DOCSLIB.ORG

Various Golden Hour of Disney Favourites Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Various Golden Hour of Disney Favourites Mp3, Flac, Wma Various Golden Hour Of Disney Favourites mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Children's / Stage & Screen Album: Golden Hour Of Disney Favourites Country: UK Style: Soundtrack, Musical MP3 version RAR size: 1388 mb FLAC version RAR size: 1641 mb WMA version RAR size: 1833 mb Rating: 4.3 Votes: 521 Other Formats: DTS WAV FLAC MP3 AIFF VOC AU Tracklist Hide Credits Whistle While You Work A1 –Adriana Caselotti Written-By – Frank Churchill, Larry Morey –Phil Harris And Bruce The Bare Necessities A2 Reitherman Written-By – Terry Gilkyson Little April Shower A43 –Unknown Artist Written-By – Frank Churchill, Larry Morey Zip-A-Dee-Doo-Dah A4 –James Baskett Lyrics By, Music By – Allie Wrubel, Ray Gilbert A Spoonful Of Sugar A5 –Julie Andrews Arranged By, Conductor – Irwin KostalLyrics By – Robert B. ShermanMusic By – Richard M. Sherman Winnie The Pooh A6 –The Disney Chorus* Lyrics By – Robert B. ShermanMusic By – Richard M. Sherman The Ballad Of Davy Crockett A7 –Bill Hayes Written-By – George Bruns, Tom Blackburn –Phil Harris, Scatman Everybody Wants To Be A Cat A8 Crothers And Eva Gabor Written-By – Al Rinker, Floyd Huddleston –Verna Felton, Ilene Woods Bibbidi-Bobbidi-Boo A9 And The Disney Studio Written-By – Al Hoffman, Jerry Livingston, Mack David Chorus Mickey's Big Show A10.1 – Donald Duck Recites Mary Had A Little Lamb A10.2 –Clarence Nash Voice [Donald Duck] – Clarence Nash Little Boy Blue A10.3 –Clarence Nash Voice [Donald Duck] – Clarence Nash A10.4 –Clara Cluck Clara Cluck Sings Opera - –The Mouseketeers And A11 Mickey Mouse March Chorus* –Mary Moder, Dorothy Who's Afraid Of The Big Bad Wolf? B1 Compton, Pinto Colvig And Written-By – Frank Churchill, Larry Morey Billy Bletcher B2 – Donald Duck Song Hi-Diddle-Dee-Dee B3 –Walter Catlett Written-By – Leigh Harline, Ned Washington The Three Caballeros B4 – Lyrics By [English] – Ray GilbertMusic By – Manuel Esperón González He's A Tramp B5 – Featuring – The Pound HoundsWritten-By – Peggy Lee, Sonny Burke Feed The Birds B6 –Julie Andrews And Chorus* Lyrics By – Robert B. ShermanMusic By – Richard M. Sherman Never Smile At A Crocodile B7 – Lyrics By, Music By – Frank Churchill, Jack Lawrence Portobello Road B8 –Mike Sammes Singers Music By, Lyrics By – The Sherman Brothers The Sorcerer's Apprentice B9 – Composed By – Paul DukasConductor – Leopold StokowskiNarrator – Sterling Holloway When You Wish Upon A Star B10 –Cliff Edwards Lyrics By, Music By – Leigh Harline, Ned Washington Notes A1, A2 From "Snow White And The Seven Dwarfs" A3, A5 From "The Jungle Book" A4 From "Bambi" A6, B6 From "Mary Poppins" A7 From "The Three Caballeros" A8 From "Davy Crockett" A9 From "The Aristocats" A10 From "Cinderella" A14 From "The Micky Mouse Club" B1 From "Walt Disney's Story Of The Three Little Pigs" B3 From "Pinocchio" B5 From "Lady And The Tramp" B7 From "Peter Pan" B8 From "Bedknobs And Broomsticks" B9 From "Fantasia" B10 From "Cinderella" Other versions Category Artist Title (Format) Label Category Country Year Golden Hour Of Disney Favourites ZCGH 856 Various Golden Hour ZCGH 856 UK Unknown (Cass, Comp) Related Music albums to Golden Hour Of Disney Favourites by Various Various - The Very Best Of Disney - 28 Original Soundtrack Recordings Various - Disney Classics Various - The Best Of Disney Volume One Richard M. Sherman And Robert B. Sherman - Walt Disney Presents "Just a Dream Away" Louis Armstrong - Disney Songs The Satchmo Way Richard M. Sherman & Robert B. Sherman - The Story And Songs Of Walt Disney Productions' Bedknobs And Broomsticks Robert B. Sherman & Richard M. Sherman / Marni Nixon, Richard M. Sherman, Dal McKennon, Bill Lee - The Story And Songs From Walt Disney's Mary Poppins Frank Churchill, Larry Morey, Edward Plumb - Bambi Various - Walt Disney's Happiest Songs Various - The Aristocats (Les Aristochats).
Load more

Recommended publications
  • The Aristocats the CAST (In Order of Appearance)
    =============================================================================== Disney Classic Animated Feature ARISTOCATS script (version 1.0) Disney Disclaimer: This script is taken from numerous viewings of the Feature feature and is not an official script by all means. Portions of Films: this script are copyrighted by Walt Disney Company and are used without permission. The Aristocats THE CAST (in order of appearance) Awards Opening Song Vocals Maurice Chevalier Madame Adelaide Bonfamille Hermione Baddelay Cast Edgar Roddy Maude-Roxby Duchess Eva Gabor Contents Berlioz Dean Clark Frou-frou Nancy Kulp Film Info Georges Hautecourt Charles Lane Marie Liz English Income Toulouse Gary Dubin Roquefort Sterling Holloway Napoleon Pat Buttram Info Lafayette George Lindsey Driver (milkman) Pete Renoudet Mistakes Amelia Gabble Carole Shelley Abigail Gabble Monica Evans Movie Posters Chef (le Petit Cafe): Uncle Waldo: Bill Thompson Songlyrics Scat Cat: Scatman Crothers Italian Cat: Vito Scotti English Cat: Lord Tim Hudson Russian Cat: Thurl Ravenscroft Chinese Cat: Paul Winchell Driver (postman): Mac (postman): OPENING CREDITS Walt Disney Productions presents the Aristocrats "The Aristocats" sung by Maurice Chevalier [Marie, Berlioz, and Toulouse in pencil animation run throught the screen, Toulouse stops, takes away the letter R from the title and pushes the right part of it back. the title now reads] the AristoCats Color by Technicolor Story: Larry Clemmons Vance Gerry Ken Anderson Frank Thomas Eric Cleworth Julius Svendsen Ralph Wright Based
    [Show full text]
  • Claudia Hommel's Songshop Presents Dream a Little #1
    Claudia Hommel’s Songshop presents Dream a Little #1 The Café Simone Cabaret of Cyrano’s Bistrot Saturday, July 23, 2011 Act II Sue Hit the Road to Dreamland Harold Arlen & Johnny Mercer Adrienne A Whole New World Alan Menken & Tim Rice (from Aladdin ) Liberty Et si tu n'existais pas Toto Cutugno & Pierre Delanoë Joan I Dreamed a Dream Claude-Michel Schönberg & BROUGHT TO YOU BY: Herbert Kretzmer (from Les Adrienne Minnes, Arlene Armstrong, Carol Weston, Carrie Hedges, Claudia Misérables ) Hommel, Jim Anderson, Joan Kuersten, Liberty Manabat, Ron Anderson, Carol When You Wish upon a Leigh Harline & Ned Ruth Fuerst, Sue Keller (at the piano) Star Washington Jim I Have Dreamed Richard Rodgers & Oscar Act I Hammerstein II Ruth Both Sides Now Joni Mitchell Carol Darn that Dream Jimmy Van Heusen & Eddie De Lange Arlene The Nearness of You Hoagy Carmichael & Ned Carrie Old Devil Moon E.Y. Harburg & Burton Lane Washington. Carrie Climb Ev’ry Mountain Richard Rodgers and Oscar Arlene Fly Me to the Moon Bart Howard Hammerstein II (from The Joan I Get Along Without You Hoagy Carmichael (based on a Sound of Music ) Very Well poem by Jane Brown Thompson) Ron Dream Lover Bobby Darin Jim Taking the Wheel John Bucchino Liberty The Way He Makes Me Michel Legrand, Alan & Marilyn Feel Bergman (from Yentl ) Actor-singer CLAUDIA HOMMEL welcomes singers (from novice to veteran) to join Ruth Somewhere That's Alan Menken & Howard Ashman Songshop, our weekly song interpretation workshop at the DePaul University School Green (from Little Shop of Horrors ) of Music where she has been on faculty for the Community Music Division since 2003.
    [Show full text]
  • Download Booklet
    BIS-CD-1049STEREO lDD Dl Totalplaying time: 46'36 E Introduction l'28 tr O Lord My God!(How Great Thou Art) 5'15 Words & Music by Carl Bctberg.Arranged & Sequencedby Hiro lida Voeol 4rronpemcnrht Vorlon \ondcrt tr Beautyand the Beast 3'23 Worclsby Howarcl Ashman I Music by Alan Menken. Arranged & Sequencedby Jamshied Sharifi E Star Dust 1'07 Words by Michell Parish I Music by Hoag.\'Carmichael Arranged by Gil Goldstein (Dedicqted to Lili Goldstein) E IfI LovedYou 3'35 Words by Oscar Hammerstein II I Music b,t Richard Rogers Arranged by Gil Goldstein (Dedicated to Lili Goldstein) tr SilentNight 3'39 Words by Joseph Mohr I Music by Franz Gruber. Arranged by Gil Goldstein tr The Meaningof Wonder 4',59 Wordt & 14usicbt Cil Coldstein E Some Day My Prince Will Come 1r(t Words by Larr1, Morel l Music by Frank Churchill. Arranged & Sequencedby Hi'o Iida tr O Holy Night 3'36 EnglishWonls by D.S. Du'ight I Music by Adolphe Adam. Arranged and Sequencedby Jamshied Shartf @ Music of the Spheres 5'33 Words & Music br Gil Goldstetn E White Christmas 5'21 Words & Music b:" Ining Berlin. Arrqnged & Sequencedbl Hi'o lida E WhenYou Wish Upona Star 4'08 Words by NedWashingt<n I Music by Leigh Harline. Art'anged by Andy Erzin Yoshikazu Mera, counter-tenor Yoshikazu Mera, Japan's leading counter-tenor, is a winner of the highest prize at the eighth Early Music Competition (1994) and the third prize at the sixth Sogakudo JapaneseLied Com- petition (1995). He is highly acclaimedin sacredand early music field, appearingas a soloist with the Bach Collegium Japan and in opera.
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
    [Show full text]
  • Spring2014 • Volume23 • Number1 Welcome Home
    spring2014 • Volume23 • Number1 welcOme home. Shrouded in darkness, concealed with caution tape and faintly smelling of commercial-grade latex, my workspace on a recent morning had all the makings of a crime scene investigation, minus the actual crime. (Seems the ridicule of an innocent man on the occasion of his 40th birthday is still legal in this country.) Picture the children’s-play-area ball pit at your local pizza joint or fast-food establishment, only with more insults and (slightly) less bacteria. “Friends” had engulfed my desk in a sea of black balloons, each emblazoned with a different dig from a clever co-worker. Excavating the area like a young Indiana Jones, I read everything from “our interns were born when you were in high school” to “you know you’re 40 when someone offers you a seat on the monorail…and you don’t refuse.” While I may have been surprised (and, truth be told, delighted) by the extremity of the effort, I wasn’t surprised by the effort itself. Having now been part of the Disney Vacation Club Cast family for the better part of a decade, I know how much this team loves to celebrate. From births to birthdays, awards to anniversaries, changes in our community to changes in humidity, rare is the month that doesn’t bring cause for celebration. We’re even headquartered in a town called Celebration. Our passion for celebrating what – and who – we appreciate should come in quite handy this year, as Disney Vacation Club rolls out Membership Magic, a vibrant array of Membership enhancements, exclusive experiences and special offers.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • ASCAP Has Been There... SOME ENCHANTED EVENING Oscar Hammerstein II, Richard Rodgers
    UNFORGETTABLE SONGS Continued from page A -16 SUMMERTIME George Gershwin, Ira Gershwin, DuBose Heyward THANKS FOR THE MEMORY Ralph Rainger, Leo Robin WHAT A DIFF'RENCE A DAY MADE Stanley Adams, Maria Grever AC-CENT-TCHU-ATE THE POSITIVE Harold Arlen, Johnny Mercer BLUEBERRY HILL 11 Lewis, Vincent Rose, Larry Stock BLUES IN THE NIGHT Harold Arlen, Johnny Mercer HOW ARE THINGS IN GLOCCA MORRA E.Y. Harburg, Burton Lane HOW HIGH THE MOON Nancy Hamilton, Morgan Lewis LAURA Johnny Mercer, David Raksin MONA LISA Since I9I4, Ray Evans, Jay Livingston RUDOLF THE RED -NOSED REINDEER Johnny Marks SAN ANTONIO ROSE Bob Wills ASCAP has been there... SOME ENCHANTED EVENING Oscar Hammerstein II, Richard Rodgers Not for just an hour, Not for just a day, Not for just a year, but always. Nat King Cole STRAIGHTEN UP AND FLY RIGHT Nat King Cole, Irving Mills SWINGING ON A STAR Johnny Burke, James Van Heusen TENDERLY Walter Gross, Jack Lawrence THE TROLLEY SONG Ralph Blane, Hugh Martin THERE'S NO BUSINESS LIKE SHOW BUSINESS Irving Berlin WHITE CHRISTMAS Irving Berlin WHEN YOU WISH UPON A STAR Leigh Harline, Ned Washington TM YOU MAKE ME FEEL SO YOUNG Irving Berlin Music Company® Mack Gordon, Josef Myrow YOU'LL NEVER WALK ALONE Oscar Hammerstein II, Richard Rodgers ZIP -A -DEE DOO -DAH WÎLLIAMSON MUSIC Ray Gilbert, Allie Wrubel A EpDGERS AND HAMMERSTEIN COMPANY ALL THE WAY Sammy Cahn, James Van Heusen AROUND THE WORLD Harold Adamson, Victor Young, Stella Unger Continued on page A -20 A-18 BILLBOARD SALUTE BILLBOARD FEBRUARY 13, 1999 www.americanradiohistory.com.
    [Show full text]
  • Music Direction and Piano Accompaniment by Elizabeth
    THE PLAYBILL for JULY 17 – in two acts! Patrick Tonight Leonard Bernstein & Stephen Sondheim (West Side Story) Carol Blue Skies Irving Berlin Jonathan There’s a Sunny Side Harry Warren Barb The Dog Susan Werner Carrie Look to the Rainbow Burton Lane & E.Y. Harburg (Finian’s Rainbow) Christian He Loves Me Jerry Bock & Sheldon Harnick (She Loves Me) Sharon Our Love is Here to Stay George & Ira Gershwin Claudia Brand New Day Noel Nicola, English version by C. Hommel Jonathan Out There Alan Menken & Stephen Schwartz (The Hunchback of Notre Dame) Evelyn I Told You So Duncan Lamont Christian I Am What I Am Jerry Herman (La Cage aux Folles) Ruth The Rose Amanda McBroom Patrick Moon Dance Van Morrison INTERMISSION Ruth Everything’s Coming Up Roses Jule Styne & Stephen Sondheim (Gypsy) Music direction and piano accompaniment by Lydia My Lazy Day Smiley Burnette Elizabeth DOYLE, Bobby SCHIFFand Dan STETZEL Sharon Walking after Midnight Alan Block & Donn Hecht Carrie Paris Is a Lonely Town Harold Arlen & E.Y. Harburg (Gay Production by Claudia HOMMEL Purree) Carol Blue Moon Richard Rodgers & Lorenz Hart A project of Working in Concert: a nonprofit performing arts collaboration— Patrick If Ever I Would Leave You Alan Jay Lerner & Frederick Loewe (Camelot) Delivering songs and stories up close and personal. Evelyn Lazy Afternoon John Latouche & Jerome Moross Today’s Premier Sponsors are Suzanne & Steve Sharer (The Golden Apple) Proceeds benefit the SongShop Scholarship Fund Sharon What a Difference a Day Made María Grever & Stanley Adams Jonathan When You Wish upon a Star Leigh Harline & Ned Washington Claudia Cerisier rose et pommier blanc Louiguy & Jacques Larue Ruth Colors of the Wind Alan Menken & Stephen Schwartz (Pocahontas) Christian The Best of Times Jerry Herman (La Cage aux Folles) Our goal is to reflect on stage and “in the house” the great diversity of Chicago’s population and the paths that bring us together.
    [Show full text]
  • January 04, 1905: Sterling Holloway Born Learn More
    January 4, 1905: Sterling Holloway Born Learn More Suggested Readings Gordon Sargent, "'Pooh' Boy from Polk County: The Story of Sterling Holloway," North Georgia Journal (summer 1997). Frank Thomas and Ollie Johnston, The Illusion of Life: Disney Animation, rev. ed. (New York: Hyperion, 1995). “Sterling Holloway (1905-1992).” New Georgia Encyclopedia. http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-2760&sug=y Internet Broadway Database: http://www.ibdb.com/person.php?id=45442 Disney Insider: http://disney.go.com/disneyinsider/history/legends/Sterling-Holloway Internet Movie Database: http://www.imdb.com/name/nm0001359/bio Historic Marker Database: http://www.hmdb.org/marker.asp?marker=35342&Result=1 www.todayingeorgiahistory.org January 04, 1905: Sterling Holloway Born Learn More Image Credits Special Thanks to Donnie Jarrell 2nd Junglebook, First Edition, U.K., 1908, v. 1 Bambi, First Edition, U.S., 1928, v. 1 Winnie the Pooh, First Edition, U.K., 1926, v. 1 Winnie the Pooh, First Edition, U.K., 1926, v. 2 Winnie the Pooh, First Edition, U.K., 1926, v. 3 www.todayingeorgiahistory.org Winnie the Pooh, First Edition, U.K., 1926 v. 4 Historical Marker Dedication Courtesy of Donnie Jarrell Sterling Holloway as an infant Courtesy of Donnie Jarrell Martha Scott, Sterling Holloway, Sidney Blackmer in Cheers for Miss Bishop Courtesy of Donnie Jarrell Sterling Holloway in Live a Little Love a Little, 1968 Courtesy of Donnie Jarrell Sterling Holloway, 1974 Courtesy of Donnie Jarrell www.todayingeorgiahistory.org Sterling Holloway and
    [Show full text]
  • Chapter Template
    Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade.
    [Show full text]
  • Regionalism in Disney Animation: Pink Elephants and Dumbo
    Film History,Volume 4, pp. 305-321, 1990 0892-2160/90 $3.00 + 0 Printed in the USA. All rights reserved Copyright © 1990 Taylor & Francis Regionalismin Disney Animation Pink Elephants and Dumbo by Mark Langer Abstract Walt Disney's DUMBO (RKO, 1941) Kingdom in the 1930s, such outre magic was progressively is shown to contain two disparate animation tradi- excluded from the premises."4 tions operating simultaneously within the Disney By the mid-1930s, modernity in American animation studio. Sequences alternate between those presented became synonymous with the West Coast style-a style in Disney's West Coast style, an expression of the that was assumed to be the inscription of Walt Disney. classic Hollywood tradition, and an imported East This modern Disney style was described by a contempo- Coast style, which emphasized artifice, nonlinear rary observer as narrative, and "rubbery" graphics. Associated with that same delicate balance between fantasy and fact, such New York studios as Fleischer and Van Beuren, poetry and comic reality, which is the nature of all the East Coast Style in DUMBO is traced to the folklore. In Disney's studio a twentieth-century mira- contributions of specific New York-trained anima- cle is achieved: by a system as truly of the machine tors, who were able to due to operate relatively freely as Ford's at true art is own lack of involvement. The "Pink Ele- age Henry plant Dearborn, Disney's It it to is as a of produced.... gives pleasure; appeals your phants" sequence analyzed major example whereas most other films cater to the East Coast influence in the film.
    [Show full text]