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The Life and Letters of William Sharp and “Fiona Macleod”
The Life and Letters of William Sharp and “Fiona Macleod” Volume 2: 1895-1899 W The Life and Letters of ILLIAM WILLIAM F. HALLORAN William Sharp and What an achievement! It is a major work. The lett ers taken together with the excellent H F. introductory secti ons - so balanced and judicious and informati ve - what emerges is an amazing picture of William Sharp the man and the writer which explores just how “Fiona Macleod” fascinati ng a fi gure he is. Clearly a major reassessment is due and this book could make it ALLORAN happen. Volume 2: 1895-1899 —Andrew Hook, Emeritus Bradley Professor of English and American Literature, Glasgow University William Sharp (1855-1905) conducted one of the most audacious literary decep� ons of his or any � me. Sharp was a Sco� sh poet, novelist, biographer and editor who in 1893 began The Life and Letters of William Sharp to write cri� cally and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlis� ng his sister to provide the handwri� ng and address, and for more than a decade “Fiona Macleod” duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. and “Fiona Macleod” Sharp wrote “I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out”. This three-volume collec� on brings together Sharp’s own correspondence – a fascina� ng trove in its own right, by a Victorian man of le� ers who was on in� mate terms with writers including Dante Gabriel Rosse� , Walter Pater, and George Meredith – and the Fiona Macleod le� ers, which bring to life Sharp’s intriguing “second self”. -
The Delius Society Journal Spring 2000, Number 127
Delius Journal 127.qxd 10-04-2000 09:18 Page 1 The Delius Society Journal Spring 2000, Number 127 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £20 per year UK students: £10 per year USA and Canada US$38 per year Africa, Australasia and Far East £23 per year President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 127.qxd 10-04-2000 09:18 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: 020 7935 4241 Fax: 020 7935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 127.qxd 10-04-2000 09:18 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial................................................................................................................ 6 ORIGINAL ARTICLES Delius and Verlaine, by Robert Threlfall............................................................ 7 Vilhelmine, the Muse of Sakuntala, by Hattie Andersen................................ 11 Delius’s Five Songs from Tennyson’s Maud, by Christopher Redwood.......... 16 The ‘Old Cheshire Cheese’Connection, by Jane Armour-Chélu.................... 22 Delius and the American Connections, by George Little.............................. -
MAX BEERBOHM AS a LITERARY CRITIC by BEVERLY JOAN
MAX BEERBOHM AS A LITERARY CRITIC by BEVERLY JOAN NORBY B.A., University of British Columbia, 1949 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1967 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.i>s representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date October, 1967 ABSTRACT The purpose of this thesis has been to define Max Beerbohm's critical literary principles, to evaluate his con• tribution to aesthetic criticism and thereby to determine his place in the critical tradition. The methods of investi• gation have been: to study the formative influences on the development of his critical principles and to evaluate the results of their application in Max's essays and dramatic criticisms. From this study it is evident that as a man and as an artist Max was "formed" during the Eighteen-nineties. By nature he was an intellectual dandy who always preferred strong, narrow creative personalities like himself. He was detached, fastidious, witty, and humane, and he was noted for his wisdom and sound common sense, even as a very young man. -
Dafydd Jones: the Last Hurrah Dafydd Jones: the Last Hurrah 3 Aug–8 Sep 2018
PRINT SALES GALLERY 3 AUG–8 SEP 2018 DAFYDD JONES: THE LAST HURRAH DAFYDD JONES: THE LAST HURRAH 3 AUG–8 SEP 2018 Snoggers, Hammersmtih Palais, London, 1981 British photographer Dafydd Jones (b.1956) has worked as social photographer since the early 1980s, contracted by such publications as Tatler, Vanity Fair, The New York Observer, The Sunday Telegraph, The Times and Independent. After winning a prize in a photography competition run by The Sunday Times magazine in 1981 with a set of pictures of the ‘Bright Young Things’, Jones was hired by Tatler magazine editor Tina Brown to photograph Hunt Balls, society weddings and debutante dances. This exhibition explores Jones’s behind-the-scenes images taken in the years that followed, between 1981-1989, known as ‘The Tatler Years’. “I had access to what felt like a secret world. It was a subject that had been written about and dramatised but I don’t think any photographers had ever tackled before. There was a change going on. Someone described it as a ‘last hurrah’ of the upper classes.” SELECTED PRESS THE GUARDIAN, 8 AUG 2018 I took this shot at Oriel College, Oxford, in 1984. I had heard that whoever won the summer rowing competition would set fire to a boat in celebration. Oriel had won seven years in a row at that point, and I remember there were complaints that it was all getting out of hand. The whole event was slightly mad. After a long, boozy dinner, groups of suited men would run arm-in-arm and jump through the blaze, or dash through the embers in their smart shoes. -
Ankenym Powysjournal 1996
Powys Journal, 1996, vol. 6, pp. 7-61. ISSN: 0962-7057 http://www.powys-society.org/ http://www.powys-society.org/The%20Powys%20Society%20-%20Journal.htm © 1996 Powys Society. All rights reserved. Drawing of John Cowper Powys by Ivan Opffer, 1920 MELVON L. ANKENY Lloyd Emerson Siberell, Powys 'Bibliomaniac' and 'Extravagantic' John Cowper Powys referred to him as 'a "character", if you catch my meaning, this good Emerson Lloyd S. — a very resolute chap (with a grand job in a big office) & a swarthy black- haired black-coated Connoisseur air, as a Missioner of a guileless culture, but I fancy no fool in his office or in the bosom of his family!'1 and would later describe him as 'a grand stand-by & yet what an Extravagantic on his own our great Siberell is for now and for always!'2 Lloyd Emerson Siberell, the 'Extravagantic' from the midwestern United States, had a lifelong fascination and enthusiasm for the Powys family and in pursuit of his avocations as magazine editor, publisher, writer, critic, literary agent, collector, and corresponding friend was a constant voice championing the Powys cause for over thirty years. Sometimes over-zealous, always persistent, unfailingly solicitous, both utilized and ignored, he served the family faithfully as an American champion of their art. He was born on 18 September 1905 and spent his early years in the small town of Kingston, Ohio; 'a wide place in the road, on the fringe of the beautiful Pickaway plains the heart of Ohio's farming region, at the back door of the country, so to speak.' In his high school days he 'was always too busy reading the books [he] liked and playing truant to ever study seriously...' He 'enjoyed life' and was 'a voracious reader but conversely not the bookworm type of man.'3 At seventeen he left school and worked a year at the Mead Corporation paper mill in Chillicothe, Ohio and from this experience he dated his interest in the art and craft of paper and paper making. -
Walks in Jefferies-Land 1912
Walks in Jefferies-Land 1912 Kate Tryon The RICHARD JEFFERIES SOCIETY (Registered Charity No. 1042838) was founded in 1950 to promote appreciation and study of the writings of Richard Jefferies (1848-1887). Website http://richardjefferiessociety.co.uk email [email protected] 01793 783040 The Kate Tryon manuscript In 2010, the Richard Jefferies Society published Kate Tryon’s memoir of her first visit to Jefferies’ Land in 1910. [Adventures in the Vale of the White Horse: Jefferies Land, Petton Books.] It was discovered that the author and artist had started work on another manuscript in 1912 entitled “Walks in Jefferies-Land”. However, this type-script was incomplete and designed to illustrate the places that Mrs Tryon had visited and portrayed in her oil-paintings using Jefferies’ own words. There are many pencilled-in additions to this type-script in Kate Tryon’s own hand- writing and selected words are underlined in red crayon. Page 13 is left blank, albeit that the writer does not come across as a superstitious person. The Jefferies’ quotes used are not word-perfect; neither is her spelling nor are her facts always correct. There is a handwritten note on the last page that reads: “This is supposed to be about half the book. – K.T.” The Richard Jefferies Society has edited the “Walks”, correcting obvious errors but not the use of American spelling in the main text. References for quotes have been added along with appropriate foot-notes. The Richard Jefferies Society is grateful to Kate Schneider (Kate Tryon’s grand- daughter) for allowing the manuscripts to be published and thanks Stan Hickerton and Jean Saunders for editing the booklet. -
Culture and Fantastical Fiction 1843-1973 Paul Mcadam
Durham E-Theses Negotiating the real: Culture and fantastical ction 1843-1973 McAdam, Paul How to cite: McAdam, Paul (2005) Negotiating the real: Culture and fantastical ction 1843-1973, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2864/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk McAdam 1 Abstract Paul McAdam Negotiating the Real: Culture and Fantastical Fiction 1843-1973 This dissertation examines the growth and practice of two distinct reading techniques, with reference to fantastical fiction from 1843 to 1973. While acknowledging that specific reading practices are not exclusive to particular groups or individuals, it is proposed, broadly, that readers fall into two categories: those who tend to be distanced from the text and approach it analytically; those who tend to embrace the text and immerse themselves in its narrative. -
Francis Thompson and His Relationship to the 1890'S
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 Francis Thompson and His Relationship to the 1890's Mary J. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kearney, Mary J., "Francis Thompson and His Relationship to the 1890's" (1947). Master's Theses. 637. https://ecommons.luc.edu/luc_theses/637 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Mary J. Kearney ii'RJu\fCIS THOi.IPSOH A1fD HIS HELATI01,JSIUP TO Tim 1890'S By Mary J. Kearney A THESIS SUB::iiTTED IN P AHTI.AL FULFILLEENT OF 'riiE HEQUITKii~NTS FOB THE DEGREE OF liil.STEH 01!" ARTS AT LOYOLA UUIV:CflSITY CHICAGO, ILLINOIS June 1947 ------ TABLE OF CO:!TEdT8 CHAPTER PAGE I. Introduction. 1 The heritage of the 1890's--Victorian Liberalis~ Scientific ~laturalism--Intellectual Homanticism Spiritual Inertia--Contrast of the precedi~g to the influence of The Oxford :iJioveo.ent II. Francis Thompson's Iielationsh.in to the "; d <::: • ' 1 ... t ~ _.l:nF ___g_ uleC e \'!rl ers. • •• • • ••••••••• • 17 Characteristics of the period--The decadence of the times--Its perversity, artificiality, egoism and curiosity--Ernest Dawson, the mor bid spirit--Oscar Wilde, the individualist- the Beardsley vision of evil--Thompson's negative revolt--His convictions--The death of the Decadent movement. -
Max Beerbohm Prints
Max Beerbohm Caricatures A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum Acquisition Information Gift of Helen Farr Sloan Extent 5 items Access Restrictions Unrestricted Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation Max Beerbohm Caricatures, Helen Farr Sloan Library & Archives, Delaware Art Museum 1 Biography of Max Beerbohm Max Beerbohm was born in London, England on Aug. 24, 1872. He was educated at Charterhouse and Merton College, Oxford. He was a critic, essayist and caricaturist. He contributed to the famous Yellow Book while still an undergraduate at Oxford. As a half brother of the actor-manager Herbert Beerbohm Tree, Max was a brilliant dramatic critic of the Saturday Review from 1898 to 1910, succeeding George Bernard Shaw. In 1910 he married an American actress, Florence Kahn and went to live in Rapallo, Italy (except for the duration of the two World Wars). A charming, witty, and elegant man, Beerbohm was a brilliant parodist and the master of a polished prose style. His works include A Christmas Garland (1912), a collection of parodies on such authors as Joseph Conrad and Thomas Hardy; Zuleika Dobson (1911), an amusing satire on Oxford; Seven Men (1919), stories; and And Even Now (1920) and Mainly on the Air (1947), essays. Beerbohm was accomplished at drawing, and he published several volumes of excellent caricatures, including The Poet’s Corner (1904) and Rossetti and His Circle (1922). He was knighted in 1939 on his return from Italy, where he had lived from 1910. -
The Advertisements of the Tatler
r- 1- 4. ."'^^'^li^^^lLJ'''^ ^+ '"- -4^ .-f. 4- r- ^ 4 ^ -4- -4^ f f 4^^ ^ 4- 4^ 4^ i 4 # ^ v4- THE ADVERTISEMENTS OF THE TATLER BY ZELDA MAUDE AYRES B. A. Lake Forest College, 1909 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ENGLISH IN THE GRADUATE SCHOOL OP THE UNIVERSITY OF ILLINOIS 1910 t \^\C:) UNIVERSITY OP ILLINOIS LIBRARY Regulations for the Use of Manuscript Theses Unpublished theses submitted for the Master's and Doctor's are open degrees and deposited in the University uf Illinois Library the rights for inspection, but are to be used only with due regard to permission of the of the authors. Passages may be copied only with written or authors, and proper credit must be given in subsequent in published work. Extensive copying or publication of the thesis Graduate whole or in part requires also the consent of the Dean of the School of the University of Illinois. ms thesis their accept- been used by the following persons, whose sifenatures attest ance of the above restrictions. • A library which borrows this thesis for use by its patrons is expected to secure the signature of each user. NAMB ANd" ADDRESS OP USER BORROWING LIBRARY DATE UlUC UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL May 12 lobO PREPARED UNDER MY SUPERVISION BY 1 HEREBY RECOMMEND THAT THE THESIS ZELDA MAUDE AYRES ENTITLED Th© Advertisements of The Tatler BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts ^J^fH^ dr^^^^^/^ In Charge of Major Work Head of Department Recommendation concurred in: ^^^^^a^t-'i^x.jcjC A^^^^-^^i^ii-i^ XTZ"^-^^ Committee <^<^.^«-<^.^- on Final Examination 170374 Digitized by the Internet Archive in 2013 http://archive.org/details/advertisementsofOOayre prkfacf; As a foreword to this thesis, I wish to acknowledge the inoompleteness of the task I have undertaken. -
Ye Olde English Humourists
TIF - Ye Olde English Humourists S. UNIAN SAMBAR August 2, 2019 A few of the British humorists (from left to right): Wyndham Lewis, A A Milne, Max Beerbohm | Howard Coster, CC BY-NC-ND 3.0, Wikipedia An affectionate tribute to the low-brow humorists of the British Empire who wrote in the early-mid 20th century. Or is this a symptom of "a post-colonial condition brought on by the native collaborator’s false nostalgia for colonial master narratives"? Is there any good reason for reading dreadfully anachronistic low-brow stuff from the days of the Empire, still less for enjoying it, and least of all for writing about it? Of course not, but there could be some lame excuses. Being a superannuated scholar in the humourless—indeed outrightly dismal—discipline of Economics which obliges one to relate human beings to such things as closed, compact, convex subsets of n-dimensional Euclidean space could be a major excuse for reading this species of literature. Also for taking pleasure in it, simply as an act of revenge for all those grim-death axioms and theorems which are inflicted on the economist by the compulsions of a life-time of wage-slavery and survival through scholarly publishing. And an excuse for writing about it is the canny suspicion that the author is not alone in his sneaking, shameful, guilty appreciation of the chuckle-headed and politically incorrect scribblings of a lost generation of English humourists, and that there are other closet aficionados of this brand of mentally arrested wit who might actually have some interest in (covertly) reading articles of the present type. -
Condé Nast Johansens Luxury Hotel Guides
FOR IMMEDIATE RELEASE: Condé Nast Johansens Luxury Hotel Guides Select The Lodge At Moosehead Lake as a “Recommended Property” London, October 2008 -- Condé Nast Johansens, the international luxury travel guide publisher, today endorsed The Lodge At Moosehead Lake, Greenville, Maine as a “Recommended Property” in the Recommended Hotels, Inns, Resorts & Spas 2009 – The Americas, Atlantic, Caribbean & Pacific. The Condé Nast Johansens Guides are published for discerning travelers who seek top quality facilities and services. They are the most comprehensive illustrated reference guides to independently owned hotels, inns, resorts, spas and conference facilities throughout the Americas, Great Britain and Europe, and the only guide books to carry the prestigious and widely-recognized Condé Nast seal of approval. “We are excited to include The Lodge At Moosehead Lake in our 2009 portfolio,” said Lesley O’Malley-Keyes, Condé Nast Johansens Vice President and Publishing Director for the Americas. “Our inspectors visit numerous high-end properties and select only those that meet the rigorous criteria of the Guides.” Recommendations are selected for their individual charm, character and superior service, and only properties that meet the exacting requirements are included in the Guide. Condé Nast Johansens inspects each recommendation annually to ensure that it maintains high standards, and awards each included property the “Condé Nast Johansens Mark of Excellence” wall plaque as a sign of approval. The plaque is a guarantee of exceptional accommodations and serves as a valued endorsement for more than 13 million of the world’s most discerning travelers. The 2009 Americas Guide includes 342 recommendations laid out in a new easy-to-use format that greatly simplifies the independent traveler’s task of selecting and booking accommodations by providing maps and detailed information about facilities, locations, rates and contact information.