engraver and Stock: 43464 founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Calabi & De Vesme 436.iii Stock: 43414

121. Vüe de la Ferme. Rare lithograph. Printed area 460 x 585mm (18 x 23"). L.C. de Carmontelle, Inv, del. O. Michel, Sculp. [n.d.., Tears in edges of margin. £380 c.1790.] A farmyard with cattle, pigs,, hens, pigeons and ducks. Etching. Sheet 295 x 480mm (11½ x 18¾"). Repaired A milkmaid is at work on the right. tears entering image £180 Stock: 43466 A view of a very clean farmyard, with very richly dressed women walking to the right, maybe at 125. Morning. Cottagers going out Versailles. As the artist, Louis Carrogis Carmontelle Haymaking. Le Matin. Villageois sortant pour (1717-1806), was also a playwright, set designer and aller Faire les Foins. landscape gardener, this could be either a theatre set or Painted by F. Wheatley R.A.. Engraved by J Yeatherd, a farm-themed garden. He is best known for his late pupil to Mr.V. Green. Published as the Act directs watercolour of the young Mozart playing the clavier. April 18, 1794, by J. Yeatherrd. Stock: 43481 Fine colour-printed mezzotint. 520 x 640mm (20½ x 24¼"). Ink mss 'No 79 John Street Tottenham Court Road London' in inscription area, small margins. £360 A couple and their two younng children prepare for the day in the hayfiields. A pair to 'Evening. The Return from the Fair'. The British Museum's few prrints published by Yeatherd are dated 1794 to 1797. BM: 2010,7081.3560. Their exampmple of 'Evening' (2010,7081.3559) also has the address written in by hand, suggesting it was done by the publisher. Ex Collection of the Hon. Christtopher Lennox-Boyd. Stock: 43492

126. A Curious Discovery. [n.d., c.1825.] Very fine hand-coloured etching. Sheet: 210 x 285mm 122. The Farmer's Stable. From an Original (8¼ x 11¼"). Trimmed withiin plate. £140 Picture in the Collection of the Rev.d Henry A scene in which two keeperrs come across a poacher Bate Dudley, to whom this Plate is Inscribed by while a spaniel seizes a hare caught in a snare. Stock: 43634 his much obliged humble Serv.t Tho.s Macklin. Morland pinxit. Ward sculpsit. London, Publish'd Jan.y 1, 1792 by Tho.s Macklin, 89 Fleet Street. 127. A Prosperous Sailor Boy return'd Home Mezzotint. 480 x 600mm, 17¾ x 23½"). Small tear in to his Distress'd Parents,, upper margin, small margins. £470 Published March 14th 1794 by John Fairburn, Map, A farmer spreads out hay on the floor of the stable, as a Chart and Printseller, No 146 Minories London. boy leads in three horseas, including a white cart-horrse Mezzotint, platemark 250 x 355mm (9¾ x 14") very wearing a collar and a saddled pony. large margins. Tears and creases in margins. £260 Stock: 43456 A young sailor returns from a voyage with gifts for his family. The image and subjecct have much in common 123. A Glostershire team of Oxen. From an with, and me be derived from, 'The Sailor Boy's Return original drawing by R. Hills, in the possession from a Prosperous Voyage', an engraving after a paainting by William Redmorre Bigg which was of the proprietors of this work. puublished around the same tiime. London. Pub. July 1. 1818 by T. McLean. Stock: 43928 Aquatint. Sheet 325 x 445mm (12¾ x 17½"), watermarked 'J Whatman Turkey Mills 1817' Trimmed 128. No 10. Selling Fish. within plate. £140 Painted by G. Morland. Engrraved by J.R. Smith A team of oxen yoked to a haycart, with workers Mezzotinto Engraver, to his RRoyal Highness the Prince forking hay up. of Wales. London Published Oct. 1. 1799 by J.R. Smith This plate comes from McLean's edition of John King Street Covent Garden. Hassell's 'Aqua Pictura', a work illustrating the Mezzotint, printed in colours and hand finished. Plate progressive stages of each painting. See Abbey Life 1440 457 x 560mm (18 x 22"). Triimmed close to plate at for the 1813 first edition. Stock: 43467 boottom, slight mount burn, very small margins. £360 A man on horseback carrying basket, buying fish from a young peasant woman standing on a sandy shore. The 124. The Kentish Farmyard. man's dog inspects a ray andd a large fish on the ground Eigwnthum, Druck u.. Verlag v. F. Silber in Berlin, beeside them Frankau: 310, iii of ii, published state. Louisenstr. 53. Published By Beckmann Bros 27 Cow Stock: 43449 Cross Street. Farringdon Station. Entered At Stationer's Hall [n.d., c.1870]. 129. Sheep Shearing a View in Surry. Plate from the series 'Armée des Souverains Alliés, Drawn by D. Cox. Engraved by R. Revee [Reeve]. année 1815', illustrations of tthe uniforms of the various London Publish'd Aug. 1st 1813, by S. & J. Fuller, armies. Temple of Fancy, 34, Rathbone Place. Stock: 43822 Coloured aquatint. 290 x 430mm (11½ x 17"). Small margins. £150 133. A Young British Volunteer. A flock of sheep in a paddock surrounded by trees. Publish'd Aug.1 1. 1804, by LLaurie & Whittle, 53 Fleet From David Cox's 'A Treatise on Landscape Painting Street, London and Effect in Water Colours'. Abbey: 115 (mis-titled). Stipple, sheet 250 x 205mm ((9¾ x 8"). Trimmed to Stock: 43477 pllate. £130 One of many prints of childrreen in naval or military 130. The Sportsman's Return. uniform during the Napoleonic Wars. G.Morland pinx.t. W.Ward sculp.t. London Publish'd Stock: 43370 Dec.r 20.th 1792, by Tho.s Macklin, Poets Gallery, Fleet Street. 134. Entrée dans Berlin. Le 27 Octobre 1806. Mezzotint. 485 x 605mm (19 x 23¾") large margins. Troupes francaises. £350 Imp. F. Judenne. P. Merlens Marché aux Poulets No 4 A sportsman with his musket enters a country inn to [c.1830] left, showing a cobbler in his adjoining hut a rabbit he Lithograph, rare, printed area 255 x 305mm (10 x 12"). has shot; two dogs follow him, a wagon driver with £95 whip tethering a carthorse to a tree to right, his wagon Napoleon's triumphant entry into Berlin, having in background. crushed the Prussians quickly in the War of the Fourth Engraved byy William Ward (1766-1826) after his Coalition (1806-7). brother-in-law George Morland (1762/3-1804). See Stock: 43158 Frankau: 273 for plate published by Orme. Stock: 43457 135. [Embossed parrot with fine colour.] [n.d., c.1860.] Embossed card with hand coolour. Sheet 150 x 190mm (6 x 7½"). £120 A parrot on a perch with a red rose underneath. Stock: 43955

136. [Elephant] Engraved by Cap.t Baillie from a Drawing of Rembrandt: Aug. ye 1 1778. Stipple, fine impression; plattemark 240 x 315mm (9½ x 12½"). Small margins. £240 Copy, in reverse, of a 1637 drawing by Rembrandt now in the British Museum. IIt probably represents the (Asian) elephant called 'Hanssken' which arrived in Amsterdam in 1633 from Ceeylon (now Sri Lanka) as a 131. Le Rocher Dangereux. Gravé d'après le gift for the Prince of Orange.. It was kept in Frederik Tableau peint par F. Vernet, de deux pieds ett Hendrik's palace in Rijswijk and in 1636 it was given to the stadtholder's cousin Joohan Maurits who sold it demi de large sur un pied huit pouces de baur. that same year to a private person who taught the F. Vernet Pinx. P.F.Tardieu Sculp. et se Vend à Paris animal thirty-six tricks. From 1637 'Hansken' left the Chez Cochin, aux Galeries du Louvre. [n.d., 1790.] Netherlands on a journey thrrough Germany and Engraving. Sheet 450 x 615mm (13½ x 24¼"). Small Denmark and Rembrandt may have seen the animal in margins. £420 Amsterdam before the shippiing. The elephant returned Boats struggling in a storm, beneath a cliff with a to Amsterdam in 1641 and was drawn again by castle on top. Rembrandt in different poses between 1644 and 1646. Stock: 43452 It then toured in France (16442-1646), Germany and Switzerland (1646-1647, 1649-1652) and died in 132. Un Corps de Garde de la Garde Florence in 1654. Nationale. Mais Monsieur Pigeon faites vous Engraving by Captain William Baillie (1723-1810). donc Habiller. Baillie retired from the army in 1761 with the rank of AG [Monogram of Adrien Godefroy] A Paris chez Captain and thereafter devoted himself to printmaking Martinet. Déposé &a [1815]. and dealing. He specialised iin imitating old-master Fine coloured etching platemark 255 x 325mm (10 x drawings and prints, using a variety of printmaking 12¾") very laarge margins. £160 techniques. French soldiers in their barracks, all in uniforms Stock: 43374 (identified by a legend below the image) except for one 'bourgeois san uniforme' on the right. 137. The Gorilla Galop composed by C.H.R. 'joey' in its pouch. This verssiion was first published in Marriott. Hogg's 'A new, authentic and complete collection of Concanen & Lee lith. Stannard & Dixon Imp. [c.1862] Voyages round the world', 1784-6, but the joey was Chromolithograph, sheet 340 x 250mm (13¼ x 9¾"). added for this publication, a BBritish general interest £130 peeriodical. Lennox-Boyd, Dixon & Clayton: George Cover for a piece of music, showing a gentleman Stubbs, 374, state ii of ii. running from a group of gorillas. He holds a book Stock: 43948 inscribed 'Du Chaillu on the Gorilla / Vol III', indicating the topicality of the image and music. The 141. Nero From the Liffe self-styled explorer and naturalist Paul du Chaillu B.E. Duppa Esq.r Del.t R. Roe fec.t [c.1850] arrived in London from Africa in 1861 and generated Lithograph, rare, printed area 195 x 180mm (7¾ x 7"). great interest with his lectures and writings about the £160 (then relatively unknown) gorilla. Du Chaillu's Head of a lion named Nero. This is presumably the 'Exploration and Adventure in Equatorial Africa (1856- same lion which the menagerrie owner George 9)', with its account of gorilla-hunting, was a great Wombwell (1777-1850) attempted to make fight success and eminent scientists such as Sir Richard against a pack of dogs in Warwick in 1825. In a Owen and Sir Roderick Murchison befriended du notorious event which provooked public outcry, Chaillu and supported his work. Wombwell sold tickets (prices varied), but Nero took Soon, however, a backlash began against du Chaillu's no notice of the dogs and so wwas replaced by another work, with many questioning the veracity of his claims. lion, Wallace. When the doggs were introduced into the Letters were sent from Africa by several who had cage with Wallace, two at a ttime, they were known du Chaillu there, discrediting his claims. immediately destroyed. Amongst other readings, this image could be seen as Lithograph after portrait painter Bryan Edward Duppa the result of the unfortunate traveller in the image (1804-1866). basing his knowledge on du Chaillu's book! Stock: 43375 Stock: 43367

138. l'Hippopotame du Jardin des Plantes Imp. Lemercier Paris [c.1830] Lithograph with tintstone, sheet 150 x 225mm (6 x 8¾"). Trimmed at top in title. £85 Hippopotamus at the Méngerie du Jardin des Plantes in Paris, opened to the public in 1635, the second oldest zoo in the world. In the early nineteenth century, when this print was published, it boasted the largest collection of exotic animals in Europe. Private Collection. Stock: 43363

139. The Hippopotamus now exhibiting in the 142. [Rhinoceros] Wahre Abbildung von Gardens of the Zoological Gardens, Regent's einem lebendigen Rhinoceros oder Nashorn Park. welches in Jahr 1741. als es 3 Jahr alt gewesen London: Published by J. Fairburn, Featherstone Street, [...] City Road. [n.d., c.1855.] [Anon., c.1747] Woodcut with hand colour, scarce & fine. 160 x Etching, rare; platemark 1900 x 290mm (7½ x 11½"). 180mm (6¼ x 7"). Small tear in lower margin. £190 Folded; lower right corner missing. £280 A rather fanciful portrait of Obaysch (1849?-78), the Image of a rhinoceros, with descriptive text explaining first hippopotamus in England since prehistory, and his how it was brought from Bengal to the Netherlands by keeper, with a short letterpress description. In a deal a captain Douwemouth in 1741. between Abbas Pasha, the Ottoman Viceroy of Egypt. Stock: 43373 and the British Consul General, Sir Charles Augustus Murray, Obaysch was swopped for some English 143. [Tiger] greyhounds and deerhounds. His presence at the zoo Z.G. doubled the number of visitors. Lithograph, printed area apprrox. 255 x 190mm (10 x Stock: 43292 7½"). Ms. in pencil, largely erased and illegible. £160 Stock: 43376 140. An Animal found on the Coast of New Holland, the Kangaroo. Wonderful Museum. 144. [Bull.] Thornton sculp [after George Stubbs.] [n.d., c.1793.] S. N. 1825. Engraving, sheet 200 x 125mm (8 x 5"). Trimmed into Lithograph on india. 245 x 330mm (9¾ x 13") large title, stained. £120 margins. Tear in backing paper taped. £150 Early engraving of a kangaroo, based on the Stubbs's Profile of a bull, standing in a field, house behind. illustration from Hawkesworth, but reversed and with a Stock: 43475 145. [Taureau _ Bull _ Toro _ Stier.] 150. [Cow.] H. Lalaisse. [[London: Victor Delarue _ Berlin, S.P. [n.d., c.1825.] Christmann. Monrocq frères. édit. imp. r. Suger, 3, Coloured lithograph on india. 245 x 330mm (9¾ x 13") Paris.] [n.d., c.1850.] large margins. £140 Lithograph, proof before letters. Sheet 255 x 340mm Profile of a cow, standing in a field, river behind. (10 x 13½"). £70 Stock: 43476 A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'. 151. Vache Normande _ Cow _ Vacca _ Kuh _ Stock: 43471 Vaca. Grand Cours d'AAnimaux (Autographie d'après nature). 146. Taureau _ Bull _ Toro _ Stier. H. Lalaisse. London: Victor DDelarue _ Berlin, S.P. H. Lalaisse. London: Victor Delarue _ Berlin, S.P. Christmann. Monrocq fr. édiit. imp. r. Suger, 3, Paris. Christmann. Monrocq frères. édit. imp. r. Suger, 3, [n.d., c.1850.] Paris. [n.d., c.1850.] Lithograph. Printed area 3000 x 445mm (11¾ x 17½"). Lithograph. Sheet 255 x 340mm (10 x 13½"). Surface soiling. £160 Trimmed. £70 A sketch portrait of a cow, puublished in the 'Grand A sketch portrait of a bull, published in the 'Grand Cours d'Animaux'. Cours d'Animaux'. Stock: 43469 Stock: 43470 152. [Cows in a field.] 147. The Chaff-Cutter.- D. Teniers. Hills pinxt. London, _ Drawn, Printed & Published at [Ralph Cockbkburn c.1816.] Friedel's Litho Estab.t, 252, Tottenham C.t R.d & at the Aquatint with fantastic colour. Sheet: 180 x 230mm (7 Polytechnic Institution, 309, Regent Street. [n.d., x 9"). Trimmed to printed image and mounted on carrd c.1840.] with captions pasted below as issued. £95 Tinted lithograph with hand colour. Printed area 255 x A rural scene showing a chaff-cutter at work in a 325mm (10 x 12¾"). £150 farmyard while a horse eats from a bale of hay. From a A bull and two cows in a fielld, barn behind. collection of aquatints of popular paintings in the The Royal Polytechnic Instittuution was the UK's first Dulwich Picture Gallery's collection drawn, engraved poolytechnic. Now the Univerrsity of Westminster, its and published by Ralph Cockburn, keeper of the headquarters are still at 309 Regent Street. Dulwich Picture Gallery, between 1816-1820. Abbeyy Stock: 43473 201. Stock: 43561

148. Crossing the Bridge.- A. Pynakeer. [Ralph Cockkbburn c.1816.] Aquatint with fantastic colour. Sheet: 165 x 220mm (6½ x 8¾"). Trimmed to printed image and mounted on card with captions pasted below as issued. £120 A group of figures and animals cross a bridge in a rural landscape. From a collection of aquatints of popular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwich Picture Gallery, between 1816- 1820. Abbey 201. Stock: 43557

153. Devon Heifer. Fed on Food Seasoned 149. [Courtyard with a Farrier shoeing a with Thorley's Condiment. Age 3 years, 2 Horse.] From the Original by Wouvermans. months, 1 week. Exhibitor, Rich.d. Burton, [Ralph Cockbkburn c.1816.] Esq. Place Barton, Broadclyst, Devon. Breeder Aquatint with fantastic colour. Sheet: 180 x 230mm (7 x 9"). Trimmed to printed image and mounted on carrd Geo: Gibbs, Esq., Bishop's Lydeard, Somerset. with captions pasted below as issued. £90 1st prize at Bingly Hall, 11867 _ & 1st prize at A scene in a courtyard in which a farrier shoes a horse, Smithfield Club Show the same year. A. M. women and man gather and a shepherd herds his flocck. Gauci Animal painter 24 Stephen St. From a collection of aquatints of popular paintings in Tottenham Court Rd. London 1868. the Dulwich Picture Gallery's collection drawn, A. M. Gauci, 24, Stephen St.. Tottenham C.t Rd. Ben engraved and published by Ralph Cockburn, keeper of George, imp. London & Pariis. [1868.] the Dulwich Picture Gallery, between 1816-1820. Lithograph. Sheet 340 x 470mmm (13½ x 18½"). Abbey 201. Trimmed to image on three sides, some soiling. £360 Stock: 43560 A portrait of a large heifer, one of a series apparently commissioned by Joseph Thorley to promote his 'Condiment', a food additive he claimed was ''the only real remedy yet discovered for Cattle Plague'' A herd of cows lies down in a meadow, buildings can (rinderpest) and sold at £24 a ton. 'Thorley's Cattle bee seen across the water. From a collection of aquatints Food Merchants' was established in the 1850s and was of popular paintings in the Dulwich Picture Gallery's still operating eighty years later. collection drawn, engraved and published by Ralph Stock: 43460 Cockburn, keeper of the Dulwwich Picture Gallery, beetween 1816-1820. Abbey 201. Stock: 43558

159. Fording the Brook.- N. Berchem. [Ralph Cockburn c.1816.] Aquatint with fantastic colour. Sheet: 175 x 240mm (7 x 9½"). Trimmed to printed iimage and mounted on card with captions pasted bellow as issued. £130 A woman riding a mule crossses a stream while two men and a woman with a chiild strapped to her back herd some cows. From a colllection of aquatints of poopular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwwich Picture Gallery, 154. Hasli _ Race. Bulle aus der Heerde der beetween 1816-1820. Grindelwald_Alpe. Race du Hasli. Taureau du Stock: 43555 troupeau de la Grindelwald-Alp. [by Witte?] [German, c.1851.] 160. The Fountain.-N. Berchem. A rare etching, with original colour. 265 x 415mm [Ralph Cockburn c.1816.] (10½ x 16¼"). Trimmed into image at top. £360 Aquatint with fantastic colour. Sheet: 175 x 240mm (7 A portrait of a Swiss bull, snow-covered mountains x 9½"). Trimmed to printed iimage and mounted on behind. See 43461 & 43462 card with captions pasted bellow as issued. £140 Stock: 43468 Woman, surrounded by cows and sheep gather at a fountain. From a collection of aquatints of popular 155. [Set of six aquatints of cows at rest] paaintings in the Dulwich Pictture Gallery's collection [Anon, c.1810] drawn, engraved and published by Ralph Cockburn, Six aquatints in original wrappers, 1 plate watermarkked keeper of the Dulwich Picturre Gallery, between 1816- 1808; each platemark approx 130 x 210mm (5 x 8¼")). 1820. Staining. Inscribed 'Laetitia [Hansard?] 1821' inside Stock: 43556 cover in ink. £360 Stock: 43329 161. [Italian Landscape.] From an Original Picture by J. Both. 156. Tyroler Race. Ferse von der Pfauen [Ralph Cockburn c.1816.] Insel bei Potsdam. Race du Tyrol Génishe de Aquatint. Sheet: 170 x 230mm (6¾ x 9"). Trimmed to l'Isle des Paons près Potsdam. prrinted image and mounted on card with captions Witte ad viv del et sc. 1851. [German, c.1851.] paasted below as issued. £85 A rare etching, with original colour. 275 x 390mm An Italian landscape in whicch figures, mules and cows (10¾ x 15¼") very large margins. £380 gather by a river. From a colllection of aquatints of A portrait of a Tyrolese cow. See 43462 & 43468 poopular paintings in the Dulwich Picture Gallery's Stock: 43461 collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwwich Picture Gallery, 157. Daffodil. (in Two Positions) at 21 Months beetween 1816-1820. Old. Bred by, & the Property of W.B. Thomas. Stock: 43554 Drawn on Stone by Denis Dighton. Printed by C. Hullmandel. [n.d., c.1820.] 162. [Watercolour of a pig, with annotations Rare lithograph. Sheet 205 x 260mm (8 x 10¼"). listing distances between different parts of its Folded twice for binding. £230 body] A to B 6 feet B to C 18 Inches C to D 20 Two portraits of the same cow, in a farmyard. Inches H to I 2 feet A to K 1 foot F to G 2 feet 7 Stock: 43472 inches [Anon., c.1850] 158. View Near Dort.- Albert Cuyp. Watercolour and pen and ink, unique, sheet 145 x [Ralph Cockbkburn c.1816.] 185mm (5¾ x 7¼"). Folds. £220 Aquatint with fantastic colour. Sheet: 170 x 230mm Stock: 43191 (6¾ x 9"). Trimmed to printed image and mounted on card with captions pasted below as issued. £140

163. [Set of four plates of English birds.] Cha. Collins Pinx.t. I. Mynde Sculp. H. Fletcher Sculp. Printed for Carington Bowles in St. Paauls Churchyard & John Bowles at the Black Horse in Cornhill, London. [c.1765.] Set of 4 fine hand-coloured engravings, 18th century watermark. Plate: 380 x 470mm (15 x 188½"). Small margins. £1600 A set of four plates from a series of twelve prints of English birds after oil paintings by Charlees Collins. The birds include kingfishers, swallows, goldfinches and a woodpecker as well as many other small birds. A later issue of the series printed by John Bowles in 1736. Stock: 43567

164. A Profitable Bacon Pig. (Tamworth 166. Sunset.- D. Teniers. Sow.) [Ralph Cockburn c.1816.] Supplement to the Profitable Farm and Garden, April Aquatint with fantastic colour. Sheet: 165 x 225mm 25th, 1903. (6½ x 9"). Trimmed to printed image and mounted on Chromolithograph. Sheet 210 x 310mm (8¼ x 12¼")). card with captions pasted bellow as issued. £95 Tape across top edge, tear. £60 A rural scene in which a shepherd stands herding his A plate to T.W. Sanders' 'Profitable Farm and Garden: sheep with a large house in the background. From a An Illustrated Weekly Journal Devoted to Live Stock, collection of aquatints of popular paintings in the Horses, Dairy Farming, Poultry Keeping, Market Dulwich Picture Gallery's collection drawn, engraved Gardening, Bee-Keeping and other Profitable and published by Ralph Cockburn, keeper of the Industries Connected with the Land'. Dulwich Picture Gallery, bettween 1816-1820. Abbey Stock: 43546 201. Stock: 43562 165. [Goat and sheep head studies.] No. 9. London, Published by S and J. Fuller at their Sporting 167. View Near Utrecht.- Albert Cuyp. Gallery, 34, Rathbone Place. [Ralph Cockburn c.1816.] Tinted lithograph. Printed area 310 x 240mm (11¾ x Aquatint with fantastic colour. Sheet: 170 x 230mm 9½"). £75 (6¾ x 9"). Trimmed to printed image and mounted on Sketches of the heads of a goat and two sheep, with a card with captions pasted bellow as issued. £130 vignette scene of a flock of sheep. Two farmers stand with theirr cows and sheep, below Stock: 43474 them the town of Utrecht is visible. From a collection of aquatints of popular paintiings in the Dulwich Picture Gallery's collection drawn, engraved and published by are two mushrooms and plants, in which are hidden the Ralph Cockburn, keeper of the Dulwich Picture prrofiles of Napoleon Buonaparte; his son Napoleon Gallery, between 1816-1820. Abbet 201. (King of Rome) and brothers Louis, Jerome and Stock: 43559 Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle 168. Scandal [&] Flattery emerges from trees. BM Satiirres: 12547. [Anon., c.1840] Stock: 43896 Pair of lithographs, with hand-colouring and gum arabic, each ssheet approx. 130 x 160mm (5 x 6¼"). 171. Comedy. Tragedy,, £140 [after Charles Jameson Granntt.] [Published by S. Pair of anthropomorphic prints in which cats discuss Tregear, c.1840.] gossip ('scandal') and engage in courtship ('flattery'). Coloured lithograph. Sheet 140 x 200mm (5½ x 8"). Stock: 43253 Tear in unprinted area. £220 'Comedy' has seven smiling heads; however, when 169. High Life [&] Low Life turned upside-down, the grins turn to tears for [Anon., c.1840] 'Tragedy'. Pair of lithographs, with hand-colouring and gum Stock: 43895 arabic, each ssheet approx. 140 x 150mm (5½ x 6"). Surface mark to 'High Life'. £140 172. Matrimony / Courtship 'High Life': cat in a luxurious room, wearing a smart [Anon, c.1820] bow tie, waits for food to be presented on its china Pencil drawing, sheet 190 x 230mm (7½ x 9"). £130 plate; 'Low Life': cat in a humble home, with a dead Reversible drawing: 'Courtship' shows a man and mouse. woman smile at each other, but if the sheet of paper is Stock: 43254 turned upside down it showss 'Matrimony', in which the smiles are replaced by grimaces. Stock: 43332

173. Before Marriage. After Marriage. [after Charles Jameson Granntt.] [Published by S. Tregear, 123 Cheapside.] [n.dd., c.1840.] Coloured lithograph. Sheet 140 x 200mm (5½ x 8"). 'M' of 'After Marriage' misprrinted. £220 The heads of a couple: happy 'Before', but when turned upside-down, scowling 'Afteer'. Stock: 43894

174. Inside of a Cottage in Buckinghamshire. [&] Outside of a Cottage in Buckinghamshire. Designed by Edw.d Orme foor his Essays on Transparencies. Engraved by C. Knight & H. Merke. Published Jan.y 1, 1807 by Edw.d Orme, Bond Street, London. Pair of aquatints, printed in blue and brown. Sheets 260 x 365mm (10¼ x 14½"). Trimmed within plates. £280 Two rustic scenes from 'An Essay on Transparent Prints and Transparencies in General' by Edward Orme, designed to be treated with varnish to give a translucent effect. 'Inside' the family sit by a fire, a 170. The Royal Allied Oak and Self Createdd child in a primitive 'baby bouncer', an open door Mushroom Race. Behold the Oak, whose firm looking out to a moonlit pigsty. 'Outside' a young girl fix'd stay Doth check Oppression's course, stitches while receiving a suiitor, a turkey looking on. Stock: 43480 Whose slighhtest branch can ne'er decay, While strong with Virtue's force...The Mushroom 175. No. 16 Morgan's Improved Protean Race you have to seek In weeds about the Root, Scenery. Mont Blanc. This Print at first Who scarce dare at the Oak to peep, Or at itss represents a view of the splendid Mountain by Princely Fruit. J. Field del.t Etch'd by Heath. Pub. May 29. 1815, by J. day and upo holding it before the light, the sun Jenkins, 48 Strand. will sink to rest and the Moon will supplant its Fine hand-coloured etching. 300 x 215mm (11¾ x place [...] 8½"). Tear bottom right in margin. £320 London. Published by Wm. Morgan, 25, Bartletts A puzzle-print: a gnarled and aged oak creates profiles Buildings, Holborn, Octoberr 12th 1838 of George III, Louis XVIII, the Prince Regent , Tsar Coloured lithograph and textt, combined dimensions Alexander I, Wellington and Blücher. On the ground approx 210 x 245mm (8¼ x 99½"). Trimmed and laid on card with title label, backed with tissue, as issued;; His major work 'Leviathan' was an important influence damaged. £240 on the tradition of utilitarian political thinking. Hobbes View of Mont Blanc by day which, when held up to the was tutor of Charles II, who later granted him a light, transfoorms into a nocturne owing to a small hole peension, but his reputation as an atheist gained him (representing the moon) cut in a second sheet of paper many opponents within the Church and government. behind. Stock: 43949 Stock: 43100 179. Lodovico Carraccii. Painted by Himself. Drawn and Engraved by Charles Townley Member of the Royal Academy of Painting in Florence. From the Origginal Portrait in the Medici Colection. Publish'd as the Act directs 1st March 1778, and to be had of C. Townley No. 75 near the Adelphi Strand. Mezzotint, platemark 425 x 295mm (16¾ x 11½"). Small margins. £260 Lodovico Carracci (1555-1619), one of the famous Carracci family of artists. More than his cousins Annibale and Agostino, Lodoovico retained the Mannerism that had dominatted much 16th century 176. C.W.'s Dioramic Views, No. 3. Netley paainting in Bologna (where he spent most of his Abbey. The Abbey is first seen by daylight as career). night approaches the Moon is seen shining on Engraving after a self-portraiit by Carracci, by Charles the ruined Walls of the Abbey [...] Townley (1746-1801). This engraving was one of London. Reeves & Sons Cheapside & W. Morgan 64 seven engravings by Townleeyy, of self-portraits of Hatton G. famous artists which they presented on their election to Coloured lithograph and text, combined dimensions the academy of Florence (to which the Medici devoted approx 240 x 150mm (9½ x 6"). Trimmed and laid on a gallery). card with titlle label, backed with tissue, as issued. Stock: 43766 £130 Netley abbey, the late medieval monastery in the 180. Francis Noel Clarke Mundy Esq.r and village of Netley, Hampshire. It was founded in 1239 His Grandson William Mundy of Markeaton by monks of the austere Cistercian roder by was closed near Derby. in 1539 by Henry VIII during the Dissolution of the Painted by Mr R.R. Reinagle Engraved by Charles Monasteries. Transparency with tourists viewing by Turner London. Published May 12 1810 by Mr R.R. day, which, when viewed by candlelight, transforms Reinagle No 1 Upper Conway Street, Fitzroy Square. into a night time scene with gypsies sat around a fire. Mezzotint, fine, platemark 400 x 430mm (15¾ x 17") Stock: 43101 very large margins. Uncut. £330 Francis Noel Clarke Mundy (1739-1815), poet, with 177. C.W.'s Dioramic Views, No.1 Church of his grandson. Books and papers are stewn across St. Juan On raising this Print gradually Mundy's desk, the most prominent of which is 'The against thee light it will be seen to undergo a Fall of Needwood Forest'. The enclosure Act of 1803 complete change from noonday to midnight [...] allowed for the deforestation of the ancient midlands London. Reeves & Sons Cheaside, & W. Morgan 64 forest of Needwood, which was completed in 1811. Hatton Garden Mundy had written a poem (aalso visible on the desk) Coloured lithograph and text, combined dimensions titled 'Needwood Forest' in 1776, and wrote 'The Fall approx 195 x 195mm (7¾ x 7¾"). Trimmed and laid of Needwood' in 1808 while its destruction was on card with title label, backed with tissue, as issued. underway. £110 Engraved from a portrait by RRamsay Richard Reinagle Transparency which changes from a daytime to night (1775-1862), painter who lived with, and was painted time scene when held up to the light. byy, Constable. Stock: 43102 Stock: 43751

178. Thomas Hobbes Malmesburiensis. 181. His Most Excellent Majesty George the Compositum jus, fasque animi, sanctosque II.d King of Great Britaiin, &c. &c. &c. From recessus. Mentis, & incoctum generoso pectus the Original in the New Treasury by the Court honesto: Haec cedo, ut admoveam templis, & of Common Pleas at Westminster; put up there farre litabo. Perf. Sat. 2. by Order of the Lord Chief Justice Willes [...] [Anon. c.1750] bit later. Tho: Hudson pinx.t J. Faber Fecit 1745 Sold by J. Engraving, watermark 1804; platemark 270 x 185mm Faber at the Golden Head in Bloomsbury Square (10½ x 7¼"). Very slight foxing. £130 Where may be had the Print oof the late Queen Carolin Thomas Hobbes (1588-1679), social philosopher who from an Original at the Duke of Richmonds by wrote extensively on history, geometry and politics. Vanderbank. Mezzotint, rare, platemark 510 x 360mm (20 x 14") large marginns. Repaired tears in margins. Some damage at bottom centre. £290 George II (1683-1760), king of Great Britain and Ireland whose reign saw the Jacobite threat reduced to nothing, the Hanoverian succession securely established, and his country transformed into a great world power. Fine and rare mezzotint after the 1744 full-length portrait by Thomas Hudson, now in the National Portrait Gallery. O'D 24; CS 9; for another print from the same Hudson portrait see ref. 40865. Stock: 43771

182. [William IV when Duke of Clarence] Nauticus. ''Those Lips were made for Kissing Ladies!''. [by James Gillray.] London - Pub.d Oct.r 11the 1791. by H. Humphrey, No 18 Old Bond Street. Coloured etching. 185 x 160mm (7¼ x 6¼"). Mounted in album paper. £420 A caricature portrait of William, Duke of Clarence, smiling with bulbous lips, hair is shaggy and uncurled under a large round hat, wearing his naval uniform with star. It was published the year he started his long affair with actress Mrs Jordan. BM Satires 7964. Stock: 43899 185. Maria Lady Broughton. F. Cotes pinx.t. J. Finlayson sculpt. Published May 183. Jack Shepherd Drawn from the Life - A. 29th 1772 & Sold by J. Finlayson Orange Street The Manner how Shepherd is Shacled & Leicester Fields. Handcuft in ye Stone Room. [Inset image to top Mezzotint. 500 x 355mm (19¾ x 14") large margins. left:] The manner in w.ch Shepherd is Chaind Fine impression. £280 Lady Maria Broughton, wifee of Rev Sir Thomas in ye Stone Roome since he was last taken. Broughton, baronet. Printed for and Sold by T. Bowles Print Seller next the Fine large mezzotint after a portrait by Francis Cotes Chapter House in St Pauls C.t Yard & I. Bowles Prinnt (1726-70). An important figure in the London art Seller over-against Stocks M[art]. world, Cotes was instrumenttaal in setting up the Royal Engraving. Sheet 335 x 235mm (13¼ x 9¼"). Trimmed Academy of Arts in 1768 (prresenting the case for an within plate, tear in inscription area, end of publisherr's academy to George III). By tthis time Cotes had begun inscription rubbed. £360 to attract royal patronage, including portraits of A portrait of Jack Sheppard (1702-1724) the notorious Princess Caroline Matilda, Prrincess Louisa, and Queen English robber, burglar and thief, shackled to a huge Charlotte. padlock in a cell in Newgate. Top left is another image Stock: 43755 of him shackled. Sheppard had been arrested and imprisoned five times 186. Mrs. Keck. in 1724 but escaped four times, making him a R. Brompton pinx.t E. Fisherr sculp. Publish'd as the notorious public figure, and wildly popular with the Act directis 21st March 1774 & Sold at the Golden poorer classes. The fifth time he was caught, convicted Head South Side of Lecesterr Fields. and hanged at Tyburn. Stock: 43903 Mezzotint, platemark 600 x 370mm (23½ x 14½"). Rubbed; collector's stamp off Christopher Lennox-Boyd verso. £260 184. Daft Jamie. From an Original Drawing Elizabeth Keck, mother of the architect Anthony Keck 1829. (1726/7-1797), full-length, with Cupid offering wreath [Published by W. Soffe] of flowers. Etching with hand-colouring, rare, platemark 195 x Engraving from a portrait by Richard Brompton 115mm (7¾ x 4½") very large margins. Glued to (c.1734/5-83). Brompton spent a decade in Italy as a backing sheet. £140 young man and painted portrraits of members of the 'Daft Jamie' was James Wilson, a well-known royal family before becoming imprisoned for debt in Edinburgh character killed by the infamous murderers the 1770s. On his release Brompton travelled to St William Burke and William Hare in 1828. Petersburg, where he spent his final years. Stock: 44012 Stock: 43752

187. Portrait of a Jew Rabbi. 190. Jim Crow. Rembrandt pinx.t J.P. Quilley sculp.t London, Pub. by Hodgson 111 Fleet Street & Turner & Fisher Published 1839 by James Bohn, King William Street, New York & Philadelphia. [n.d., c.1835.] Strand. Etching. Sheet: 215 x 165mm (8½ x 6½"). Trimmed, Mezzotint, sheet 285 x 235mm (11¼ x 9¼"). £65 laid on album sheet with a foil border. Manuscript Plate from 'The Royal Gallery of Pictures, Being a along top edge. £140 Selection of The Cabinet Paintings in Her Majesty's A portrait of the fictional character Jim Crow, shown Private Collection at Buckingham Palace [...]' (1840). dancing in a landscape, two ffigures with animal faces The painting, which George IV bought from Sir walk beneath a parasol and a steam boat can be seen in Thomas Baring, was then believed to be by Rembrandt, the distance. Jim Crow was a song and dance caricature but is now described by the Royal Collection as being created by the American perfformer Thomas D. Rice by the school of Rembrandt (Govaert Flinck has been (1808-1860) who played the character in black face. proposed as a possible author). Jim Crow was hugely popular and Rice made several Stock: 43944 tours to England. The name Jim Crow became a general term for black people and later became the nickname for the various statte and local laws which enforced black segregation in the southern states of the USA. Stock: 43971

191. [George Primrose] [I now protest, my Arabella, by all that's happy, Your want of fortune this moment enccreases my pleasure, As it serves to convince my ssweet Girl of my Sincerity. V.W.P. 201] Engraved from an Original Drawing of Edw.d Fisher. London, Printed for R. Sayerr & J. Bennett, No 53 Fleet Street, as the Act directs 9th Febr. 1777 Mezzotint, platemark 250 x 1190mm (9¾ x 7½"). Fine prroof impression. £230 One of a set of ten plates illustrating characters from Oliver Goldsmith's 'The Vicar of Wakefield'. Published in 1766, the book inspired many works of art, while Goethe testified that encounttering the work at the age of twenty inspired him to create a new field of letters. CSC 64. Stock: 43749

192. Rosalind. vide Shakespears play of As you like it. 188. [Theodore Roosevelt] Trial artist proof Painted by Angelica Kauffmman. Engrav'd by from Copper. finished state. Frederick Bartolozzi. Lon. Pub'd Feb.y 10 1792 by J. Read, Reynolds [in m.s. by artist] Coventry Court, Coventry Stt. Mezzotint on india, rare, platemark 365 x 260mm (14¼ Stipple, platemark 195 x 150mm (7¾ x 6"). Trimmed x 10¼") very large margins. Paper tone. £290 inside platemark left and right. £160 Portrait by American mezzotinter Frederick Reynolds Rosalind, from Shakespeare's 'As You Like It', after a (1924, fl.) of American President Theodore Roosevelt. paainting by Angelica Kauffman, RA (1741 - 1807), Stock: 43745 Swiss-born Neoclassical painter who had a successful career in London and Rome. She attracted international paatronage and was much admired by fellow artists. 189. [Study in Grey and Pink.] Kauffman's funeral in Rome was arranged by Antonio [Thomas Robert Way after James McNeill Whistler.]] Canova and attended by reprresentatives from both the [n.d., c.1903.] Roman and foreign academies, carrying along in Lithograph. Sheet: 220 x 170mm (8¾ x 6¾"). £160 triumph of two of Kauffman''s own works in obvious A portrait of a woman wearing a white and pink dresss. emulation of Raphael’s funerral. A lithographh after Whistler's pastel 'Study in Grey and . Calabi & de Vesme 1857 (tthhis later state not listed) Pink', now in the Freer and Sackler Galleries in Stock: 43140 Washington DC. This lithograph was an illustration to 'The Art of Jaames McNeill Whistler' published in 1903 by Thomas Robert Way. Way was an English artist annd 193. George Trout. Messenger to the lithographer who encouraged Whistler to take up Honourable House of Commons. lithography, he later catalogued 130 of Whistler's W. Smart, lith. 5, Hand C.t Holborn. [n.d., c. 1839.] lithographs. Lithograph, rare. Sheet: 240 x 180mm (9½ x 7"). Stock: 43878 Trimmed. £190 A portrait of a messenger and dwarf George Trout 'the minister who lost Americca', even though he was shown in a top hat holding a scroll titled 'Parliamentary not the man who conducted tthe American War of Report 1839'. Independence. Stock: 43879 Anonymous caricature publisshed in the Oxford Magazine. BM Satires 5231 194. [Sir Henry Havelock.] Stock: 43855 Painted by W. Crabbe. Engraved by J. Sinclair. London, Published by Henry Graves & Comp.y Mayy 198. W. Pitt. 22nd 1858, Printsellers to the Queen _ 6 Pall Mall. H. Vernet 1819. Lith. de G. Engelmann. Proof mezzotint, limited to 340, Printsellers Lithograph, printed area 1300 x 80mm (5 x 3¼"). Bit Association blindstamp. 550 x 430mm (21½ x 17"). dusty. £80 Some creasing of edges, trimmed. £260 Bust sculpture of William Piittt (the younger, 1759- Sir Henry Havelock (1795-1857), famed for the relief 1806), prime minister, with a snake coiled around it, of Cawnpore. He was promoted major-general days suggesting treachery or betrayal. Lithograph by Horace before his death in Novermber 1857. Vernet (1789-1863), painter who was part of a Stock: 43777 distinguished family of artistts including his father Carle and grandfather Joseph. 195. [Charles Lennox, fourth duke of Stock: 43917 Richmond and fourth duke of Lennox] Kay del et Fecit 1789 Etching, platemark 220 x 140mm (8¾ x 5½") very large marginns. Very slight crease top right. £130 Charles Lennox, fourth duke of Richmond and fourth duke of Lennox (1764-1819), army officer. Lennox was also one of the founders of the Marylebone Cricket Club (in 1787), and in 1790, shortly after this print was made, he became MP for Sussex, succeeding his fathher. By John Kay (1742-1826), Edinburgh etcher of portraait caricatures. Stock: 43947

196. [Robert D'Arcy, fourth earl of Holdernesse] The Patriot of Patriots. Britain, you boast your Liberty, / Why then should you in thraldom bind [...] Publish'd according to Act Oct 7th 1756 by Darly & Edwards at the Acorn facing Hungerford Strand. Etching, platemark 110 x 85mm (3 x 4¼") large margins. Foxing. £50 Caricature of Robert D'Arcy, fourth earl of Holdernesse (1718-78), politician. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five 199. satirical prints with short descriptions. The description The most Noble and Puissant Lord Philip of this print read 'This Caricatura was very active in Dormer, Stanhope, Earl of Chesterfield, Baron our late Blunders, and his great Ardency for the Italian Stanhope of Shelford, Embassador stage was undoubtedly the Reason he made so trifling a Extraordinary and Pleniipotentiary to the figure in Politicks'. Holdernesse was a great patron of States General of the Unnited Provinces [...] opera. See John Cardwell, 'Art and Arms: Literature, Hoar Pinx.t J. Brooks Fecit Sold by T. Jefff reys at the Politics and Patriotism during the Seven Years' War'',, Corner of St. Martins Lane in the Strand, and W p.124, fn. for 'A Political and Satirical History of the Herbert at the Golden Globe on London Bridge Years 1756 and 1757' see ref. 38743. [c.1750] Stock: 43819 Mezzotint, fine, platemark 500 x 350mm (19¾ x 13¾"). Small margins. Creaase in middle. £360 197. [Lord North] Boreas. I Promise to Philip Dormer Stanhope, fourth earl of Chesterfield reduce the Americans. (1694-1773), politician and diplomatist. Stanhope was [Anon., c.1774] ambassador to The Hague from 1728, and was Etching, sheet 130 x 85mm (5 x 3¼"). Trimmed inside subsequently rewarded with the Order of the Garter platemark; glued to backing sheet. £130 and the position of Lord Steward. He was appointed Caricature of Lord North (1732-92), as Boreas, the Lord Lieutenant of Ireland in 1745 and Secretary of Greek god of north wind. Another wind, Aeolus, blows State in 1755. Chesterfield married George I's daughter wind towards him from the lower left. North was prime Petronilla Melusina von der SSchulenberg, a marriage minister from 1770-82, and as such is remembered as which brought a windfall that Chesterfield put towards completing a magnificent house on South Audley Street in London's Mayfair, then directly facing Hyde Park, it was given its grand opening in 1752. Demolished in 1937, the house was replaced by a block of flats appropriately named Chesterfield House. Engraved after a portrait by William Hoare (1707/8- 92), portrait painter who spent a decade in Italy as a young man and spent his later career in Bath. Stock: 43756

200. The Reverend Henry Peckwell, D.D. Chaplain to the most Honourable Marchioness Dowager of Lothian [...] 87 price 2s From the Original Picture, painted by J. Russel. R. Houston fecit. Publish'd as the Act directs 10 Oct.r 1774. Printed for Carington Bowles, at his Map & Prriint Warehouse, No69 in St Pauls Church Yard, London. Mezzotint, pllatemark 350 x 250mm (13¾ x 9¾"). Repair bottom right. Laid on sheet at edges, creasing. £260 Henry Peckwell (bap.1746, d.1787), Church of England clergyman and Methodist preacher. Strongly influenced by Selina, countess of Huntingdon (she waas godmother to his daughter), Peckwell led the chapel in the New Way at Westminster Peckwell's career was distinguished as much by his philanthropy as for his 203. John Sheldon, Esq.r Professor of teaching. Anatomy in the Royal Accademy, F.R.S. &c.&c. Portrait after John Russell (1745-1806), showing J. Keenan pinx.t W. Barnardd sculp. Publish'd Jan.y 1 Peckwell holding a Bible and gesturing towards a 1803 for the Proprietor by E.. Walker, No 7 Cornhill, crowd of people assembled for an open air sermon. London. Stock: 43742 Mezzotint printed in colour, sheet 500 x 350mm (19¾ x 13¾). Trimmed to image on 3 sides. Slightly rubbed. 201. The Rev.d William Romaine, A.M. £480 Engraved for the Gospel Magazine. John Sheldon (1752-1808), anatomist and surgeon with Publish'd as the Act directs, by Vallance & Simons, No objects in jars on table. In 1783 Sheldon succeeded 120 Cheapside, Feb.y 1 1774. William Hunter as professor of Anatomy at the Royal Engraving, rare; platemark 140 x 105mm (5½ x 4"). Academy, and is said to have earned great respect. He Small margins. £120 supposedly dissected a horse and had casts made of it William Romaine (1714-1795), evangelical divine of for the use of students. the Church of England. He was ordained deacon in Engraved after a portrait by John Keenan (Devon and 1736 and became curate of the Lew-Trenchard, Exeter Hospital). Devonshire until 1738 where he was ordained priest by Stock: 43769 Hoadley, probably to the curacy of Banstead, Surrey and Horton, Middlesex. He later worked as preacher at 204. [The Family of Ruubens] St. Dunstan's Fleet Street, then as rector of St. Anne's, Rubens Pinxit Tassaert fecit 1768 J. Boydell excudit Blackfriars. He was also appointed professor of Mezzotint, fine impression, platemark 430 x 505mm astronomy at Gresham College, London. (17 x 19¾"). Part of lower edge missing and filled in. Stock: 43946 False margins at top. £360 The family of the painter Petter Paul Rubens. 202. Le Sauveur Tableau Original de Paris Stock: 43750 Bordoni a la Gallerie de S.E.M. Le Premier Ministre Comte de Bruhl. 205. No XXXI. Miss O'bbr_n. No XXXII .The M. Oesterreich delin Phil. Anr. Kilian R.M. Pol. et El. hibernian Orator Saxon Chalcogr. sculps. a.v. [c.1754] London, Publish'd by A. Hamilton Jun.r Fleet Street Engraving, fine, platemark 400 x 295mm (15¾ x [Dec.r 1. 1782. 11½") very laarge margins. £190 Engravings. Sheet 105 x 1755mm (4 x 7"). Trimmed Christ, half-length, after a painting attributed here and laid on album sheet. £60 (possibly in error) to Paris Bordone (bap.1500-d.1571). A pair of medallion portraitss: Henry Grattan and Miss Engraved as part of 'Recueil d'estampes gravées d'après O'Brien, daughter of a rich merchant from Cork. From les tableaux de la galerie de S. E. M. le Comte de the 'tête-à-tête' series, pairing likenesses of men and Brühl', a set reproducing paintings from the collection women in the public eye, published in 'Town and of the Count of Brühl published in Dresden in 1754. Country Magazine' in 1782. BM Satires 6089. Stock: 43156 Stock: 43945 206. [Lady Whitmore, From the Original 210. Buck Metamorphos'd Or Mr. Foote in Picture in His Majesty's Collection at the Character of the Englishman return'd from Windsor.] Paris. Painted by Sir Peter Lely. Engrav'd by Thomas Drawn & Engrav'd by Gab.l Smith. London Printed for Watson. Pubblish'd Jan.y 1.st 1778, for T. Watson, John Ryall & Rob.t Withy, at Hogarth's Head in Fleet No.142., & W: Shropshire, No.158, New Bond-Streeet, Street. [n.d., c.1760.] London. Etching. Sheet 355 x 250mm (14 x 9¾"). Trimmed Mezzotint, pllatemark 457 x 330mm (18 x 13") very within plate. Laid down on album sheet at edges. £360 large marginns. Crease lower left. Good impression. Buck is shown wearing the latest 'French' fashions, £320 including large fur muff, wig with pointed sides, mis- Lady Frances Whitmore (c.1643-1690), daughter of Sir matched tights, and coat with over-sized cuffs. Two William Brooke and wife of Sir Thomas Whitmore. Englishmen in traditional dress smirk at him. From a set of six prints after a series of paintings by Sir A scene from 'The Englishmman Returned from Paris', Peter Lely of women at the court of Charles II, known byy actor and dramatist Samuueel Foote (1720 - 1777), as 'The Beauties of Windsor'. The portraits were which premiered at Covent Garden in 1756. A rare commissioned by Anne Hyde, first wife of James II prrint, by the engraver Gabriel Smith (1724 - c.1783). (then Duke of York). Goodwin: 34; CS 5 ii/iii; for Stock: 43898 lettered state see ref. 29079. Stock: 43746

207. Georgey à la Dandy. Sketch'd by an Amateur - etched by G. CK. Pub.d July 8th 1820 by G. Humphrey 27 St James's Street. Coloured etching. 250 x 195mm (10 x 7¾"). Trimmed, album paper glued over left edge, staining. £160 A dandy, head thrust forward and high shoulders, insignificant features with large squinting eyes, a top- hat with very curved brim on the side of his head, trousers strapped over high-heeled spurred boots, a riding-switch in his hand. In the background is a scarecrow mimicing his posture. George identifies him as Sir George Wombell (1769- 1846), an amateur cricketer who played for Marylebone Cricket Club. BM: 14067. Stock: 43954

208. Mr. Booth G. White fecit Sold by S. Sympson in ye Strand near Catherine Street [c.1725] Mezzotint, rare, platemark 250 x 180mm (9¾ x 7") large marginns. £240 Barton Booth (1681-1733), actor highly regarded by his contemporaries. CS 9 iii/iv. Stock: 43748 211. Mr Garrick in Hamlet. Act 1 Scene 4 209. Mr. Dimond & Miss Wallis in the B. Wilson Pinx.t J. McArdelll Fecit Publish'd by B. Characters of Romeo & Juliet. Romeo. "Let''s Wilson according to Act of Parliament Novem.r 1754. fly together" Mezzotint, platemark 455 x 330mm (18 x 13"). Creases Ch.s Shirreff Pinx.t F. Bartolozzi R.A. sculp.t London at top, small margins. £450 Publish'd as the Act directs by Ch.s Shirreff May 1796 David Garrick (1717-1779), English actor and Stipple, sheet 250 x 185mm (9¾ x 7¾"). Trimmed theatrical manage, in the role of Hamlet. The most inside platemark. £180 celebrated actor of his day, he did more than anyone Scene from Shakespeare's 'Romeo & Juliet' engraved else to change the British actting style, which prioritised by Francesco Bartolozzi (1725-1815) after Charles energy and engagement above accuracy and control. Shirreff (b.1750), British artist in India (Madras and As a manager (primarily of tthhe Drury Lane Theatre, Calcutta) 1796-1809. Covent Garden) he presided over the creation of Shakespeare as national poett and icon, while shaping Calabi & de Vesme 1213 (state not listed) Stock: 43138 the texts to suit the demands of his patrons. The supremacy of Drury Lane during Garrick's management was not to be matched until Irving's reign at the Lyceum in the following century, and in the names of pubs and streets, and the famous Garrick Club, Covent Garden is filled with echoes of one of the greatest men to have occupied the area. This print illustrates the moment when Hamlet is who succeeded his father Roobert as master of the confronted by the ghost of his dead father, the king of Dublin School of Design. The National Gallery of Denmark, who was murdered by his brother Claudius. Ireland holds several of his charcoal and pastel Engraved after a portrait by Benjamin Wilson (1721 - poortraits. Harvard 1 (only likeness of Waker); Private 1788), portrait painter and scientist, etcher, occasional Collection. mezzotinter and collector of Rembrandt who was Stock: 43368 appointed Hogarth's successor as Serjeant-Painter to the King. Lennox-Boyd. 'Theatre: The Age of Garrick' 214. Mr. Weston & Dragon in the Rival 22 iii/iv. Candidates Stock: 43747 Loutherbourg [1775] Aquatint printed in brown, rare; platemark 210 x 155mm (8½ x 6¼"). £160 Thomas Weston (1737-76) as Spy in Bate's 'The Rivals', after Philippe Jacques de Loutherbourg (1740- 1812). An artist with an extraordinarily wide range of interests (including alchemy, mysticism and chemistry), Loutherbourg made major contributions to costume design and scenery painting ffor the theatre. He was also an accomplished painterr of landscapes and genre scenes. Harvard 5. Stock: 43369

215. A Little Musick!!! What softer sounds are these salute the ear,_As if the center of all sweets met here? Ben Johhnson. [William Heath.] Pub by T. McLean 26 Haymarket. Hand-coloured etching. Sheet: 245 x 355mm (9¾ x 14"). Cut within plate, damage to left edge and paper tone. £190 A comical scene in four monkeys in human dress take paart in a concert. Manuscriptt addition in speech buubbles from three monkeys on the left. Not in BM. Stock: 43631

216. 3 Crows - Bad Luck. In Town in September or The last of the Goths! D_ it I 212. Griffin & Johnson in the Characters of wish I had_nt been so Extravagent last Season. Tribulation and Ananias Act 3d. Scene 2d. [...] Drawn by Ego. Eng.d by F.C. Hunt. London, Pub.d by Play of The Alchemist. W. Harrison Isaacs Charles S.t Soho. [n.d., c.1825.] Peter Van Bleeck Pinxt. 1738 PB 1748 Coloured aquatint. 320 x 240mm (12½ x 9½") very Mezzotint, 470 x 310mm (18½ x 12¼"). Trimmed to large margins. Mount burn inside plate. £240 platemark; glued to backing sheet at corners. £320 A dandy stands at the cornerr of Piccadilly Circus, The actors Benjamin Griffin (1680 - 1740) and looking superstitiously at thrree birds. The streets are Benjamin Johnson (c.1665 - 1742) in Ben Jonson's deserted except for a scratchiing dog. Around him are 'The Alchemist'. One holds a bag of money, the other a adverts for Edinburgh, Dubliin, Paris and the resort book, in an interior with a globe at the left edge of the towns. Probably drawn by M. Egerton, an amateur image. satirist. By Peter van Bleeck (c.1695 - 1764), Dutch portrait Stock: 43347 painter and mezzotinter born at The Hague, son of Richard van Bleeck. In London by 1723, where he 217. Anglo-Parisian Sallutations_or Practice married in 1745. CS 5 ii/ii; for proof impression see par excellence! "Commong porty vous ref. 7920. munseer?_O Oui_il est un tres belle jour"! Stock: 43753 G.C.k sculp. Pub.d June 10th 1822 by G. Humphrey- 27 S.t James's Stre.t London.. 213. Mr. Waker in the Character of Roger Fine hand-coloured etching. Sheet: 250 x 340mm (9¾ Ghost. Act II x 13½"). Trimmed to printed border, edges messy. F.R. West Pinx. J. Fisher fecit [c.1775] £240 Aquatint printed in brown, rare; platemark 215 x A comic scene in which two English men staying in 160mm (8½ x 6¼"), very large margins. £180 Paris greet each other in stiltteed French. On the walls Little-known actor playing a role in a theatrical are various posters for plays and operas such as 'Jean production; one of few prints made after works by Bull en Paris'. BM Satire 14441. Francis Robert West (c.1749-1809), drawing-master Stock: 43642 218. Conception beyond Expression; or, The BM Satires 15190 for one wiith Knight's publication Acme of Pictorial Criticism. line. J. Phillips fec. London Published by S.Hollyer, Everett Stock: 43908 Street, Brunswick Square, 1829. Coloured etching, scarce. 200 x 190mm (8 x 7½). 222. Connoisseurs _ or Portrait Collectors !!! Trimmed within plate at bottom. £280 Drawn and etched by Rowlandson for the Pleasures of A satire with a group of men holding a daft Human Life. London, Publsiihed by Longman, Hurst, conversation in a picture gallery. BM Satires 16441 Rees & Orme, Paternoster Roow, Feb.y 1st. 1807. Stock: 43887 Coloured etching. Sheet 105 x 140mm (4¼ x 5½"). Trimmed within plate on three sides. £220 219. Astronomy. - New System. Signs of the Men browsing through portffoolio stands in a printseller's Zodiac. shop. [by Robert Seymour?] London Published by Thos. 'The Pleasures of Human Liffe by Hilari Benevolus & McLean, 26 Haymarket, 1827. Co.' (John Britton) was writtteen in response to the craze Coloured etching. Sheet 210 x 275mm (8¼ x 10¾"). for 'Miseries of...' prints and stories. Abbey Life 260. Trimmed into plate on right. Slight crease. Laid on Stock: 43906 album sheet. £160 A ring of satirical representations of the twelve zodiac signs surround a basket in which the traditional signss have been thrown. On the basket is a sign 'Old Signs to be sold cheap'. Stock: 43902

220. Two-Penny Whist. [J. Gillray ad viv.m fec.t.] [Pub.d Jan.y 11th 1796, by H. Humphrey New Bond Street.] Etching with fine hand-colouring, sheet 210 x 310mm (8¾ x 11¼"). Trimmed around image and title, losing some text; glued to album sheet (four small views of Paris verso). £260 A game of whist at the house of publisher Hannah Humphrey in New Bond Street. The servant 'Betty', grinning triumphantly, holds out the ace of spades with 223. [Constable of the Night's Ramble.] which she is about to take the seventh consecutive [Burke Fec,,t.] [Publish'd as tthe Act Directs Jan.ry 1: trick. The bespectacled Humphrey sits to her left; theen 1771 by I: Wesson in Litchfiield Street St. Anns Soho.] a man identified as either the dealer and restorer Mezzotint. Sheet 415 x 560mm (16¼x 22"). Trimmed Mortimer or Mr. Jeffrey (presumably the enemy of into image, mounted on cardd at corners. £450 Mrs. Fitzherbert); and finally Tholdal, a German. A drunk constable asleep in a chair in a brothel, while Although the British Museum describes this print as the other patrons prepare tricks, including a jew being 'From a sketch by an amateur', it is likely to be dipping his wig in a chamberr pot. On the walls behind by Gillray, who lived with Hannah Humphrey for are a clock and a painting off a maiden and satyr. many years. This and 'A Decent Story' (1795) are A newspaper cutting pasted on the backing card, from intimate scenes of their domestic arrangements: both an article written by George AAugustus Henry Sala prints are visible in the Humprey shop window in (1828-95) on 'Female Celebrrities in Covent Garden' Gillray's 'Very Slippy-Weather' (1808), alongside identifies the owner of the prremises as Mother Douglas Gillray's more famous prints, suggesting a sentimental (alias Mother Coal), shown asleep on the left, and the importance. BM Satires 8885 second lady as 'Bet Whims a famous lady'. He Stock: 43920 describes the man by the chamber pot as 'a jew'. Ex collection of the Hon. Christtoopher Lennox-Boyd. The 221. A Christmas Box. BM's example (2010,7081.2908, titled as above), also S.K. inv.t G. Ck. fec.t [London, S. Knight?, c.1826.] frrom the Lennox-Boyd collection, is the only other Etching. At top of sheet an envelope front signed by example traced. Daniel O' Connell. Sheet 160 x 125mm (6¼ x 5"). Stock: 43496 Laid on album sheet with printed strips 'G. Cruikshank's Holiday Scenes' pasted above and below. 224. Echoes Cartoons and Lyrics of the Time. £130 First Series. Theatre box crammed with excited children. A playbiill London: Published at "Echoes" Office, 19 Catherine reads 'During the Xmas Holidays- Pantomime of Street, Strand. [1868.] Harliquin- Clown by Mr G [Joseph Grimaldi]'. A Oblong 4to, maroon morocco, gilt; scarce 270 x related drawing is in the V & A Museum. 400mm (10½ x 15¾"). Worn, corners scuffed, some It was etched by George Cruikshank and originally leather worn. Paper tone. £600 published by S. Knight (also the artist?) in 1826. See A bound series of cartoons coommenting on life in Victorian Britain, many scenes focusing on aspects of womens daily life. Some scenes are more political, 228. [Gentleman on horseback] commenting on Queen Victoria, women's suffrage and Robert Dighton Junior. Ex Richard Dighton Collection foreign affairs. [ms lower right] [c.1800] Stock: 43875 Pencil sketch with watercolour, sheet 315 x 200mm (12½ x 8"). Hole on right in hhorse's rear. £160 225. Casulaties of Street Walking. A Faint Sketch attributed here to 'Robert Dighton Junior', Impression. showing a man bigger than his horse. The well-known London, Pub. Oct. 2 1826 by S. & J. Fuller, 34 draughtsman and singer Robbert Dighton (1751-1814) Rathbone Place. in fact had two sons named Robert, born in 1777 and Coloured lithograph. Sheet 275 x 200mm (10¾ x 8"). c.1786 respectively. The latter worked as a caricature Trimmed within plate. £190 poortrait etcher in the early 1800s and so is the more Outside a hatshop, an altercation between two young likely to have executed this drawing. The note also street vendors, one holding a tray of meat and the other states that this sketch was in the collection of Richard food and drink, ends up with the food being spill over Dighton, presumably Robertt''s sibling (1795/6-1880) innocent bystanders. who continued his father's business in mildly A companion to 'A Strong Impression', in which there caricatured portraits. is a similar confrontation between a chimneysweep annd Stock: 43913 a boy selling pies. Stock: 43278 229. A Scene in Hyde Park M.y 13. 1843. Published by W. Roxbrough 4 Grays Place Brompton & A. Hays 13 G.t Castle Street Regent Street. [n.d., c.1843.] Lithograph with hand-colourring, scarce; sheet 230 x 290mm (9 x 11½"). Bit messy; creased. £180 Two scruffy boys pursued up a tree in London's Hyde Park by two policemen, or 'ppeelers' (named after Sir Robert Peel, whose Metropoollitan Police Act led to the formation of London's first police force in 1829). Five more policemen approach on right. Stock: 43915

230. Les Mangeurs de Glaces. L. Boilly 1825. J. Lith de Delpech. Hand-coloured lithograph. Shheet: 360 x 235mm (14 x 9½"). Bit time stained. Laid on album sheet. £130 A group of figures eating ice-cream, from Boilly's 226. Hamlet. series of 'Grimaces'. [Metz del. Annsel & Stadler sculp.] [London, Pub.d Stock: 43976 Oct.r 1809 by W.m Holland No 11 Cockspur St.] Fine coloured aquatint. Sheet 285 x 345mm (11¼ x 231. Jealousy and Revenge. [&] Plenty. 13½"). Trimmed to image on three sides, around title at [n.d., c.1800.] bottom, losing inscriptions. £320 Pair of coloured roundel stipppples. Sheets each 85 x Hamlet burlesqued. Halmet is thin, elderly, and ugly,, 85mm (3¼ x 3¼"). Trimmed and laid on album paper. plainly dressed in black; Marcellus and Horatiowear £220 military coatts with knee-breeches and buckled shoes.. In the first image man pinches the another man's ear The Ghost, wearing helmet and armour on his upper while the other grabs the firsst's hat. In the second a body, stands with knees bend, lighting the three men florid man rubs his extendedd belly. with a bright beam from his eye. BM Satires 11446. Stock: 43909 Stock: 43904

232. Miseries of the Country. Following on 227. Mrs HHarris of Follop Yard taken from horse back a stow cart through an endless Life. narrow lane at sunset when you are already too Drawn & Etchd by George Belcher May, 1918. [Signed in pencil lower right margin.] late [...] Hand coloured etching, platemark 285 x 195mm (11¼ [Etched by Thomas Rowlandson, published by x 7¾") very large margins. £190 Rudolph Ackermann c. 1808] Large woman with a shopping bag; street scene behind. Etching, platemark 110 x 165mm (4¼ x 6½") very By George Frederick Arthur Belcher ARA (1875 - large margins. £95 1947). One of Thomas Rowlandsonn's 'Miseries of Human Life' Stock: 43324 (1808), illustrating passages from the book of the same title by James Beresford (1764-1849). Beresford's book went through several editionns and was considered a minor classic, counting Sir Walter Scott among its admirers. By Thomas Rowlandson (1757-1827), satirist whose 237. The smallest donation thankfully graphic style has become synonymous with the popular received. vision of late Georgian Britain. BM Satires 10817 [n.d., c.1840.] Stock: 44014 A rare lithograph, coloured with gum arabic highlights. Sheet 240 x 170mm (9½ x 6¾"). £320 233. Pear-Tree. A negro begging on St Martiin's Lane, brookstick in Pub.d Dec.r 26 1829 by G. Tregear Cheapside London. hand. Etching. 225 x 160mm (8¾ x 6¼"), with very large Stock: 43901 margins. £160 A romantic couple stand under a pear tree, the fruit of 238. St Andrew's Day. 251. which contain vignettes of other 'pairs': these includee Published 1st Nov.r 1800, by Laurie & Whittle, 53 the Pope and the Devil, acleric and a sweep, two Fleet Street, London. amputee veterans, two boxers; a sailor and his love and Coloured etching. 200 x 250 (8 x 9¾"), with very large a woman's bust. A Boxing image. margins. £220 Stock: 43897 A Scottish family sit around a dining table; as a woman cuts into a haggis a jet of juices sprays into a man's 234. Provvision for the Convent. face. To the leftf a young woman has a sheep's head on R. Brookshaw Fecit. [n.d., c.1790.] a platter. Mezzotint. 150 x 115mm (6 x 4½") very large margins. Stock: 43890 £160 A comic scene showing a happy monk, dressed in his 239. Och By St Patrick Here's Luck. Just cassock and wearing a crucifix, carrying a woman Been Left Two and Twopence ½ a week. concealed in a bundle of hay. W.R.S. Fect. Pub.d by J. Kendrick 54, Leicester Sq.r Stock: 43866 London. [n.d. c.1830.] Lithograph, rare. Printed area 230 x 150mm (9 x 6"). 235. A Priize Baby Show - Materfamilias £160 rewarding a successful candidate. Punch's A ragged and drunken Irishman celebrates a bequest. Pocket-Book for 1855. Stock: 43888 J. Leech. [London: Bradbury Evans & Co., 1855.] Coloured etching. Sheet 120 x 310mm (4¾ x 12¼"). 240. Tea Drinking. A Lady and her eldest Folded as issued, stitch holes. £70 daughter, / Were drinking Tea in boiling water A satirical look at baby shows, designed as the folding / And with their neighboours reputation / Were frontispiece of 'Punch's Pocket-Book', with the title- making free to admiration [...] page on the same sheet. [Anon., c.1785] Stock: 43982 Engraving with hand-colouriing, rare, sheet 185 x 230mm (7¼ x 9"). Trimmed,, losing some text; glued to baacking sheet. £130 A genteel tea is disrupted byy a group of boys introducing a mouse, 'nimble enough to make Miss squeal' and upset the table! Stock: 43911

241. Wide-Awake. [after James Gillray] [n.d., c..1806.] Hand-coloured etching. Sheet: 225 x 185mm (9 x 7¼"). Trimmed. £260 A comic scene in which an old man is startled awake from a nap by two howling cats. Copy of BM Satire 10645. Stock: 43650

242. [Set of lithographss by George Cruikshank illustrating the letters of the 236. Massa, Pray give something to Poor alphabet, with three of Cruikshanks 'Months Mungo! of the Year' and a landscape watercolour] [n.d., c.1840.] Fifteen etchings glued to album sheets, very rare each A rare lithograph, coloured with gum arabic highlighhts. alphabet image approx 115 x 75mm (4½ x 3"). £160 Sheet 240 x 170mm (9½ x 6¾"). £320 Set of etchings by George Crruikshank, who after A negro begging on a rural lane. His right leg is specialising in biting political satire in the early part of wooden, sugggesting he is a naval veteran. his career developed a seconnd career as a gently Stock: 43900 humorous illustrator. Stock: 43537

243. [Fashions of Brighton.] 1832. Set of four watercolours. Each sheet: 125 x 90mm (5 x 3½"). Laid on album sheet. £180 Four vignettes caricaturing the fashions seen in Brighton in the 1830s, the watercolours emphasise the tall hairstyles and volumous skirts and sleeves. Stock: 43972

244. Bunbury's Whims. Round. Triangle. Square. L.M.R. [n.d., c.1825.] Watercolour, 18th century watermark. Sheet: 240 x 360mm (9½ x 14"). Large repaired tear through sheet. £150 A watercolour copy of Henry Bunbury's Whims. Threee figures stand next to each other in a line, one is made up of circles, the second triangles and the third squares. Stock: 43975

245. Bunbury's Whims. The Lovers. L.M. Re [n.d., c.1825.] Watercolour. 18th century watermark, Sheet: 240 x 360mm (9½ x 14"). £260 A watercolour copy of Henry Bunbury's Whims. A male figure kneels before a standing woman with a fan, made up of triangles. 248. L'Eclipse. Dediée aux Astronomes, et Stock: 43974 aux Philosophes du dixhuuitieme Steele par VA. Etch'd by J. Barlow. Publish''d as the Act directs, Feb.y 246. Hats. 20, 1787, by H. Humphrey No 51, New Bond Street. Pubd. Accorg. to Act Octr. 1. 1773 by MDarly 39 Etching with fine hand colour, rare; 18th century Strand. watermark. 300 x 215mm (12 x 8½"). Mounted in Etching, 18th century watermark, platemark 250 x album paper. £480 350mm (9¾ x 13¾"); large margins on 3 sides. £290 A woman's head, topped with a conical hat trimmed Twelve caricature heads showing the different types of with a monstrous arrangement of feathers, peers over a hat worn by men. A companion print to 'Wigs' (ref. huge fur muff. Eclipses were in the news in 1787 43828). beecause there were seven fulll eclipses of the sun and From an album of caricatures published by Mary Darly moon, the maximum numberr possible, which usually dated January 1776. It seems that her husband Matthew happens once every 130 yearrs. made the plates. BM Satires: 5169. A note on the British Museum's example of this print Stock: 43827 (frf om the Banks Collection) ascribes it to a Miss V. Aynscombe BM Satires 7248. The three examples in 247. Wigs. the BM are all uncoloured. Pub.d Accor:g to Act Oct.r 12 1773 by MDarly 39 Stock: 43889 Strand. Etching, 18th century watermark; platemark 245 x 249. Headlands Capes and Promontories 345mm (9¾ x 13½") margins on 3 sides, inside plate at Publish'd June 1786 by J.s Brretherton. top. Cut. £260 Etching, platemark 250x 350mm (9¾ x 13¾") very 14 caricature heads showing the different types of wiig large margins. £180 worn by men. A companion print to 'Hats' (ref. 43827). Satire on the fashions of the 1780s, which included Some are apparently portraits, including Henry men's high-collared cut-away coats fastened by two Bathurst, 2nd Earl Bathurst (1714 - 1794), Lord large buttons (a revival of a ffashion of 1777). Etching Chancellor. after a design by Catherine Maria Fanshawe (1765- From an album of caricatures published by Mary Darly 1834), poet, an album of whose etchings and drawings dated January 1776. It seems that her husband Matthew is in the British Museum. BM Satires 7114. made the plates. BM Satires: 5170. Stock: 43922 Stock: 43828 250. The English Frenchifyed Macaroney, his Lady & french Footmann Comeing from Church. [n.d., c. 1770.] Engraving. Plate: 100 x 175mm (4 x 7") large margins. Laid on album sheet. £70 A comic scene showing a man and his wife, dressed in 255. A Tailors Hunt or the sports of the the highly decorative French fashions, walking from Shopboard. church while other people in the street stop and stare. [n.d., c.1795.] Stock: 43965 Hand-coloured etching. Plate: 240 x 330mm (9½ x 9"). Repaired tears, paper tone, daamage to edges and paper loss; damaged bur rare. £140 A comic scene showing five tailors making a game out of catching a large beetle on their worktop. Stock: 43865

256. Graf kelder der Verongelukte Actionisten. Eere-titel, of Gordyn voor het Schouburg der Actie-Tafereelen, beschildert met de Actie-Winkel dess Groenen en Dorren Tyds, Of Spiegel des Papieren Warelds. [Amsterdam, 1720.] 251. [Thirteen etchings showing women's Coloured etching & engraving. Two plates, largest 290 headwear fashions] x 190mm (11½ x 7½"), with letterpress title below Pub by MDarly 39 Strand [some dated 1773-5] Letterpress description lacking. £360 Thirteen etchings, rare, each platemark approx. 180 x 'Tomb of the ruined stockhollders', 'Titlepage of honor, 130mm (7 x 5") very large margins. Plate 1 repaired or curtain before the theatre of the stock plays, tear at top near platemark; Plate III repaired tear on representing the stock shop of the green and sterile right. £1600 times; or mirror of the paper world'. An engraving Set of etchinggs by the husband and wife printmakers showing an old winged man,, holding a mirror in front and publishers Matthew and Mary Darly, who of a young man who points at a globe representing the specialized in gentle social satire. international speculation schhemes, surrounded by an Stock: 43536 etched border of Callot figurrees, strap-work and various objects, including two bird caages. 252. Parisian Elegance. Published in 'Het Groote Taffereel der Dwaasheid' (The Publish'd Jully 6th. 1803. by Laurie & Whittle, 53 Fleet Picture of Stupidity), a collection of satires on financial Street, London. buubbles. BM: 1638. Hand-coloured etching. Sheet: 200 x 245mm (8 x Stock: 43998 9¼"). Trimmed. £120 A scene showing two women, the figure on the right 257. Blind-man's Buff. wears a white dress which is very low-cut while the [Hunt; c.1830] figure on the right wears a shawl wrapped around her. Aquatint with hand-colouringg, sheet 185 x 260mm (7¼ Stock: 43968 x 10¼"). Trimmed to image aand glued to backing sheet, with title pasted below. £85 253. The Rustics alarm'd at the Appearance Prints satirising the free blacck population in of a London Buck. Pennsylvania, which had banned slavery as early as Published 27th July 1790, by Rob.t Sayer, No. 53 Fleet 1780. Edward William Clay,, inspired by Edward Street, London. Cruikshank's 'Life in London' series, published his 'Life Etching. Plate: 200 x 250mm (8 x 9¾") large margins. in Philadelpia' series from 1828-1830, in which this Tear in top border. £140 prrint was probably first publiished. Of the fourteen A comic scene in which the inhabitants of a cottage are aquatints ten are satires of thhe black populace which shocked by the dress of a young man, to the left a child did much to enforce the negative stereotypes held even runs to its mother, on the right a man falls to his knees in the free North. Stock: 43851 in prayer whiile other figures looked generally shocked. Stock: 43969 258. [Capuchin Monk] Cercante Cappuccino. 254. Ganging to the Kirk. Sketches of Scotcch Nell Gabinetto di S.M. ill Re di Pol. Elet. Character. Sassonia. [William Heath.] Pub by T. McLean 26 Haymarket. Eques. P.L. Ghezzi delin. Matthaeus Oesterrich sculps [n.d., c.1830.] OM Sculpsit Dresdae 1750 : adi 5. 8bre Etching with fine hand-colour. Plate: 380 x 265mm (15 Etching, in ink bottom left Matthias Oesterreich fecit; x 10½"), with very large margins. Repaired tears in pllatemark 285 x 190mm (11¼ x 7½"). Trimmed to edges. £280 pllatemark top and bottom. £260 A scene set in Scotland in which two well-dressed Etching after a drawing by Pier Leone Ghezzi (1675- women wash their dirty feet in a puddle before going to 1755), regarded as the first professional caricaturist. church. William Heath's monogram of Paul Pry states Based in Rome, Ghezzi movved freely amongst the 'Lord love you this may be seen every Sunday in Italian nobility, even associaatting with Pope Clement Glasgow'. Not in BM. XI. His satirical portraits incllude one of Vivaldi and Stock: 43630 several British grand tourists. This is one of a collection of Ghezzi's designs engraved by Matthias Madame Very see ref. 43843; for the two etchings Oesterreich (1716-78) from drawings in the collection together on uncut sheet see ref. 41132. of the Elector of Saxony, 'Raccolta di XXIV Caricature Stock: 43842 Disegnate colla penna dell Celebre Cavalliere Piet: Leon: Ghezzi. Conservati nell Gabinetto di Sua Maestà 261. [Louis XIII.] P. P. P. Foederatorum il Rè di Polonia Elett. di Sassonia'. Vindici. Stock: 43914 [Abraham Bosse.] I. Blondus excud cum privilegio Regis. Engraving, fine. Sheet: 260 x 320mm (10¼ x 12½"). Trimmed and laid on album ssheet at top corners. £350 A satirical print showing kinng Louis XIII of France depicted as Hercules with a llarge club over his shoulder, framed in a decoraattive border. The scene refers to Louis XIII's defeat of Spain. Stock: 43880

262. Madame Very Restaurateur, Palais Royal Paris Rowlandson Scul J.N. [John Nixon] [c.1814] Etching with fine hand-colouring, sheet 185 x 260mm (7½ x 10½"). Trimmed from larger sheet. £180 Scene of Parisian high life depicting Madame Very, who headed a list of the mosstt renowned 'restaurateurs' in Paris in an 1818 guideboook, 'Le Nouveau Conducteur'. Etching after John Nixon by Thomas Rowlandson (1757-1827), whose work has become an integral part of the popular vision of Regency Britain. This print was originally published on the same sheet as an etching of 'La Belle Liminaudiere' BMB Satire 12410; for the etching of La Belle Liminaudiere see ref. 43842; for the two etchings together on uncut sheet seee ref. 41132. 259. Situation de l'Angleterre Au Stock: 43843 Commencement du 19ieme Siecle. [n.d., c.1800.] 263. [Louis Mandrin and accomplices holding Engraving, rare. Sheet: 220 x 165mm (8½ x 6½"). up a bank] En nous paiant comptant, nous Trimmed. Creasing. £140 aurons toujours soin, / De prévenir, Monsieur A French satitical cartoon commenting on the state of votre moindre besoin [...] Britian's finances following the French Revolutionary [Anon., c.1750] Wars and the American Revolutionary Wars in 1803. Engraving, scarce; sheet 2000 x 290mm (8 x 11½"). Britannia is shown proctecting her head from a cloud Trimmed; damage to lower rright; glued to backing of falling bills which pile up around her, the British sheet. £130 leopard lies squashed beneath them, rats in the The French highwayman Louis Mandrin (1725-55) background & a squashed cat under bills. Stock: 43654 holds a pistol to the throat off a 'financier', who he forces to accept various goods in return. Mandrin, who was executed, has been descrribed as the French 260. La Belle Liminaudiere au Caffee de Millle equivalent of Robin Hood. Collone, Palais Royale Paris. Stock: 43926 J.N. [John Nixon] [c.1814] Etching with fine hand-colouring, pt 1812 watermark; 264. A Moolaqat or Visit of Ceremony. Wâh! sheet 190 x 265mm (7½ x 10½"). Trimmed from larger Wâh! kyse t'heek donon ekhee hyn / Lâl rung sheet. £180 Scene of Pariisian high life depicting Madame Romainn, lugâone se our bhee khoob ho jaege. / Wâh! who presided over the Café des Mille Colonnes, Wâh! how beautiful & true to the life & both renowned for its gilt columns and mirrors. so like! / If the white onee were but painted red Etching after John Nixon (who visited Paris in 1814 it would be perfect. after the fall of Napoleon) by Thomas Rowlandson [after Charles D'Oyly.] [n.d.,, c.1829.] (1757-1827), whose work has become an integral part Coloured etching. Sheet 235 x 170mm (9¼ x 6¾"). of the popular vision of Regency Britain. Trimmed within plate, some slight surface soiling. This print was originally published on the same sheet £160 as an etching of 'Madame Very Restaurateur. Palais A European looking at a female nude statue on the Royal Paris'. BM Satire 12410; for the etching of table entertains two Indians, a plate from 'Tom Raw, the Griffin: A Burleque Poem in Twelve Cantos, Descriptive of the Adventures of a Cadet in the East India Company's Service...' According to the original text (not present here); ''On Sundays, and Certain Hindoo or Moosulman holidayss, the Courts and Kucherrees are closed, and the Rajas and men of Rank take such occassions to pay their respects. In this image the master is rolling up in his fingers beetle-leaf''. Charles D'Oyly (1781-1845),7th Baronet. Stock: 43886

265. Bloodhounds seizing their Prey_ie_Bow Street Patrole upon Private Business. "Proud Nimrod firrst the bloody chase began, Almighty hunter and his prey was Man". Pope. Pub.d July 1816 by T.Tegg 111 Cheapside. Hand-coloured etching, printed on 1817 watermarked paper; Plate: 250 x 350mm (9¾ x 13¾"). Tears and 268. [General William John Arabin.] (Sir creasing in edges, paper tone. Crease through print. Call: O'Brall)_''only look at the General, £240 A satrical print showing two theives being caught and Madam!''. See Love a la Mode. held by two Bow Street Runners while a third runs off [by James Gillray.] Pub.d Maarch 5th 1802 by H. to the left. The Bow Street Runners were London's first Humphrey. 27 St James's Strreet. police force. Watch & clock maker's shop to left. Not Etching. 250 x 200mm (9¾ x 8"), watermarked '1801 J. in BM. Whatman', very large margins. £190 Stock: 43644 Satirical portrait of Major-General William John Arabin, hands on hips, spotted nightcap on head, highlighting his Jewish profiile. 266. The Gout. The satire uses Macklin's farrce, 'Love à la Mode' Printed and Published by W. Davison Alnwick. (Drury Lane, 1760): when the Jew broker, Mordecai, Etching with hand-colouring, platemark 170 x 235mm sneers at his love-rival, Sir Callaghan O'Brallaghan, 'If (6¾ x 9½"). £50 I was a general...', O'Brallaghan retorts 'You a general A man suffering from gout sits with his foot resting on . . . Pray Madam, look at the general - ha, ha, ha!'. BM a stool. He rings a small bell for assistance from a Satires 9917. young servant, seemingly to try and stop him from Stock: 43266 leaving the room. Etching published by William Davison, publisher of popular prints and satires, and pharmacist, usually 269. [General Robert Manners.] '' - Gentle referred to as Davison of Alnwick after the manners, with affectionss mild, in wit a man, Northumberland town where he lived. In the period simplicity a child''. between 1812 and 1817, Davison produced a number [by James Gillray.] Pub.d Nov.r 4th 1798. by H of caricatures often based on better known prints. Humphrey. St James's Streett. Stock: 43838 Etching. 260 x 180mm (10¼ x 7"),with very large margins. £160 267. The Gout. Probably Robert Manners (17758-1832), grandson of Printed and Published by W. Davison Alnwick. the 2nd Duke of Rutland, MP for Cambridge 1791, Etching printed in red, platemark 170 x 235mm (6¾ x gazetted Major-General 3 Maay 1796, full general in 9½"). £65 1813. BM 9288; the originall water-colour, by an A man suffering from gout sits with his foot resting on amateur (closely followed by Gillray), is in the Print a stool. He rings a small bell for assistance from a Room. young servant, seemingly to try and stop him from Stock: 43268 leaving the room. Etching published by William Davison, publisher of 270. [What the devil arre you doing?] Que popular prints and satires, and pharmacist, usually diable fais tu la? referred to as Davison of Alnwick after the G.f. de Goez inv et del R. Brrichet. Sculp. 1784. Se Northumberland town where he lived. In the period vend à Augsbourg dans le Négoce comun de between 1812 and 1817, Davison produced a number l'Academie Imperiale d'Empiire, sous son Privilege et of caricatures often based on better known prints. avec défense de n'en faire ni vendre de Copies. Stock: 43839 Etching, rare, sheet 225 x 1660mm (8¾ x 6¼"). Trimmed to plate; very smalll hole in centre. Slight staining at top. £80 Full-length likeness of a soldier, with a town in baackground. From an unidentified series of prints by etcher Robert Brichet after German painter Gottfried Bernhard Goetz (1708 - 1774). For another print from the same series see ref. 19615 & 43853. Stock: 43852

271. [I'm doing my best, Sir] Je fais mon possible Mrr. G.f. de Goez inv et del R. Brichet. Sculp. 1784. Se vend à Augsbourg dans le Négoce comun de l'Academie Imperiale d'Empire, sous son Privilege ett avec défense de n'en faire ni vendre de Copies. Etching, sheet 225 x 160mm (8¾ x 6¼"). Staining to upper edge; tear on right. Rare. £80 Caricatured likeness of a soldier holding a rifle, with encampment behind where other soldiers can be seen punishing prisoners. From an unidentified series of prints by etcher Robert Brichet after German painter Gottfried Bernhard Goetz (1708 - 1774). For another print from the same series see ref. 19615 & 43852. Stock: 43853

272. Vive le Vin. Bellangé Lith de G. Engelmann [1818] Lithograph, printed area 195 x 130mm (7¾ x 5"). Fine impression. £110 Hand-coloured aquatint, rare. Framed. Printed area: Drunken soldiers embracing outside a tavern. 240 x 190mm (9½ x 7½"). Frrame: 370 x 300mm (14½ Lithograph by Hippolyte Bellangé (1800-66), French x 11¾"). Unexamined out off frame. £290 painter and printmaker. A pupil of Gros (with whom he A satirical scene showing a large snake, who represents studied alongside R.P. Bonington and Paul Delaroche), Napoleon and the French, being hung from a gibbet Bellangé exhibited at the Salon and from 1823 to 1835 carved with the names of the Allies (though Prussia is he publishedd fifteen albums of lithographs focused on missing). The gibbet is supported by a oak tree Napoleonic military history. He later moved to Rouen representing England, while the English lion bites and to become curator of the Musée des Beaux-Arts before claws at the snake's tail. BM Satire 12200. returning to Paris in 1853. Stock: 43876 Godefroy Engelmann (1788-1839) was a lithographic printer, famed 'Körner' (grinder) for crayon- 275. Cabin Council Pr 6d [A Late Epistle to lithographs, and patentee of chromolithography. He set Mr. C[levlan]d] up a press in Paris in June 1816. He improved [Published by Matthew Darly c.1756] lithography, paricularly by developing lithographic Etching with original hand-ccolouring, sheet 160 x wash in 1819, and the impressive effects of his 205mm (6¼ x 8"). Trimmed to platemark on three innovative techniques are displayed h sides; lacking letterpress as originally published. Very Stock: 43355 scarce. £260 Satirical print originally publlished as part of the 273. [Prince William of Gloucester] Patern- brroadside 'A Late Epistle to Mr. C[levelan]d', one of Staff. Weymouth, 1797. many satires on John Byng's failure to relieve the [by James Gillray.] Pub.d Nov.r 9th 1797 by H. French siege of Minorca. In 1756 Byng, as Admiral of Humphrey. 27 St James's Street. the Red, was sent to prevent the French from taking Etching. 2500 x 170mm (9¾ x 6¾"), with very large Port Mahon, a mission which ended in his arrest, margins. £160 conviction by court martial, and death by firing squad A rear view of a small, thin officer, wearing a bicorn for failing to engage the French. The scene here is a hat, face obscured, believed to be William Frederick, council of war in Byng's cabiin, in which the various 2nd Duke of Gloucester (1776-1834), Field Marshal. officers resolve to return to Gibraltar. Originally Gillray produced three satires relating to George III's puublished with letterpress text from Samuel Butler's summer holiday in Weymouth in 1797, when cavalry 'Hudibras' and a letter purporrting to be from Byng to and infantry camps were erected nearby. BM 9070. John Cleveland, written en route from Minorca to Stock: 43267 Gibraltar. BM Satires 3358 Stock: 43824 274. Public Execution of a Tyrant. A gibbett formed by the Allies, well supported by Old 276. The Battle of the Nile. England. The British Oak & Lion, crushing & G Cruikshank rec.t London Pub.d July 1st 1825 by J. tearing the Corsican Viper, whose sting falls Robins & Co Ivy Lane Etching with fine hand-colouring, sheet 185 x 250mm down harmless upon the Oak. (7¼ x 9¾"). £85 TH. Published as the Act directs March 1814. The parlour of 'The Jolly Saiilor'; a gathering of old sailors, most of them wounded, one of whom relates a description of Nelson's victory at the Nile. Paintings of Etched by James Gillray (17556-1815), caricaturist now naval engagements on the walls and a publican widely regarded as the greatest of all political satirists. observing. A celebrity in his own lifetime, Gillray's work was Illustration, by George Cruikshank, to Matthew Henry known and admired internatiionally. In the Victorian Barker, 'Greenwich Hospital; a Series of Naval peeriod his work was considerred too vulgar and coarse; Sketches, descriptive of the Life of a Man-of-War's as McConnell and Heneage ((DNB) write, 'a generation Man'. For Barker's 'Greenwich Hospital' see ref. inclined to cover up the legs of pianos in the interests 21740. of modesty was hardly likely to welcome pictures of Stock: 43845 nude ladies dancing behind a gauze screen..., still less French fishwives thrashing the bare bottoms of nuns'. 277. Portsmouth Point. However, in the second half of the 20th century his Rowlandson Del. [n.d., c.1817) importance has been recogniized in major exhibitions Etching with hand-colouring, platemark 250 x 350mm and the assembling of signifiicant collections of his (9¾ x 13¾"). £280 work by several major institutions. BM Satires 5992 Sailors on leave in Portsmouth carouse and cavort with Stock: 43912 the local women. On the right is a tavern, while on the left is a Jewissh pawnbroker (Moses Levy Money Lent). 279. Tom Tack's Ghost. I Courted Polly of Reprint c.1817 of an etching first published in 1814 by Spithead, / And ax'd herr to be married; / At Thomas Rowlandson (1757-1827). An artist of first she was most cruel kind [...] 38 extraordinary range, Rowlandson was equally at home London, Pub. by T. Tegg 111 Cheapside, Feb. 7 1808 producing inncisive caricatures or lyrical watercolours, Etching with hand-colouring, platemark 270 x 205mm and his work has become an integral part of the popuular (10½ x 8"). Trimmed to platemark on right. £160 vision of Regency Britain. BM Satires 12408. Etching illustrating a popularr song (the words to which Stock: 43825 prrinted below) in which a saiilor recounts how he shot Tom Tack, a rival for his love Polly, only to be tormented by his ghost. As the illustration shows, the 'ghost' was Tom Tack, not dead but wearing a white sheet to disguise himself. Etching by Charles Williams, one of a number of prints in this format by Williams and his contemporary Thomas Rowlandson published by Thomas Tegg circa 1808-9. Stock: 43919

280. Publicans Sport foor October or the Beer Bill in Full Opperation. London Pub.d by O. Hodgsoon, Cloth Fair. [n.d., 1830.] Lithograph with very fine hand-colour. Sheet: 245 x 390mm (9¾ x 15¼") large margins. £280 278. Rodney Triumphant.__or__Admiral A satirical print commenting on the Duke of Lee-Shore in the Dumps Wellington's Beerhouse Act of 1830 which removed [by James Gillray] Political Characters & Caracatures beeer taxes and introduced neew licensing laws in an of 1782. N° 3 Pub.d May 31st 1782 by E'D'Achery St attempt to reduce the consumption of gin. A large James Street London peelican-like bird, whose body is a sack of hops, catches Etching with hand-colouring, sheet 250 x 350mm (9¾ up brewers and ale-house keeepers in his beak while x 13¾"). Trimmed inside platemark. £520 other figures flee, Wellington and two other ministers George Bridges Rodney stands on the French flag laiid ride on the creature's back. down by François De Grasse following the Battle of Stock: 43628 the Saintes, a naval battle fought off Dominica in 1782 during the American War of Independence in which 281. Catholic Petitioners or Symptoms of a Rodney's British fleet defeated the French fleet led by Peacable Appeal. De Grasse. While sailors behind Rodney celebrate, T. Jones fec.t [in image] London Pub 1829 by S.W. British politicians on the left are less jubilant. Fores 41 Piccadilly Shortly before news of Rodney's victory reached Etching with hand-colouring, platemark 255 x 355mm England, Lord North had resigned as prime minister (10 x 14"). Damaged to border on left.. £160 and the new ministry had decided to replace Rodney as Daniel O'Connell (right) leads agitators for Catholic commander-iin-chief of the Leeward Isles (a group of Emancipation towards London. The Roman Catholic islands in the West Indies) with Admiral Hugh Pigot. Relief Bill was published shortly after this print. BM As Rodney's victory (which Charles James Fox Satires 15662 described as 'the most brilliant victory that this country Stock: 43318 had seen this century') became known, unsuccessful attempts were made to recall Pigot, causing the awkward situtation depicted by Gillrayhere and in other satires of the time. 282. The Political Dancing Bear. ''Music has charms to Sooth a savage Beast.'' [n.d., c.1773.] Engraving. Sheet: 115 x 170mm (4½ x 6¾"). Trimmed and laid onto album sheet. £60 A commentry on the idea of alliance between England, France and Spain. England is shown as a bear, dancing to the tune of the French ambassador Comte de Guines who plays the fiddle, while a figure representing Spain holds the leash. Behind them the French and Spanish kings laugh. Above two sides of one coin are shown, on the right the three kings, the central face of George III looks concerned out to the front, while the kings of France and Spain look at him slyly. BM Satire 5110. Stock: 43962 Satire on the Catholic Emancipation Bill of 1829. In the foreground, the duke of Wellington (digging a 283. Caricatures, Derby Election; April, 1859. grave) talking to Sir Robert Peel, with John Scott, first Price Two Shillings and Sixpence. earl of Eldon on the left as Hamlet (dressed in black Published by Bemrose & Sons. and holding a skull). George IV exits to the right (only Eleven lithographs in original wrappers and binding, his rear end is visible), next tto a gravestone inscribed 280 x 390mm (11 x 15¼"). Creasing. £250 'To Hanover'. Rare portfolio of cartoons on the subject of the 1859 In background York Minsterr on fire, and St Paul's Derby election The successful candidate was Michaeel Cathedral (inscribed 'St Paulls now St Patricks') with Thomas Bass (1799-1884) of the Bass Brewing family the Pope celebrating outside.. The titular funeral of Burton on Trent who was first returned as MP for prrocession takes place on the right. Derby in the liberal interest in 1847 and held the seatt Attributed to Isaac Robert Crruikshank (1789-1856), until 1883. caricaturist and portrait paintter who as a young man Stock: 43924 had a commission on the East India Company's ship 'Perseverance'. He didn't get on well with his captain, 284. The Premier distributing the Loaves and however, who left Cruikshank behind on St Helena. Fishes to the Labourers in His Vineyard Mayy When he finally made it back to England it was to the 9, 1772. astonishment of his parents, wwho were in mourning on Engraving. Plate: 180 x 110mm (7 x 4¼"). £50 account of his reported death. BM Satires 15690 A satirical scene showing Prime Minister, Lord North Stock: 43190 walking on stilts held in place by the Earl of Mansfieeld and the Earl of Bute. The scene attacks both 287. Going the Rounds.. (A supposed midnight ministerialists and patriots. scene) [..] Polemoscope No. IV Stock: 43961 R.H. Nimmos Lithog. 30 South Hanover Street Edin.h [c.1828] 285. Cabiinet In's and Out's. No. 2. George Lithograph with hand-colourring, pt J. Whatman and the Dragon. watermark; printed area 315 x 255mm (12½ x 10"). H.H. fecit. Pub.d April 29 1827 by J. Fairburn, £230 Broadway. One of a set of rare Edinburgh-published prints Hand-coloured etching, fine colour. Sheet: 240 x showing a Printers' Press running, relating to the 340mm (9½ x 13½"). Trimmed to printed border and Apocrypha Controversy overr whether the Apocrypha laid on album sheet. Cockling. £230 should be included in Bibles published by the British A satirical scene commenting on George IV's and Foreign Bible Society for overseas missionary appointment of George Canning (1770-1827) as Prime work. For a series of satires on the Apocrypha Minister following Liverpool's standing down after a Controversy see ref. 18281. stroke. Following the appointment Wellington, Peel Stock: 43921 and five other members, shown here as the various heads of the dragon, refused to serve as ministers under 288. The ever-memorable Peace-Makers him splitting the Tory party. Canning is shown as St settling their Accounts. George charging at the monster. [Anon., c.1769] Stock: 43864 Engraving, platemark 115 x 175mm (4½ x 7") large margins. £95 286. Funeral of the Constitution. Hamlet. Act The duke of Bedford, earl off Bute and Henry Fox, lord vth Scene a Church yard. Enter two Clowns Holland sat around a table, the devil stood behind with spadess. Holland, holding an axe. The general theme of the Pub.d March 1829 by T. McLean Haymarket satire is Holland's alleged diversion of public money to Etching with hand-colouring, platemark 260 x 360mm prrivate purposes- shortly beffore this print was (10¼ x 14¼"). Small margins. £260 puublished a petition submitted to the king by the Freeholders of Middlesex deescribed him as 'a notorious defaulter of unaccounted millions', and here he writes Potter in 1747. The manuscriipt below the print in a book inscribed 'unac.d Millions'. identifies Gibson and Hoadly and Thomas Sherlock, Published in 'The Town and Country Magazine', 5 July Bishop of Salisbury incorrecctly. 1769. BM Satires 4300. Stock: 43625 Stock: 43858 291. The Young Heir among bad Councellors, or the Lion betray'd. [n.d., c. 1771.] Engraving. Plate: 155 x 110mm (6 x 4¼"). Laid on album sheet. £65 A satirical scene showing the young George III, shown as a blindfolded lion, being given advice by various ministers, all of whom have been caricatured to look like monstrous creastures. Frrom the 'Oxford Magazine'. BM Satire 4859. Stock: 43958

292. [Lord Lyttelton in profile] The Advocate. What Oratory can do Shall be done / But then Good Sir you know I am but one Publish'd according to Act Oct 2d 1756 by Edwards & Darly facing Hungerford, Strrand Etching, platemark 80 x 110mm (3 x 4¼") large margins. Bottom margin on lleft missing, jacket has faded old colour bit foxed. £60 Caricature of George Lyttelton, first baron Lyttelton (1709-73), politician and wriiter, in profile in the act of speaking. Seen through a window on the right is the Duke of Newcastle, while on the wall behind Lyttelton 289. John Bull or an Englishman's Fireside! hangs a picture of Brittania chained by the wrist, in [After C.J. Grant.] [G. Drake.][n.d. c.,1833.] reference to the alleged subseervience of the Newcastle Woodcut, rare. Sheet: 330 x 230mm (13 x 9"). £180 administration to French inflluuence. Lyttelton was Satire on attempts to enforce Observance of the chancellor of the exchequer at this time, a role to which Sabbath. John Bull sits miserably in a corner of a rooom. he was unsuited, and when Newcastle resigned in the Having beenn paid his weekly wages after the shops haad face of popular opposition shortly after this print was shut on Saturday, he has no food or 'bacca and is puublished, Lyttleton retired ffrom office. unable to go out for fear of the 'Arm'd Blue Devil', a Published in 'A Political and Satirical History of the bearded 'bobby' (a Metropolitan Policeman), seen Years 1756 and 1757', a volume of seventy-five through a window with a cracked pane. He complains satirical prints with short descriptions. The description 'This is Observing the Sabbath with a vengeance'. of this print read 'A Caricatuurra famous for his Between 1830 and 1847 the M.P. for Wigtownshire, Attachment to the old Pack; hhis Eloquence was always Sir Andrew Agnew, introduced four bills to the House exerted to vindicate their Blunders, which he was a of Commons attempting to enforce the better great Admirer of'. BM Satirees 3527; for 'A Political Observance of the Sabbath. On his third attempt and Satirical History of the Years 1756 and 1757' see Charles Dickens wrote 'Sunday Under Three Heads' ref. 38743. (1836), a personal attack on Agnew, whom he Stock: 43820 described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any 293. [George Lyttelton] Cassius. O Prithee pleasure in life. Agnew left Parliament in 1837, ending Strive they Grov'ling minnd to raise, / Above the the campaign. A woodcut after C.J. Grant's 1833 Bounds of thy Imperfectt State [...] lithograph published by Tregear. Not in BM Satire. Publish'd according to Act off Parliam.t Sep. 30 1756 Stock: 43653 byy Edwards & Darly at ye Accorn in ye Strand Engraving, sheet 115 x 80mm (4½ x 3") large margins. 290. For Lambeth. Price 6.d. £65 [n.d., c.1747.] Caricature of George Lyttelton (1709-73), politician Engraving. Sheet: 200 x 250mm (8 x 9¾"). Trimmed and writer, published shortly before he was created and tipped into album sheet. £160 Baron Lyttelton of Frankley,, alluding to the Roman A satitical scene showing Edmund Gibson, Bishop of Senator Cassius in Shakespeaare's 'Julius Caesar'. London (1669-1748), Thomas Herring, Bishop of York Published in 'A Political and Satirical History of the later Archbishop of Canterbury (1693-1757) and Years 1756 and 1757', a volume of seventy-five Benjamin Hoadly, Bishop of Winchester (1676-1761) satirical prints with short descriptions. The description competing to get to Lambeth first for the position of of this print simply read 'Thiis Caricatura, with the Archbishop of Canterbury following the death of John Label and Lines is sufficientlly explanative'. BM Satires 3513; for 'A Political and Satirical History of the Years 296. Peter and Paul expell'd from Paradise. 1756 and 1757' see ref. 38743; for impression without The World was all beforre them where to plate number upper right see ref. 41556. choose [/] Their place of rest and Parson F_e, Stock: 43821 their guide. [Charles Williams.] Pub.d Deec.r 1806 by S.W. Fores N.o 50 Piccadilly. Hand-coloured etching, 18thh century watermark; Plate: 255 x 350mm (10 x 13¾"). Tear in margins. £260 A political satire commenting on Sir Francis Burdett and James Paull's defeats at tthe 1806 election. William Mellish and Richard Sheridaann, who won the seat of Middlesex and Westminster,, brandish flaming swords from under an arch labelled ''Gate of St Stephens' while the defeated Burdett and Paull hurry away from them, an unconcerned John Horne TTooke, their mentor walks beefore them reading 'Diversiioons of Purley' towards his home in Wimbledon. BM Sattire 10622. Stock: 43646

294. Modeern_Patriots!! 297. The New Life Boat - Going on H H fe. Publiished by C. Tregear, Cheap-Side London Swimmingly. Resignation - A Great Moral 1829. Hand-coloured etching. Sheet: 240 x 335mm (9½ x Virtue - All aground. 13¼"). Trimmed to printed border. Very small tear in A Bird [William Henry Merlle] inv.t. Etched by G. C.K. title. £290 [George Cruikshank] Pub.d May 11th 1827 by S. Satire on the Catholic Relief Act of 1829, which Knights Sweetings Alley Royy.l Xchang. permitted members of the Catholic Church to sit in the Fine coloured etching; 250 x 390mm (6 x 15¼") very parliament at Westminster. large margins. £360 Two men preside over the collection of signatures on a Nine designs in three rows, rrelating to the changes in large roll supported on a desk in an open-fronted boooth the Government of George Canning. The main image, (right), while a butcher holds a pen in the paw of his 'The New Life Boat' taking all of the top row, shows dog, which is on its hind legs at the desk. One of the George IV being rowed by his cabinet, including two, wearing dark spectacles; the other man drags Canning, Lyndhurst and Wynn. The other eight satires, forward by the lapel of the coat a ragged bewildered resignations, relate to Wellington, Melville, Bathurst, and emaciated charity-schoolboy, holding a hoop. He Elton, Scarlett, etc. Bathurst is crawling out of a barrell points to the roll, whilst a ruffian looking fellow with a marked from the colonies. Australian interest. BM bludgeon staannds behind the boy. In the foreground Satires 15391. Stock: 43641 (left) outside the booth a dustman and a sweep face each other aggressively. The sweep, coal-black, short, and knock-kneed, with brush, shovel, and bag; the 298. A Row in the Play-Ground HB dustman, holding his hand-bell, and with the long flap Published by T. Mc Lean 26 Haymarket 3rd Dec. 1838 of his hat projecting, stoops towards the sweep. A. Ducote's Lithog.y 70 St Martins Until the Catholic Relief Bill became law, petitions for Lithograph, printed area 2700 x 350mm (10 x 13¾") and (far more numerous) against it poured into both very large margins. £140 Houses. It was stated that schoolboys of ten and eleven Duke of Wellington holds a cricket bat. Satire on John had signed the Bristol Protestant petition. In answer to Lambton, 1st Earl of Durham (1792 - 1840) and his a motion for a weekly return of petitions Goulburn said brrief spell as governor-in-chiief of British North that he did not think that the number of the signatures America and high commissioner, a position to which to a petition formed the best criterion of the value of he was appointed in 1837 to tackle unrest in Quebec. the opinions expressed in it, or of the general sense of Durham soon ran into problems, overstepping his the country. BM Satires: 15661. poowers by deporting imprisoned rebel leaders to Stock: 43638 Bermuda, and the matter was brought before the House of Lords by Lord Brougham.. Durham resigned from 295. A Patriotic Toast. his position after barely five months in Canada. A. Sharpshooter Fect. Pub. Feb 25, by S. Gans, 15 Here Durham is the injured schoolboy holding a Southampton St. Strand. handkerchief to his face. Hiss injuries have been caused Hand-coloured etching with a 1829 watermark. Plate: byy three rocks at his feet inscribed 'Act / of / 255 x 370mm (10 x 14½"). Surface dirt in margins and Indemnity'. The assailant is Brougham, lurking behind repaired tears in edges. £260 a tree on the far right. Durhaamm's allies, including Sir Wellington, Peel, Lyndhurst, and Scarlett toast as they William Molesworth and Lorrd Howick, attempt to display indifference to the distress agricultural and console him, but Durham is upset at their failure to industrial workers alluded to in the King's Speech of prrevent the assault. Satire by John Doyle (1797-11868), cartoonist and 1830. BM Satire: 16044. Stock: 43637 paainter who went by the pseudonym 'H.B.'. Doyle began making political prints in 1827 and over a periood whom try desperately to hold it up. It is covered, like a of 22 years usually issued one a month during map, with islands or continents inscribed respectively parliamentary seasons. While his prosperity enabled 'Free Trade', 'National Debt',, 'Currency', 'Taxes'. Doyle to move to a fashionable address overlooking Dividing the two scenes, and in the upper part of the Hyde Park which drew him into a circle of prestigious design, is a king enthroned, whose fleur-de-lis head writers and artists including Wordsworth, Dickens and identifies him as Charles X. SSpeech bubble coming Coleridge, Doyle preserved his anonymity as 'H.B.' from the fleur-de-lis reads 'alll for me', the implication until 1843, when he revealed himself to Sir Robert Peel beeing that Napoleon's defeat served only to restore the in a seventeen page letter justifying his motives and Bourbons. principles as a cartoonist. This print was published only months before Charles Stock: 43590 was deposed in the July Revolution. BM Satires: 16030. 299. View of the Sabine Farm at Chiswick. Stock: 43629 W. Heath. Pub March 10 1830 by T. McLean 26 Haymarket London. Etching with hand-colouring, platemark 361 x 254mm (14¼ x 10") vvery large margins. £80 Satire on natural historian Joseph Sabine's (1770-18337) expenditure as honorary secretary of the Horticulturaal Society. Sabine holds out his hat for alms; in his righht hand is a hoe, to the head of which is tied a cabbage, and over his fashionable dress he wears a gardener's (tattered) green apron. From his coat-tail pocket projects a paper: 'Prosperous Debt £19.000 All my doing'. Behind is a garden wall with two gates and a gatehouse; above it are trees and a placard: 'Horticultural Garden'. Sabine served as Honorary Secretary of the Horticultural Society 1810-1830, and played a leading part in establishing the society's garden, first at Hammersmith and later at Chiswick. His management of the society's affairs was unsatisfactory, however: he incurred debts of more than £18,000, and after a committee of inquiry was appointed, Sabine resigned. BM Satires: 16417; for Sabine see also ref. 30761 and 30762. Stock: 43925

300. The Cries of Westminster by William Heath. Newcastle Salmon- delicate Salmon- Ah this is a first rate man- (Prodigious). Pub Oct 28 1829 by T. Mclean 26 Haymarket sole Publisher of WH etchings. 302. A Game of Skittles. Hand-coloured etching. Sheet: 365 x 255mm (14¼ x London Pub.d by W. Holland 30 Oxford Street March 10"). Trimmed with some marking below right foot. 10th 1800. £230 Hand-coloured etching, scarce. Plate: 260 x 360mm A satirical portrait of Michael Thomas Sadler (1780- (10¼ x 14"). Some surface dirt and light creasing. 1835) on his return to Newark as the nominee of the £450 Duke of Newcastle. BM Satire 15891. A political satire showing Charles James Fox aiming a Stock: 43636 boowling ball at eight pins which represent the ministry, two being recognisable as William Pitt and Henry 301. A Vision___ Past. Present. Dundas. Sir Francis Burdett aand Sheridan cheer Fox William Heath. Pub Feb 9th 1830 by T. McLean 26 on. BM Satire 9524. Stock: 43647 Haymarket sole Publisher of W Heaths Etchings. 303. A Perspective and Political View of the Hand-coloured etching. Plate: 250 x 350mm (9¾ x 13¾") very laarge margins. £290 Timber-Yard at the L-e. The Saw Mill. Wellington's military success ('past') is contasted with [n.d., c.1769.] his political instability ('present'). Engraving. Plate: 170 x 115mm (6½ x 4½"). £75 On the left he stands on cloud immediately above A satirical scene showing a ffigure sawing through the Napoleon's tomb, with Fame blowing her trumpet and 'Magna Carta' and 'Bill of Riights' in front of a saw mill holding a wreath over his head. On the right he kneels while John Wilkes looks on ffrom the left. BM Satire precariously on the summit of a globe which is 4278. Stock: 43963 crushing a number of artisans and farmers, some of This print was advertised as ''newly published' by the Monthly Literary Advertiser May 1838. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 43950

308. The Lover. [&] The Husband. [n.d., c.1830.] A pair of hand-coloured aquatints. Each sheet: 200 x 145mm (8 x 5¾"). Trimmed and laid on album sheet. £140 A pair of scenes, the first shows an attentive lover helping a young woman overr a stile, the second shows a husband leaving his wife to manage by herself. Stock: 43803 304. Dr. Arther & his man Bob giving Iohn Bull a Bolus). _ Quacks from Church St _ 309. Modern Antiques. [Monogram of Paul Pry] Esq.r. Pub April 1829 by T [n.d., c.1820.] McLean 26 Haymarket Coloured engraving. Sheet 185 x 240mm (7¼ x 9½"). Coloured etching, sheet 245 x 345mm (9½ x 13½"). Trimmed within plate, losing publication line?, some Trimmed inside platemark; fold through centre; good surface wear. £130 colouring. £140 An old antiquarian looks aroouund a museum of John, larger in scale than his tormentors, lies on the antiquities and natural historry specimens, oblivious to ground supported by Peel, who kneels behind him, the beau passing a billet doux to his young wife. while Wellington, leaning forward on tiptoe, uses a Stock: 43952 thick rod with a cross-bar to ram down his mouth a large paper: 'Catholic Emancipation'. John, bottle- nosed and brandy-faced, wears an open waistcoat and 310. Reconciliation or the Return from shirt, with gaiters drawn above the knee. Peel, wearing Scotland. over sleeves and apron, holds the patient's jaws with T. Rowlandson fec.t. Pub.d Nov.r 22. 1795. by S.W. grim determination. Wellington, dressed like an old- Fores N.o3 Piccadilly. fashioned doctor except for cavalry boots, rests his Hand-coloured etching. Sheet: 260 x 360mm (10¼ x whole weight on the cross-bar of his rammer. Behind 14"). Trimmed within plate, surface dirt. £360 Peel on the extreme left and partly cut off by the An interior scene showing the reconciliation of a margin is a large pestle and mortar inscribed 'Dose for newly-wed couple and the brride's family following her 40s Free[holders]’. BM Satires: 15714. elopement to Scotland. The bride wipes her eyes while Stock: 43834 her father and mother regardd the couple's entrance with shock, two servants clasp their hands in delight in the 305. Two of the G-Hirls. doorway. For a 1785 version see BM 9669. Stock: 43645 By ''One of the B-Hoys'' 23/4/13. [1913.] Ink. Sheet: 150 x 180mm (6 x 7"). £120 A drawing showing two women, protesting for 311. The First of April. woman's suffrage, breaking windows with hammers. [Anon., c.1780] Stock: 43981 Etching, platemark 160 x 100m (6 x 4"). Small margins. £95 306. The Coquettes. (A Scene in Paris). Satire on a dissolute aristocrat, probably fiirst issued in Publish'd Feb.y. 21. 1803. by Laurie & Whittle, 53 a magazine. A richly dressed young man, his hair tied Fleet Street, London. in an elaborate queue, grasps a creditor, who holds a Hand-coloured etching. Sheet: 200 x 245mm (8 x lengthy bill amounting to £5000, by the shoulder and 9¼"). Trimmed. £120 raises his stick at him; to the right, three other creditors A young woman sits on a chair while a young man look on in alarm, one holding a bill amounting to stands beside her, in a scene to the right the woman £2000; to the left, are two young women with hair dressed high one holding a lapdog; a monkey, dressed receives a letter from a messanger. Stock: 43967 like the young man, squats on a chair aiming a gun at the creditors and two small dogs bark. On the wall behind are six piictures illustrating forms of 307. Firstt of April (by appointment). self destruction: a huntsman is attacked by his hounds; Painted by S.E. Jones. Engraved by James Scott. a fallen rider is kicked by his horse; a man pulls down [London Ackermann & Co, 1838.] his own house on his head; a man sitting in front of a A rare mezzotint. 470 x 350mm (18½ x 13¾"). Tear mirror places a gun in his mouth; two lovers on a bed into inscription area, surface crack, glue stains in left are surprised by the woman's husband who stabs the margin. £160 man with his sword; two men fight a duel under the A middle-aged dandy made an April Fool. He stands, gaze of an owl, or parrot, on a stand while a body waistcoat and trousers bulging, waiting in vain at a hangs from a gallows in the distance. country turnstile while two young women, obviouslyy Stock: 43918 the senders of the letter in his hand, peer over the wall. 312. The Auction; or Modern Connoisseurs.. 317. Sketches of Characcter. I Haxes Parden [n.d., c.1770.] Marm, Boots if you Pleasse. Engraving. Sheet 170 x 105mm (6¾ x 4"). Trimmed [William Heath.] Pub by T McLean 26 Haymarket just within plate, tipped onto album paper. £140 where political & other cariccatures are Daily Pub. An auction, with the patrons incapable of telling the Hand-coloured etching. Plate: 380 x 260mm (15 x painting of a windmill on sale is being displayed 10¼") large margins. £240 upside-down. From the ''Oxford Magazine: Or, A comic portrait of a boot boy standing holding a pair Universal Museum, calculated for General Instruction of polished shoes in one hand and foot rest under his and Amusement'', which was published 1768-76.. arm. Not in BM. Stock: 43979 Stock: 43640

313. The Author and his Family. 318. A Butterfly of the SSocial Season 1829. at T. Webley sculpsit. Published by C. Johnson. [n.d., c. Home. In Flight. Crysaliis. 1780.] W. Sharp del.t. Printed by C.. Hullmandel. London, Engraving. Sheet: 210 x 130mm (8¼ x 5"). Foxing. Pub.d by J. Dickinson, 114. New Bond Street. £75 Hand-coloured lithograph. Shheet: 210 x 250mm (8¼ x A comic scene showing the struggles of an author, thhe 10"). Marking and stains. £85 author shown sitting at his desk watches as his sons Three portraits of a woman, tthe woman on the left is fight with each other, his haggard wife shouts and shown as she would dress at home, the middle is points at a baby, a printer approaches him and two meen dressed for going out while the third is dressed for bed. walk through the door. Stock: 43795 Stock: 43959

314. Back-Gammon. Hoyle's Games Plate 1st. [by William Heath] Pub July 23 1823 by G Humphrey 24 St James's & 74 New Bond St Etching with fine hand-colouring, platemark 125 x 160mm (5 x 6¼"). £65 Man dragged along by a cart while being flogged with a cat-o'-nine tails. His back has turned a bright pink, explaining the pun on 'backgammon'. One of a set of four unsigned plates by William Heath, the others being 'Draught's', 'Rouge et Noir' and 'Cribbage', pretending to be illustrations from the works of Edmond Hoyle (1672- 1769), famous for recording the 319. Comfort for an Olld Maid. rules of such games. BM Satires 14587. [After Woodward.] [After P. Roberts.] Stock: 43848 Drawing. J. Green 1820 watermark. Sheet: 240 x 370mm (9½ x 14½"). Staining. £240 315. Critiical Observations upon Beauty. A drawing after Woodwards etching c.1800 published [n.d., c.1790.] byy P. Roberts showing an old woman with an oversized Engraving. Sheet: 175 x 110mm (7 x 4¼"). Trimmed. hand muff sitting in a chair conversing with her £70 footman. An interior scene in which a man with the head of a Stock: 43626 beast, standing next to a young woman, inspects a drawing of a demon, other pictures of demonic 320. The Comic Scrap Sheet. No. 2 Being a creatures stand around them. Few of the Illustrations to the Comic Magazine Stock: 43659 Containing a variety of Humorous Articles [...] London: Printed and Publishhed by Isaac and Co., at the 316. The Frenchmen in Billingsgate Office of the National Librarry, 1, Henrietta Street, Printed and Published by W. Davison Alnwick. Covent Garden [...] [c.1840] Etching, platemark 170 x 235mm (6¾ x 9½") large Wood engraving, scarce complete; sheet approx 550 x margins. Some slight foxing. £120 860mm (21½ x 34"). Folds; ttears, £240 Fight between a man and a woman in Billingsgate Fifty-six comical vignettes of Victorian life. Market, London. The market was a the centre of Stock: 43591 London's trade in fish and seafood, as indicated by a woman holding a lobster. 321. Raising Evil Spirits. Etching published by William Davison, publisher of Publish'd 20th Nov. 1795 byy Laurie & Whittle, 53 popular prints and satires, and pharmacist, usually Fleet Street London. referred to as Davison of Alnwick after the Engraving. Plate: 200 x 250mm (8 x 10"). Tears and Northumberland town where he lived. In the period creasing in edges. £140 between 1812 and 1817, Davison produced a number of caricatures often based on better known prints. Stock: 43835 A comic scene showing a wizard in large spectacles conjuring up evil spirits from the ground, next to them stand a frightened looking couple. BM Satire 8777. Stock: 43804

322. A Gudgeon. C. J. Grant. Pub. March 1831by S. Gans Southampton St Strand. Hand-coloured etching. Sheet: 255 x 310mm (10 x 12¼"). Trimmed within plate and loss in right corner. £240 A comic scene in which a disgruntled fisherman complains that he hasn't caught a fish despite having sat in the rain for three hours, at which point his friend informs him that the pond was only filled the day 325. The Imports of Great Britain from before. Not in BM. France. Humbly Address'd to the Laudable Stock: 43639 Associations of Anti-Gallllicans, and the generous promoters of the British Arts & 323. Guy Vaux the 2d The Wicked is Snared Manufactories; by their sincere Well-wisher, in the Work of his own Hands thou hast seen it. and truly devoted humblle Servant, L.P. Psalm 10 Boitard. Publish'd according to Act Dec. 16 1756 by Edwards & Invented & Engrav'd by L. P. Boitard. Publish'd Darly at ye. Acorn facing Hungerford Strand. according to Act of Parliament, March 7th 1757 by Etching, platemark 80 x 110mm (3 x 4¼") large John Bowles & Son, at the Black Horse in Cornhill, margins. Foxed. £65 London. Scene lampooning Secretary of State Henry Fox Etching, sheet 245 x 345mmm. 9¾ x 13½". Trimmed shortly after his resignation from the Cabinet (which within plate; small tear into llower inscription. £360 hastened the collapse of the Duke of Newcastle's A satire on the English demand for French goods government). Fox (drawn literally as a fox, complete despite being a year into the Seven Years' War (1756- with bushy tale) is shown dressed as Guy Fawkes, 63), drawn and etched by Loouis Philippe Boitard. It walking towards the Houses of Parliament beneath the shows crowds milling around Custom House Quay watchful Eye of Providence. desperate to see the French goods being unloaded: Published in 'A Political and Satirical History of the these include a cook, an abbé, a dancer, crates of Years 1756 and 1757', a volume of seventy-five peerfumes and millinery, wine barrels and Normandy satirical prints with short descriptions. The description cheese. In the background is the Custom House, the of this print read 'Similar to a modern Guy, who wouuld Tower of London and a forest of ships' masts. have made as great a Blow-up at the helm as ever hiss Boitard's original pen and brroown ink sketch, with grey Predecessor in King James's time could have done; haad and brown wash, is in the Brritish Museum not the Eye of Providence interven'd'. For 'A Political (1908,0822.10). BM Satires: 3653. and Satirical History of the Years 1756 and 1757' see Stock: 43893 ref. 38743. Stock: 43817 326. [John Bull and a riival French shopkeeper.] 324. The Horse Stealer A Dream 1757. [n.d., c.1803.] To be Had at the Acorn facing Hungerfoord. Coloured etching. Sheet 100 x 135mm (5¼ x 8¼"). Etching, platemark 85 x 110mm (3 x 4¼"), large Trimmed, losing title. £45 margins. Bit foxed. £65 A shopper getting stretched as John Bull tries to drag Unusual 'dreaam scene' showing a horse's owner looking him into his shop, while 'Moonn.re Alamode' grapples on as the horse is stolen. him around his waist. A satirre on the fashionable Published in 'A Political and Satirical History of the French goods available during the 'Peace of Amiens'. Years 1756 and 1757', a volume of seventy-five Stock: 43977 satirical prints with short descriptions. The description of this print read 'Tis easily seen through as to what the 327. [Frontspiece to the] 'Law of Landlord Satirist intennds. It alludes to a remarkable Transaction and Tenant'. in the year 1757, on the other side the Weser'. This [CJ Grant Invent, Del et Lith] [Pubd by J Kendrick 54 suggests that the print refers to the Battle of Leicester Sq London Oct 1833] Hastenbeck in 1757, in which a French victory led to Lithograph with hand-colourring, trimmed into title and the occupation of the Electorate of Hanover. The seventeen vignettes pasted to backing sheet 300 x Weser is a river which marked the limit of the territory 385mm (11¾ x 15"). Three vignettes and additional which Hanover was willing to defend. For 'A Political text missing from original publication. £190 and Satirical History of the Years 1756 and 1757' see Sheet of legal satirical printss on the relationship ref. 38743. beetween a landlord and tenant, by Charles Jameson Stock: 43818 Grant (1830-52, fl.), printmaker in various media. Much of Grant's satire was political, such as the 131 numbers of 'The Political Drama' he produced between 1833 and 1835. From 1836 the majority of his work appeared in radical, pro-Chartist periodicals. Stock: 43829

328. Miseries of London. Entering upon any of the bridges of London, or any of the passages leading to the Thames, being assailed by a groupe of watermen [...] Designed & Pubd July 14 1812 by T. Rowlandson N1 James St Adelphi Etching with hand-colouring, platemark 330 x 275mm (13 x 10¾"). Laid on backing board. £360 Scene at Wapping Old Stairs in London, with a womaan harrassed by numerous ferrymen of the Watermen's Company attempting to entice her to use their boats to cross the Thames. One of a series of 'Miseries of London' etching by Thomas Rowlandson (1757-1827). An artist of extraordinary range, Rowlandson was equally at home producing inncisive caricatures or lyrical watercolours, and his work has become an integral part of the popuular vision of Regency Britain. BM Satires 11964 Stock: 43823

329. Prim-Roses. [n.d., c.1835.] Lithograph with hand-colour. Sheet: 285 x 200mm (11¼ x 8"). £45 332. Comic Readings. [&&] Tragic Readings. Two young women stand in a garden, one holds a book R. Boyne Delin.t. C. Knight Sculp.t. London Publish'd and the other some primroses. Feb.y 25: 1791 by C Knight Brumpton and W. Stock: 43799 Dickinson, N.o 158 New Bond Street. Rare pair of stipples. Plate: 470 x 570mm (18½ x 330. Punch Turned out of France. 22½"). Trimmed to plate on ttop margin. £1250 [Anon., c.1845] A pair of scenes showing crowds gathered to listen to a Pen and ink, sheet 230 x 190mm (9 x 7½"). Very small figures in a pulpit. The first scene is of comic readings hole top left. £130 from 'Peter Pindar', 'Don Quiixote' and 'Tristram Amateur copy of a satire published in 'Punch, or the Shandy', the audience listen aamused. A little boy eats London Charivari' for 1841. The caption below the apples from his hat and in the front a man flirts with a published satire read: "I have this moment, in a half- woman holding a fan, on thee wall behind is a picture of tempest, arrived from Boulogne- thrust from the port a horse race. The audience liistening to the tragic by the point of the sword. Yes; it is true- Punch is no readings, which includes Richard Brinsley Sheridan's longer to be admitted into France." speech against Warren Hastinngs during his trial at Stock: 43840 Westminster Hall, seem very affected by what they hear: one woman faints, anotther wipes her eyes. On the 331. Punch's Opera with the Humours of wall various scenes including one of a putti attacking Little Ben the Sailor. These Figures Gem'men another with an axe and a woman about to stab herself. & Ladaes are the Richest & Largest in Europe. BM Satire 8278 & 8279. Stock: 43882 I Challenge all the World to shew the like [...] Publish'd according to Act Oct. 15 1756 by Edwards & Darly at ye. Acorn facing Hungerford Strand. 333. Humours of Life in London or the Etching, platemark 80 x 110mm (3 x 4¼") large Regents Birth Day. margins. £60 [Anon. c.1810] Political satire published in 'A Political and Satirical Etching with hand-colouring, sheet 190 x 240mm (7½ History of the Years 1756 and 1757', a volume of x 9½"). Trimmed around image and title. £65 seventy-five satirical prints with short descriptions. Four vignettes of disorder taking place in London on The description of this print read 'Every one of these the birthday of the Prince Regent (the future George Figures are very striking, and be easily known to those IV). who have the least Penetration in Politicks'. For 'A Stock: 43844 Political and Satirical History of the Years 1756 andd 1757' see ref. 38743. Stock: 43816 334. The Retort Humorous. 338. Who Are You? Ask Anybody. Ask the [n.d., c.1770.] Ladies. Ask My Relations They Know, There Is Engraving. Plate: 110 x 170mm (4¼ x 6½"). Foxing oon No Pride About Me. right. £50 A.C. [n.d., c.1830.] A scene in a room in which Frederick the Great sits at a A rare lithograph. Sheet: 215 x 280mm (8½ x 11"). table with two men sat either side while a man stands Trimmed with some damagee and creasing. £65 sheepishly before him. Three figures stand above thrree answers to the question Stock: 43964 'Who are you?'. A well-dressed figure smoking a cigar answers 'Ask anyone', a cupiid-like figure answers 'Ask 335. Freedom. Rule Britannia Britannia rules the ladies', while a third, scruffy, dog-like figure the waves [/] Britons never shall be Slaves. answers 'Ask my relations they know, there is no pride [n.d., c.1794.] about me'. Engraving. Sheet: 185 x 225mm (7¼ x 9"). Trimmed Stock: 43789 and laid on an album sheet. £190 A scene in a blacksmiths in which several smiths work 339. The Brewers Entire Saloon (a Bird's-eye hard at their various tasks while a large man in a hat view). The Satirist Ist January 1813. shouts at them from the left. BM Satire 8497. Satirist inv.t. W. H. EKoorb [William Henry Brooke] Stock: 43966 del.t Aqua Fortis fec.t. [1813.] Coloured etching. 210 x 370mmm (8¼ x 14½"). 336. [Four anti-Teetotalism lithographs] Trimmed within plate right and bottom, bottom edge H.J. [c.1830] ragged. £260 Four lithographs with tintstone, scarce, each sheet An orgiastic gathering in thee 'grand saloon' of the new approx. 225 x 265mm (8¾ x 10½"). Each trimmed to Drury Lane Theatre, featuring Richard Brinsley image and teext, with lower corners cut. Some staining Sheridan dressed as Harlequiin and Samuel Whitbread at corners. £280 reclining on a divan sandwicched between two women. Four satirical prints of wealthy and impoverished men BM Satires 11993. and women all rejecting teetotalism in favour of Stock: 43884 drinking alcohol. In Victorian Britian the temperance movement 340. Here and There; Or, Emigration a attracted large numbers of people, one of the most Remedy. famous was the leading graphic satirist George [Anon., c.1840] Cruikshank, who became teetotal in the 1840s and Lithograph, sheet 195 x 255mm (7¾ x 10"). £120 thereafter devoted much of his time to producing work Lithograph seeming to contrast the poor standard of for the temperance cause, such as as his 'Temperance living of a homeless family in England (pointedly Placards'. Foor one of Cruikshank's 'Tempm erance poosed against posters warning against vagrancy and Placards' see ref. 40796. advocating socialism) and thhe quality of life they could Stock: 43833 have if they emigrated to starrt a new life abroad (presumably in Australia). 337. [Four Times of Day.] Morning; Noon; Stock: 43916 Evening; Night. W. Hogarth inv. pinx. 1738 E. Riepenhaus del. sc. [c.1785] Four engravings, rare, each platemark 290 x 235mm (11½ x 9¼") very large margins. £290 Copies of Hogarth's famous set of satires on London life. 'Morning' depicts Covent Garden, with the imfamous 'Tom King's Coffee House'; 'Noon' is Hog Lane, Charing Cross Road, with French church-goers on the right contrasting with the lusty English on the left; 'Evening' shows Sadlers Wells, with a henpecked male complete with cuckold's horns; and 'Night' is Rummer Court, looking onto Charing Cross Road, wiith a drunken freemason having a chamber pot emptied on his head. Rare engravings by the German printmaker Ernst 341. Packing Up!!! "Had sly Ulysses at the Ludwig Riepenhausen (1765-1840), who engraved a Sack____Of Troy, brought thee his pedler's number of plates after Hogarth (the plate numbers in back_____Vide Cleaveland_ the upper right of these prints suggest they were issued W. Heath. Pub July 1st 18300 by T McLean 26 as part of a larger series). For other sets of the 'Four Haymarket. Times of Day' see refs. 37492 (original set published Hand-coloured etching. Sheet: 235 x 335mm (9¼ x by Hogarth) and 19280 (published by Thomas Cook ). 13¼"). Cut to border. £270 Stock: 43910 In a room filled with bales, chests, and plunder the Conyngham family prepare tto depart. Lord Conyngham,, in shirt-sleeves but elegant, tugs at the 343. The Siamese Youths_after a few years cord of an enormous bundle. Lady Conyngham residence in England. struggles with the lock of a treasure-chest. Her William Heath Pub Dec 19 1829 by T. McLean 26 daughter carries on her shoulder the skeleton of George Haymarket- sole publisher off W Heath etchings. IV famous giraffe which had died in 1829. A cupboard Hand-coloured etching. Sheet: 240 x 350mm (9½ x topped with the Royal Arms displays bare shelves; 13¾"). Trimmed to printed border, repaired damage in plate is heaped on the floor. Following George IV's boottom right corner. £320 death the Conynghams left Windsor immediately A scene showing the famouss 'Siamese Twins' Eng and having been bequeathed the king's plate and jewels. Chang Bunker (1811-1874) who travelled the world as BM Satires: 16143. a touring exhibit. In 1830 they arrived in England after Stock: 43635 a successful tour of the USAA. One brother is shown making his way through several decanters of wine while the other is shown gorging on meat. Not in BM. Stock: 43632

344. [Theatrical Pleasurres. Pl. 1. Contending for a Seat.] T. Lane del.t. London Pub.d by Tho.s McLean 26 Haymarket. Hand-coloured etching. Sheet: 155 x 195mm (6 x 7¾"). Trimmed, part of image missing. £130 A scene in a theatre, perhapss the Theatre Royal Drury Lane, in which two men viollently hit each other in the face, a young woman in knocked off her seat into the lap of a man behind her and a crowd gathers to watch. Part of a larger image which includes a title and the baalcony above the brawl. BM Satire 14304. Stock: 43649

345. The Wager. G.E. Inv.t. Pub.d Jan.y. 1st. 1830, by S. Gans. 15 Southampton Street Strand, London. Hand-coloured aquatint. Sheeet: 305 x 195mm (12 x 7¾"). Trimmed. £95 A comic scene in which a chimney sweep successfully carries another man up a ladder in his bucket, another 342. A Night Scene at Ranelagh on sweep cheers from a chimney pot and two figures Wednesday 6th of May 1752. Thus I bore my watch from a window beloww. Stock: 43970 point; six rogues in buckramlet drive at me. I am a Rogue if I were not at half Sword with a 346. Wants! Dedicated to the King's Cabinet Dozen of them two hours together... M_B_waas Ministers. admitted to Bail, two Housekeepers of great H. Heath fecit. C.J.G. Inv.t. Pub.d 1830 by S.Gans, Credit & substance becoming his Sureties. Southampton Street. Clody Inv.t. Telltruth Sculp. May 29. Published Fine hand-coloured etching. Sheet: 250 x 360mm (9¾ according to the Act of H. Carpenter. price 6d. x 14¼"). Trimmed to printed border. £290 Etching and engraving. 325 x 210mm (12¾ x 8¼"). A scene showing a line of meen and women of various Trimmed within plate at top. Small margins. £380 prrofessions listing their wantts, including a a skeletal Satire on the assault by Mountefort Brown who is seen figure who states 'I'm dying ffor want', a young woman here pulling off Dr John Hill's wig in the entrance to who says 'I want a husband' and a shopkeeper who the Rotunda, Ranelagh Gardens, Chelsea. claims 'I want more customeerrs'. Not in BM. “Wagish Nature struck first when on May 6, 1752, Stock: 43633 Mountefort Brown “kicked, caned, and dewigged” Hill in Ranelagh Gardens in revenge for a comment in the 347. [Human body surrounded by signs of the Inspector column of 30 April. The episode was widely and amusingly reported, and Hill responded by zodiac] accusing Brown of criminal assault and reporting on [c.1503] his own injuries and treatment in the Inspector columns Woodcut, sheet 160 x 130mm (6¼ x 5"). Trimmed for the next several weeks”. from larger sheet. £130 Dr John Hill (c.1716-1775), was an English author and Illustration from 'Margarita Philosophica' by Gregor botanist, who for two years between 1751 and 1753, Reisch (c.1467-1525), an encyclopaedia first published wrote a daily letter 'The Inspector', for the London in Freiburg in 1503. Stock: 43110 Advertiser and Literary Gazette. BM Satires: 3183. Stock: 43885 350. [London Bridge piier and cofferdam] To, The Rt. Hon.ble John Garratt Lord Mayor and Aldermen of the City of LLondon. Herewith is a Sketch of the Geometrical Plan and Section of the First Pier and the Coffer Dams erected for the New London Bridge over the River Thames [...] Ingrey & Madeley Lithog. 3110 Strand [1825] Lithograph, scarce item; printed area approx 330 x 170mm (13 x 6¾"). Creasing. £160 Plan by architect R.W. Backhouse of the pier and cofferdam erected as part of construction work on the 'new' London Bridge in 1825. The cofferdam enclosed an area of water, enabling it tto be pumped out and filled in with the foundations of the new bridge. 348. A View of the Apparatus and part of the Stock: 43683 Great Cylinder in the Pantheon. M.A. Rooker del. Engrav'd by J. Basire [c.1777] 351. Fig 1 Pasmore's Patent Machine for Engraving, rare, platemark 200 x 250mm (8 x 9¾") cutting Straw. Fig 2 Pasmore's Patent Mill for very large maargins. £240 splitting Beans, crushing Barley, Oats, Malt &c View of an experiment taking place inside the [c.1810] Pantheon on Oxford Street, London. The experiment is Engraving, sheet 150 x 215mm (6 x 8½"). £95 probably that which the portrait painter and scientist Agricultural machinery designed by Thomas Pasmore Benjamin Wilson (1721-88) carried out before George of Doncaster to cut straw forr cattle and crush grain. III in 1777 to demonstrate his theories about lightning Probably published in an agrricultural magazine. conductors. Stock: 43689 Stock: 43686 352. East View of the Saalt Works at Wharton 349. Bullock's Museum, 22, Piccadilly. in Cheshire. As erected bby Mr. Furnival, from No.18, of R. Ackermann's Repository of Arts &c. Pub. 1828 to 1832. June 1 1810 at 101 Strand; London. Jobbins & Cheffins litho: Soouuthampton Buildings, Hand coloured engraving, image 110 x 170mm (4¼ x Holborn. 6¾"). Slight foxing. Trimmed within plate. £85 Lithograph with hand-colourring, sheet 185 x 320mm The interior of Bullock's Museum, also known as the (7¼ x 12½"). Tears to edges.. Creases as normal. London Museum and the Egyptian Hall (or Museum), £160 centred on a display of stuffed animals including an The salt works at Wharton (now Winsford) in elephant, zebra and polar bear Cheshire. Rock salt arrived in the area in the Triassic William Bullock (c.1773-1849), a traveller, naturalist, peeriod, and was excavated frrom the seventeenth and antiquarian, established the museum in 1812. Buuiilt century onward. Winsford Roock Salt Mine opened in at a cost of £16,000, it contained 15,000 items, 1844 and is still in operationn. collected according to the guidebook 'during seventeen Stock: 43690 years of arduous research at a cost of £30,000'. Admission was l shilling or 1 guinea for an annual ticket. Over the years special exhibits included 353. Law. Napoleon's carriage, 'the superb Feather, Cloak, and A. Ostade Pinx.t R. Houstonn fecit [c.1780] and Helmet, presented by the king of Owyhee to, and Mezzotint, rare, sheet 335 x 2255mm (13¼ x 10"). worn [by] our Unfortunate Circumnavigator [Captain Trimmed inside platemark, loosing publication line; James Cook] a few days before he fell', Giovanni £260 Battista Belzoni's finds in Egypt, and and James Warrd's Engraving of a painting by Dutch artist Adriaen Jansz gigantic painting 'Allegory of Waterloo'. Thomas van Ostade (1610 - 1685) wiith library books on right, it Shotter Boys' view of Piccadilly for 'London As It Is'' was the basis of at least three different engravings in shows the exterior of the Egyptian Hall during the Georgian England. For other versions of this image see exhibition of George Catlin's 'North American Indian refs. 14391 and 13836. Stock: 43443 Portfolio'. Stock: 43295 354. Lithographic Press. R. Ackermann's Lithog.s [c.1820]. Lithograph, sheet 225 x 280mm (8¾ x 11"). £140 Press used for making lithoggrraphs (of which this print is itself an example). To make a lithograph, an image is created on a slab of porous liimestone, which is then imprinted on sheets of paper using a process based on the antipathy of grease and water to distinguish A ratcatcher advertises his services with a rhyme between inked and non-inked areas. explaining his efficiency and his superiority to reliance Rudolf Ackermann, publisher of this print, was one of on cats. Scarce early mezzotiint by Jacques Meheux. the first publishers to use lithography on a large Stock: 43743 commercial scale. Stock: 43371 358. Warstone Brewery. Alex.r Forrest & Sons. 355. [Alum Works] [Anon., c.1820] Geo. Walker Del. Engraved by R. Havell Publish'd by Engraving, platemark 115 x 190mm (4½ x 7½"). £75 Robinson & Son, Leeds, March 1, 1814. Warstone Brewery, situated iin the Jewellery Quarter of Aquatint printed in colour with accompanying text Birmingham. This engraving shows kilns for drying sheet, each 260 x 370mm (10¼ x 14½"). £120 hops and a cart loaded with barrels of beer leaving the Trades print, from George Walker's 'The Costume of prremises. Yorkshire', with explanatory text sheet which reads: Stock: 43692 'There are various alum works on the coast of Yorkshire, to the north of Scarborough, and 359. Le Marchand de Dessins Lithographiqes. particularly in the neighbourhood of Whitby, which Charlet. Imp. Lithog. de F. Delpech. [n.d. c.1830.] carry on a very extensive trade. It is impossible, withiin Lithograph, rare. Sheet: 295 x 425mm (11½ x 16¾") the compass of a print or drawing, to give an adequate very large margins. Faint foxing. £270 idea of the sublimity of the alum rocks and A street scene in which two soldiers examine a stall neighbouring scenery; the annexed Plate therefore caan selling lithographs, some aree hung on the wall and only be given as a very faint and humble miniature.' others are kept in portfolios under the table. The Stock: 43699 merchant sleeps on a chair to the right. The lithographs displayed are mainly of milittary or equestrian themes 356. A Sketch of Part of the Vaults of the similar to the work of the arttiist N. T. Charlet (1792- Gray's Inn Wine Establishment. 1845). [Anon, c.1840] Stock: 43563 Wood engraving printed on pink paper, rare; sheet 75 x 125mm (3 x 5"). Trimmed; £95 360. Quadrilles. From Aubers Celebrated The vault of the Gray's Inn Wine Establishment, 23 Opera, ''Le Dieu et la Bayadère''. Respectfully High Holbornrn, London. Dedicated to Mad.lle Auggusta, by S.M. New Vignette image published as part of an advertisement York. and price-list for the premises in 'The Quarterly N. Curriers Lithograph New York Published by Hewitt Review', 1841. & Jaques 239 Broadway. c. 1836 Stock: 43361 Lithograph and 6pp sheet music, each sheet 325 x 260mm (12¾ x 10¼"). £260 New York-published piano arrangement of music from Daniel-François-Esprit Auber's opera 'Le dieu et la baayadère', one of several worrks he composed for the Paris Opéra during the 1830s. Attractive cover sheet with lithograph of a ballerina. Stock: 43319

361. The Celebrated Polka Dances. Endicott's Lith.y N.Y. New York, Published by Firth & Hall 4 Franklin Sq and Firth,, Hall & Pond 239, Broadway. Entered accordinng to Act of Congress in the year 1844, by S.C. Jollee in tthe Clerks Offfice of the District Court of the Southerrn District of N. York. Lithograph and 3pp. sheet muusic, each sheet 330 x 260mm (13 x 10¼"). £160 Music for 'The Celebrated Reedowa Polka' composed by Camille Schubert, with note explaining that of the various versions danced, thatt of Fanny Cerrito and Arthur St Leon was generally considered the best. The 357. [Ratcatcher] Achetez de ma mort aux image of two dancers on the front cover probably Rats / Et défaites vous de vos Chats, / Qui depicts Cerrito and St Leon performing the dance. partout font tant de ravage / Et vous cause trop Stock: 43322 dommage [...] Gravé par Meheux A Paris Chez Audran, rue St Jacques aux 2 Pilliers d'Or. [c.1700] Mezzotint, rare & fine, sheet 390 x 260mm (15¼ x 10¼"). Trimmed to plate; creased. £320 362. The Auriol Polka. Composed by Charles 367. Genuine Tea Comppany Matthews, and Respectfully Dedicated by Published Janly 4 1825 by S..W. Fores Piccadilly express Permission to Mademoiselle Francesca London Auriol. Etching with fine hand-colouring, sheet 140 x 175mm [Anon., c.1850] London, Published by Duncombe & (5½ x 7"). Trimmed; tear on right. £95 Moon, 17 Holborn opposite Furnival's Inn. A company of three drink tea and eat toast, having set Aquatint with 5pp. sheet music, each sheet 340 x themselves up outside by a row of houses. Probably cut 260mm (13½ x 10¼). Made up corner bottom right. from a larger sheet. £180 Stock: 43847 Music for a polka named in honour of the dancer Francesca Auriol, who worked in various London 368. The Representatioon of the Drawing of theatres during the 1850s, with a portrait of her the State-Lottery at Guilldhall, 1763. dancing. [After Benjamin Cole] Stock: 43323 Engraving, 18th century wateermark, platemark 185 x 300mm (7¼ x 11¾"). Trimmed to platemark; false 363. The Fair Penitent!! Illustrations of Plays margins added. £160 [Anon., c.1830] Interior of the Guildhall in London with lottery drums Etching and aquatint with hand-colouring, sheet 130 x to either side of a platform. Between them seven 165mm (5 x 6½"). Trimmed and glued to album sheet officials seated behind drapeed table, with officials with other small prints. £130 standing at either end handing over drawn tickets. Woman on a treadmill, supervised by a man with a Public in foreground awaitinng results. whip and a back woman impeaching him to show Copy, or altered plate, relating to a plate first issued in mercy. Scene from 'The Fair Penitent', Nicholas the New Universal Magazine as a representation of the Rowe's 1702 adaptation of an earlier play, 'The Fatal 1751 state lottery. Stock: 43830 Dowry'. Stock: 43927

364. [Back-Gammon. Pl. 5. A Hit.] [Theodore Lane.] London Pub.d by G. Humphrey 27 St. James's St. March_1 1822. Hand-coloured etching, rare; watermark J. Whatman 1823. Sheet: 240 x 195mm (9½ x 7¾"). Trimmed to image. Staining top left. £260 Two figures, engaged in a game of backgammon have a fight, a large gentleman in a wig strikes his partner with a cup which sends the game flying. A painting of a boxing match hangs on the wall behind them. BM Satire 14458. Stock: 43651 369. [A French tornameent.] Carré 1783. 365. [Billiards scene] Rare mezzotint. 340 x 700mm, large margins. Folded [Anon., c.1830] for binding, one fold split to plate mark. £350 Etching, very rare, sheet 180 x 275mm (7 x 10¾"). A medieval tournament, with a melée and a joust in £230 prrocess, in front of a pavilion flying the French Royal Unusual and scarce biilliards scene (we have found no standard of the fleur-de-lys. other impresssion) reminiscent of Henry Bunbury but Stock: 43478 presumably made by an amateur printmaker. Stock: 43841 370. The Bird Catcher. L'Oiseleur. [&] The 366. Leg of Beef, and Soup Meagre. Kite Compleated. Le Cerfvolant Acheve. Marks fc. London Pub.ed by J.L. Marks 17 Artillery Painted by J. Barney. Engraved by T. Gaugain. Street, Bishopsgate London. Published April 28tth 1800 by S. Morgan, No Aquatint with fine hand-colouring, sheet 170 x 175mm 22 Margaret Street, Cavendish Square, & J. Barney, (6¾ x 7"). Trimmed. £65 Maize Hill, Greenwich. Contrast between a rotund John Bull-esque figure Pair of colour-printed stipples. Each c. 365 x 390mm enjoying a leg of beef, and a skinny, possibly foreign (14¼ x 19¼"). Creasing in margins; the extra 'a' of man eating soup. Reinforcing the contrast, the dog on 'Compleated' crossed out witth old ink. Small margins. the left sleeps contentedly while that on the right stands Slight creasing £650 Fine decorative images showing two boys playing: the on his hind legs, desperate for food. Stock: 43854 first sets a trap for a bird with seeds and blocks of wood; the second finishes a kite with a sun emblem. Stock: 43447

371. [Boys playing] 377. Games with the Ball- Tennis The Court J.T. [c.1770] at Lord's Etching, sheet 80 x 100mm (3¼ x 4"). Slight foxing. [Anon., c.1860] £130 Coloured lithograph, printed area 195 x 250mm (7¾ x Etching by the little-known printmaker J. Tobin 9¾"). £330 (1770s, fl.). As Joseph Strutt writes of Tobin in his The real tennis court at Lord's cricket ground in St biographical dictionary of engravers: 'he was a native John's Wood, London. of England, and etched several small plates of Stock: 43406 landscapes from H. Grim. We have also some small tinted plates from him, from Both, Ostade, and other 378. Depart pour la Chasse au Vol. Gravé painters'. d'apres le Tableau Original de P. Wowermens Stock: 43599 qui est au Cabinet de Monsieur Crosat. P. Wowermens Pinx. J. Moyreau Sculp. AParis chez 372. A Celebrated French Diversion_in which Moyreau ruë Gallande vis a vis la Chapelle de St the Person who kisses is pointed out. Blaise. Avec Privilege du Roy. [n.d., c.1733.] [n.d., c.1770.] Etching, fine. 350 x 460mm (13¾ x 18"). Thread Engraving. Plate: 120 x 190mm (4¾ x 7½"). £50 margins at top and left. £280 An illustration of a French game in which a A falconry party ride out, one horseman holding a blindfolded player must guess the identity of the person hawk aloft. BM: 1847,0305.44. kissing them. Stock: 43482 Stock: 43960 379. [Huntsman's Fate.] Der wilde Jager. 373. The Kite Entangled. Eugen. Neureuther inv.t. 1838. Painted by G. Morland. Engraved by W. Ward. London Hand-coloured etching. Sheet: 380 x 260mm (15 x Publish's Hune 19th by J.R. Smith, King Street, Covent 10¼"). Trimmed, paper tone and creasing. £95 Garden. A series of scenes illustrating the decent into Hell of a Mezzotint, fine. 550 x 400mm (21¾ x 15¾") very large cruel hunter, by German artist Eugen Napoleon margins. £420 Neureuther (1806-1882). Two men help two boys retrieve a kite from a tree. Stock: 43662 Stock: 43453 380. Grouse Driving. 374. [Bellringers] The Blue Bells of Ireland Painted By Archibald Stuart Wortley. Engraved By goes well Boys Well, / And the Clappers Strike T.G. Appleton. London, Published June 10th 1878, by on e'ry side ding Dong Bell. The Fine Art Society (Limited) 148, New Bond [n.d., c.1780.] Street.W. Printed by T. Brooker. Engraving. 18th century watermark; Sheet 105 x Mixed method engraving. 430 x 590mm (17 x 23¼"). 135mm (4¼ x 5¼"). Trimmed. £95 Very slight crease at centre. £360 Six bellringers. The lines below come from a ballad, A moorland scene, with grouse being driven towards a apparently forgotten: the Bodleian 'Broadside Ballads hide with one gun, a keeper and two dogs. On-line' only lists a song c.1690 'to the tune of...'. See Stock: 43344 Bod 23630. Stock: 43953 381. The Chaise Match, Run on New-market Heath on Wednesday the 29 of August, 1750, 375. Cricket at Lord's in 1822. from an Original Drawing by Mr Seymour. London, Published by the Leadenhall Press Limited, London, Printed for Rob.t Sayer No 53, Fleet Street. Sep. 5, 1892. Copyright Registered. [originally c.1770., but watermarked 'W. King Alton Coloured chromolithograph. Printed area 450 x 530mm Mills 1854'.] (17¾ x 20¾") large margins. Edges frayed, tear Engraving. 350 x 470mm (13¾ x 18½"), very large through publication line. £280 margins. Top margins tatty. £260 A cricket match, seen through a crowd of spectators. A record of a 1000-guinea wager: William Douglas, Stock: 43544 4th Duke of Queensbury, claimed he could get a carriage 'with four running wheels, and a person in, or 376. The Illustrated London News. The St. upon it, drawn by four horses' to travel nineteen miles Andrews Ladies' Golf Club. in one hour. Backed by Alexander Montgomerie, 10th Oct, 12, 1889. Earl of Eglinton, the wager was accepted by Theobald Wood engraving with hand-colour. Sheet: 390 x Taaffe (described by Horace Walpole as 'a gamester, 270mm (15½ x 10½"). £85 usurer, adventurer') and Andrew Sprowle. The A series of vignettes showing women playing golf in St carriage, specially made by a Mr. Wright of Long Andrews. Acre, managed to complete the 19 miles around Stock: 43667 Newmarket Heath in 53 minutes, 27 seconds. Siltzer 248. Stock: 43775

382. Hunting Plate I. Brushing into Cover. To Osgood Hanbury, Esq. of Coggeshall, In Essex; This Print is dedicated, by his most humble and obedient Servant John Harris. [&] Plate II. The Chase. To John Free Esq.r of Woodford Essex; [...]. [&] Plate III. At Fault. To Milton Bowman, Esq.r of Clapton this print from the Picture in his Possession, is most respectfully Inscribed, by hiis much obliged and obedient Servant [...]. [&] Plate IV. The Death. To Charles Boldero Esq.r of Aspeden Hall, Herts, This Print is dedicated [...]. Painted by J.N. Sartorius. The Landscape by J. Peltro. The Figures Engraved by J. Neagle. London: Pub. [Plate II & IV dated 'Oct.r 1 1795'] by J. Deeley, N.95 Berwick Street. [but c.1810.] Set of four engravings. 480 x 620mm (19 x 24½"). All plates trimmed to plate. Plate I: repairs with loss of text in verse, nicks in edges. Plate II: repairs in inscription area. Plate III: a few small repairs in inscription area. Plate IV with paper weakness onn right, engraver's inscription slightly rubbed. £1600 Four classic EEnglish hunting scenes after John Nost Sartorius (1759-c.1828), an artist known for his horse portraits, engraved by Peltro William Tomkins (1759-1840) and James Neagle (1760?-1822). Each plate has lines of verse from 'The Chace' by William Somerville (1675-1742), a poet and keen sportsman. Thomas Bewick illustrated an edition of the poem in 1796. The set was first published in 1790 by John Harris and reissued by him in 1795, making the dates on plates II & IV unlikely. The BM dates Deeley's address in Berwick Street to 1809-1815. Siltzer p.243, this edition not listed; See BM 1873,0712.547 - 1873,0712.550, again this edition not listed. Stock: 43277

383. Foress's Contrasts. Pl 1: The Driver of 1832; The Driver of 1852. [&] Pl. 2: The Guard of 1852; The Guard of 1832. [&] Pl. 3. The Driver of the Mail 1832; The Driver of the Mail 1852. [&] St Giles'; St George's. Painted by H. Alken. Engraved by J. Harris [3]. [&] Painted by Karl Hartsmann. Engraved by J. Harris. Published May 26th [& May 26th, Nov. 18th] 1852 [& Jan.y 3rd] 1854] by Mess.rs Fores, 41, Piccadilly, London. Set of four large aquatints on steel. Each 410 x 600mm (16 x 23½)", with wide margins. Plate 1 with a small tear entering title area. £1850 Eight pairs of 'Contrasts' on four sheets. Three analyse the impact of the advent of the railways; the last, published over a year after the others, compares the informality of the driver of a hackney cab to the pristine livery of a private coach. Henry Alken, the artists of the first three, had died in 1851, so Karl Hartsmann was called in tto finish the fourth. Stock: 43859

384. Hebden Bridge Station pllatform was the world's longgest at the time, hence the A.F. Tait, del et lith. Day & Haghe lith.rs to the Queen prrominence given to the view of the platform here. On [1845] the right is the Station Hotel,, where queen Victoria Lithograph with tintstone, printed area 240 x 330mmm once stayed. (9½ x 13"). £190 Plate from 'Views on the Manchester & Leeds Railway' The first railway station in the town of Hebden Bridge, (1845), by Arthur Fitzwilliam Tait. The volume West Yorkshire, built to serve the line frf om depicted notable bridges andd stations on the route, Manchester to Leeds. Thiis original station was which opened in 1839. Abbey 411.8 replaced by the current station in the 1890s. Stock: 43307 Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume 386. Wakefield depicted notable bridges and stations on the route, A.F. Tait, del et lith. Day & Haghe lith.rs to the Queen which opened in 1839. Abbey 411.6 [1845] Stock: 43308 Lithograph with tintstone, prrinted area 260 x 355mm (9¾ x 13¾"). £190 385. Normanton Station The town of Wakefield in Yorkshire. A.F. Tait, del et lith. Day & Haghe lith.rs to the Queen Plate from 'Views on the Manchester & Leeds Railway' [1845] (1845), by Arthur Fitzwilliam Tait. The volume Lithograph with tintstone, printed area 260 x 355mmm depicted notable bridges andd stations on the route, (9¾ x 13¾"). £190 which opened in 1839. Abbey 411.7 The train station at Normanton, West Yorkshire, soon Stock: 43306 after it opened in 1840. The station's quarter-mile long 387. Rochdale Station. A.F. Tait, del et lith. Day & Haghe lith.rs to the Queen [1845] Lithograph with tintstone, printed area 255 x 345mmm (10 x 13½"). Slight stain off image bottom left. £190 The first railway station in the town of Rochdale, Greater Mannchester, which served the line from Manchester to Leeds. After the increasing traffic became too great for the station, it was replacded by the larger current depot in 1889. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, Designed by Geo. Dance, Proof.r of Archit.e in the which opened in 1839. Abbey 411.17 Royal Acad.y & Arch.t to the City of London. Will.m Stock: 43309 Daniell fecit. Published as the Act directs, for Geo. Dance Esq. R.A. Upper Gower Street, London, Nov.r 388. Rastrick Terrace & Viaduct 10 1800. A.F. Tait, del et lith. Day & Haghe lith.rs to the Queen Coloured aquatint. Sheet 400 x 660mm (15¾ x 26"). [1845] Trimmed within plate, central fold, tears in margins. Lithograph with tintstone, printed area 250 x 365mmm £950 (9¾ x 14¼"). £180 A fully-formed illustration showing George Dance's Plate from 'Views on the Manchester & Leeds Railway' vision of the redevelopment oof the Port of London, (1845), by Arthur Fitzwilliam Tait. The volume with Old London Bridge repllaced by two bridges, both depicted notable bridges and stations on the route, with drawbridges to allow ships further upstream. Set which opened in 1839. Abbey 411.14 beetween the bridges are the Monument and a proposed Stock: 43305 'Naval Trophy', a pillar commemorating the achievements of the Navy, deesign by James Barry. 389. Bridge over the Irwell, Victoria Stationn, Old London Bridge was eventually replaced by one Manchester. designed by John Rennie. Stock: 43774 A.F. Tait, del et lith. Day & Haghe lith.rs to the Queen [1845] Lithograph with tintstone, printed area 270 x 360mmm 392. A View of St James's Church, (10½ x 14¼"). £200 Clerkenwell, from the West, looking towards Bridge near Victoria station in Manchester, named in the East Window, as the same appeared whilst honour of the monarch at the time it was opened in taking down, in order to be rebuilt. 1844, queen Victoria. Drawn by H. Isham Esq.r, F.. Jukes Aquat. London Plate from 'Views on the Manchester & Leeds Railway' Pub.d Jan.y 16 1789 by F. Jukes Howland Street. (1845), by Arthur Fitzwilliam Tait. The volume Coloured aquatint. 380 x 330mm (15 x 13") very large depicted notable bridges and stations on the route, margins. Laid on board. Maarrgins bit messy. £230 which opened in 1839. Abbey 411.5 In 1788 the delapidated churrcch demolished to be Stock: 43304 replaced by the present building, designed by James Carr. This scene shows a belll hanging from an isolated 390. A Perspective View of the Temple next rafter. One of a pair See 4377882. the River siide [parallel text in Frencb] Stock: 43781 J. Maurer delin et sculp London According to Act of Parliament 1741 393. A View of the Tower and Arch of St Engraving with hand-colouring, 18th century James's Church, Clerkenwell, as the same watermark, platemark 255 x 430mm (10 x 17") very appeared whilst taking down in order to be large marginns. £320 rebuilt. A rare image of the Temple area of central London, an Drawn by H. Isham Esq.r, F.. Jukes Aquat. [London area closely associated with English law owing to the Pub.d May 10 1789 by F. Jukes Howland Street.] presence of two of the four Inns of Court, the Middlee Coloured aquatint, early state before publisher's Temple and Inner Temple, therein. imprint. Sheet 390 x 315mmm (15½ x 12¼") Trimmed Stock: 43757 within plate at sides, creasing. £180 In 1788 the delapidated churrcch demolished to be 391. [Port of London.] To the Right Hon.ble replaced by the present building, designed by James Lord Hawkesbury, &c. &c. This Perspective Carr. This scene shows a belll hanging from an isolated Sketch illustrating a design submitted to the rafter. One of a pair see 43781. consideration of the Select Committee of the Stock: 43782 House of Commons on the improvement of the Port of London, Is inscribed by his obedient humble Servant, Geo. Dance. 394. Smelting House, in Middleton Dale, 396. Bold Lancashire Derbyshire. FWT [in image lower left] Skketched Sept.r 21 1820 Drawn by F.L. Chantrey, A.R.A. Engraved by W.B. Etched Sept.r 26 1820 Cooke Published by J. Murray, March 1st 1818 Lithograph, rare, printed area 270 x 420mm (10½ x Etching on india, sheet 295 x 225mm (11½ x 8¾"). £65 16½") very large margins. £230 Industrial landscape after a drawing by the sculptor Sir Bold Hall in St Helens, Lancashire. The ancient family Francis Leggatt Chantrey (1781-1841), who grew up of Bold lived in the area since before the Norman near Sheffield, not far from the location depicted here. Conquest, but after falling into desrepair due to the Stock: 43691 declining fortunes of the family in the nineteenth century, the hall was sold and demolished as part of the 395. Plan du Port de Plymouth publié par Bold Colliery development in 1893. ordre de son Excellence le Vice-Amiral Decrèès Amateur lithograph made by the army officer and Ministre de la Marine et des Colonies Au poolitician Frederick William Trench (c.1777-1859). In Dépôt de la Marine, en 1803. December 1819 he was returrned as an MP for Cambridge in an election controlled by the Duke of Gravé par E. Collin. [1804.] Rutland, owner of Belvoir, annd he made several Engraved sea chart. 630 x 485mm (24¾ x 19"). Red lithographs of Belvoir castle.. pagination ink stamp, very large margins. Top right Trench was also keenly interrested in architecture: in corner of margin torn. £360 1815 he proposed a vast monument to British naval A French sea chart of Plymouth Harbour, published and military victories over Frrance on the site which soon after hostilities with Revolutionary France begaan beecame Trafalgar Square, and in 1824 he launched a again after the short 'Peace of Amiens' (1802-3). It prroject for an embankment on the north side of the shows upstream to Saltash. Stock: 43860 Thames (in conjunction with which a long print of the prroject was produced). For Trench's embankment sccheme see refs. 23749, 399952 &c. Stock: 43937

397. The South West Prospect of the Universsity, and City of Oxford. Sam.l and Nath.l Buck delin. et Sculp.t, 1731. Engraving. Plate: 310 x 790mm (12¼ x 31"). Creases.£420 A view of Oxford with a descriptive text below and a key to the right, indicating various landdmmarks and buildings. From the seriies 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right. Stock: 43984

398. A View of Thirlmeer, &c. 399. Stonehenge, From the Westward, 1849. Painted and Engraved by Tho.s Smith. Publish'd Joseph Browne, Delt. according to Act of Parliam.t 1761. Scarce tinted lithograph. Printed area 245 x 375mm Engraving, 18th century watermark. 395 x 550mm (9¾ x 14¾") large margins. Tears in edges. £220 (15½ x 21¾"). Trimmed to plate. £360 Stonehenge in its unrestored condition. A view of Thirlmere, the second of four views of the Stock: 43778 Lake District by Thomas Smith of Derby (c.1720-67). An early issue: the set of four prints in the British Museum are all dated 1767, six years after this imprint. See BM 1877,0609.1926 -9. Stock: 43779

400. Gordal, at Malham in Craven, Daniel O'Connell (1775-18477), Irish nationalist leader Yorkshire. The waters collected in a Sudden known as 'The Liberator', or 'The Emancipator', stood Thunder Shhower about 18 years ago, burst a as MP for Clare in 1828. Stock: 43978 Passage thro: the Rock (where it first appears tumbling thro: a kind of an Arch) and Rush'd 404. View from the Dublin Approach to with such Violence that it fill'd the Valley Heywood in the Queen's County Ireland. The below with Vast pieces of broken Rocks and Seat of Frederick Trench Esqr. July 6 1821 Stones for a guar.r of a Mile below, w.ch were F.W.Trench before a bed of Sand. This View is Inscrib'd to Lithograph, printed area apprrox. 240 x 445mm (9½ x Tho:s Lister of Gisburn Park Esq.r by his most 17½") very large margins. On fine india paper with hum.le Serv.t T. Smith. FWT watermark. £230 T. Smith Pinnx. J. Mason Sculp. Published Dec:r 1751. Landscape with river. Amateur lithograph by the army Engraving. 390 x 540mm (15¼ x 21¼"). Small officer and politician Frederiick William Trench margins. Reppaired tears. £260 (c.1777-1859), whose father owned Heywood, View of Gordale Scar, a rocky gorge with waterfall, Ballynakill in Queen's Countty. Trench was also keenly after painter Thomas Smith of Derby. interested in architecture: in 1815 he proposed a vast Stock: 43780 monument to British naval and military victories over France on the site which becaame Trafalgar Square, and in 1824 he launched a project for an embankment on the north side of the Thames (in conjunction with which a long print of the proojject was produced). For Trench's embankment schemme see refs. 23749, 39952 &c. Stock: 43936

405. View from the Dublin Approach to Heywood, in the Queen's Co.y Ireland, The Seat of Frederick Trench Esquire. F.W.T. 1818. Printed from Stone by Moser & Harris. Lithograph, printed area 225 x 320mm (8¾ x 12½") large margins. £230 Landscape with river. Amateur lithograph by the army officer and politician Frederiick William Trench (c.1777-1859), whose father owned Heywood, 401. The Road from Conway to Bangor. Ballynakill in Queen's Countty. Trench was also keenly [n.d., c.1780.] interested in architecture: in 1815 he proposed a vast Fine coloured etching, 240 x 300mm (9½ x 11¾"), monument to British naval and military victories over mounted on 18th century card with hand-coloured France on the site which becaame Trafalgar Square, and border, title pasted on, card 305 x 370mm (12 x 14½") in 1824 he launched a project for an embankment on £320 the north side of the Thames (in conjunction with A coach travelling through mountain passes. which a long print of the proojject was produced). For Stock: 43956 Trench's embankment schemme see refs. 23749, 39952 &c. 402. Tintern Abbey, Monmouthshire. Stock: 43935 Amelia de Suffren Pinx et Sculp. [Pub.d May 1802 by the Author, No 8 Blandford St London.] 406. Bernard le Bovier de Fontenelle, né à Fine coloured aquatint and etching. Sheet 270 x Rouen le 11 Février 1657; mort à Laria le 9 375mm (10¾ x 14¾"). Trimmed to image on three Janvier 1757. sides, losing publication at bottom. £240 Sergent del.t et Sculp.t 1791.. A Paris, chez Blin, Amelia de Suffren, the widow of a French admiral, Imprimeur en Taille Douce, PPlace Maubert, No. 17, toured Wales during the Peace of Amiens (1802-3) vis-a-vis la Rue des 3 Portes.. A.P.D.R. recording many views which she then published Aquatint printed in colour, pllatemark 260 x 165mm herself. (10¼ x 6½") large margins. £140 Stock: 43957 Bernard le Bovier de Fonteneelle (1657-1757), author noted particularly for his acccessible treatment of 403. Daniiel O'Connell. Thomas Steel scientific topics during the Age of Enlightenment. Seconder of O'Connell for Clare. O'Gorman Stock: 43767 Mahon Proposer of O'Connell for Clare. [n.d., c.1830.] 407. Paris, Garden of the Tuileries. Lithograph, rare. Sheet 280 x 225mm (11 x 13¼"). London, Published March 1828 by Adam Friedel. £240 Printed by R. Martin, 124, High Holborn. Lithograph, scarce, sheet 445 x 340mm (17½ x 13¼"). Fine engraving after a portraaiit by James Northcote Two tears. £180 (1746 - 1831), painter and author. A pupil and Lithograph showing a busy scene in the Jardin des biiographer of Sir Joshua Reynolds, Northcote was Tuileries in Paris, with stalls selling goods, men known for his dignified portrraits in the tradition of his relaxing and reading the newspaper, and other master, but also produced grandiose history paintings, activities. An interesting representation of Parisian life many for Boydell's Shakespeare Gallery. See 4428 for and fashions in the early 19th century. similar. Stock: 43831 Stock: 43761

408. Near the Bridge at Trimbering[?] Sun 410. Gernsbach-north from Baden to the Setting with Mr W.m Hamilton Sept.r 7th Black Forest Sept. 27 1836 1839 F.W. Trench. F.W. Trenchh. Lithograph, rare, printed area 185 x 260mm (7¼ x Lithograph, rare, printed area 185 x 260mm (7¼ x 10¼") large margins. £160 10¼"), large margins £160 Gernsbach, a town in the Black Forest, Germany, near Amateur lithograph made during a trip to continental Baden-Baden. Amateur lithograph made during a trip Europe by the army officer and politician Frederick to continental Europe by the army officer and politician William Trench (c.1777-1859). In December 1819 he Frederick William Trench (cc.1777-1859). In December was returned as an MP for Cambridge in an election 1819 he was returned as an MP for Cambridge in an controlled by the Duke of Rutland, owner of Belvoir, election controlled by the Duke of Rutland, owner of and he made several lithographs of Belvoir castle. Belvoir, and he made severall lithographs of Belvoir Trench was also keenly interested in architecture: in castle. 1815 he proposed a vast monument to British naval Trench was also keenly interrested in architecture: in and military victories over France on the site which 1815 he proposed a vast monument to British naval became Trafalgar Square, and in 1824 he launched a and military victories over Frrance on the site which project for an embankment on the north side of the beecame Trafalgar Square, and in 1824 he launched a Thames (in conjunction with which a long print of the prroject for an embankment on the north side of the project was produced). Foor Trench's embankment Thames (in conjunction with which a long print of the scheme see refs. 23749, 39952 &c. prroject was produced). For Trench's embankment Stock: 43933 sccheme see refs. 23749, 39952 &c. Stock: 43934

411. Paolo Sarpi. Author of the History of the Council of Trent. Painted by Frederico Zucchero. Engrav'd by W. Dickinson. London, Publish'd Feb.y 20.th 1777 by W. Dickinson Henrietta Street Covent Garden. Mezzotint, fine, platemark 3880 x 280mm (15 x 11"), large margins. £290 Paolo Sarpi (1552-1623), Itaallian intellectual, lawyer and statesman active on behalf of the Venetian Republic during its defiance of the Papal Interdict (1605-7) and its war with Austria over the Uskok piirates (1615-17). As a defender of the liberties of Republican Venice and propoonent of the separation of Church and state Sarpi influenced subsequent Republicans. This portrait emphasizes his major work, the 'History of the Council off Trent', published in London in 1619. Mezzotint engraving after a portrait by Federico Zuccaro (1540x42-1609), who in Venice painted works 409. His Excellency Count Brühl, Minister commissioned by Cardinal Giovanni Grimani and from the Ellector of Saxony to the King of frescos for the Doge's Palace. Stock: 43741 Great Britain Painted by J. Northcote R.A. Engraved by S.W. Reynolds & W. Aniss London, Published by S.W. 412. Hendrick Danielsz Slatius Gewesener Reynolds, 1803 Predicant zu Bleyswyck nach dem leben Mezzotint, pllatemark 500 x 355mm (19¾ x 14") very abgemalet den 12 Martyy Ao 1623 [...] large marginns. Marked '1st fifty' lower left. £360 [After Claes Jansz. Visscher,, c.1630] Count John Maurice de Brühl (1736-1809). Besides Etching, 17th century watermark, rare, sheet 250 x being Saxon ambassador to England he was an amateur 125mm (9¾ x 5"). Glued to backing sheet on left edge. engraver and author of several astronomy works, which £260 elements of this portrait allude to; instruments on tablle. Hendrick Danielsz Slatius (1585-1623), leader of the 416. Gustavus Count Gottorp. Aetat XXXIII. conspiracy against Prince Maurice of Orange, From an original Picture (painted at Hartwell handcuffed and fettered, next to large beer mug. Co- 1811) in the possession of John French Burke conspirator being led off towards Coevorden in Esq.r background. Huet Villiers pinx.t W. Ward sculp.t A.R.A. Engraver Copy of the etching by Claes Jansz. Visscher. to the Prince Regent & Duke of York London, Stock: 43759 Published August 1.st 1814 by R. Lambe 95 Gracechurch Street 413. [The Polish Exile] Der Polnische Mezzotint, fine, platemark 355 x 255mm (14 x 10") Verbannte. Weit enfernt vom theuren very large margins. £260 Vaterlande, / Weit bin ich von Dir, o tre'ster Gustav IV Adolf (1778-1837), king of Sweden from Freund! [...] 1792 until his abdication in 1809. He was the last [Anon., c.1820] Swedish ruler of Finland, and after an army revolt, was Etching with hand-colouring and letterpress, scarce, seized by officers and forced to relinquish the throne. sheet 280 x 220mm (11 x 8½"). £240 In exile, Gustav used severall titles including Count Songsheet, with German-language text, about 'The Gottorp (as he is named here) and Duke of Holstein- Polish Exile'. After 1795, when Poland became part of Eutin, and finally settled at St. Gallen in Switzerland, the Russian Empire, official policy towards Jews under the name of Colonel Gustafsson. became substantially harsher than it had been under Engraved after a portrait by François Huet (1772- independent Polish rule, causing large-scale 1813), French artist who setttled in England at the movements of Jews within and beyond the Empire. beeginning of the French Revvoolution. He was painter to Stock: 43826 the king of France and miniature painter to the duchess of York. 414. Race Course, Stock: 43744 Drawn & Etched by John Augustus Atkinson. Published as the Act directs May 10, 1804 by J.A. Atkinson & Ja.s Walker, No 3 Conway Street, Fitzroy Square, and Mess.rs John & Josiah Boydell, Pall Mall & Cheapside, London. Coloured sofft-ground etching with aquatint. 260 x 380mm (10¼ x 15"), watermarked 'J.Whatman 1801'', large marginns. £160 The crowds at the races, with coaches and sledges, published in Atkinson's 'A Picturesque Representation of the Manners, Customs, and Amusements of the Russians'. Atkinson accompanied his uncle, James Walker. to St Petersburg when Walker was appointed engraver to Catherine the Great. On his return he and his uncle published this work, which contained 100 plates. Abbey: Travel 223, 'These plates of Atkinson's show the spontaineity and sprit possible when the artist is his own engraver... The colouring is skilfully done'. Stock: 43862

415. Consecration of the Waters. Drawn & Etched by John Augustus Atkinson. Published as the Act directs May 12, 1804 by J.A. Atkinson & Ja.s Walker, No 3 Conway Street, Fitzroy Square, and Mess.rs John & Josiah Boydell, Pall Mall 417. The Infanta Donna Isabella Governante & Cheapside, London. Coloured sofft-ground etching with aquatint. 260 x of Flanders. Ex Collect: Friderici Caroli Con.s 380mm (10¼ x 15"), watermarked 'J.Whatman 1801''. Shoenborn Epi B et H. Small margins. £180 Rubens Pinxit. Miller fecit. A view of the harbour of St Petersburg, published in Mezzotint, platemark 395 x 285mm (15½ x 11¼"). Atkinson's 'A Picturesque Representation of the Small margins. Glued to backing sheet. £290 Manners, Customs, and Amusements of the Russians'. Isabella Clara Eugenia of Austria, daughter of Philip II Atkinson accompanied his uncle, James Walker. to St of Spain and ruler of the Spanish Netherlands (1566- Petersburg when Walker was appointed engraver to 1633) with her husband Albert VII, Archduke of Catherine the Great. On his return he and his uncle Austria. This portrait, ascribed to Peter Paul Rubens, published this work, which contained 100 plates. the court painter to Isabella and Albert, poro trays Abbey: Travel 223, 'These plates of Atkinson's show the Isabella with a classical frieze of cherubs and an old spontaineity and sprit possible when the artist is his man, a parrot, and flowers. Stock: 43754 own engraver... The colouring is skilfully done'. Stock: 43861

419. [Haiti.] Plan de la VVille du Cap où est marqeé en noir ce qui à été Incendié les 21, 22, 23, 24, 25 & 26 Juin 1793. [n.d., c.1795.] Manuscript map, 18th centurry watermark. Sheet: 90 x 160mm (3½ x 6½"). £650 A small map marking the desstruction of Le Cap- Haitian following its destructtion by fire in June 1793 in the anti-slavery and anti-colonial revolution in the French colony of Saint-Dommingue 1791-1804. Stock: 43877 418. Intérieur de la Morgue. J. Dubois Lith. de Spengler et C.ie à Genève [c.1830] Lithograph with hand-colouring and gum arabic, sheet 115 x 130mm (4½ x 5"). Glued to album sheet with painted border and ms. £95 Swiss lithograph of skeletons and decomposing bodies in a mortuary near the Hospice of St. Bernard. Stock: 43758

420. The Morrt of Meyni, or Mahneymund [[&] The Kirt Morrt or Cemetery Oatacamund Neilgherries 1830 [Anon.] Two watercolours, each sheet approx. 310 x 410mm (12¼ x 16"). Both backed onto card. £460 Two watercolours in the vicinity of Udhagamandalam, a town in the southern Indian state of Tamil Nadu. Under British rule (during which these watercolours were made) the town was known as Ootacamund. In 1832 (shortly after these watercolours were made), the writer Henry Harkness published 'A Description of a Singular Aboriginal Race Inhabiting the Summit of the Neilgherry Hills', which includes a description of the area depicted here: 'Proceeding in the first instance towards the ruins of a fortress, lying north-west of Oatacamund, we soon came in view of the morrt of Meyni, the scenery of which is beautiful and picturesque in the extreme. It is situated on a gentle slope, near the foot of a range of hills, and just below a graceful opening, through which dark grey mountains appear in the distance, rising up, as it would seem, from the very centre of the earth'. Stock: 43760