NEWSLETTER 2011 NEWSLETTER CONTENTS 3 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 4 Letter from the Chair, Board of Governors nine-week summer 6 David Coggins Talks with Joanna Malinowska residency program for 8 Daphne Cummings Remembers 10 Simply Sublime by Robert L. Looker emerging visual artists, 12 Spotlight: John W. Payson seeks each year to bring 14 Dear Skowhegan 16 Letters from the Executive Directors together a gifted and 18 Campus Connection diverse group of individuals 20 2011 Awards Dinner 27 Skowhegan Alliance to create the most 28 2012 Faculty stimulating and rigorous 32 Alumni News 42 Gifts Listing environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES ANN GUND Chair / GREGORY K. PALM President

We have recently returned from a trip to Maine for our Now that we have fi nished a several-year campaign of elsewhere run like clockwork. We want to thank Chris annual Trustees’ and Governors’ Weekend. It is always much needed renovations and building on our campus, Carroll, Elise Gardella, Bill Holmes, M.E. Malone, and particularly rewarding to see the campus again, meet we are focusing on a different kind of building. This especially our Executive Directors Kate Haw and Sarah the participants and faculty, visit scores of studios, and summer, thanks to a very generous gift from our friends Workneh for their dedication and hard work. Of course of course, serve as judges for the annual Costume Ball. at Sotheby’s, we hired a consultant to work with us the heart of Skowhegan is the residency itself, and This year was no different. over the next year to strengthen our current boards we could never manage it without our loyal summer and to help us look toward Skowhegan’s future. It’s staff, including many alumni and other friends as well One of the most exciting parts of the Maine weekend the fi rst time we have undertaken such an effort in as Waneeta Marquis, our chef, and Judy Stoodley, our was a visit to the new Double Bett(y)(e) Media Lab, many years and we are fortunate to approach this self- librarian. Any artist who has been to Skowhegan can made possible by gifts from Trustee Judson P. Reis assessment and planning from a position of strength. tell you how essential the entire summer staff is to a and former Trustee Susy Wadsworth and her husband We know many exciting opportunities lie ahead for successful residency. Jack through the W.L.S. Spencer Foundation. We are Skowhegan and we want to be in the best position to fortunate also to have a close relationship with the Having just acknowledged and thanked each member take advantage of them. University of Maine-Orono, which has entered into an of our terrifi c team, we, sadly, have to announce the agreement to share some of its media equipment with Participating in this work with us will be our two newest departure of one of them: Kate Haw has decided to us during the summer months, allowing us fully to equip Trustees, David Beitzel (Alum ’82) and Paula Crane leave us after fi ve very constructive years during which the lab while stretching the W.L.S. Spencer funds for Lunder. Both David and Paula bring with them a wealth she spearheaded many important initiatives including future years. We are so grateful for all this generosity, of board experience and a genuine appreciation for establishing a historic archive, launching an oral history which has enabled us to make a GIANT leap forward Skowhegan that we know will contribute greatly to our project, expanding alumni programming and giving, and in meeting the needs of artists who work in, or want to work in the coming years. more. The National Building Museum in Washington has offered her a job she simply couldn’t refuse so, as of the experiment with, electronic media. John Payson, a member of the Board of Trustees since beginning of November, she will be their Vice President The entire campus and program require the support of 1975 and Chair from 1981-1988, retired this summer for Development. While we view this as a great loss, our many people, and this year we want to thank especially after 36 years of service. John’s accomplishments are team remains strong, we will persevere, and we have the many artists who have been involved in Skowhegan legion, from his steady leadership through a tumultuous already begun a search for her replacement. We send over the years who are so generous in giving back. period in Skowhegan’s history to his establishment her off with lots of love, many thanks for a job well done, Apart from the hundreds of alumni who give through of the Payson Governors’ and Trustees’ funds in the and good wishes for her new life. the Alumni Appeal, this year Skowhegan alumni and early 1990s to his unfailing attendance at our summer former faculty members Robert Gober (Resident Artist weekend, when he visits scores of studios and revels Equally essential are all of you who contribute to ’94 and Governor), Mark Grotjahn (Alum ’95), Dana in the opportunity to hear about what drives the artists Skowhegan. We are grateful for every gift, large and Schutz (Alum ’99 and Visiting Artist ’10), Kiki Smith on campus. We are delighted that John will now small, that comes from our alumni and friends around (Resident Artist ’93 and Governor), and Kara Walker assume Emeritus status on the board and we look the world. If you have given before, we thank you (Resident Artist ’01) all contributed excellent work forward to seeing him for many summers to come. and we hope you will continue to support us in our 66th year of working on behalf of emerging artists. for the SkowheganBOX, our fi rst portfolio project in This year was not without signifi cant loss. In late June, If you haven’t given before, we hope you will read nearly twenty years. The BOX, published in an edition longtime Skowhegan Governor Susan Shatter (Alum this newsletter and see the important role of 30, has been a huge success, already raising over ’64; Resident Faculty ’77, ’79) passed away. Susan Skowhegan plays in the life of many artists, $150,000 to support Skowhegan’s work—and they was a part of our family for more than forty years. She and then clip the contribution at the back or go to are not quite gone yet! If you are interested in was a friend to many members of both the Board of www.skowheganart.org to contribute. You will truly help learning more about the BOX, please contact the New Governors and the Board of Trustees and her absence to change artists’ lives. Thank you. York offi ce. will be keenly felt. Only a few days after Susan’s death, On top of that, Glenn Ligon (Resident Artist ’98 and Sumner Rulon-Miller III, Susan’s good friend and a former Governor) made our 2010 annual benefi t print, Trustee since 1987, passed away as well. Among his which was released last fall. “Draft,” an exquisite varied contributions to Skowhegan, Sumner provided aquatint, sold out faster than any print in the history scholarships for more than twenty artists to attend our of the project, bringing in over $70,000 for scholarships summer program. He, too, will be missed by many. and program needs. We are looking forward to an Our year-round team in New York and Maine continues edition created by Ann Hamilton (Visiting Artist ’91 to ensure that the summer program and our increasing and Resident Artist ’93) for the 2011 edition. number of events and programs in New York and

2 3 FROM THE CHAIR OF THE BOARD OF GOVERNORS SUSAN SHATTER AND SUMNER RULON-MILLER DAVE MCKENZIE (’00) IN MEMORIAM

In my fi rst year as Chair of the Board of Governors I A big bear hug is reserved for my fellow Resident I found letting go of Skowhegan to be so diffi cult. With regret we note the passing of these friends write to you also as a member of Skowhegan’s 2011 Artists for being as wonderful as they are and more During those days I felt sure that my summer as a from our Skowhegan community: faculty. And the question I have been asked several wonderful than I could have hoped for. Thank you Resident Artist would be coming to an end, and when Thomas Aprile, Alum 1974 times during this crazy summer is: how does it feel to Daniel Bozhkov (’90), Cheryl Donegan, Anissa Mack I made the decision to leave camp in week four it was Jack Levine, Governor 1962–1979; Resident be back? Early on in the summer, it was a question (’99), Marlene McCarty, and Michael Smith. If you are with every belief that I wouldn’t be able to make it Artist 1952, 1953; Visiting Artist 1946, 1949, about what it means to come back to the Skowhegan familiar with the structure of Skowhegan you might back but that the best place for me to be was with my 1954, 1956, 1958, 1965, 1972 School of Painting & Sculpture as a Resident Artist have noticed that I have included fi ve Resident family at my brother’s bedside. Stephen Mueller, Alum 1968 after having been a participant some eleven years Artists which makes a total of six when I am counted Sitting in a hospital room day after day and week ago. This is one hard question to answer, and in many into the mix—one more than our usual number. after week is a mind numbing experience. As I Sumner Rulon-Miller III, Trustee 1987–2011 ways I might simply say that being back is—strange— That is because I have had to miss my fair share of watched my brother slowly getting stronger I began Janet Shafner, Alum 1947, 1948 but perhaps I can also think about the situation by the summer and Anissa was gracious enough to to feel as if my mind were beginning to atrophy. Susan Shatter, Alum 1964; Governor answering another common but equally diffi cult make herself available for the demands of non-stop In fact there was a direct correlation between the 1980–2011 (Chair 1989–1990); Resident Artist question. What is Skowhegan? A town in Maine is studio visits. progress he was making and my need and desire to 1977, 1979 the easy answer, but the question actually presents return to a creative and intellectual life. Thankfully, Above / Susan Shatter with Kirk Varnedoe at Above / Justin Peyser, Kate Haw, and Sumner Rulon- itself in a number of different ways. Is Skowhegan three weeks after I said my goodbyes I was able Skowhegan’s 1991 Awards Dinner / Miller III at Skowhegan’s 2009 Awards Dinner / Our thoughts are with their families and friends. photo by Mary Hilliard photo by Teri Slotkin a school, and therefore an institution with a defi ned I fi nd myself struggling to fi nd my way back to Maine and this wonderful pedagogy? Well, sort of, but not exactly. Is it an arts community of artists. camp with studios in the woods, lectures, lakeside to describe the essence Among those we lost this year are two people who Scholarship, which supported more than twenty Even though, earlier in the summer, I couldn’t answer activities, costume parties, and late night antics? gave decades of service to Skowhegan, remaining artists’ participation in Skowhegan over the years. that opening question—I now feel like I can clearly Closer, but it’s a lot more than that. I fi nd myself of Skowhegan in one closely involved until their deaths: Susan Shatter His gifts to Skowhegan were very much in line formulate a response. So I would like to save my fi nal struggling to describe the essence of Skowhegan in and Sumner Rulon-Miller III. In fact it was Susan with scholarships he had established at his alma concise phrase. As a thanks to all of this year’s participants. Thank you one concise phrase. As a working defi nition—let me who introduced Sumner to Skowhegan, encouraging maters, Proctor Academy and Princeton University. for allowing me into your studios, your discussion propose calling it simply ‘a summer.’ working defi nition— him to join our Board of Trustees in 1987. Sumner was not interested in making a contribution groups, and your ways of thinking. But most of all and walking away, he wanted to know the artists A more honest answer to that opening question thank you for letting me come back. After an absence from Skowhegan following her let me propose calling who received the Rulon-Miller Scholarships. He would be to say that I haven’t come back at all. summer as a participant in 1964, Susan fi rst returned was always eager to hear about their experiences I’ve had my summer already. What I am experiencing it simply ‘a summer.’ to campus as a Resident Artist in 1977. She remained on campus, and had hoped one day to create now is something different and being a Resident a nearly constant presence with the School from what he called a “sub-alumni group” of Rulon- Artist at Skowhegan, like being a Dean or any staff that time on, returning as a Resident Artist in 1979, I never expected to miss any time this summer, but Miller Scholarship recipients. His legacy, through member, is really its own thing. So, for doing their and again in 1990 as a faculty partner. Having been during the fi rst week of Skowhegan my brother called all those who had the opportunity of an education thing to ensure the present and future of this thing elected a member of the Board of Governors in 1980, me to tell me that he was ill and also asked if I could at Skowhegan and elsewhere because of his (Skowhegan), I would like to extend thanks to the Susan had become an integral voice in shaping each fl y home at some point to help him break the news to scholarships, is broad. staff—Sarah Workneh, Executive Director, Program; summer’s faculty and class of participants. Among the my mother. It was a painful moment all around but if William Holmes, Grounds & Maintenance Manager; many artists whose lives she affected at Skowhegan I am being honest it was painful because real life (the Waneeta Marquis, Brandon Hinman, and Shawn With focused time in my was Daniel Bozhkov (’90), our longtime fresco one I can’t control) was intruding on my life (the one I Thornton (’02) in the kitchen; Nicholas Johnston, instructor, a Governor, and a 2011 Resident Artist. am desperately trying to control). Initially, I fl ew home studio at Skowhegan Summer Program Coordinator; Craig Drennen (’06) Daniel toasted Susan’s memory at this year’s Red Farm The supportive hoping to be back in two or three days but due to a and Nataliya Slinko (’10), Deans; Christopher Carroll dinner in Maine. Recalling her encouragement and series of unplanned events I found myself in and out and challenging support environment of (’08) and Lilly McElroy (’06) in the media lab; Gregory practical help when he moved from Bulgaria to New of an emergency room for a week before returning to Witt (’09) in the sculpture shop; Sean Glover (’03) from faculty and York after attending Skowhegan, he remarked, “I am Maine. When I left New Jersey my brother was still Skowhegan gave us and Nadia Ayari (’06) in the fresco workshop; Judy very grateful to Susan for her timely support, which in critical condition, but I returned to Maine so that I Stoodley and Meredith Gaglio in the library; and participants, I had the changed the course my life. As an artist she understood breathing room could make sure that I had studio visits with as many Elizabeth Mooney, Archivist. This summer also would what another artist needed and moved fast to help with participants as possible—and also because courage to take bigger not have been nearly as enjoyable if not for whatever she could.” and the space and the Visiting Artists, Vito Acconci, Walead Beshty, steps in new directions. When Sumner joined the Board of Trustees, he courage to try new Suzan Frecon, Chris Ofi li, Judy Pfaff, and this year’s 2010 PARTICIPANT jumped right in to help with fundraising efforts from Paul Mellon Distinguished Fellow, David Lang. foundations and friends. A man who put the highest avenues in our work. value on learning, Sumner established the Rulon-Miller 2010 PARTICIPANT

4 5 DAVID COGGINS (’01) TALKS WITH JOANNA MALINOWSKA (’01)

Joanna Malinowska’s work is marked by obsession DC: You said, “Well, the pivotal parts are still available, JM: My favorite part of Skowhegan was when Allen taken to logical—or illogical—extremes. She spies on we’ll fi ll the rest in later.” My favorite part of Ruppersberg was telling me that I reminded him of his musicians, hires people to perform on the subway, and JM: Right. So then I went through the ordeal of Skowhegan was when friend Bas Jan Ader, because I guess he was always treks to the North Pole. And yet she always maintains rebuilding the boli for a second time, which is so spending the whole time thinking about projects that he a light touch, even when she’s building a two-thousand diffi cult. I had to build it in parts, like Ikea furniture. Allen Ruppersberg was ready to make. pound devotional boli. It was built in seven parts, it was a nightmare. It was was telling me that DC: That’s great. I just ran into Bruce Pearson recently. We met at Skowhegan in 2001, and it’s great to watch going on for two months. It was shipped in parts. He was standing outside Mary’s Fish Camp, and he her on her current streak: she won a Guggenheim And they rebuilt it and did an excellent job, I must say. I reminded him of his had just had a lobster roll, and he remembered, after fellowship, masterminded a fashion show at Performa, DC: Did they write you any email, “How does the friend Bas Jan Ader, ten years, that I was obsessed with going and fi nding Jerry Saltz called her last show at Canada one of 2010s head attach to the neck?” lobster rolls at Skowhegan. I said “Yes! I was! I can’t 10 best, and her epic sculpture recently entered the because I guess he believe you remembered.” Just being in Maine was Saatchi Collection. JM: They fi gured it out on their own. I went to such a great part of it. You and I drove around and London just for the opening, for a few hours, and to was always spending explored so much. We spoke recently at her Williamsburg apartment. give an interview with the BBC—they thought that the boli was similar to a guinea pig. I don’t know. JM: It was a great thing for me too. DC: Your boli is in Charles Saatchi’s collection. the whole time thinking DC: And what about your performance at Performa a That’s incredible—how did it end up in London? DC: We’ve known each other for ten years, since about projects that we were both at Skowhegan in 2001, and in that few years ago? JM: I think it started with Jerry Saltz. time you’ve done performances and videos, some he was ready to make. JM: Christian [Tomaszewski] and I did a performance DC: Because your show was in New York Magazine’s of which are very fl eeting. Now you’ve got a two- based on the difference between Eastern and Western “10 Best of 2010.” That’s my favorite thing Jerry Saltz thousand-pound imposing object. Was that a big European science fi ction. We were interested in the ever wrote! Why don’t you explain what the boli is. decision? Is this your Richard Serra moment? fashion of science fi ction, in the movies and books. DC: Oh, really? I guess I’m not in that section. JM: The boli is an animal-shaped sculpture that is JM: Well, I’m interested in making sculptures now, DC: So people walked into a former bank space where responsible for controlling balance in the universe, more than I used to be. JM: I love it, this is the only section I go to. the performance took place. If I remember, there was a according to the Bamana people in Mali. huge cosmonaut… Above / Joanna Malinowska, Boli, 2009, wood, plaster, clay, scraps of Spinoza’s Ethics, sweater of Evo Morales, DC: It’s funny thinking about themes of yours, and DC: Well then where are you going to see Velázquez, 1 liter of water from Bering Strait; the sculpture looks at a replica of Malevich’s Black Square / DC: And your particular boli? knowing you, following your work and admiring you. Degas, and Manet? JM: Right, there was a huge space suit that we sort of photo by Joanna Malinowska JM: My particular boli is much larger than the usual You followed Piotr Anderszewski, the Polish piano JM: In my next life. I’m still in the Neolithic phase. built for Valentina Tereshkova, the fi rst Russian woman were recorded on old-fashioned cassettes, and she DC: Anthology Film Archives, on 2nd and 2nd? boli. And the traditional boli is usually built by only the player. You followed him and he was a theme in your in space, and it was also built for the big sculpture DC: Perfect. Do you remember, though, this was mixing them randomly using Walkmen. privileged priests in the society. It is built out of various work. Then I became so interested in him, and then inspired by Niki de Saint Phalle. JM: Yes. performance you gave at Skowhegan? It’s a little bit kinds of materials like blood, urine, clay, feces. Some I was eating dinner one night and ran into him after DC: The sound was very good. So the audience elaborate to explain the project, but you made a table DC: And when you say big, a hundred people could fi t DC: You want to show movies? weird stuff. one of his concerts at Carnegie Hall. And then I was came and sat inside the suit, didn’t quite know what and one of the legs was sugar, and you ate the sugar in there. following him. It was like your work forced me to go up to expect, there was a—you wouldn’t even call it a JM: Yeah, we want to build sort of a special theater, DC: Yours, when you say bigger, it was huge, away and the table collapsed. A vase of fl owers in water JM: Yeah, so it was sort of a reference to Niki de Saint and talk to him. That’s a very powerful thing, wouldn’t runway, there was a path down the middle, and then and collaborate with the indigenous people, making like a VW bus. that had been on the table crashed to the fl oor and Phalle’s “Hon-en Katedral,” [She-a Cathedral] the giant you say? It’s nice knowing your interests in many ways out came… fi lms and other things. And showing other people’s JM: Bigger than that, probably. have become my interests. shattered. What had looked to be a rug below turned woman sculpture that you enter her body and there’s a fi lms, sort of mixing it up. Sort of like, Fitzcarraldo trying out to be water soluble ink that spread everywhere. milk bar and a cinema. JM: Out came the people presenting the outfi ts. What to build an opera house—we’re trying to build a cinema. DC: Well, maybe it ate a VW bus. How much did JM: I do have phases that take over my life. I’m still in It’s still one of the greatest performances I’ve ever we were aiming to do was sort of our version of the DC: Where was that? DC: I love it. It would be cool if you could make it into it weigh? the boli phase and it turns out there are a lot of people seen. It was so shocking! What I liked about it was that Metropolitan Museum Costume Institute. We wanted to who know a lot about bolis, for example. They take a kit, like a railway car, you fold up the theater into JM: It weighed probably two thousand pounds. it was interesting to watch what you were doing, there JM: It was at Moderna in Stockholm in the sixties. We have emotion, so instead of having them on dead, still their students to the Metropolitan Museum for a tour that size, the same way you cut the boli into seven Shipping it was a long story. I chopped it into pieces was an element of suspense, and then an element made a costume for that kind of size, but it was based mannequins, they were presented on people, walking and they stop by the boli and they give a really long pieces. So you ship it down, and then you could because it was impossible to pull through the door. of surprise. All those things happen, and then you on the spacesuit worn by the fi rst woman in space. in space and interacting. We did this project twice, fi rst lecture. My friends who have become aware of the bolis do it anywhere. So I had to store it in some vacant store in Chelsea for think you see the rug, you don’t even realize that its People walked in and sat down inside, and we were at Performa, and then we repeated it at Nottingham and their history keep telling me this story, my friends a few months, and then the people got mad at me. So ink until the water’s crashed upon it, and then it starts presenting research on the clothes of science fi ction. Contemporary, as a part of the “Star City: The Future JM: Well, it’s still a fantasy. But I hope we’ll get to who teach. I only preserved crucial parts like the sweater of Evo spreading. It was extraordinary. And it’s good that DC: I remember going there and you had a composer Under Communism” show. make it. Morales, and some other things, and I had it removed by DC: Is there a boli at the Met? it was because that’s all you did the whole time you do the sound for the piece. DC: What are you working on now? professional construction removal people. Then, a few were there! No—I’m kidding. JM: Yeah, there’s a beautiful boli at the Met. JM: That was Masami Tomihisa—she composed seven JM: Christian and I aren’t working on it physically yet, months later, there was the Jerry Saltz piece, and then David Coggins is a writer, he lives in New York. This was the boli that sort of started my thing. separate soundtracks for different instruments and they but we are interested in building a version of Anthology I got an email from Canada, from Phil Grauer, saying Archives in the Amazonian jungle. “Is the boli still available? Charles Saatchi is asking.” 6 7 AS SURE AS LILACS COME IN MAY AND GREEN APPLES SIGNAL THE ENDING OF SUMMER

car tires in rags at night to prevent the rubber being a movie scene. Sometimes I would be awakened eaten by the hedgehogs. by my mother and brought to the barn to see the fantastic and funny and beautiful costumes Minnie Harville was as much a perfectionist as Bill and headdresses made by everyone. I especially Cummings, and ran the dining room and cottages remember Jack Levine being wheeled in a huge with a disciplined hand and warm heart. It was a old-fashioned baby carriage. (Jack was a close family childhood treat when she invited me to come and friend who, when he arrived to teach in Skowhegan’s have a meal by the lake with everyone. storied pastoral setting would ask, “What’s all this When I was maybe twelve, I was old enough to be green stuff?”) allowed to do some small clay works which were There was square dancing and careening polka fi red in the wood kiln that Henry Poor fed through dancing and tons of laughter. the night. And I made a close friendship with a painter, Millie Thompson. The winter after Millie was And mosquitoes. at Skowhegan, my family drove to Washington, DC. There were other faculty children throughout those Millie was a student at Howard University and I was years. But mostly it was the two of us, a brother Above / Daphne Cummings / photo by Douglas deK. Hall excited to see her. In the car I kept asking, “Can she and me, somewhat isolated. Our world was the fi elds come out to dinner with us?” I pestered with this and woods and a playhouse high up in a pasture Ernest Dunbar was a slender, taciturn master question until I saw my father begin to cry. He had with a swing and a see-saw. It was summertime after carpenter whose shop was the long shed. One of my to try to explain to me that Millie wouldn’t be able to all, and the hay grew high and we lay in it to watch childhood favorite things was to go at lunchtime and come into the restaurant with us. She was African- the cloud shapes. We shelled peas for forty for the sit with Ernest in his bib overalls, my own summer- American. This was the mid-50s. I was confused and Visiting Artist dinner and we watched the slaking of brown legs swinging down from his top step to eat stunned. My father was sad and dismayed. the fresco lime in the big trough. And all of it seemed my peanut butter and blackberry fl uff sandwich. Looking back, this was one of the many gifts of Bill as natural as the smell of the freshly cut grass. I don’t think we talked a lot but the cows came and Cummings. His regard and natural ability to weave gathered close in by the fence and Ernest welcomed Even in my growing-up world I knew well that all kinds of people together without thought to me. As young as I was, I sensed he stood for the Skowhegan was high energy, race, economic background, culture, religion. And rootedness that was part of the experience of place hard-working, the School and his personal warmth has been all at Skowhegan. lively, embracing. This along with the uncompromising boisterous, The artists loved to draw the sheep and the cows and commitment to serious artistic endeavor. The School funny—and very serious. as a child I was an easy hit for a model until I soon was there to nurture the artists. These founding rebelled against being corralled. In the big sculpture principals have sustained the driving force of what With the land itself, Skowhegan is here to nurture, studio a life model posed in the afternoons. There Skowhegan is today. The purity of the idea—artists to support, to allow exploration, doubt, change, was a walk-in tool cupboard in that space. One day taught by artists—and the creative passion remains contemplation. And to know that everything matters. Ernest was working in there and didn’t hear the group intact. For my father, standards of excellence were setting up. When he realized the model had taken inextricably tied to the place. Daphne Cummings is a Governor of Skowhegan and her pose—in the nude—he was so embarrassed that What I’m talking about happened a long time ago. the daughter of Willard W. Cummings who, along he pulled the double doors shut and stayed in the Much has changed at the School over 65 years, with Sidney Simon, Henry Varnum Poor, and Charles cupboard all afternoon and missed his ride home. mostly good, but much more has not changed, which Cutler, founded the Skowhegan School of Painting & Two people were an integral part of those early years is even better. The School has had some fi erce and Sculpture. The Red Farm, where she lived as a child, and we as a family remained close with theirs. Logie wise protectors who understood the necessity of and surrounding buildings were her grandparents’ LeClair, who shared with my father a deep respect for support and the importance of freedom of artistic home and chicken farm, which in 1946 became work done by hand, kept the grounds to the highest exploration and varying points of view. the School. standard, the buildings, a stone wall, a wild rose. As a young girl, much was off bounds for me, but A French-Canadian spinner of tall tales, Logie loved from the old barn on hot summer nights the music to tell the most unbelievable stories to unsuspecting from the Saturday dance carried into my bedroom participants. One year several were wrapping their upstairs in the Red Farm. Looking out my window at the stars and the glow from the barn, it seemed like

8 9 SIMPLY SUBLIME BONNE CHANCE KATE

Trying to understand how to incorporate this At the end of October 2011, Skowhegan’s Once I was able to experience into regular life, in environments that Executive Director for Development & experience, fi rsthand, seem so far from our home at Skowhegan—with Administration, Kate Haw, accepted a new friends, family, and jobs that won’t ever know position as Vice President for Development at the the true meaning of what has just happened—is a part of the growth National Building Museum in Washington, DC. that comes from an experience like being at Kate viewed her role at Skowhegan as one that Skowhegan, everything Skowhegan…Part of our experience on campus pushed the organization to acknowledge and and in the community holds us responsible for became clearer. engage with its history as well as look toward its continuing to be generous with ourselves and with future. Over the course of her fi ve-year tenure, others, for continuing to ask questions about our After moving to New York City in 1992 to begin my she pushed the organization to reconsider how it practices, and for taking the necessary risks that journey in the auction business, Bailey Symington has dealt with recording its past through creating allow artmaking to constantly evolve and offer invited me to join Skowhegan’s 21st-Century an archive as well as through launching an oral something new. Skowhegan really offers an odd Committee where I met many wonderful people, many history project to capture the voices and stories dichotomy of closeness and distance from our of whom I am proud to consider friends to this day. of those who were critical in solidifying the own practices that allows us to envision our work While faces and names may have changed since then, Skowhegan experience and culture in its early beyond how it exists in any one particular moment Above / Skowhegan Trustees Mary Looker (on left) a constant core remains; the expansive spirits of the years. Generations of members of our community in time. and Robert Looker (on right), with Tara Pelletier (’09), artists, faculty, Board of Governors and Trustees, staff, will now benefi t from learning about the rich the fi rst artist to work in the Looker Family Studio, Many of us, I think, long to become the companion of history of our organization. dedicated 2009 and worshippers, who like a thread, link the rare beauty a “place.” Not its authority or owner, but its friend and and pleasure of art and life together. In thinking about Skowhegan’s future, Kate respectful advocate. For the place always seems to During my fi rst visit to campus in the early 1990s, an sought to build a lasting legacy and a culture This year is a meaningful one to me, marking my fi fth know you’re there. It feels you and you feel it, deeply. imaginative spirit seized me and began to prepare my of giving back to our organization through the anniversary as a Trustee and friend of Skowhegan. I know I am not alone when I say the place that is consciousness to experience the idyllic landscape, expansion of both our alumni and individual When I was asked to share my experience of Skowhegan asks us to open ourselves up, so as to luminous with meaning. Once I was able to experience, giving programs, resulting in increases in both Skowhegan, a warm fl ood of memories and images build intimacy. Out of such intimacy can come a sense fi rsthand, the true meaning of Skowhegan, everything the number of donors as well as funds raised. fl ashed brightly. My thoughts immediately took me of belonging, a sense of being without isolation. Annie became clearer. The memory of slowly driving through She nearly tripled the income from Skowhegan’s back to the lakeshore with its calming and peaceful Dillard once wrote, “Our life is a faint tracing on the the woods, over the gentle hill, to be welcomed by its annual print project by offering the collecting silver-blue water, unique in energy and spirit. The bright, surface of mystery, like the idle, curved tunnels of leaf rustic beauty, open arms, and rolling greens is perhaps community and our constituents the opportunity warm sun met by cooling breezes and the rustling miners on the face of a leaf. We must somehow take a the most powerful of all. to purchase a print that is as much an art object Kate’s grace, good nature, and occasionally biting wider view, look at the whole landscape, really see it, and of the tree limbs are some of the vivid and evocative as it is a fundraising tool. sense of humor made her a fantastic ambassador Since becoming a Trustee in 2006, I remain honored describe what’s going on here.” Think of Skowhegan. images that fi lled my mind. Added to the effect of these for Skowhegan—keeping anyone she engaged with to be a part of such an important and transcendent Then think of how painters and poets and sculptors and Kate’s dedication to the organization and sensations was an awareness of the height and breadth on their toes at all times. Her ability to negotiate and organization. Nothing compares to being able to share visual artists have lovingly, many times critically, and ingenuity in refreshing how Skowhegan considers of the sky, and of the gentle force of the wind. Words advocate for the organization has been steadfast in the beauty and excitement of the campus, and carefully etched this place in our minds. itself was not confi ned to a past or future such as self-identity, cultural memory, natural history, and has won her the admiration of many in the fi eld. the participants who work in and naturally belong to timeline. Much of what she accomplished is pastoral beauty, spiritual haven, and simply sublime Skowhegan is beautifully entwined within 20th-Century Kate has gained countless friends and much the landscape. Trustees’ and Governors’ Weekend, rooted in building relationships with our most fi lled me up. American art and the creative, intellectual, and personal allegiance through her deep concern and sincere when we convene on campus, is an incredible time of recent alumni and the community in New York. Skowhegan came into my life through my wonderful growth of emerging and established visual artists attachment to the legacy of Skowhegan and the year. For me, the end of July has become a time Kate was able to restructure the Skowhegan mother, Mary Looker. Her sincerity and heartfelt from around the world. I fi nd there are seldom chances while she will join a new group of colleagues in of growth with open and clear breathing and artistic Alliance, our alumni committee, to help expand appreciation for young artists led to a warm friendship to fully reminisce, but when I think of Skowhegan, Washington, we will always count her as a member freedom, for everyone. New York based programming, including the I am overcome by a clear understanding of what the with former Executive Director for Program, Barbara popular SkowheganTALKS and SkowheganWALKS of the Skowhegan family. Sarah Workneh, Skowhegan’s current Executive word “place” means to me. A remarkable place; like Lapcek, and Trustees Bailey Symington and Mildred programs. She also led an overhaul of Skowhegan’s The problem with great leaders is that you can never Director for Program, wrote in one of her recent, an unconditional friendship that asks only for honesty Brinn. Mary has since been a devoted friend to all, and website to add important development and hold onto them for too long. What makes them great beloved letters from campus the following sentiment, and hard work to thrive and grow. In simple terms, a Trustee of Skowhegan since 1991, and I am honored programmatic components, including our online is their desire to expand and grow and learn more perfectly touching upon the essence of Skowhegan: Skowhegan and proud beyond belief. application, improved online giving capability, and more through challenges and experience. While is my friend. and the expanded alumni art registry. we will miss Kate greatly, we know that we were lucky to have her as long as we did, and so many of us are Robert L. Looker better off for it. We wish her only the best. August 1, 2011

10 11 SPOTLIGHT: JOHN W. PAYSON

John W. Payson was a Trustee from 1975–2011, and S: Are you on other Boards? served as Chairman of the Board from 1981–1988. He You get inside people’s JP: Yes. I’m on the Florida Arts Council, where we retired this year, and has been given Emeritus status. souls, here. And as oversee the giving of all the State monies for the arts. The interview printed below was fi rst published in I’m on the President’s Advisory Committee for the our newsletter in 2006, and we thought it warranted such, you open up your Arts. My favorite outside of Skowhegan is the Owls another look on the occasion of John’s retirement own soul. Head Transportation Museum (Rockland, ME), which is old aircraft and airplanes and automobiles, which SKOWHEGAN: How were you introduced to is my hobby. I collect vintage cars and memorabilia. Skowhegan? S: You have listened to a lot of the artists’ lectures S: How has Skowhegan enriched your life? JOHN PAYSON: A girlfriend of mine named Joanie over the years, are any—for better or for worse— JP: You get inside people’s souls, here. And as Adams told me about this wonderful arts school particularly memorable? in Maine that I really ought to get to know, and my such, you open up your own soul. And it’s the only JP: How about if I do one of my least favorites fi rst? sister Sandra knew Jack Eastman. I ended up going environment I’ve ever seen that’s like that. Unless John Waters…that’s not my cup of tea. Favorites? out with Sandra and Jack Eastman, and Jack gave a you talk about a shrink’s offi ce, and there of course, Louise Nevelson! She was a wonderful one. She good sales pitch for the school and so the next thing you’re paying for it. I treasure my time here. gave this superb lecture and at the end of it, she is was, I had a meeting with King Cummings and he S: Are there enduring friendships that you have standing down there, surrounded by students, I mean invited me to join the Board. made through Skowhegan? in awe, these kids are! And she is having the time of S: How has Skowhegan kept you engaged for her life. She loved young people! JP: I was going to pull your chain and say no, I never 31 years? had any social life here, it’s strictly business. But S: Did you know any of Skowhegan’s four since I’ve already said you open your soul here, that JP: It’s the people! The reason you stay involved is Founders personally? love! I do love what goes on up here. It’s electric. It’s ain’t gonna fl y! Mildred [Brinn, Trustee]—I adore her. JP: Sidney [Simon] I got to know very well and people giving of their innermost self to this school. She’s absolutely one of my favorite people on the adored. He was delightful—a character—he loved Above / John Payson at the 2011 Trustees’ & Governors’ face of this earth. I was already friends with David S: Are there any experiences with Skowhegan Meeting, receiving a painting in thanks for his 36 years telling stories. I remember he told me one story: one Driskell before I came here, but I think Skowhegan artists over the years that stand out for you? of board service / photo by M.E. Malone of the New York School artists, [Frank] Stella, had has strengthened our friendship over the years, JP: The most laughs I got was from the “moo” girl. come up as a Visiting Artist and he gave this talk working together for the same cause. He’s one of my She had these little boxes and you’d squeeze them to the kids. About what a hard scrabble life it was S: Tell us a bit about your passion for art. greatest friends today. Anne Arnold I see, Lois Dodd and they’d do different things. And she bought a to be an artist. Sidney said this snickering started, JP: I never studied it formally, but both of my parents’ I see, Yvonne Jacquette we see. I consider them whole bunch and altered them so they sounded like and built up almost to a crescendo because parked families collected, and my mother owned an art friends. Others I did for a while—Janet Fish, although cows. And she made costumes of cows and got other outside was the car he’d arrived in, a brand new gallery in Long Island and part of another in Palm unfortunately I don’t see her and Charles anymore, participants to wear these costumes and walk around $110,000 Ferrari! I never knew Bill [Cummings], but Beach. She was a serious collector and her family but I really enjoyed our time together. So yes, there the campus, going “moo, moo, moo.” And she was everything that I hear about him was all that that man had collected. She collected mostly European art, are friendships that I have that relate to the School. doing it down by the fi eld and the cows came over cared about was the School, the good of the School. impressionism, post-impressionism, modernism. S: What would you hope for the future of and she’s mooing and the cows are mooing and her These guys, they had a dream that was very unusual, My father preferred marine or sporting art. I have Skowhegan? friends are mooing—it was a real happening! saying, “let’s start this school for artists by artists,” a Winslow Homer print that was owned by his uncle and from the very beginning got some of the top JP: I think we’ve got to continue the outreach to During another summer, I was also impressed with a if I recall, along with a letter from Winslow Homer— people involved. So we can never forget Cummings, South America and Europe. I’d like to see us grow tent-like structure a Native American participant had kind of an annoyed letter at the uncle for apparently Simon, Cutler, Poor. from that standpoint. I don’t think I want to see constructed on the upper fi eld. Because the diversity not paying for a painting and more or less saying us grow in terms of student body. You can get and differences among the student body tended to S: Do you think they would be happy with why don’t you give me the painting back if you don’t much bigger and it loses its panache. You know, naturally separate them at the start of the session, Skowhegan today? like it and I’ll give you a print instead, or sell you a several times we’ve had Trustees ask us to look this artist invited the participants to enter the tent in print, and I guess that’s what happened because JP: Oh yes! into expanding. And I think that would be a mistake. diverse groups and place at the base of the tent pole I have the print, not a painting. Our house often S: What advice do you have for new Skowhegan I think this school is a gem just like it is. an item which would symbolize either their ethnicity had artist visitors, one of which was the Art Deco Trustees? or religion and speak to the others on its meaning to painter Charles Baskerville, who designed an entire them. In the end, the participation of each artist and JP: You want Trustees that love the School. I would powder room off my parents’ Manhasset entry foyer. their contribution of personal symbols brought them tell people that, you know, it’s a grand place. So I was, and am, interested in the arts as a dealer/ closer together. collector myself.

12 13 DEAR SKOWHEGAN

Each year we ask the artists who participate in October 12, 2010 Skowhegan to write us a letter about their experiences. Skowhegan moved me We call these “Dear Skowhegan” letters, and they teach Dear Skowhegan, to the core... It reached us a great deal about what is working, what we could As I sit down to write this letter I am immediately do better, and what Skowhegan means to those who struck by the diffi culty of putting such a phenomenal deep into my hope, are part of our residency program. This year we’d experience into words. It feels akin to the same loss inspirations, ambitions, like to share two of those letters with you—one from of words one experiences when falling in love. It’s in 25 years ago and one from just last year—both written the heart. and creative vitality. fresh off the experience of a Skowhegan summer. Skowhegan moved me to the core. I do not mean to be overly dramatic, just honest. It reached deep August 11, 1986 into my hopes, inspirations, ambitions, and creative vitality. I feel a new person, or perhaps I should say Dear Skowhegan, the experience extracted from me the person I always knew myself to be given the right tools. By this I mean The past nine weeks at Skowhegan has enabled getting back in touch with the very things that made me me to make a transition in my art that might have want to be an artist in the fi rst place: a desire to make otherwise taken six months or maybe a year. Because a difference for people, to create meaning in their lives, of the opportunity to focus solely on my work without and to tap into the creative force that is so aligned with the distractions of everyday social and economic the universe, with nature—a force as vast, mysterious, responsibilities, I’ve accomplished a number of things and wondrous as those expansive Maine skies. that I would like to share with you. I completed my graduate work three years ago. In that I began, this summer, to understand my process of Above / Gail Spaien in her studio / time I have been living in New York and managing my working. An artist needs to be aware of patterns of photo by Tammy Byron incessant desire to make while maintaining a job(s) working—i.e. highs, lows—in order to know under and the bud of an art career. The balance has been which conditions one’s mind is most open to creating. challenging to say the least. I arrived at Skowhegan These patterns became apparent to me weekly, and feeling as though there was nothing I wanted more even daily. than the gift of time and the gift of being surrounded By being away from a particular audience, a familiar This playfulness by so many phenomenal artists. I felt hungry to work routine and surroundings, trying new things in my caused me to expand and honored to be a part of this special, precious work was much easier. This playfulness caused me time and space, not to mention the legacy of artists to expand my art vocabulary and at the same time, my art vocabulary who have found a similar freedom and knowing in this strengthen my convictions about my basic alphabet. community. But tapping into this place is as exhilarating Above / Rosemarie Padovano / photo by Marcello Marvelli My vision was both broadened and made stronger. and at the same as disruptive, and reminds me of the importance of Lastly I am including an entry from my journal time, strengthen transformation and reinvention in my life. It’s necessary dated August 6 as a kind of summation of the past in all its up and downs. I’ve started anew in many ways, though my creativity had found its way home, truly. nine weeks: my convictions about personally, professionally, and creatively. Art and life How this translates into my life is immensely helpful. move together. They cannot be untwined. The content of my work has taken on a new character. my basic alphabet. It feels like the world is accessible in this new way now. The paint is a bit more forward. The last set of paintings Most importantly, what fostered all this was the support I have reorganized my life to keep in stride with my I’ve done has released me in a way, and I’m allowing My vision was both of the faculty, staff, and students who wholeheartedly new mission and momentum. the paint to have a life of its own in harmony with the believed in my ideas, no matter how crazy, diffi cult, Simply said, perhaps, I am forever grateful, honored, content. I fi nally feel like I’m at a beginning point again. broadened and and challenging. I asked, “Can I split a tree vertically and humbled to be a part of this place. I wouldn’t made stronger. with an ax and pass a young naked man through it and change much, I just want to see it grow and proliferate. photograph it?” Without a blink of an eye—“of course, It is a sacred bloodline to the creative heart. Thank you for this opportunity. sure! Here’s who to talk to...” There was this sense of Gail Spaien anything is possible, and how can we help you? Every idea, coupled with the help of some extra hands and Yours, generosity, could be brought into fruition. It felt as Rosemarie Padovano

14 15 EMBRACING THE UNKNOWN RIPPING OFF THE BAND-AID SARAH WORKNEH KATE HAW Executive Director, Program Executive Director, Development & Administration My article for the newsletter is about six days past more like an uncontrolled openness to what can happen each other. The participants knew very little about what Sometimes when we are looking for change in life deadline. When you think about living in nature, you here. I feel like I am fi nally getting settled. Skowhegan would be. Now, as they are preparing to it comes a whole lot faster than we expect it to. return to their homes, they don’t yet know that part of assume time will be slow, but the fast pace of this Over the past weekend, the Mobius Artists’ Group, a This is one of those times for me, and it is a what is most remarkable about this experience is what summer regardless of fresh air and green as far as the performance group from Boston, came to campus to bittersweet moment. eye can see has been astounding. Nine weeks sounds happens when we leave. That moment when our recent recreate John Cage’s Variations VIII. Cage and Merce Having decided a few years ago that I am not cut like a lot, but by the time you get settled into one day pasts here meet our normal lives head on offers perhaps Cunningham originally conceived of the performance out to be a lifelong New Yorker, recently I began here, it is already the next. the most signifi cant window of uncertainty. It is in those when they were on campus as Visiting Faculty members thinking seriously about moving back to Washington, moments that we are engaged to make choices about Part of what is so meaningful about working in this in 1967. The rules of the performance as laid out by DC, where I started my career. And it seems like how we live our lives, how we order our practices, and environment is the opportunity to work alongside Cage were to “accept an invitation to a distant place” no sooner did I start thinking about it than a great how and when we court that uncontrolled openness that this specifi c type of energy that cannot be captured, and to only use what was found on site to assist in the opportunity presented itself. (Careful what you made our lives so rich here over the past nine weeks. harnessed, or in many ways, controlled. I know I am performance. While sitting in the Fresco Barn, with the wish for, right?) I am very excited to take on a new doing my job as a facilitator of growth and action, sound of the Mobius group in action, I realized that In the pages of this newsletter, you will have a chance to challenge—not to mention being closer to family reaction and anticipation, when I myself feel a little Cage’s experience (and now Mobius’s) is not unlike read all that we have accomplished in the months that and living what I hope will be a slightly less frenzied untethered and slightly anxious over what is possible how we all encounter our time here—we move into lead up to and through these nine weeks, so I am going to life in DC—but things have happened so quickly that here. Many of the participants have asked me what I it and through it in a leap of faith, towards that same focus on the part that is abstract and distant for everyone it has felt like the emotional equivalent of ripping Above / Team Skowhegan: Elise Gardella, Kate Haw, Bill Holmes, Sarah Workneh, M.E. Malone, make…am I an artist. On a good day, and sometimes uncontrolled openness that feeds this experience. It is but those of us who live and work in Maine. Each day was off a very large Band-Aid! and Christopher Carroll / photo by Teri Slotkin on bad days, I think of this job and this role as my uncomfortable, but also profoundly rooted in a desire for an exercise in learning and trying something new. Some practice—one based in community, pedagogy, and even growth and encountering the things we do not yet know. actions were small or practical—how to use Final Cut, how to build a crate—but some are big enough to involve in some ways a re-enactment of a kind of performance The last days of the 2011 residency are upon us. We It’s almost impossible job where I encounter so many amazing people Sarah, Bill, Elise, Chris, M.E., and Andrea—thank you almost everyone on campus, and a lot of times members created by Skowhegan’s founders. In comparison to last just fi nished open studios and I am about to head to the every day. I started to name some of them but I for making it so much fun to come to work every day. of our local community. Here is just some of what we year, when my summer at times felt uncontrolled with the Common House. We all arrived knowing very little about to fall into hyperbole quickly realized the list could fi ll this entire newsletter. And Adrienne, Barbara, Larry, Linda, Marella, and all intake of information, history, experience, this year it feels were brave enough to try and learn from: Our growing donor list would be a good place to of the former staff who laid the foundation on which when talking about this start. But there are too many alumni, too many we have been able to build—I’m proud to join your Below / Class of 2011 with faculty and staff / photo by Nicholas Johnston place. It really is THAT Governors, and too many Trustees, past and present, distinguished company as “offi ce alumni.” to even try to thank in this public way, though they I feel nostalgic, sentimental, a little anxious about all Unknown Experience Action Participant(s) deserve acknowledgment for all the support and great. this change. But most of all I feel grateful. Grateful encouragement they have given me over the years. Intuitive and Paint a mural on an oft graffi ti-ed Andrew Ross & to have been a part of Skowhegan for fi ve years and And the fi ve summer faculties I have had the privilege collaborative murals wall behind an appliance store Maya Hayuk hopeful that I will always have a place in this very Change can be hard—embarking on this particular to know. And all the summer staff. And my year-round special family. To all of you who are tired of me asking Animal behavior (foxes) 75 participants, faculty, staff in Jules Jones change has been a very diffi cult decision for me— compadres on Team Skowhegan: you are the ones masks running through forests you for money: keep an eye on that donor list—I will but change is good. For me and for Skowhegan. I am in the trenches day in and day out—mostly without still be on it long after I am gone! What Skowhegan very proud of what I have been able to accomplish much glory—and the key to making it all happen. Bad luck exorcism Form a sigil with participants and Elijah Burgher does is important, and is worthy of our support. let out primal scream (for Tamara Suber) with the steadfast support of our boards, staff, and alumni over the past fi ve years and I’d like to think When you leave a place you get to take some Synchronized swimming 20 participants as part of Jeremiah Hulsebos-Spofford & that I’ve helped put this organization in an even ...most of all I feel liberties, and so I take the liberty of that rite of a performance, including a many others stronger position to embrace its future. All of that is passage our participants go through year after year handmade boat and a jetski positive. The tricky part is letting go of the experience grateful. Grateful to with my very own Dear Skowhegan letter. It may be Curating Organize a 5-hour show of 75 Kyla Chevrier & Michael of working at Skowhegan. It’s almost impossible to short, but it’s from the heart. works in two sites Ruglio-Misurell fall into hyperbole when talking about this place. It have been a part of really is THAT great. Most of you who are reading Dear Skowhegan, Writing a Collaborate with a 12-yr old girl to Mary Walling-Blackburn this letter know that. Yes, there are the day-to-day Skowhegan for fi ve children’s play turn the documentary Grizzly Man Thank you for making it so hard to leave. into a play annoyances that go along with every job (really!), but years and hopeful at the heart of it, we are making a big difference in Love, Negotiating the Coffee and cookies with award- Jayson Musson, Deirtra artists’ lives. To see that happen and to know you are that I will always have Kate commercial fi lm world winning producer, Christine Vachon Thompson, Jonathan a part of it is a genuine privilege. (partner of Resident Faculty Ehrenberg, Meredith James, a place in this very member Marlene McCarty) Siobhan Landry I have said many times, long before I started contemplating a change, that I will never have another special family. Making fresco in 3-D Spend a lot of time with Fresco Pepe Mar Instructor Sean Glover 16 17 CAMPUS CONNECTION UPTOWN LOUNGE MUFFINS 1-3/4 cup fl our provides snacks in between meals or for that late night for the library. And Chris Carroll, who in the summer 1/3 cup sugar BILL HOLMES able to salvage three of them to incorporate in the feeding frenzy when art can exhaust all nourishment. trades his winter cap as Program Coordinator for 2 tsp. baking powder Campus Grounds & Maintenance Manager new building, setting them into the wall of the lab’s Skowhegan for that of Media Lab Manager, a job that 1/4 tsp. salt cantilevered screened-in porch which faces down Hope you all have enjoyed your summer; know that reaches beyond the lab building to keep the Internet 1 egg, beaten into the trees. This shields them from the elements you’ve grown as artists and individuals. When the running in all corners of the campus, no mean feat 3/4 cup milk and will protect them for years to come. mood strikes you to look back at this summer make considering the limitations of the only ISP serving Maine 1/4 cup cooking oil The lab has ramped access and low-threshold doors up a batch of muffi ns, grab a hot cup of coffee, and at this time. And Meredith Gaglio, who brings to the for accessibility. It’s three spaces—the media lab remember the sights, sounds and smells of summer library her organizational skills and attention to detail proper, the offi ce space, and the black box room— once more! (and awesome computer skills) from a background in Preheat oven to 400 degrees. are a dramatic improvement over our old lab, which I would like to thank my K(ick) A(ss) K(itchen) S(taff): architecture and academia, and who quickly learned Grease 12 muffi n cups. In a medium mixing bowl was small and under-equipped. Each space is air- Brandon, Shawn, Jon, Justin, Patrick B., Patrick L., how to use the new software so as to be able to share combine fl our, sugar, baking powder, and salt. conditioned to protect the electronic equipment and, Alisha Rose, Kristen, Eve, and Ellen for all their hard in the job of cataloguing. With about 8,500 items Make a well in the center of the dry ingredients; excepting the black box which is an intentionally dark work this summer. Meal service at the dining hall only catalogued and processed we are in the home stretch, set aside. space, there are plenty of windows for natural light looks easy because of the outstanding staff. It has and I expect that the remainder of the main collection and ventilation. In a separate mixing bowl combine egg, milk, been a pleasure to work with all of you this summer. will be completed within a year or so. Digitization of the and oil. Add egg mixture all at once to the center We have had a very busy year with several visible Underneath the media lab we have a walk-in basement. (oh, they have eaten 75 plus pounds of peanut butter… Thank you “Caddies” (our housekeeping staff) Pam, slide collection was completed last winter. The library of the well of dry ingredients. With a fork stir just changes to the campus, starting with the removal of We put a little driveway hooking into the woods to who knew?). Macaroni and cheese is met with cheers Carol, and Laurie; let me express for the community the now subscribes to JSTOR (for access to online journal enough to moisten. Batter will be lumpy— the manicured cedar hedges from the Red Farm to the access it. Our equipment contractor, Merritt Burpee, each time it is on the menu (the ultimate comfort food). understated gratitude for the important job of keeping articles), also courtesy of the Looker Foundation. do not over-mix or muffi ns will be tough. Spoon library. We approached this task after much discussion an artist with a machine, constructed two large stone Grilled steak is a favorite and bean tofu cakes are a the buildings clean and lovely for all. Thank you staff! the mixture into prepared muffi n cups fi lling and some trepidation, but the hedges had become embankments to fl ank the entrance to the basement. popular item for our vegetarian friends. And cases and each 2/3 full. unwieldy, encroaching on the road and reaching widths The cantilevered porch shelters the entrance. The cases of coffee. We all know that artists run on coffee! JUDITH STOODLEY in excess of twelve feet in places. The ice storm of basement is currently being used for archival work, Bake at 400 degrees for 15–20 minutes or until “Organic” brings to mind something we have always Librarian, Robert Lehman Library 1997 did signifi cant structural damage and the deer but the large, open expanse will lend itself to many golden. Cool in pans for 5 minutes. implemented but this year with so much more gusto Library usage was similar to what it has been in years herd decimated the foliage two years ago, making possible uses, giving us some fl exibility in the future. thanks to the Crown O’Maine Organic Cooperative. past, and I enjoyed working with the Class of 2011. the hedges unsightly as well. The result exceeded my These major projects, coupled with our normal COMOC organizes local farmers, fi shermen, and About halfway through the summer I suddenly came Variations expectations. Feedback has been hugely positive. maintenance workload, had me questioning both artisans in the state of Maine making local products to the exciting realization that the lovely building and Blueberry: Add 1 cup of blueberries to the dry The campus looks cleaner, more integrated, and truer my sanity and stamina at times. I’m very fortunate available to a very broad population across the state. substantial collection of books that I inherited eleven ingredients and mix to coat berries. to the original landscaping of the farm. One can now to have Peter, Kevin, Ron, and Larry to work with. It has been a pleasure working with COMOC this year. summers ago is now an actual working library! It is appreciate many more views that previously were Everyone stepped up to make this year come together. The community has had some extra tasty organic treats Chocolate chip: Fold in 1 cup chocolate chips. said that it takes a village to raise a child, and it has walled off. for sure. They have included many varieties of greens, Banana: Reduce milk to 1/2 cup. Add 3/4 cup taken a community to create this library. I recognize the The Philbrick Cottage was the last large residence to tomatoes, sugar peas, green beans, milk, butter, maple mashed banana and 1/2 cup nuts. WANEETA MARQUIS generosity of past donors such as Robert Lehman and be renovated in our plan to enhance safety in all our syrup (our own Carol and Craig Campbell), eggs (our Chef and Food Service & Residence Manager the many artists, Trustees, and friends of Skowhegan Poppy seed: Increase sugar to 1/2 cup and participant housing. Instead of putting in a sprinkler own Peter Jillson), cucumbers, cabbage, garlic scapes, It is with mixed feelings that I have decided to start a who donated and continue to donate valuable items add 1 tbsp. poppy seed to dry mixture. system now and doing much-needed remodeling Greetings and salutations from the lakeside, and fresh herbs (Abby Shahn & Peter Campbell), slow fade from Skowhegan. The two-hour commute in from their personal libraries to the collection. But later (which would have necessitated re-engineering affectionately referred to as “Downtown,” where living bread, cheese, and so much more. It is a wonderful the old cars I have driven has been long. My fl ower beds credit for the more immediate realization of this goal the sprinkler system), we decided to proceed with cabins and of course the kitchen with its delightful phenomenon that is occurring across the country as at home, along with my home itself, are showing the of library-becoming belongs to a smaller community. Makes 10–12 muffi ns all the work at once. We gutted the interior, widened meals are created and served to an average population individuals, schools, and organizations go back to signs of years of neglect. So in 2012 I will be coming to First and foremost the Looker Foundation, whose the downstairs hallway, built new stairs, installed new of 100 each day for the nine week residency…wow! basics. Thank you to those who are working hard to Skowhegan two days a week, and Meredith has agreed ongoing support has allowed us to develop the library windows and doors, and fi nished all the walls with make our food, our lives, and our souls healthier. to serve as the librarian and cover the other three days. Each year I meet the new community wondering what in ways that actively serve the needs of the participants. pine. One single bedroom was sacrifi ced to make the In this way I will be available to assist and consult as the food wishes and desires are going to be for the I always look to the comment sheet to make the It was Looker Foundation support that also made bathroom larger and more user-friendly. Finally, we needed and still have time to pursue other summer summer. I am always surprised! There seems to be a decision about which recipe to include for the it possible for the library to switch from an archaic added overhead insulation and increased ventilation to interests. Skowhegan has been a wonderful coda to growing number of folks with dietary needs and this newsletter. The comment sheet is a bit naked, which cataloguing system that the participants couldn’t use to make the building more comfortable on hot days. my working life, and I carry many fond memories of year has been no exception. What I have discovered I hope means the artists have all just been grateful for a new system that uses Web storage to make access time spent here among the artists. I hope to continue to On the upper campus we tore down the Day Blake with the help of the group is there is a fantastic gluten- nourishing food to fuel their art endeavors this summer! available to anyone with the password. I also wish to participate on some level for at least a few more years Studio to make way for the new media lab, situated free bread call Udi’s—it actually tastes like bread. Along So I have decided to include the recipe for muffi ns, acknowledge Sarah Workneh, Skowhegan’s Executive to come. along the edge of the woods. Prior to destruction those same lines was the request for slow cooked which have been a mainstay for our community this Director for Program, for doing the research over the we removed the four mosaic panels that were made oatmeal each morning, sriracha sauce to spice things summer. We have a satellite food station at the top winter which resulted in the acquisition of this software All Campus Connection photos by Nicholas Johnston in place on the exterior of Day Blake. We were up, organic peanut butter morning, noon, and night of the hill called the “Uptown Lounge.” This space

18 19 SKOWHEGAN CELEBRATES

Skowhegan’s Annual Awards Dinner had a whole new look this year. With a move to Skylight Soho (which Dear Skowhegan… some will remember as the former Ace Gallery), you somehow made the event took on a contemporary feel. The clean white space allowed us to showcase the work of me believe in myself our artists in new ways. Video work by 17 recent 1 2 3 alumni was projected in the bar; SKOTE, a team of and my work again. two artists who attended Skowhegan in 2010, did a 2010 PARTICIPANT performance during cocktail hour; and our most recent benefi t print projects—Draft by Glenn Ligon and the SkowheganBOX—were on display. A heartfelt thank- you video by members of the Class of 2010 kicked off the program, and we celebrated the achievements of fi ve outstanding honorees. The evening was chaired by Chuck Close and Anna Marie and Robert F. Shapiro and nearly 400 guests joined in the fun. 4 5 6 Skowhegan Medals were given to Ai Weiwei PHOTO CAPTIONS (multidisciplinary art), Mark Bradford (painting), and 1 / Skowhegan Trustee Victoria Love Salnikoff with Ursula von Rydingsvard (sculpture). Anne Pasternak, Roger Kass President and Artistic Director of Creative Time, 2 / Skowhegan Medalist Mark Bradford with received the Governors’ Award for Outstanding Service Melva Bucksbaum to Artists and Robert Storr, Dean of the Yale School 3 / Terry Winters, Skowhegan Governor Donald Moffett, of Art, received the Gertrude Vanderbilt Whitney Award and Lynda Benglis for Outstanding Patronage of the Arts. 4 / Alexandra Munroe presenting Ai Weiwei’s Skowhegan Medal The Awards Dinner is our most important fundraising 5 / Knight Landesman and Scott Rothkopf event, raising millions of dollars over the years for 7 8 9 scholarships and other elements of Skowhegan’s 6 / Skowhegan Trustee Libbie Masterson with Luca Buvoli and Danielle Frankenthal program. Scholarship need increases each year, and we are most grateful to all those whose support makes 7 / Beth Rudin DeWoody and Governors’ Award recipient Anne Pasternak it possible for us to keep our pledge that any artist 8 / Dara Birnbaum, Lori Zippay, Debra Tanner Abell, accepted to Skowhegan on the basis of his or her work and Cullen Washington, Jr. will be able to attend, regardless of fi nancial means. In 9 / Dorsey Waxter, Gertrude Vanderbilt Whitney the past ten years, 94% of participants have required Award recipient Robert Storr, and Skowhegan Chair and received fi nancial aid. Ann Gund 10 / Sarah Lewis and Katie Hollander 11 / Skowhegan Medalist Ursula von Rydingsvard 10 11 12 12 / Skowhegan Governor Donald Baechler, SAVE THE DATE Kathryn Berry, Skowhegan Trustee Alan Wanzenberg, Skowhegan’s 2012 Awards Dinner and Kevin Baker 13 / Ethan Kerr, Stephanie Diamond (’00), Marc Swanson Tuesday, April 24 (’00), Joe Mama-Nitzberg, and Ellie Krakow (’08) Skylight Soho 14 / Skowhegan President Greg Palm and Chair Emeritus Mildred Brinn 2012 Honorees will be announced soon—watch 15 / Phong Bui, Nathlie Provosty, and Skowhegan www.skowheganart.org and your mailbox for Governor Maria Elena González more details. We look forward to seeing you in April for another festive night of celebration! 13 14 15 All photos of the Awards Dinner by Teri Slotkin

20 21 2011 SKOWHEGAN FELLOWSHIPS 2011 PARTICIPANTS PARTICIPANT Matthew Ager, Sculpture Siobhan Landry, Video/Film DEMOGRAPHICS Haig Aivazian, Video/Film Jaeeun Lee, Performance Theodora Allen, Painting Katie Loselle, Painting Nathaniel Axel, Photography Pepe Mar, Sculpture 93% Bonnie Begusch, Multi Media Ezra Masch, Sculpture Samantha Bittman, Painting Tyler McPhee, Sculpture of the participants Lucas Blalock, Photography Michael Menchaca, Painting received fellowships Evan Boggess, Painting Jayson Musson, Performance Amy Brener, Sculpture Nightmare City, Multi Media Lance Brewer, Photography Ken Nurenberg, Painting Elijah Burgher, Drawing Alwyn O’Brien, Sculpture GENDER AGE Mike Calway-Fagen, Sculpture Margaux Ogden, Painting Kyla Chevrier, Installation Gamaliel Rodriguez, Drawing Esteban del Valle, Multi Media Javier Rodriguez, Multi Media Ivonne Dippmann, Drawing Andrew Ross, Sculpture 31 30 Jonathan Duff, Sculpture Michael Ruglio-Misurell, Installation women average age Matias Duville, Drawing Gabriela Salazar, Sculpture Jonathan Ehrenberg, Video/Film John Seal, Painting Sharona Eliassaf, Painting Lauren Silva, Painting 34 21–41 Catherine Fairbanks, Sculpture Pascual Sisto, Video/Film men age range King Farish, Painting Tamara Suber, Performance Jacqueline Gordon, Installation Jennifer Sullivan, Performance Clare Grill, Painting Deirtra Thompson, Video/Film Joe Grimm, Multi Media Patricia Treib, Painting DOMESTIC RESIDENTS INTERNATIONAL (CURRENT) Maya Hayuk, Drawing Katrina Umber, Photography RESIDENTS Shara Hughes, Painting Gregory Vershbow, Photography Jeremiah Hulsebos-Spofford, Maria Walker, Painting Sculpture Mary Walling Blackburn, 15 Meredith James, Multi Media Performance U.S. states 9 Jules Jones, Drawing Asim Waqif, Installation Yukata Kawahito, Sculpture Joshua Webb, Sculpture Argentina, Australia, Rafael Kelman, Multi Media Katie Wynne, Sculpture Canada, England (2), Coby Kennedy, Multi Media Claire Zitzow, Multi Media 1 Germany (2), India, Puerto Rico and Israel

COUNTRY OF ORIGIN WITH 13 Countries represented 24% Argentina, Australia, Canada, England, Germany/Israel, Skowhegan’s 2011 India, Japan, Korea, Lebanon/ participants claim foreign France, Mexico, Spain, citizenship or origin and Venezuela

22 23 THANK YOU TO 2011 FACULTY, STAFF, PARTICIPANTS, AND BEYOND

In what seemed to be a whirlwind year, we were able to ways. Amber Lambke, Marada Cook, and Sarah Smith accomplish some incredible feats. It is quite amazing helped us fi nd new ways to work with local farmers to what can be accomplished with a team of one hundred supply our kitchen. The two shows we hosted in town people. This year’s staff set the tone, going above and this year would not have been possible without the beyond any normal expectations. assistance, trust, and generosity of Amber Lambke, Walter Hight, and Jennifer Olsen. Owen Smith and Bill Holmes and his crew, Peter Jillson, Kevin Flanagan, the University of Maine-Orono have changed how Larry Gray, and Ron Pinkham, are capable of seemingly we work on campus with a very generous loan of impossible tasks, shaping our campus in physical ways equipment to round out our media lab offerings. and therefore shaping what we do there. Sculpture Owen also delivered a special lecture on the history of Shop Manager Gregory Witt (’09), Dean Nataliya Fluxus, which promoted much discussion in the weeks Slinko (’10), and Assistant Chef Brandon Hinman, all following. Sharon Corwin, director and curator of the new to our staff this year, stepped into their roles as if Colby College Museum of Art, has continued to be an they had been here forever. Our media lab staff, Chris invaluable resource and constant friend to us—this Carroll (’09) and Lilly McElroy (’06), brought the Double summer anchoring a special conversation with Alex Bett(y)(e) to life with great ingenuity. Our returning Katz as well as coming by to do studio visits. Dean Craig Drennen (’06) and our summer program coordinator Nicholas Johnston offered our community Finally, we thank the class of 2011 for being brave, stability and good humor. Sean Glover (’03) was an engaged, and generous; for knowing when to push absolute inspiration in the fresco workshop. With boundaries, and when to pull back just before the edge. Nadia Ayari (’06), he facilitated ten ambitious frescos This experience can be as diffi cult as it amazing for our in the Fresco Barn. Elizabeth Mooney, our archivist, participants, but of course, that is where the magic lies. was hard at work cataloging and bridging together the history of artmaking at Skowhegan. Our much beloved kitchen and housekeeping staff, led by the unshakable Every member of the Waneeta Marquis, treated us to delicious meals and kept our homes comfortable and cozy. Our baker community contributed Shawn Thornton (’02) was charged with providing healthy snacks for the “Uptown Lounge.” Peter to build a diverse, Campbell, our gardener, has spent months bringing the gardens around Red Farm back to their original glory. tolerant, and respectful The library is one of the spiritual centers of campus and environment, which we thank our librarian Judith Stoodley and her assistant Meredith Gaglio for that. translated divergence In the spirit of what Cheryl Donegan termed the into a fertile fi eld “facultant” (a faculty/participant hybrid), the 2011 faculty participated in every event and initiated many for refl ection and more. We thank Daniel Bozhkov (’90), Cheryl Donegan, Anissa Mack (’99), Marlene McCarty, Dave McKenzie understanding, and (’00), and Michael Smith for all that they gave us this for professional summer. Likewise, our Visiting Faculty became natural members of our community, offering fascinating and personal growth. perspective and inspiring conversation. We are very 2010 PARTICIPANT grateful to have spent time with Vito Acconci, Walead Beshty, Judy Pfaff, Suzan Frecon, David Lang and family, and Chris Ofi li and family. Right / Performance piece by Jules Jones (’11), This year, we made a real effort to move beyond the with the participation of all on campus / borders of our campus and into town in meaningful photo by Nicholas Johnston

24 25 ALLIANCE REPORT CONGRATULATIONS ALUMNI ON RECENT WHAT IF… AWARDS, GRANTS, AND FELLOWSHIPS! …every Skowhegan alum gave $10 a month? 2010–2011 Dear Friends of Skowhegan, Hello. Pasqualina and Adam here, the new Alliance It’s the cost of one drink in a Manhattan bar, the Anonymous Was a Woman Award New York Foundation for the Arts co-chairs. We are excited to take the reins from price of a burger and fries at the corner diner, Eve Sussman (’89) Fellowship Stephanie Diamond (’00) and Catherine Ross (’02), less than you’d spend to go to the movies. Diana Al-Hadid (’07) and thank them for two amazing years of leadership. Looking at it that way, it’s not so much, right? Art Matters Grant Paul Farinacci (’90) They’ve left some very large shoes to fi ll, and we will But for Skowhegan, it could be a scholarship Hope Ginsburg (’97) David Hardy (’04) do our best to continue the exciting work that they’ve for every artist who needs one in 2012. Sheila Pepe (’94) Janelle Iglesias (’09) created and nurtured. Shreshta Rit Premnath (’09) The sustaining giving program is growing—be MaryKate Maher (’08) Jessica Segall (’10) The Skowhegan Alliance has been a testing ground a part of it! Visit www.skowheganart.org and Mary Mattingly (’10) for some very exciting initiatives, including the click SUPPORT. Matthew Northridge (’00) J. William Fulbright Grant SkowheganWALKS and SkowheganTALKS, as well as Karyn Olivier (’00) Abraham Storer (’10) more recent initiatives including performance, video and Above / Brody Condon (’01) discusses his piece in the Allyson Strafella (’95) Brenda Zlamany (’84) other showcases of alumni work. These programs and PS1 Greater New York exhibition at SkowheganWALKS, Ishmael Randall Weeks (’07) October 2010 / photo by Christopher Carroll projects would not be possible without the amazing Nancy Graves Foundation Grant Karla Wozniak (’03) VISIT SKOWHEGAN Jessica Jackson Hutchins (’00) work, resources, and, connections generously offered Pollock-Krasner Foundation Grant by our alumni. We are consistently amazed by the ON FACEBOOK John Simon Guggenheim Ken Buhler (’76) selfl ess donations of time, space, and expertise to turn www.facebook.com/skowhegan Memorial Foundation Fellowship Francis Cape (’89) ideas into exciting projects and explorations. Gregory Amenoff (’91) It is through the continuing support of alumni and Beth Campbell (’97) Marie Walsh Sharpe Art the Alliance that we are able to make Skowhegan a Corin Hewitt (’04) Foundation point of connection across years, introducing artists Lisa Sigal (’86) Mary Mattingly (’10) Erika Ranee (’93) to each other and the wider world. And on this note, William H. Johnson Prize, one of our proudest accomplishments has been the William H. Johnson Foundation increase in alumni giving in the past couple of years. for the Arts During this time, and thanks to many of YOU, we have Karyn Olivier (’00) seen a nearly 150% increase in alumni giving. These numbers are extremely important to the fi nancial health Joan Mitchell Foundation Grant of Skowhegan, as there is a strong correlation between M. Firelei Baez (’08) larger gifts to Skowhegan and the percentage of alumni Tom Burckhardt (’86) who are represented on our donor list. The more Chitra Ganesh (’01) participation we have, the larger gifts we are able to Corin Hewitt (’04) solicit from major donors. That’s the truthful, boring part. The exciting part is that we’ve been able to enlist amazing artists to help encourage alumni giving. Our recent addition of Allen Ruppersberg tote bags is sold out! And we are currently offering William Pope.L’s wonderfully sardonic “Black Card,” available exclusively through Skowhegan. These fantastic editions were made expressly to be affordable at the same time that they give back to Skowhegan. Give it to a friend, give it to yourself, but whichever you choose, you still give to Skowhegan. How could you ask for more? Above / SkowheganTALKS: Patty Chang and Jeanine Hope to see you at an event soon. Oleson at the New Museum, February 2011 / photo by Christopher Carroll Best, Pasqualina Azzarello (’08) and Adam Shecter (’06)

26 27 FACULTY 2012

2012 Session: RESIDENT FACULTY ARTISTS June 9–August 11 Dike Blair Rochelle Feinstein Kate Gilmore Virgil Marti Cauleen Smith Application deadline: was born in New Castle, is a painter who works across is an installation, video, and creates hybrid objects and received her BA from San Francisco Pennsylvania in 1952. He studied at varied media, while fundamentally performance-based artist. Selected environments informed by a wide State University and her MFA from February 1, 2012 the University of Colorado, the drawing upon the attitudes, exhibitions include the 2010 Whitney range of art-historical and pop- UCLA School of Theater-Television- Whitney Museum Independent attributes, and conventions Biennial, as well as exhibitions at the cultural references. Known for Film. Smith has produced multi- Details of the 2012 program and application Study Program, and the Skowhegan embedded in painting practices. Brooklyn Museum; San Francisco inserting high décor into fi ne art channel fi lm and video installations process will be posted on Skowhegan’s website School of Painting & Sculpture (’74) She has exhibited her works Museum of Modern Art; Museum contexts, his installations are rich that incorporate sculptural objects www.skowheganart.org in mid-November. before receiving his MFA from the nationally and internationally, of Contemporary Art, Chicago; in humor and shrewd observation. and text and explore her roots and Only online submissions are accepted. School of the Art Institute of Chicago has written about art and artists, Institute of Contemporary Art, After attending Skowhegan in interest in structuralist fi lmmaking in 1977. He is also a writer and a and lectures at universities, Philadelphia; Bryant Park, New York 1990, he worked for many years and Afrofuturist narrative strategies. professor at RISD. A collection project spaces, and foundations (Public Art Fund); Contemporary as a master printer and project Smith’s feature fi lm, Drylongso, of his writings, “Again: Selected throughout the United States Art Center, Cincinnati; Artpace, coordinator at the Fabric Workshop earned a 2001 Movado Someone to Interviews and Essays,” was and abroad. Her work has been San Antonio; The J. Paul Getty and Museum in Philadelphia. His Watch Award from the Independent published by WhiteWalls in 2007. featured in ARTFORUM, TimeOut, Museum; The Rose Art Museum, work was included in the The Jewel Spirit Awards. Her adaptation for In 2009, he was the subject of a The Village Voice, Tema Celeste, Brandeis University; Istanbul Thief at The Frances Young Tang the Martha Southgate novel, Third ten-year survey at the Weatherspoon ARTnews, Art in America, BOMB, Museum of Art; Haifa Museum of Teaching Museum, La Biennale Girl from the Left, is being produced Art Museum, University of North The Paris Review, The New York Art; and PS1/MoMA Contemporary de Montréal (2007), the 2004 by Washington Square Films. Her Carolina-Greensboro. Public Times, The New Yorker, and Art Center. Gilmore has been the Whitney Biennial, and Apocalyptic experimental video The Fullness collections include the Museum of other publications. Her works are recipient of several international Wallpaper at the Wexner Center of Time was commissioned and Contemporary Art, Los Angeles, and represented in numerous public awards and honors, such as the for the Arts, Columbus, Ohio. produced by artist Paul Chan and the Whitney Museum of American and private collections. Recent Rome Prize, the Lower Manhattan Recent collaborative projects and Creative Time. It focused on the Art, New York. Blair’s work has been awards and grants include an Cultural Council Award for Artistic solo shows include Set Pieces at dislocation of mind, body, and land widely honored—he has recently Anonymous Was a Woman grant, Excellence, the Franklin Furnace the Institute of Contemporary Art, in post-Katrina New Orleans. With been awarded the Rome Prize and a Guggenheim Fellowship, a Fund for Performance, Louis Philadelphia; Ah! Sunfl ower at Creative Capital’s sponsorship, a Guggenheim Fellowship. Louis Comfort Tiffany Foundation Comfort Tiffany Biennial Award, the Visual Art Center, Richmond, Smith produced Remote Viewing, a Fellowship, a Joan Mitchell the LMCC Workspace Residency, Virginia; and Directions: Virgil Marti/ series of digital videos that re-enact NANCY G. MACGRATH Foundation grant, and a Foundation the New York Foundation for The ENDOWED CHAIR Pae White at the Hirshhorn Museum, historical instances in which traumatic for Contemporary Arts grant. Arts Fellowship, and the Marie Washington, DC. Grants and human gestures of negation resemble Feinstein has been the Director Walsh Sharpe Space Residency. awards Marti has received include earth sculpture or land arts. Smith is of Graduate Studies in Painting/ Her work is in the collections of the fellowships from the Pew Foundation producing a series of fi lms that explore Printmaking at Yale University Museum of Modern Art, New York; and Art Matters, as well as the Louis the psycho-geography of American School of Art since 1995. the Brooklyn Museum; Whitney Comfort Tiffany Foundation Award. cities in which the intersection of black Museum of American Art, New He lives and works in Philadelphia cultural production and the urban FRANCES & SYDNEY LEWIS York; Museum of Fine Arts, Boston; ENDOWED CHAIR and is represented by Elizabeth Dee landscape created signifi cant and San Francisco Museum of Modern Gallery, New York. Virgil attended global musical innovation. Currently Art; Indianapolis Museum of Art; Skowhegan in 1990. in production is The Solar Flare and Museum of Contemporary Arkestral Marching Band Project Art, Chicago. MILDRED C. BRINN ENDOWED CHAIR (working title), based in Chicago and infl uenced and inspired by Sun JOHN EASTMAN JR. ENDOWED CHAIR Ra’s process of “becoming” in that great city. Cauleen was a participant at Skowhegan in 2007.

JOHN WHITNEY PAYSON ENDOWED CHAIR

CONTINUED ON NEXT PAGE

28 29 FACULTY 2012 CONTINUED

VISITING FACULTY ARTISTS PAUL MELLON DISTINGUISHED FELLOW Huma Bhabha Peter Campus Omer Fast Louise Fishman Arlene Shechet Deborah Hay uses found materials and is an American-born artist known works with fi lm, video, and television has been painting since 1956. is a sculptor currently using clay was born in 1941 in Brooklyn and constructed forms to rework the for his pioneering interactive and footage to examine how individuals Having preferred playing basketball, and glaze as her materials of now lives in Austin, Texas. Hay was familiarity of everyday objects into single channel video work of the and histories interact with each she didn’t think she would ever investigation. Working with forms one the founding members of the creepy inventions. Born in Karachi, early 1970s, as well as an extensive other in narrative. He mixes become a painter, despite the that fl oat, lean, and barely balance, Judson Dance Theatre in New York Pakistan, Bhabha is a graduate body of photographic and digital sound and image into stories that fact that her mother and aunt she extends the precarious in a and is acknowledged by critics and of the Rhode Island School of video works to the present day. He often veer between personal and were distinguished Philadelphia vocabulary of protrusions, spouts, historians as one of the most relevant Design (BFA) and Columbia studied experimental psychology media accounts of current events painters. Fishman studied at and holes that expand and defl ate. and infl uential choreographers University (MFA). In 2008, Bhabha at Ohio State University, and after and history. Born in Jerusalem, several Philadelphia art schools, The clay leaves a physical guide to of experimental dance today. received the Aldrich Contemporary military service, he studied fi lm he received his BFA from Tufts quitting each one after a year her process, and non-traditional Describing her life in dance, Hay Art Museum’s Emerging Artist editing and worked as a production University, School of the Museum of or so. In 1963, Fishman went to glazes—in a slightly uncomfortable has written, “Without it being my Award. Her work was featured manager and editor until the early Fine Arts, in 1995 and an MFA from graduate school in Champaign/ and elusive range of colors and intention, dance has become a in the 2010 Whitney Biennial 1970s. During this period he Hunter College in 2000. His works Urbana, Illinois, and completed her textures—add complexity and medium for the study and application curated by Francesco Bonami and developed an interest in minimal art, have been exhibited internationally degree in 1965 (after quitting once dissonance. As the work is fi red, the of detachment. Actually, I prefer Gary Carrion-Murayari; the 14th becoming friends with the sculptor at Postmasters Gallery; the Whitney more). She has been painting for heat of the kiln melts glaze into clay, the term dis-attachment because it International Sculpture Biennial in Robert Grosvenor, and worked with Museum of American Art, New 50 years, with no regrets and no permitting color to become form, implies a more active role in letting Carrara, Italy; the 2008 Gwangju Otto Piene and Aldo Tambellini at York; the Berkeley Art Museum; the doubts about the viability of this thus combining the languages of go. The balance between loyalty Biennial in Korea; After Nature at the Black Gate Theatre in the East Berlin Biennale; Tensta Konsthall, activity—except for a few moments painting and sculpture. Shechet is and dis-attachment to that loyalty, the New Museum, New York; and Village in New York. In 1970, at the Stockholm; the Museum of in the 60s and in the 80s. She has known for stacked structures in a sensually and choreographically, is in exhibitions at the Museum of age of 33, Campus purchased his Modern Art, Vienna; GB Agency, said that she has learned all that variety of materials, incorporating an how the practice of dance remains Modern Art, New York. She has fi rst video equipment. Campus Paris; Midway Contemporary, she knows about herself through architectural element in conversation alive for me.” In addition to being exhibited widely in North America achieved rapid acclaim for a Minneapolis; Institute of Modern Art, her studio practice. Fishman’s work with the clay. Hovering in the a dancer and choreographer, Hay and Europe at Galerie Niels Borch series of seminal video works that Brisbane; the Carnegie Museum, has been shown at museums and space between representation and is also a writer and teacher. Her Jensen, Berlin; Rhona Hoffman explored issues of identity/reality Pittsburgh; and the Museum of Fine galleries internationally and she has abstraction, her work confuses any books include Moving Through the Gallery, Chicago; Peter Blum and subversion of the relationship Arts, Basel. Fast is the recipient of received numerous awards and single reading of the sculptures Universe in Bare Feet (Swallow Gallery, New York; Salon 94, New between the viewer and the work. many awards including the 2009 grants including the Guggenheim as derived from the natural world. Press, 1975), Lamb at The Altar: York; Grimm Fine Art, Amsterdam; In the 80s, Campus’s work shifted Preis der Nationalgalerie für Junge Fellowship in Painting, the New York Channeling humor and pathos, The Story of a Dance (Duke and the Aldrich Museum of primarily to photography, exploring Kunst, the Bucksbaum Award from Foundation for the Arts Fellowship in these sculptures reach beyond University Press, 1994), and My Contemporary Art in Ridgefi eld, landscape and the natural world. In the Whitney, and the Louis Comfort Painting, and two awards from the the visual toward an embodied Body, the Buddhist (Wesleyan Connecticut. In 2012, Bhabha will the 90s, it shifted once more with a Tiffany Foundation Prize. National Endowment for the Arts. sense of what it’s like to be alive University Press, 2000), now in have her fi rst solo show at PS1 in return to video work that explores and breathing. Shechet has been its third printing. In October 2009 Queens, New York. Her work is in loss, memory, death, nature and SALLY & MILTON AVERY widely honored, receiving awards the Theater Academy in Helsinki, ENDOWED CHAIR the collections of the Metropolitan landscape, and the passing of from the Joan Mitchell Foundation, Finland, conferred on Deborah Hay Museum of Art; the Whitney time. Campus teaches at New York Anonymous Was a Woman, and an Honorary Degree of Doctor of Museum of American Art, and the University and his work is widely the American Academy of Arts and Dance. In 2010 she became a USA Museum of Modern Art, all New collected by major museums and Letters, among others. Friends Fellow in Dance, and in York; the New York Public Library; galleries, including the Museum 2011 she received a grant from the and the Saatchi Gallery, London. of Modern Art, the Whitney Foundation for Contemporary Arts Museum of American Art, and the in New York. WILLARD WARREN CUMMINGS Guggenheim Museum, all New ENDOWED CHAIR York; Tate, London; the Reina Sofi a, Madrid; the Centre Pompidou, Paris; and most recently at Cristin Tierney, New York.

30 31 SKOWHEGAN ALUMNI AND ALUMNI NEWS 2010 –2011 FACULTY: SUBMIT YOUR NEWS TO THE ART REGISTRY 1947/1948 1959/1961 Bogdan Swider Stephen Hoke 1974 Jeanette Fintz ON SKOWHEGAN’S WEBSITE Janet Shafner Abigail Shahn EXHIBITION Bogdan Swider, EXHIBITION Paintings Drawings Michiko Itatani EXHIBITION The Breakfast EXHIBITIONS Seduced by EXHIBITION Worlds / Shop Drawings / Gallery Motte & Etchings from 4 Decades EXHIBITIONS Personal Codes Club / Greene County Council Update your personal listing in the ART the Sacred / Manell JCC windows, Skowhegan, ME / Masselink, Paris, France / / Center for Faith & The Arts / Ithaca, NY / 02/02/2011. of the Arts, Catskill, NY / galleries, West Hartford, CT / 06/24/2011–08/08/2011. 05/19/2011–07/13/2011. Galleries, Salisbury, NC / Close Binary / Denver, CO / 09/26/2009–11/14/2010. REGISTRY section of our website! Keep us 10/05/2010–11/22/2010. 03/12/2011–04/22/2011. 10/14/2010–12/08/2010. Visual 1964/1966/1967 1969 Helen Glazer current with news and images of your work. Face-Off: Portraits by Analogies and Inquiries: the Contemporary Artists / Lyman Carol Beckwith Marilyn Propp Work of Michiko Itatani and EXHIBITIONS Clouds Skowhegan’s website lets you add your news Allyn Art Museum, New London, EXHIBITION Dinka: Legendary EXHIBITIONS Cogs Birgitta Weimer / Milwaukee InFormation: Hand-Colored Cattle Keepers of Sudan / and Wheels: Industrial Photographs by Helen at any time during the year so people know CT / 04/10/2011–09/18/2011. Institute of Arts & Design, Dark Prophecies / Hebrew Union Modernbook Gallery, San Reconstructions / State Milwaukee, WI / 01/19/2011– Glazer / Washington, DC / what you’re doing in the art world. College Museum, New York, NY Francisco, CA / 11/07/2010. College of Florida, Fine Art 03/09/2011. Cosmic Theater 02/03/2011–02/24/2011. 1st / 09/06/2011–06/29/2012. Gallery, Bradenton, FL / / Kendall Gallery, Ferris Biennial Maryland Regional 1965 10/15/2010–11/10/2010. Juried Exhibition / University All the news for this year’s Newsletter was Alice J. Garik University, Grand Rapids, MI 1949 Marilyn Propp and David / 03/21/2011–04/09/2011. of Maryland, Adelphi, MD taken from the website. We no longer rely David Black EXHIBITION Juried Jones / Moreau Galleries, St. / 08/01/2011–10/16/2011. Photography: Alternative International Paper Art EXHIBITIONS Liftoff / Mary’s College, Notre Dame, Stephen Mueller ’68 Roland Genesis at Green Spring on other sources—the website is the sole Processes / Mills Pond House Exhibition and Symposium / Permanent Public Sculpture, IN / 09/30/2011–11/04/2011. / acrylic on canvas / 2010 / 68 Station / JLP Gallery, Gallery, St. James, NY / Chung Shan National Gallery, source of news for this listing. Please note Plaza corner of K & 5th Streets, Remarkable Women / Peltz in x 62 in Lutherville, MD / 04/28/2011– 01/08/2011–02/04/2011. Taipei, Taiwan / 05/18/2011– that space is limited and alumni news includes Washington, DC / Dedicated Gallery, Milwaukee, WI / 06/26/2011. 09/08/2011. Arts in Embassies 04/06/2010. Fire Dance / David Shapiro 07/29/2011–08/27/2011. Program, US State Department Joanna L. Kao ’75 Double Happiness / mixed media collage, information for the period of November 1, 2010– 1972 David Rich Permanent Public Sculpture, EXHIBITION David Shapiro- / Ambassador’s Residence, painting, image transfer / 2008 / 22 in X 30 in Centennial Park, Fort Myers, 1970 Dena Schutzer EXHIBITIONS Drawing / American Embassy, Lima, Peru October 31, 2011, only. Some editing of New Paintings and Work on Penelope Jencks ’56, ’57 FL / Installation 08/01/2011– David J. Einstein EXHIBITION Night Space / University of Minnesota, / 12/01/2010–12/01/2013. Paper / Perimeter Gallery, Eleanor Roosevelt / bronze and material may have been necessary. Thank 08/31/2011. EXHIBITION David Einstein: Irvington-on-Hudson, NY / Minneapolis, MN / 02/25/2011– Photo 11: Annual Mid-Atlantic Chicago, IL / 09/09/2011– granite / 1996 / 8 ft x 3 ft x 6 ft / Charles Marburg 1979 A Forty-Year Survey 1970–2010 01/31/2011–02/27/2011. 04/25/2011. David Rich Juried Exhibition / Artisphere, you for keeping your online profi le current. 09/30/2011. photo by David Finn EXHIBITIONS Selected Gallery Sue Collier / Michael H. Lord Gallery, Farrell Brickhouse ’71 and Paulette Myers-Rich / Terrace Gallery, Arlington, VA / Palm Springs, CA / Clarissa T. Sligh Big Bather Bernard / oil on Artists Group Show / Jeffrey EXHIBITIONS Women’s Nature EXHIBITION 3,000 Cranes, Acme Artworks, St Paul, MN 07/28/2011– 09 /11/2011. Leder Gallery, Long Island City, / Ceres Gallery, New York, 03/03/2011–04/01/2011. canvas / 2011 / 14 in x 11 in / 07/09/2011–08/02/2011. 1968 1,000 Faces / San Francisco, NY / 10/03/2010–11/04/2010. NY / 01/03/2011–01/28/2011. CA / 03/02/2011–05/03/2011. RESIDENCIES Visiting Artist Charles Marburg / Jeffrey Drawings / Ceres Gallery, Christy Bergland / Hamline University, St Paul, EXHIBITION The Late Seasons Frank Hyder Leder Gallery, New York, NY / New York, NY / 06/21/2011– Michael Tcheyan MN. Visiting Artist / College of 03/26/2011–04/30/2011. 07/16/2011. Affordable Art of Great Pond / Saco Museum, FACULTY APPOINTMENT EXHIBITIONS Miami Visual Arts, St Paul, MN. Saco, ME / 09/17/2011– International Art Exhibition Fair NYC / New York, NY / Chair / Summit Public Arts, Kathy Soles 05/05/2011–05/08/2011. 11/13/2011. Summit, NJ. / Miami Beach, FL / Colin H. Thomson EXHIBITION Off The Wall 01/11/2011–01/16/2011. Frank EXHIBITIONS Local Colour Stephen Mueller / Danforth Museum of Art, Ralph Helmick Hyder: 20 Year Retrospective / Wexford Arts Centre, Framingham, MA / 06/12/2011– EXHIBITIONS Human Nature EXHIBITION New Paintings / Butters Gallery, Portland, Wexford, Ireland / 10/22/2011– / Lennon Weinberg Gallery, 08/07/2011. RESIDENCY / Yawkey Center for Cancer OR / 02/02/2011–02/27/2011. 11/19 /2011. JUX: New Goetemann Residency / Rocky Care, Dana Farber Cancer New York, NY / 10/21/2010– Collectors Corner / Naples Paintings by Andy Spence & 11/27/2010. Neck, Gloucester, MA. Institute, Boston, MA / Museum, Naples, FL / Colin Thomson / Storefront, 01/15/2011. Heart and Mind / Lorna Ritz 01/05/2011–02/27/2011. Art Brooklyn, NY / 02/25/2011– 1978 Dow Hall, Oregon Institute of EXHIBITIONS U.S. Dept. Palm Beach / Palm Beach, FL / 03/20/2011. Emil A. Mellow Technology, Klamath Falls, OR / 01/19/2011–01/23/2011. EXHIBITION Group Show / of State, Art-in-Embassies 1975 04/15/2011. Program / American Embassy Simplicity Gallery, Lancaster, Alan Singer Dennis Aufi ery PA / 06/04/2011–09/03/2011. Celeste Roberge in Caracas, Venezuela / EXHIBITIONS Alan Singer: New RESIDENCY Heliker LaHotan 06/01/2010–06/06/2012. EXHIBITION Granite Sofa Work / Windsor Whip Works, Residency / Cranberry Island, Carol Perroni / Farnsworth Art Museum, Charged Brushes / The Windsor, NY / 03/26/2011– ME. EXHIBITION Wish You Were Painting Center, New York, Alice Garik ’65 Birth Tale / Rockland, ME / 07/06/2010– palladium print on Japanese 05/07/2011. Made in New Here / Kent State University 11/06 /2010. NY / 06/01/2011–06/23/2011. York 2011 / Schweinfurth Downtown Gallery, Kent, OH Northeast Juried Competition gampi paper / 2010 / 17 in x 21 in Memorial Art Center, Auburn, Robert Flynt ’74,’76 / 04/08/2011–05/14/2011. Alice Adams ’51 Scroll Circle / concrete, bluestone, granite, Exhibition / Kathryn Schultz NY / 03/26/2011–05/29/2011. Untitled (“Lunatics” series) / Collect 10 / Center For brick, fi ber-glass, fi beroptic lighting, water, trees, and plants / Gallery, Cambridge, MA / Adirondacks National archival ink-jet print / 2010 / Contemporary Arts, Santa Fe, 2001 / 64 ft diameter circle, various heights / 06/23/2011. FELLOWSHIP Watercolor Exhibition / Arts 40 in x 30 in NM / 05/27/2011–07/05/2011. photo by Julie Marquart Artists Fellowship, Inc. Center Old Forge, Old Forge, Mining the Unconscious II Altoon Sultan ’70 Orange NY / 08/12/2011–10/02/2011. / Santa Fe University of Art and Design Fine Arts Gallery, 1966 Crossing / egg tempera on 1974/1976 1976 1957/1958 calfskin parchment / 2010 / Santa Fe, NM / 07/08/2011– Suzanne Hodes Terrence Coffman Robert Flynt Lois Bender EXHIBITION Coffman: New 6.5 in x 4.75 in 08/07/2011. Unity / First EXHIBITIONS City Rhythms: EXHIBITIONS Modeles Danse FACULTY APPOINTMENT Unitarian Church, Albuquerque, Paintings, Oil & Collage on Paintings / Tory Folliard Gallery, / L’Arsenal, Metz, France / Adjunct Art Professor / Essex Milwaukee, WI / 10/01/2010– NM / 07/09/2011–08/27/2011. Canvas & Paper / Carney 03/25/2011–05/29/2011. County College, Newark, NJ. Beneath The Surface / Macey 11/11/2010. 1973 Lunatics / Carrie Haddad Gallery, Regis College Ken Buhler Center Gallery, New Mexico Wellesley, MA / 09/01/2011– David Reed Judith Amdur Photographs, Hudson, NY / Tech University, Socorro, NM / EXHIBITIONS Visions of 08/18/2011–09/25/2011. GRANT Pollock-Krasner 10/01/2011. Coppley Artists on EXHIBITION David Reed & Foundation. 07/12/2011–08/28/2011. the Cape / Cape Cod Cultural William Eggleston / Peder Lund, Highland Park / Avenue 50 Greg Chann ’78 Puzzle Cube Tyler K. Smith Center, South Yarmouth, MA Oslo, Norway / 03/12/2011– Studio, Inc., Highland Park, CA 1977 / acrylic / 2008 / 4 in x 4 in x 4 in / 07/09/2011–07/31/2011. 04/03/2011. / 06/11/2011–07/03/2011. N. Christina Hutchings FACULTY APPOINTMENTS Boston Printmakers Biennial Los Angeles Printmaking Dena Schutzer ’72 Hanging EXHIBITION Bermuda Full Time Temp Sculpture / / Danforth Museum, Gail C. Salzman Society Juried Members Signs / oil on canvas / 2011 / Biennial 2010 / The Bermuda Broward College, Davie, FL. Framingham, MA / 02/27/2011– EXHIBITION 20/20: 20 artists Exhibition / City of Brea 24 in x 30 in National Gallery, Bermuda / Visiting Full Time Assistant 05/01/2011. celebrating 20 years at Art Gallery, Brea, CA / 06/18/2010–11/27/2010. Professor / Nova Southeastern Furchgott Sourdiffe / Furchgott 06/04/2011–07/15/2011. University, Davie, FL. Sourdiffe Gallery, Shelburne, Bob Gainer ’63 Haiti – 2010 / oil on canvas / 2010 / 18 in x 24 in 32 VT / 07/08/2011–08/16/2011. 33 1980 Nancy M. Cohen Brenda Zlamany Barbara Penn 1987 1989 Paul Santoleri Shawne Major Melanie Kozol EXHIBITIONS Nancy Cohen GRANT J. Williams Fulbright. EXHIBITIONS Regn, Smuts, Margaret Libby Francis Cape FELLOWSHIP Independence EXHIBITIONS Old Methods, EXHIBITIONS Paintings / / Burger Gallery, Kean Guns and Ord / Rattvik EXHIBITION Drawings from GRANT Pollock-Krasner Foundation. RESIDENCY New Visions: Three Louisiana Triomphe at the Iroquois Hotel, University, Union, NJ / 1985 Konstall, Rattvik, Sweden / the Collection at the LC Bates Foundation. Project Space / Headlands Artists / Louisiana Art and Dozier Bell New York, NY / 01/05/2009– 11/02/2010–12/20/2010. An 07/01/2011– 09 /11/2011. Giltigt Museum / LC Bates Museum, Center for the Arts, Sausalito, Science Museum, Baton 12/31/2011. SONYA Studio Uncommon Thread / The EXHIBITIONS Dozier Bell, Landing / Galleri Se Konst, Hinckley, ME / 05/13/2011– Adu A. Gindy CA. Rouge, LA / 08/06/2011– Stroll / Open Studio, Brooklyn, Front Room Gallery, Brooklyn, Karen Schiff, Hadi Habatabai: Falun, Sweden / 07/07/2011– 10/15/2011. EXHIBITION 19th Annual Juried 10/08/2011. Artists Tribute I / Jane E. Zweibel NY / 05/14/2011–05/15/2011. NY / 01/14/2011–02/14/2011. Drawings / New York, NY / 07/24/2011. Art Exhibition / MacRostie Art Irvine Contemporary Gallery, Permeable Matter / Kean 11/17/2010–12/22/2010. In the Charles A. McGill Center, Grand Rapids, MN / EXHIBITION Selections / Washington, DC / 06/11/2011– 1981 University, Union, NJ / Presence of Light / Danese Ann Reichlin EXHIBITION Beyond 08/02/2011–08/29/2011. Kulay-Diwa Gallery, Manila, 07/16/2011. Fresh / Heriard Kim T. Abraham Gallery, New York, NY / EXHIBITION Sculpture Court Appearances / Lehman The Philippines / 07/01/2011– 11/02/2010–01/14/2011. Connie Hayes Cimino Gallery, New Orleans, EXHIBITIONS Group Show / Green: The Color and The 06/24/2011–08/12/2011. Project (working title) / Munson- College Art Gallery, Bronx, NY / 07/31/2011. LA / 06/04/2011–07/01/2011. Zenith Gallery, Washington, DC Williams-Proctor Arts Institute, 09/02/2010–12/01/2010. AWARDS Painting acquired Cause / The Textile Museum, Mary DeWitt for Permanent Collection / / 07/15/2011–09/15/2011. New Washington, DC / 04/15/2011– Utica, NY / 09/11/2010– Paintings by Kim Abraham / AWARD Leeway Foundation 01/11/2011. 1988 University of New England, 09/11/2011. RESIDENCY Artist Transformation Award. GRANT Teresa Booth Brown Portland, ME. Painting acquired Alex Gallery, Washington, DC / in Residence / Pilchuck Glass 12/02/2010. Puffi n Foundation. 1986 EXHIBITION Thought-forms: for Permanent Collection / School, Stanwood, WA. Tom Burckhardt Recent Paintings by Teresa Monhegan Museum, Monhegan Larry Deyab Lynda Frese EXHIBITIONS Louder Milk / Booth Brown / Rule Gallery, Island, ME / 5/1/2011. EXHIBITIONS Sticky Craw / The EXHIBITION Pacha Mama: Pierogi Gallery, Brooklyn, NY Denver, CO / 07/01/2011– Bow Street Gallery, Cambridge, Earth Eealm / RedBud Gallery, / 04/08/2011–05/08/2011. 07/31/2011. Tristin Lowe MA / 10/28/2010–11/30/2010. Houston, TX / 05/04/2011– New Image Sculpture / McNay EXHIBITIONS Under the Comes Before The Fall / The 05/29/2011. Museum of Art, San Antonio, Stacy Levy Infl uence / Philadelphia Stephen Hendee ’89 Stephen Hendee 2001 / chromogenic print / Daphne Cummings EXHIBITION Bushkill Curtain Museum of Art, Philadelphia, Bow Street Gallery, Cambridge, ’82 Swamp Lily / archival inkjet photograph / Sarah Haviland TX / 02/14/2011–05/08/2011. 2001 / dimensions variable / photo by Jason Schmidt MA / 06/01/2011–06/25/2011. 2010 / 13 in x 19 in FACULTY APPOINTMENT / Art of Urban Environments, PA / 10/22/2011–01/22/2012. EXHIBITIONS Tranquility: Easton, PA / 06/04/2011– Mocha Dick / Virginia Museum Galerie Ziegler / Art 42 Basel, Sculpture in the Garden of Arts Board Event Faculty Switzerland / 06/15/2011– Position / University of Virginia, 10/31/2011. of Fine Arts, Richmond, MD / Griffi n Court / Griffi n Court 07/24/2011–11/14/2011. Close 1990 Randy Wray 06/19/2011. Condominium, New York, NY Charlottesville, VA. GRANT Michael C. Miller Gregory W. Coates EXHIBITION Love in Vein: 1982 1984 Joan Mitchell Foundation. At Hand / The Fabric Workshop Barbara Jacobs Sussman Claire Burke / 06 /23/2011– 09 /11/2011. EXHIBITION Michael Miller: and Museum, Philadelphia, RESIDENCIES Go Tell It on the Editions Fawbush Projects & EXHIBITIONS North Bennington EXHIBITIONS Community of Artscape Pittsfi eld / Public Bart Gulley Today I am Thankful for All I PA / 06/03/2011–08/31/2011. Mountain / Verbier 3D, Verbier, Artists 2005–2010 / Gering and Vermont / Invitational Artist Artists / Danforth Museum Art Installation across from EXHIBITIONS 75th Annual Have / University Gallery, Texas Seeing is Knowing: The Switzerland. Honne/Tatemae Lopez Gallery, New York, NY / Exhibition, North Bennington, of Art, Framingham, MA / Berkshire Museum, Pittsfi eld, Exhibition by Artists of the A&M University-Commerce / Universe / Weitz Center for / Artist in Residence, Obama 11/04/2010–12/23/2010. MA / 04/22/2011–10/31/2011. 01/25/2011–02/18/2011. City, Japan. VT / 07/19/2011–08/17/2011. 06/06/2011–08/07/2011. Mohawk–Hudson Region / Creativity Carleton College, Ryuhei Rex Yuasa Landscape for Landsake / Chain Letter / Samson Modern Art and the Romantic Albany Institute of History & Northfi eld, MN / 09/16/2011– Landscape / Wilderstein Paul Farinacci EXHIBITION Pictorial Theory Curator for Regional Exhibition, Projects, Boston, MA / Art, Albany, NY / 07/09/2011– 11/16 /2011. FELLOWSHIP New York of Evolution / Tochigi, Japan / Paul Santoleri ’91 0mega Warm Garden Sunrise / installation, Greenwich, NY / 10/12/2011– 07/16/2011. Northeast Prize Historic Site, Rhinebeck, NY / 09/04/2011. Bart Gulley—From 05/21/2011–10/31/2011. Foundation for the Arts, 07/23/2011–09/19/2011. Group Thomas Eakins House, Lincoln Gallery, ink and acrylic on 10/18/2011. Plein Art Painting Show / Cambridge Artists Image to Object: Painting to Drawing. RESIDENCY Ucross Exhibition / William Turner polyethylene, canvas, and wall / 2008 / photo by Lu Szumskyj Quick Draw Competition / Association, Cambridge, MA Yukako Okudaira Collage / Foreman Gallery, Foundation Residency / Ucross Gallery, Santa Monica, CA / Judge/ Invited guest speaker, / 05/13/2011–06/16/2011. EXHIBITIONS Miniatures! Hartwick College, Oneonta, Foundation, Clearmont, WY. 09/01/2011–09/30/2011. North Bennington, Vermont / Unscripted / Fountain Street NY/ 02/17/2011–03/19/2011. Diane Edison ’84 Rebecca at / Art 101, Brooklyn, NY / 1992 09/10/2011–09/10/2011. Fine Art, Framingham, MA / 14 / gray color pencil on black 12/01/2010–12/23/2010. Miniatures / Art 101, Brooklyn, Lilian Garcia-Roig 1991 Tracy Miller 01/27/2011–02/27/2011. X: NY/ 12/01/2010–12/23/2010. EXHIBITIONS Into the Wild / Gregory Amenoff Robert Grant EXHIBITION Tracy Miller: 1983 paper / 2009 / 40 in x 30 in The Year of the Rabbit / EXHIBITIONS Prince of Associate Members Show / Galleryonetwentyeight, Carol Jazzar Gallery, Miami, FELLOWSHIP John Simon Food Paintings / Feature, Inc., Marsha Goldberg Kingston Gallery, Boston, MA / Marrin Robinson FL / 10/16/2009 –12/13/2010. Guggenheim Memorial Clouds / Hall of Fame Gallery, New York, NY / 01/18/2011– EXHIBITION Back Forty / Art New York, NY / 01/04/2011– FACULTY APPOINTMENT Art New York, NY / 01/31/2011– 08/03/2011–08/28/2011. Diane Edison 01/29/2011. Wish You Were Inaugural Exhibition / Florida Foundation. 02/12/2011. Complex Museum, Duxbury, Department Advisor / Kansas Museum for Women Artists, 02/28/2011. The New MA / 05/01/2011–09/04/2011. EXHIBITIONS Looking Ahead: Here 10 / A.I.R. Gallery, State University, Manhattan, Rebecca Fortnum Museum’s Festival of Ideas Charlotte Schulz Margaret Lanzetta ’81 Portraits from the Mott-Warsh Brooklyn, NY / 06/22/2011– Deland, FL / 09/22/2010– Empire / oil and enamel on KS. 01/10/2011. More than a EXHIBITIONS Absurd for the New City / Clemente EXHIBITIONS The Uneven Collections (traveling exhibition) 07/22/2011. Planet Alert / Impositions / V & A’s Museum Soto Velez Cultural Centre, Intensities of Duration / canvas / 2010 / 62 in x 52 in / / Las Cruces Museum of Fine Galleryonetwentyeight, Lisa Sigal Brush With Nature / University photo by Kevin Noble of North Florida Galleries, of Childhood, London, UK New York, NY / 05/07/2011– Wake Forest University, Art & Culture, Las Cruces, New York City, NY / FELLOWSHIP John Simon / 04/09/2011–10/09/2011. 05/08/2011. Music of Brownie Winston-Salem, NC / NM / 11/21/2010–01/30/2011, 08/03/2011–08/27/2011. Guggenheim Memorial Jacksonville, FL / 11/17/2010 –01/23/2011. Lilian Garcia in—and outside—writing / Pink (Robert Grant & Debi Ray 10/07/2010–12/05/2010. The Margaret Lanzetta Art Museum of South Foundation. Voorkamer, Lier, Belgium Chaudhuri) / Apple Store 14th Uneven Intensities of Duration / Texas, Corpus Christi, TX –Roig: Hyperbolic Nature EXHIBITIONS Pet the Pretty Duane Slick / Jacksonville Museum of / 05/21/2011–07/17/2011. St, New York, NY / 07/18/2011. Smack Mellon, Brooklyn, NY / Tiger: Works 1990–2010, / 02/11/2011–05/08/2011. Fraternize / Baconsfi eld, 09/25/2010–11/07/2010. EXHIBITIONS Counting Coup Contemporary Art, Jacksonville, Diana Guerrero-Macià Solo Retrospective / Cantor Mosaic Project / The London, UK / 04/01/2011– Pennsylvania College of Art / Museum of Contemporary FL / 11/17/2010–01/23/2011. EXHIBITIONS Popular Culture Jessica Snow Art Gallery, Worcester, MA Native American Arts, Santa Fe, Southern Mix / Miami, FL / 05/29/2011. Drawing: / 10/15/2010–12/15/2010. and Design, Lancaster, PA / Interpretation/Translation / Reconsidered / Memorial EXHIBITIONS Chroma: 10/01/2010–11/27/2010. NM / 08/18/2011–12/31/2011. Darrell Petit ’88 Kiss / Stony Creek classic granite / 2010 / 01/07/2011–02/04/2011. New X Hall Gallery / 10/15/2010– About Color / Cain Schulte STRIPE! / Allegra La Viola Abstraction / Albert Merola 17 ft x 11 ft 6 in x 4 ft 5 in depth (44.5 tons) / photo by Sean Kernan 3 / Asheville, NC / 12/31/2010– Hui Gallery, New Asia College, Gallery, New York, NY / The Chinese University, Hong 11/27/2010. Vernacular Culture Gallery, San Francisco, CA Mindi Katzman Gallery, Provincetown, MA / 03/25/2011. Introductions / and Contemporary Art / La / 07/07/2011–08/20/2011. 06/29/2011–07/30/2011. New 08/12/2011–09/01/2011. Animal Atlanta, GA / 12/31/2010– Kong / 03/14/2011–03/25/2011. Prints 2011/Winter / IPCNY, EXHIBITIONS Another Point of Troube University Museum Multiple Plot Points / Jen Instinct: Allegory, Allusion, and Darrell Petit Eve Sussman 02/26/2011. Fresh & Salty / Elizabeth Hazan New York, NY / 12/01/2010– View, Encaustic Paintings and of Art, Melbourne, Australia Bekman Projects, New York, Other Works / The Brickhouse Anthropomorphism / Kohler EXHIBITION 5+5: New AWARD Anonymous Was Fort Worth, TX / 12/31/2010– EXHIBITION Paper 2011 / / 05/25/2011–06/30/2011. NY / 10/30/2010–12/05/2010. 03/19/2011. Autosemblematic Arts Center, Sheboygan, WI Perspectives, 50th Anniversary a Woman. 02/19/2011. The Big Surrounds / Local Projects, Long Island Gallery, Tacoma, WA / Brooklyn, NY / 01/14/2011– Sea Change / The Meadow, 12/15/2010–02/12/2011. / 10/17/2010–06/05/2011. Special Exhibition / Storm / Carol Jazzar Gallery, Scope 02/12/2011. Chicago, IL / 07/17/2011– 1993 City, NY / 11/01/2010– FACULTY APPOINTMENT Kim Turos SoHyun Bae King, Mountainville, NY / EXHIBITIONS Outlandish / Art Fair, New York, NY / 09/03/2011. 12/15/2010. Baby It’s Cold Wendy Klemperer Graduate Program Director, 06/05/2010–06/05/2012. 03/01/2011–03/06/2011. Kathryn Lynch EXHIBITION SoHyun Bae’s Outside / Kenise Barnes Fine EXHIBITION Outdoor Sculpture Painting / Rhode Island School Bedford Gallery, Walnut Creek, EXHIBITION Kathryn Lynch / Keith Hale Egg Woman II / Asian Art Art Gallery, New York, NY / Andy Black ’83 No Title (SM-6) / oil on paper / 2007 / / Southern Vermont Art Center, of Design, Providence, RI. Ilona Sturm CA / 07/07/2011–09/05/2011. Kris Scheifele Sears-Peyton Gallery, EXHIBITION Personal Museum of San Francisco, 01/03/2011–02/19/2011. 12.5 in x 20 in Manchester, VT / 07/01/2010– EXHIBITION Scratching the Showing Up / Richmond EXHIBITIONS Cast / Brooklyn, New York, NY / 11/04/2010– Identities: Contemporary San Francisco, CA / Gail Spaien Surface: Street Photography Art Center, Richmond, CA / NY / 02/17/2011–03/19/2011. Jay Shinn 11/01/2010. 12/08/2010. Portraits / University Art Gallery, 03/16/2010–11/14/2010. Abraham Elterman ’85 EXHIBITION Between: Gail of Ilona Sturm 2001–2011 / 06/29/2011–08/20/2011. Skowhegan at 92YTribeca: An Sonoma State University / EXHIBITION Luxplus: Axel Brett Reichman The Origins of Love / oil and Spaien and Ahmed Alsoudani Warren Craghead Berkeley Public Library, Central Carrie Ungerman Alumni Exhibition / New York, 11/04/2010–12/12/2010. Anklam and Jay Shinn / EXHIBITION I Am Not alkyd on canvas / 2008 / / Aucocisco Gallery, Portland, EXHIBITIONS Party Crashers / Berkeley, CA / 07/18/2011– EXHIBITION The Pandemic NY / 01/12/2011–02/27/2011. Kunstverein Neukolln, Berlin, Monogamous, I Heart Poetry 72 in x 60 in ME / 11/03/2010–12/01/2010. 09/24/2011. Arlington Arts Center, Arlington, Germany / 07/12/2011. / Feature Inc, New York, NY / Show / Los Angeles, CA / VA / 11/01/2010–11/30/2010. 06/23/2011–08/06/2011. 11/14/2010–12/20/2010. (old, new) / Sundays Anthology, New York, NY / 04/01/2011– 04/30/2011. 34 35 Angela Ellsworth Jennifer McCandless Erik Geschke Annette Lawrence Toni Jo Coppa 1998 Christopher Sollars Cynthia Underwood A. Jane Johnston EXHIBITIONS 17th Biennale FACULTY APPOINTMENT EXHIBITIONS Bid At The EXHIBITION Coin Toss (site- EXHIBITIONS Thirteen Large JD Beltran EXHIBITIONS Bay Area Now EXHIBITIONS Artomatic / TBA, EXHIBITIONS boredom and of Sydney / Museum of Nichols Instructorship in Art / Bunyan: Disjecta Benefi t specifi c installation) / Dallas / Springfi eld Arts Initiative EXHIBITIONS The Magic 6 / Yerba Buena Center for Washington, DC / 10/15/2010– fear and anger...Jonathan Contemporary Art Sydney, The Loomis Institute, Windsor, Auction Exhibition / Disjecta, Cowboys Stadium, Arlington Storefront, Springfi eld, MA Story Table: St. Petersburg / the Arts, San Francisco, CA 12/15/2010. Cynthia Livingston Seagull / C. Bass Australia / 05/12/2010– CT. FELLOWSHIP The Palmer Portland, OR / 11/05/2010– TX, / 06/16/2009–06/16/2029. / 10/01/2010–12/31/2010. ProArte, St. Petersburg, Russia / 07/09/2011–09/25/2011. Underwood / Homebody in International Fine Arts Co., 08/01/2011. Seeing is Fellowship in Art (5-year 11/07/2010. Fresh Air / Gallery MFA Retrospective / Maine / 06/05/2011–06/12/2011. Trash / The New Children’s Washington, DC / 10/30/2010– Beacon, NY / 07/05/2011. Believing: Rebecca Campbell appointment). 2, Visual Arts Center, Boise James Scott Ogden College of Art, Portland, ME / Portal / City of San Jose Public Museum, San Diego, CA / 01/29/2011. Gaslit! / C. Bass International and Angela Ellsworth / Phoenix State University, Boise, ID EXHIBITIONS Twisted: Scott 08/05/2011–09/04/2011. Toni Art Project and Children’s 10/07/2011–05/01/2013. Fine Arts Co., Beacon, NY / Art Museum, Phoenix, AZ Clayton Merrell / 02/07/2011–03/03/2011. Ogden and C.J. Pyle / Ricco Jo Coppa—Current Work / Discovery Museum, San Jose, Lost in Space / Steven Wolf Allison Wiese 07/05/2011. / 09/03/2011–01/23/2012. EXHIBITIONS Out of the Blue / EXHIBITION The Language of Maresca Gallery, New York, Zand Head Gallery, Portland, CA / 05/22/2011–09/25/2011. Fine Art, San Francisco, CA EXHIBITION 2010 California Works on Paper / Fehily Strohl Art Center, Chautauqua, Sculpture / Lakewood Center NY / 06/23/2011–08/19/2011. ME / 06/25/2011–07/02/2011. Shadowshop / San Francisco / 03/12/2011–04/09/2011. Biennial / The Orange Frank Meuschke Contemporary, Melbourne, NY / 07/19/2011–08/30/2011. for the Arts, Lake Oswego, OR Make Skateboards / I-20 GRANT Merit Grant / Maine Museum of Modern Art, San Crossing the Rubicon / County Museum of Art, CA / EXHIBITIONS Winter / Australia / 08/04/2011– Rust Melt / Fe Gallery, Pittsburgh, / 06/24/2011–06/26/2011. VOX Gallery, New York, NY / College of Art, Portland, ME. Francisco, CA / 12/02/2010– JAS Gallery, Paris, France / 10/23/2010–03/13/2011. Gallery 61, New York, NY / PA / 08/12/2011–09/16/2011. 07/21/2011–09/17/2011. 11/19/2010–01/10/2011. Grey 08/27/2011. Narratives of the VII / Vox Populi, Philadelphia, PA 05/01/2011. FACULTY 04/28/2011– 06 /11/2011. Isn’t It 2000 Perverse / Jancar Gallery, Los / 07/08/2011–07/31/2011. Erik Hope Ginsburg APPOINTMENT Executive Obvious? / SF Arts Commission Matter / The Painting Center, Allyson Strafella Megan Walch GRANT Art Matters. Sarah Brenneman New York, NY / 06/21/2011– Angeles, CA / 02/05/2011– FELLOWSHIP New York Geschke: Recent Work / Pratt EXHIBITIONS The Lineage of Director (Interim) / San Gallery, San Francisco, CA / EXHIBITION Now Here This / 02/26/2011. Where the Skies Gallery at the Tashiro Kaplan Francisco Arts Commission, 01/21/2011–04/02/2011. 08/06/2011. Chain Mail / Foundation for the Arts. Eccentricity Stage Two / MOP Marjan Laaper Jeff Bailey Gallery, New York, Samson Projects, Boston, MA / are Blue (Performance) / Nina Bovasso ’94 Walking Building, Pratt Fine Arts Center, San Francisco, CA. Projects, Sydney, New South EXHIBITIONS And what 1999 John Parot ’98 Too Pieces / ink and gouache collage / 2010 / NY / 01/04/2011– 02/11/2011. 07/16/2011–08/01/2011. Arizona State University Brain-Blob / ink, acrylic and Marie K. Watt Seattle, WA / 10/06/2011– Wales / 11/03/2011–07/24/2011. about video / Rotterdam, The Sebastiaan Bremer Ralph M. Bourque 13 in x 17 in Art Museum, Tempe, AZ / watercolor on handmade Dieu EXHIBITIONS Tamastslikt 10/29/2011. GRANT Anthony Campuzano The Lineage of Eccentricity Netherlands / 02/03/2011– EXHIBITION Baruch in the EXHIBITION Dreaming on a Matthew Northridge 02/18/2011. Another Woman’s Donne paper / 2010 / 23 in x 30 in Cultural Institue / Pendleton, Professional Development Grant EXHIBITIONS SUBstainability Stage One / Nellie Castan 03/05/2011. Exhibition at Sky with Diamonds / Kunsthal World / New Orleans, LA / FELLOWSHIP New York Movement (Performance) / OR / 10/01/2010–01/11/2011. / Regional Arts and Culture Gallery, Melbourne, Victoria Albus Lux / Roosendaal, The / Texas State University, San Foundation for the Arts. In>Time, Chicago Cultural Contemporary Artworks Council, Portland, OR. GRANT KaDE, Amersfoort, The 01/14/2011–02/01/2011. Ellen Lesperance Mary Temple Marcos, TX / 01/20/2011– Australia / 03/24/2011– Netherlands / 02/12/2011– Netherlands / 10/01/2010– EXHIBITIONS The People’s EXHIBITIONS First Week Center, Chicago, IL / Collection / Washington, DC Career Opportunity Grant / 04/14/2011. Glover Prize / The 03/12/2011. Directors Lounge Michael Bramwell 03/01/2011. Off Camera Karyn Olivier 03/26/2011–07/16/2011. 1994 / 01/01/2011–01/31/2011. Oregon Arts Commission, 11/01/2010. Biennial / PICA, Portland, OR; (commissioned installation) / Fleisher/Ollman Gallery, EXHIBITION Who runs the Stephen Giannetti Glover Society, Tasmania, Berlin / Berlin, Germany / FELLOWSHIPS Black Dahl Arts Center, Rapid City, / Museum of Arts & Design, FACULTY APPOINTMENT Changing Hands / New York, Salem, OR. Australia / 01/22/2011– 02/09/2011–02/19/2011. Karlos Carcamo Metropolis Research Philadelphia, PA / 01/20/2011– space now? / Neue Galerie, Associate Professor / EXHIBITION Tomorrow’s NY / 01/01/2011–01/31/2011. SD; Southeastern Center for New York, NY / 07/07/2009– 02/19/2011. Waters’ March ECOH, Mexico City, Mexico Legacies: Gifts Celebrating the Timothy Hutchings 02/21/2011. City of Hobart Art Nordart 2011 / Budelsdorf, EXHIBITIONS Permanent Consortium / University of Contemporary Art, Winston- 12/31/2010. The Bank and Herberger Institute for Design TBA / Salem, Oregon / Prize / Tasmanian Museum and Germany / 06/04/2011– Collection Exhibition / New Chicago and Northwestern (solo exhibition) / Churner / 06/10/2011–05/06/2011. and the Arts, Arizona State Next 125 Years / Crocker Art 01/01/2011–01/31/2011. EXHIBITION The Play Salem, SC; Scottsdale Trust Show / The Art Exchange, and Churner, New York, NY AWARD William H. Johnson Museum, Sacramento, CA / Generated Map and Document Art Gallery, Hobart, Tasmania, 10/02/2011. York, NY / 12/17/2010– Univeristy, Chicago, IL. Virginia Museum of Contemporary White Plains, NY / 03/18/2011– University, Tempe, AZ. Australia / 07/23/2011– 05/30/2011. Bling / Orange Center for the Creative Arts / 05/05/2011–06/16/2011. Prize, William H. Johnson 10/10/2010–01/09/2011. 1996 Archive / www.plagmada.org / Max-Carlos Martinez Art, Scottsdale, AZ; Cantor 06/04/2011. Eye Spy, Playing Drawn to Disaster / Institute of Foundation for the Arts. Richard Feaster Michele Brody 06/12/2008–06/27/2012. 09/23/2011. AWARD Individual County, NJ / 03/31/2011– Fellowship / Amherst, VA. Fitzgerald Gallery, Philadelphia, With Perception / Peabody Mark Masyga Artist’s Grant / Tasmania. EXHIBITION I Never Promised 04/30/2011. Pinta: The C o nte m po ra r y A r t, Po r tl a nd, FELLOWSHIP New York EXHIBITIONS Element/ EXHIBITIONS The Federal You A Rose Garden, A Solo Rosemarie Fiore PA / 09/10/2010–05/31/2012. Essex Museum, Salem, MA ME / 07/08/2011–08/07/2011. Foundation for the Arts. Progress / Spool Mfg, Johnson EXHIBITIONS In the Place We Horticultural Show: BuGa Lois Johnson Modern & Contemporary Latin The Strong, Star-Bright / 06/19/2010–05/31/2011. Live / M55Art, Long Island City, FACULTY APPOINTMENT 1997 Exhibit by Max-Carlos Martinez American Art Fair / Pier 92, EXHIBITIONS Fire Works City, NY / 04/09/2011– 2011 / Koblenz, Germany / Nicole Awai / El Zaguan, Historic Santa Fe / Hunterdon Art Museum, Companions / Seattle, WA / Drawn From Photography / 05/21/2011. Transient NY / 07/21/2011–07/27/2011. 04/15/2011–10/16/2011. Pulp Art Therapist / Norris School, New York, NY / 11/11/2010– 04/01/2011–04/29/2011. Will The Drawing Center, New York, Erin Murray and Mark Masyga Mukwonago, WI. EXHIBITION Wrestling with Foundation, Santa Fe, NM / 11/14/2010. Clinton, NJ / 10/03/2010– Landscape / Governors Island, Fiction / Courthouse Galleries, The Image / Art Museum of 07/08/2011–07/23/2011. 11/13/2011. Art on Paper Be Home / Ambach & Rice, NY / 02/18/2011–03/31/2011. New York, NY / 07/22/2011– / Mount Airy Contemporary Portsmouth, VA / 07/01/2011– Los Angeles, CA / 08/06/2011– False Documents and Artists Space, Philadelphia, Jennie C. Jones the Americas, Washington Renay Egami 2010: The 41st Exhibition 09/25/2011. 10/06/2011. Art Prize 2011 / EXHIBITIONS With Hidden DC / 01/21/2011–03/03/2011. Stephanie Syjuco EXHIBITIONS Leaning Toward / The Weatherspoon Art 09/03/2011. Other Illusions / Portland PA / 05/07/2011–06/04/2011. Urban Institute for Contemporary EXHIBITION Wunderkammer Museum of Art, Portland, ME Saya Moriyasu Signs on the Road / Winkleman Noise / Aspen Art Museum, EXHIBITION Almost Undone Collapse / A Space Gallery, Museum, UNC Greensboro, Joan Linder Art, Grand Rapids, MI / Aspen, CO / 06/10/2011– / The Vilcek Foundation, / Zero1 Festival, San Jose, Toronto, Ontario, Canada NC / 11/07/2010–02/06/2011. / 10/30/2010–01/02/2011. EXHIBITION Clay Throwdown! Curatorial Research Lab, 09/21/2011–10/09/2011. CA / 06/01/2010–07/01/2011. EXHIBITION Beyond/In Among Friends and Enemies Biennial / Bellevue Arts New York, NY / 03/25/2011– 07/10/2011. Black Sound, White New York, NY / 09/16/2011– / 06/24/2011–07/30/2011. Artifi ciere / Priska C. Juschka Western NY / Albright Knox RESIDENCY Ox Bow Fellowship Cube / Kunstquartier Bethanien, 10/29/2011. FACULTY APPOINTMENT Piecework / Kelowna Fine Art, New York, NY / / Mixed Greens, New York, Museum, WA / 08/28/2010– 04/30/2011. Williamsburg2000 / Fall Residency, Saugatuck, MI. Visiting Faculty, Graduate Art Gallery, Buffalo, NY / NY / 10/14/2010–11/13/2010. 01/16/2011. / Art101, Brooklyn, NY / Berlin, Germany / 07/10/2011– International Airport, Kelowna, 05/19/2011–07/02/2011. 09/24/2010–12/31/2010. 08/28/2011. Has Art? / Beth Campbell New Genres / Mills College, British Columbia, Canada / Northwest Corner, Southeast 03/12/2011–04/17/2011. Kirsten Doyle EXHIBITIONS Tables / Oakland, CA. Jeffrey S. Hargrave Erika Ranee EXHIBITION Works / Robert Lawrimore Project, Seattle, 06/24/2011–11/14/2011. Jon D. Rappleye Light / Rice Gallery, Houston, GRANT Marie Walsh Sharpe Sheila Pepe WA / 07/07/2011–07/31/2011. Sculpture Center, Cleveland, EXHIBITIONS Jeffrey Hargrave EXHIBITIONS A Live Animal TX / 02/03/2011–05/25/2011. Keller Gallery, Kandern, Germany OH / 11/09/2010–12/31/2010. Steed Taylor Hiroyuki Hamada and James Donaldson / The Art Foundation. EXHIBITIONS Sheila Pepe: / 10/16/2010–12/05/2010. Absorb / Diffuse / The Kitchen, EXHIBITIONS Invasive Road / Root Division Gallery, San Perception/Deception: Illusion Common Sense and Other New York, NY / 09/08/2011– Speculative Futures / EXHIBITIONS Scope Miami, Phatory LLC, New York, NY / Francisco, CA / 07/09/2011– in Contemporary Art / Delaware Cathy A. Sarkowsky Bloomberg, New York, NY Tattoo / Sculpture Park of the Aureus Contemporary / 10/07/2011–11/10/2011. OMG / Things / Carroll and Sons Michael Doyle 10/24/2011. AWARD Printed North Carolina Museum of Art, 07/30/2011. Chain Letter / Art Museum, Wilmington, DE / EXHIBITIONS New Work—2011 Art Gallery, Boston, MA / EXHIBITION Works / Robert Matter Artist Award. / 02/01/2011–04/29/2011. Miami, FL / 11/29/2010– The Phatory LLC, New York, NY Shoshana Wayne Gallery, Los 05/23/2011–09/25/2011. Wall / Fetherston Gallery, Seattle, Suspense. Suspended Raleigh, NC / 06/17/2008– 12/04/2010. Hiroyuki Hamada / 05/01/2011–06/01/2011. 01/05/2011–02/19/2011. Keller Gallery, Kandern, Germany 06/17/2015. Broken Chain Angeles, CA / 07/23/2011– Works / DeCordova Sculpture WA / 05/06/2011–06/04/2011. Paper A–Z / Sue Scott / 10/16/2010–12/05/2010. Sculptures. / EX3 Centre for at Coleman Burke Gallery 08/25/2011. Chain Letter / Park and Museum, Lincoln, Bumber by Number / Contemporary Art, Florence, Road Tattoo Commission / New York / New York, NY Desiree Holman Gallery, New York, NY / Mesa Art Center, Mesa, AZ / EXHIBITIONS Super 8 / Samson Projects, Boston, MA / MA / 06/11/2011–06/09/2012. Seattle Center, Seattle, WA 03/16/2011–04/22/2011. A Italy / 02/19/2011–05/08/2011. / 12/01/2010–01/14/2011. 07/16/2011–07/30/2011. First Week / Museum of Art / 09/02/2011–09/05/2011. Plot: Plan: Process / Leslie 10/25/2008–10/25/2012. Labor Hiroyuki Hamada: Sculpture Christopher Grimes Gallery, Room, in Three Movements: Line Road Tattoo / 18th Street, Los Angeles, CA / 07/08/2011– and Design, New York, NY Gallery Group Show / Katy Heinlein, Sheila Pepe Tonkonow, New York, NY / Roger Williams University, Anna Schachte / 06/29/2009–06/29/2012. Fetherston Gallery, Seattle, / 07/13/2011–08/31/2011. Arlington VA / 10/17/2010– Bristol, RI / 02/23/2011– 09/03/2011. Heterotopias, EXHIBITION Regina Rex / Karyn Olivier ’00 Doubleslide / steel / 2006 / 7.5 ft x 25 ft x 18 in / and Halsey Rodman / Sue 10/17/2013. Community Knot MATRIX #238 / Berkeley, CA / The Days of This Society Are photo by Ryan Messina WA / 09/09/2011–10/07/2011. Scott Gallery, New York, NY FELLOWSHIP John Simon 03/30/2011. ArtMRKT Regina Rex, Brooklyn, NY / Numbered, Mural Newspaper RESIDENCY Artist Trust EDGE Guggenheim Memorial Road Tattoo / Orange, NJ Hamptons / Bridgehampton 06/18/2011–09/08/2011. 06/19/2010–12/31/2010. / 01/20/2011–03/06/2011. / 05/22/2010–05/22/2011. Collaborative / Abrons Art Professional Development for Sheila Pepe: Common Sense, Foundation. Historical Society Grounds, Center at Henry Street Visual Artists / Centrum, Fort Daughters and Sons Knot Bridgehampton, NY / Jean Shin Megan Cump Melissa Oresky Chicago / He Said, She Said, Heather Carson Road Tattoo Commission / 800 EXHIBITIONS International Settlement, New York, NY / EXHIBITIONS Help Me: EXHIBITIONS Melissa Oresky Worden, Port Townsend, WA. Oak Park, IL / 04/09/2011– 07/14/2011–07/17/2011. 03/06/2011–04/16/2011. Florist EXHIBITIONS Blink! Light, Block, Vermont Avenue, NW, Hiroyuki Hamada: Sculpture Artists NY/London Exchange Curated Gillian McCain & / Elmhurst Art Museum, Frank Webster 05/14/2011. GRANT Art Sound and the Moving Washington, DC / 08/01/2010– / Korean Cultural Centre UK, / SHOWstudio, London, UK / Megan Cump / New York, NY / Elmhurst, IL / 01/14/2011– Matters. RESIDENCY Yaddo / / Lori Bookstein Fine Art, 11/10/2010–01/15/2011. Image EXHIBITIONS Keyholder Image / Denver Art Museum, 10/01/2013. Radiant Road New York, NY / 09/15/2011– London, UK / 10/25/2011– 11/04/2010–12/17/2010. Myself 03/20/2011. Informal Exhibition / Lower East Side Saratoga, NY. Denver, CO / 03/13/2011– Tattoo Commission / St. 11/25/2011. Extreme Materials 2 Wars / Abrons Art Center, / Sheppard Fine Arts Gallery, Abstraction / Indianapolis 10/15/2011. New York, NY / 07/21/2011– Printshop, New York, NY 1995 05/01/2011. Nyehaus / The Andrew Street, New Orleans, / Memorial Art Gallery, University University of Nevada, Reno, NV Museum of Contemporary Art / 07/11/2011–09/07/2011. Armory Show, New York, NY LA / 11/27/2010–11/30/2013. John Parot of Rochester, Rochester, NY 09/03/2011. Outside,(Light), / 01/18/2011–02/18/2011. The / 12/03/2010–01/29/2011. Mary Anderson In / St. Gaudens’ Historic Site, Homage to Morandi: Essence AWARDS Associate—Mahindra / 03/03/2011–03/06/2011. RESIDENCY Art Omi EXHIBITIONS People Don’t / 10/23/2011–01/15/2012. Emerging Landscape / Society cut paste / The Engine Room, of Art / Brain Factory, Seoul, Light Action: Light/Albers / International Artists Residency / Like to Read Art / Western Epic Units / Gallery Hyundai, Cornish, NH / 07/09/2011– Contemporary Art, New York, Massey University, Wellington, Humanities Center / Harvard 08/28/2011. South Korea / 06/02/2011– University, Cambridge, MA. Ace Gallery Los Angeles, CA Ghent, NY. Exhibitions, Chicago, IL / Seoul, Korea / 08/25/2011– NY / 04/28/2011–05/28/2011. New Zealand / 11/12/2010– 06/30/2011. Summer Print / 04/01/2010–03/31/2011. 07/09/2011–08/13/2011. Laid 09/25/2011. American Doctor of Philosophy / Harvard Deborah Wasserman Cabin Fever / Mixed Greens, 12/18/2010. The Trail / Hyde Show / Aeon Art Projects, University, Cambridge, MA. COLA 2011 Individual Artist Bare / The Loft Gallery, San Chambers / Gyeongnam Art New York, NY / 07/14/2011– Park Art Center, Chicago, Niwot, CO / 06/02/2011– Fellowships Exhibition / Los EXHIBITION Far Away, So Pedro, CA / 05/05/2011– Museum, Changwon, Korea FACULTY APPOINTMENT Close / Roger Smith Arts, 08/19/2011. IL / 07/14/2011–07/14/2011. 08/29/2011. Post-Baccalaureate Program / Glexis Novoa ’98 A.C.P.O.Z.T. (Afro-Cuban Party Orlando Zapata Angeles Municipal Art Gallery, 06/30/2011. / 08/08/2011–11/27/2011. RESIDENCY Harold Arts / New York, NY / 03/05/2011– Desiree Holman ’99 Mask of Jessica Hutchins School of the Museum of Fine Tamayo) / site-specifi c graphite wall drawing & ritual objects, at Los Angeles, CA / 05/19/2011– Jean Shin and Brian Ripel Chesterhill, OH. 04/30/2011. Agamemnon (Diffuse Map) / GRANT Nancy Graves Arts, Boston, MA. Project Row Houses, Houston / 2010 07/03/2011. / Scottsdale Museum of color pencil, mixed media / 2011 / Contemporary Art, Scottsdale, Foundation. 36 in x 36 in AZ / 10/09/2010–01/02/2011. 36 37 Amy Pryor Ann Toebbe Cyriaco Lopes 2003 Michael Scoggins Dave Hardy Megan Rye EXHIBITION Taking Aim: 30 EXHIBITION The Power of EXHIBITIONS A Shelter William Cordova EXHIBITIONS #1 FAN / Diana FELLOWSHIP New York EXHIBITION I Will Follow You -year Anniversary Exhibition / Selection, part 3 / Western on Kings Road / Markland EXHIBITIONS Yawar Mallku Lowenstein Fine Arts, Miami, Foundation for the Arts. Into the Dark / Forum Gallery, Bronx Museum of Art, Bronx, Exhibitions / 11/19/2010– House, Flagler College, Saint (Royalty, Abduction y Exile) / FL / 11/13/2010–12/31/2010. New York, NY / 06/06/2011– NY / 06/26/2011–09/05/2011. 12/18/2010. Augustine, FL / 11/01/2010– La Conservera, Murcia, Spain Mano/Mundo/Corazón: Artists Corin Hewitt 07/15/2011. 11/14/2010. Exchange: / 01/15/2011–07/23/2011. Interpret La Lotería / Columbia GRANT Joan Mitchell Jonathan Santos 2001 Show Me the Money / The Record / Institute of College Chicago Center for Foundation. FELLOWSHIP 2006 FELLOWSHIPS Traveling Sophia Ainslie Greenlease Gallery, Rockhurst Contemporary Art, Boston, Book and Paper Arts, Chicago, John Simon Guggenheim Elena Bajo Fellowship / SMFA. Kelner EXHIBITIONS Inside Out (solo) University, Kansas City, MO MA / 04/15/2011–09/05/2011. IL / 09/09/2010–12/10/2010. Memorial Foundation. EXHIBITIONS PhotoMuseum Faculty Fellowship / MassArt. / Kingston Gallery, Boston, / 04/29/2011–05/13/2011. S-fi les / El Museo del Barrio, RESIDENCY Artist-in-Residence de la Danse by Tim Etchells / MA / 06/01/2011–07/03/2011. Gwenessa Lam Musee de la Danse, Avignon, Monique Schubert Art:Film/Film:Art / Diane Kidd New York, NY / 06/14/2011– / Savannah College of Art and GRANT Canada Council The Projected Image / Gallery / Tiffi n University, Tiffi n, 01/04/2012. Halleluwah! / Design, Savannah, GA. France / 07/06/2011– EXHIBITIONS Crown Heights ArtStrand, Provincetown, MA Project Grant / Vancouver, 08/06/2011. Art in the Parking Gold / Skylight Gallery, Brooklyn, OH / 03/24/2011–04/24/2011. Abtart Stuuttgart, Stuttgart, Canada. RESIDENCIES Bemis / 06/11/2011–06/29/2011. Still 17 Days / Llewellyn Gallery, Germany / 09/17/2011– Shinique Smith Space / Perform Chinatown— NY / 07/28/2011–10/31/2011. / Kingston Gallery, Boston, EXHIBITIONS Title TBA / Center for Contemporary Arts / Public School, Los Angeles, Studio Immersion Program II / Alfred State College, Alfred, 12/01/2011. RESIDENCY Omaha, NE. Yaddo / Saratoga MA / 08/03/2011–10/02/2011. NY / 07/14/2011. Intimacy Centraltrack / University of Southeastern Center for CA / 07/30/2011. Elena Bajo: Robert Blackburn Printmaking Springs, NY. Daniel Rich RESIDENCY Art in Ireland / ARC Gallery, Chicago, IL Texas in Dallas, Dallas, TX. Contemporary Art, NC / ’04 Miami The Object of a Movement Workshop, New York, NY / / Burren College of Art, 11/12/2010–02/08/2011. International Airport / enamel on (Solo Exhibition) / D+T Project 08/04/2011–07/18/2011. / 02/01/2011–02/26/2011. Catherine Lepp Ballyvaughn, Ireland. Comvideo / Apexart, New York, Johnston Foster Menagerie / Miami Museum EXHIBITION YrFridayNight / panel / 2006 / 52 in x 48 in Gallery, Brussels, Belgium / EXHIBITIONS Monolith Drift of Contemporary Art / 11/18/2010–01/08/2011. Love Emily Mast ’06 Everything, Nothing, Something, Always (Walla!) / Daniel Seiple Zoe Charlton NY / 11/10/2010–12/22/2010. Brooklyn Fireproof Gallery, EXHIBITION Gate de Prêmio Belvedere Paraty / Disjecta, Portland, OR / 09/16/2010–11/19/2010. Brooklyn, NY / 07/03/2011. Letters to a Surrogate / MUHKA, performance / 2009 / photo by Karl Haendel ‘00 EXHIBITION Paladins 09/02/2011–10/02/2011. Head Menagerie / Madison Museum Antwerp, Belgium / 01/17/2011. Badalona / iDentistat, Goethe and Tourists / Conner —A Força da Diversidade 2005 Institut, Barcelona, Spain / Stash / POVevolving, Los of Contemporary Art / Daniel Rich Studies for an Exhibition / The Contemporary, Washington, DC / Belvedere, Paraty, Brazil EXHIBITION LANY (curated by Thomas Brauer 06/03/2011–06/06/2011. / 07/29/2011–08/28/2011. Angeles, CA / 09/09/2011– 01/22/2011–05/08/2011. David Roberts Art Foundation, / 03/19/2011–04/30/2011. 10/09/2011. Selected Mario Diacono) / Peter Blum EXHIBITION Islands Never Cry London, UK / 04/06/2011– Katja Mater Adam Shecter Zoe Sheehan Saldana Jessica Plattner ’01 The Art Teacher’s Premonition / oil on linen GRANT PSC CUNY Research Karla Wozniak Gallery Chelsea, New York, / Rawson Projects, New York, James Davis / 2010 / 48 in x 60 in Award for the Summer of 2011 / Specimins / Flippo Gallery, 06/11/2011. Frieze Art Fair Solo EXHIBITIONS Digital? Analogue! EXHIBITIONS borderland / EXHIBITIONS The Craft: Randolph Macon College, EXHIBITIONS Signifi cant NY / 06/08/2011–07/30/2011. NY / 04/28/2011–06/05/2011. Presentation at FRAME / Frieze / Huis Marseille Museum for 420 Broome Street, New York, EXHIBITIONS Indian Summer CUNY, New York, NY. Landscapes / Gregory Lind Handmade Aesthetics in / RARE Gallery, New York, NY Ashland, VA / 09/02/2011– RESIDENCY The Bemis Rachel Frank Art Fair, D+T Project, London, Photography, Amsterdam, The NY / 03/03/2011–05/03/2011. Contemporary Art / Lehman Nicola Lopez 10/15/2011. Foggy Notions / Gallery, San Francisco, CA / Center for Contemporary Arts / UK / 10/12/2011–07/16/2011. Netherlands / 11/27/2010– Enchanted Brooklyn / / 05/26/2011–06/23/2011. 06/29/2011–08/12/2011. Bronx EXHIBITION Sleep of Reason: College Art Gallery, Bronx, NY / Portmanteau / Possible Sharon Paz Tonya Ingersol EXHIBITIONS Nicola Lopez / Rocky Mountain College of Omaha, NE. A Sculptural Performance 02/27/2011. Falten, Searching BAMcinematek, Brooklyn, NY / 10/06/2010–12/16/2010. Step EXHIBITIONS Video Zone: EXHIBITION Through the Arroniz Arte Contemporaneo, Art and Design, Denver, CO / Calling: The First AIM Biennial Zerek Kempf for White, Rise Above Reason 05/09/2011. Last Men / Eleven Projects, Philadelphia, PA / / Bronx Museum, Bronx, NY Rachel Roske / HERE, New York, NY / EXHIBITIONS Skowhegan at by Step / Malma Art Museum, 07/23/2011–08/14/2011. The 5th International Video-Art Woods / June Kelly Gallery, Mexico City, Mexico / 07/02/2011–10/16/2011. Under 02/18/2011–02/19/2011. / Gallery Martin van Zomeren, Rivington, New York, NY / Malma, Sweden / 05/21/2011– Biennial / Tel Aviv Cinematque, New York, NY / 09/09/2011– / 06/26/2011–08/05/2011. EXHIBITION Honest Mystique / 92YTribeca: An Alumni Exhibition 04/05/2011–05/09/2011. the Sea / MASS MoCA-Kid’s POST Gallery, Los Angeles, CA Amsterdam, Netherlands / 05/21/2011–07/01/2011. Queer 08/14/2011. Analogue / The Amy Finkbeiner Tel Aviv, Israel / 11/23/2010– 10/03/2011. Nicola Lopez New Work / Pace Space, North Adams, MA / FELLOWSHIP New York Saskia Jorda / New York, NY / 01/12/2011– 01/07/2011–02/04/2011. Time States / The Visual Arts Center, Luminary Arts Center, St. Louis, EXHIBITIONS Mount Analog 11/29 /2010. Goldrausch 2011 Foundation for the Arts, / 07/08/2011–07/09/2011. AWARD TMA Merit Award / 02/27/2011. Wish You Were Nils Karsten Prints Chelsea, New York, NY / 10/01/2011–05/30/2012. and Time Again / Walden Affairs, Austin, TX / 09/08/2011– MO / 06/10/2011–07/22/2011. / Abrons Arts Center at Henry / Halle Am Wasser, Berlin, 04/21/2011–05/21/2011. Printmaking/Drawing/ Tucson Museum of Art, Tucson, Here / Westchester Gallery, The Hague, The Netherlands 11/08/2011. Multiple, Limited, Unique / Street Settlement, New York, Germany / 10/21/2011– EXHIBITION Nils Karsten at Noah Klersfeld Book Arts. AZ / 6/1/2011. EXHIBITIONS White Plains, NY / 01/09/2011– UBU Gallery / UBU Gallery, / 06/26/2011–07/13/2011. The Center for Book Arts, NY/ 12/09/2010–02/20/2011. 11/20 /2011. Lynn Palewicz EXHIBITIONS 4 Cultures Open for Business / ASU 02/09/2011. Arcadian Night / Sighs, Short and Infrequent / Molly Springfi eld New York, NY / 04/15/2011– EXHIBITION Simulacra / New Media Gallery / E4C—Seattle Hong Zhang Racebrook Lodge, Sheffi eld, EXHIBITIONS In-and New York, NY / 07/06/2011– Bling / Arts Guild New Jersey, EXHIBITION Portraiture Now / Art Museum / 10/08/2010– Gallery Martin van Zomeren, 09/09/2011. Rahway, NJ / 03/05/2011– Nicole Tschampel 07/01/2011. Can’t Find My Wilmington Art Association, WA / 01/01/2010–01/01/2011. 01/29/2011. Cartograms MA / 12/17/2010–12/17/2010. outside-writing / Voorkamer, EXHIBITIONS Greener on Way Home / Illuminated Asian in America: Portraits of Amsterdam, The Netherlands 04/14/2011. Kentucky Derby Art Wilmington, DE / 12/03/2010– The Big Screen Project / of Memory—Solo show / OFFMastoles / CA2M, / 07/01/2011–07/23/2011. Lier, Belgium / 05/21/2011– Edra Soto the Other Side / Organhaus, Metropolis Gallery, New York, 12/16/2010. The Big Screen Project, Encounter, The Smithsonian Mastoles, Madrid / 10/14/2010– 07/17/2011. FAX / Carpenter Auction / Smack Mellon Gallery, National Portrait Gallery, Modifi ed Gallery—Phoenix, Still/Life, Contemporary AWARD 3 Arts Foundation Brooklyn, NY / 05/07/2011. Chongqing, China / NY / 04/07/2011–04/30/2011. New York, NY / 12/12/2010. A Z / 11/19 /2010 –12/11/2010. 10/16/2011. The Dependent Center for the Visual Arts, / Ragdale, Lake Forest, IL. 03/07/2011–03/14/2011. 85th Annual International Katherine Taylor Washington, DC / 08/12/2011– Dutch Photography / Foam I’m done hoping. Work is Member Benefi t Exhibition / Arizona Biennial 2011 / Tucson Art Fair / The Sheraton Hotel, Photography Museum, Harvard University, Cambridge, EXHIBITIONS CoLaboratory Art:Film / Film:Art / Diane Kidd Competition: Printmaking EXHIBITIONS Small Sculptures DUMBO Arts Center, Brooklyn, 10/14/2012. New York, NY / 03/04/2011. MA / 03/01/2011–04/10/2011. Sacred. / OnView: 305 / Santa Fe Clay, Santa Fe, NM Museum of Art, Tucson, AZ / Amsterdam, The Netherlands / / The Glass Curtain Gallery, Van Brunt, Brooklyn, NY/ Gallery of Art at Tiffi n University, / Print Center Philadelphia, NY / 05/26/2011. LUMEN Michael Zheng 06/24/2011–10/02/2011. Out of the Woods / Regina Rex, Ex Libris / Adam Baumgold Columbia College, Chicago, IL Tiffi n, OH / 03/01/2011– Philadelphia, PA / 06/04/2011– / 01/21/2011–02/26/2011. 09/09/2011–10/26/2011. Come 05/01/2011–05/30/2011. International Video Art and EXHIBITIONS Vancouver Queens, NY / 05/16/2011– le lucciole (As the fi refl ies) / Gallery, New York, NY / / 09/06/2011–11/26/2011. FBI / 04/30/2011. Bitches Brew, 07/30/2011. Jingdezhen Contemporary Projection Festival / Industrial Jon Rajkovich 05/16/2011. iced / Newhouse 01/26/2011–02/26/2011. International Ceramics Biennale 2009 / Vancouver, Galleria Nicoletta Rusconi, Milan, Floor, Lenght and Tux, Chicago, Chitra Ganesh New Art from New York / Waterfront, Lighthouse Canada / 11/10/2009– EXHIBITION COPY0909 / Center for Contemporary Art, Out of Print / Mercer Steve Locke Exhibition / Jingdezhen, China Rachel Frank ’05 Sleep of Italy / 09/15/2011–11/05/2011. IL / 09/17/2011–09/17/2011. GRANT Joan Mitchell Gallery Poulsen, Copenhagen, Museum, Staten Island, NY 06/10/2011. Look to the COPY0909 Gallery, London / Staten Island, NY / 06/18/2011– Union, Toronto, Canada / EXHIBITIONS Gallery Artists / 10/18/2010–11/20/2010. Reason / performance still / RESIDENCIES Künstlerhaus Wallace Stevens Roundtable / Foundation. Denmark / 06/17/2011– / 06/25/2011. BAC! 11.0 Sky and Miss the Ceiling / 09/09/2010–03/10/2011. 09/04/2011. RESIDENCY New 01/07/2011–02/26/2011. False Special Exhibition / Mendes Down Every Side Street: New 2010–11 / dimensions variable / Bethanien / Berlin, Germany. The Hooded Utilitarian, Chicago, 07/30/2011. Entering the Fourth Dimension / Gallery Whiteconcepts, Berlin, York Art Residency & Studio Documents and Other Illusions Ulrike Heydenreich Wood Gallery, Sao Paulo, Brazil Directions in Southwestern Art / photo by Stefanie Pluta LMCC Swing Space / Lower IL / 07/30/2011–08/31/2011. Barcelona, Spain / 11/04/2010– Germany / 06/24/2011– Foundation / Brooklyn, NY. / Portland Museum of Art, RESIDENCY Lo Publico / Beta- EXHIBITION Ulrike Heydenreich 2002 / 09/25/2010–12/12/2010. Las Cruces, NM / 09/03/2010– Manhattan Cultural Council, New —Through the Looking Draga Susanj I Am Who I Am-The Portrait 11/10 /2010. Lightworks / 07/27/2011. Nomadic York, NY. Portland, ME / 10/30/2010– Local, San Juan, Puerto Rico. 11/20 /2010. Impact / Red Grimsby Minster, Grimsby, Ben Kinsley 01/02/2011. Catalyst: 35 Glass / Galerie van der EXHIBITION Swarming Reconsidered / Steven Lodge Clay Center, Red Lodge, Settlers—Settled Nomads EXHIBITIONS Mapping, Marc Swanson Mieden, Antwerp, Belgium / (site-specifi c installation) / Zevitas Gallery, Boston, MA / England / 03/18/2011. / Kunstraum Kreuzberg, Lilly McElroy Years of Washington Projects MT / 04/08/2011–04/30/2011. Memory, and Motion in EXHIBITIONS Hail Traveler! for the Arts / Katzen Art EXHIBITIONS The Second 10/20/2010–12/04/2010. Prudential Plaza, Chicago, IL / 01/20/2011–02/26/2011. Good University of Dallas Regional Gabriel Martinez Bethanien, Berlin, Germany / Contemporary Art / Katonah Story / Contemporary Arts 01/25/2011–12/20/2011. Works / 17 Cox, Beverly, MA 07/01/2011–08/28/2011. The Photographer as Tourist, Center, American University, Shih Chieh Huang Ceramic Exhibition / Beatrice EXHIBITION Close at Hand: Museum of Art, Katonah, NY and the Tourist as Subject / Washington, DC / 11/09/2010– Museum Houston, TX / / 05/05/2011–07/22/2011. Haggerty Gallery, Irving, TX Philadelphia Artists from 2004 / 10/03/2010–01/09/2011. 06/30/11–10/08/11. The EXHIBITIONS Living in Donna Conlon FACULTY APPOINTMENT Rick Wester Fine Art, New York, 12/19/2010. Graphite on Paper Evolution: Busan Biennial EXHIBITIONS (Video) juegos / 01/17/2011–03/04/2011. the Permanent Collection / Thomas Burke Seventh Dream of Teenage NY / 07/07/2011–08/12/2011. / School 33, Baltimore, MD Other Side / Baldwin Gallery, Associate Professor / Sculpture Inside Out / Tarrant Fabric Workshop & Museum, EXHIBITION New Paintings Heaven / Columbus, OH / Aspen, CO / 06/24/11– 2010 / Busan, South Korea / / Los del Patio, Panama / Massachusetts College of Gravity / Crawford Art Gallery, / 11/12/2010–12/31/2010. 09/11/2010–11/20/2010. Taipei 01/20/2011–02/19/2011. El County College Northwest, Philadelphia, PA / 06/04/2011– / Ameringer, McEnery, Yohe 01/26 /2011– 03/11/2011. Cork, Ireland / 07/15/2011– The Marginalia Archive 07/24/11. Midnight Sun / Art and Design, Boston, MA. Fort Worth, TX / 02/28/2011– 08/28/2011. Gallery, New York, NY / Artprojx Cinema (in association Inman Gallery, Houston, Biennial 2010 / Taipei, Taiwan / Museo’s Bienal: The (S) Files RESIDENCY Visiting Artist 10/29/2011. (solo exhibition) / Center Art 09/04/2010–11/14/2010. 2011 / El Museo del Barrio, 03/27/2011. 10/13/2011–11/05/2011. with The Armory Show & Gallery, Grand Rapids, MI TX / 07/08/11–08/20/11. / Vermont Studio Center, Claudia Sbrissa Volta NY) / New York, NY / Daniela Rivera Acquisitions in Context: Marc New York, NY / 06/14/2011– Johnston, VT. William Villalongo EXHIBITIONS text / 440 William Cravis / 04/01/2011–04/30/2011. Billie Grace Lynn 01/08/2012. 02/28/2011–03/05/2011. Lokal EXHIBITIONS Calculated Risks Swanson / Kemper Museum of AWARD West Prize 2011 / The EXHIBITIONS Bathing Nymph Gallery, Brooklyn, NY / EXHIBITION Fixture (site- Art=Text=Art: Works by Global Plan / Copenhagen, (new works by faculty artists) Contemporary Artists / Contemporary Art, Kansas City, West Collection, Oaks, PA. Linda M. Ford / Susan Inglett Gallery, New 06/30/2011–07/24/2011. specifi c window installation Denmark / 05/20/2011– / Davis Museum, Wellesley, MO / 08/20/2010–04/10/2011. EXHIBITION White Elephants EXHIBITIONS Chain Letter / York, NY / 10/21/2010– Marked Differences / Kentler at LA>

38 39 Mark Taber Elanit Kayne Susu Pianchupattana Hadassa Goldvicht Gina Siepel Nayari Castillo Yva (Eva) Jung Christopher Robbins Eliza Myrie EXHIBITIONS New Prints EXHIBITION Visionary EXHIBITION Art Palm Beach EXHIBITIONS Emergence EXHIBITION Currents 6: AWARD Young Artist, GRANTS Grant for Artist in AWARDS NARS Residency EXHIBITION Ohh Manute / on Artslant / The internet Sanctuary (curated by Alison 2010 / Liman Gallery, Palm / Marginal Utility Gallery, Annual Emerging Artist Series / International Critics Association Residence Abroad Program Award / NARS Foundation, Chicago, IL / 02/03/2011– / 07/19/2010–12/31/2010. Beth Levy) / Art Connects New Beach, FL / 01/19/2011– Philadelphia, PA / 07/19/2011. Colby College Museum of Art, / Caracas, Venezuela. / Arts Council Korea, Seoul, Brooklyn, NY. CEC Arts Link 02/18/2011. Artist Talk / Dorkbot, Hosted York, permanent art exhibition 01/24/2011. Waterville ME / 11/04/2010– EXHIBITIONS Reverberations / South Korea. Travel and Study Award / Serbia, Kosovo. Puffi n by Location One, 26 Greene at Mercy First / 06/14/2010– John C. Gonzalez 02/13/2011. Jakoministrasse, Graz, Austria Grant / Jerome Foundation, Foundation Award. Black Rock Julie Ann Nagle Street, New York, NY / 05/25/2055. Alejandro Pintado EXHIBITION Looking Both / 10/20/2010–11/20/2010. Saint Paul, MN. RESIDENCY Arts Foundation. EXHIBITIONS FELLOWSHIP Museum of Fine 09/07/2011. EXHIBITION EXHIBITIONS Urban Dreams Ways / Eastern Michigan Hoyun Son Once Tipos / Eleven Types / The Arctic Circle Residency Next Time Almost—a miniature Arts Core Program / Glassell Future, Tense / 526 W 26th Eun Hyung Kim / ROOM Gallery, London, UK University, Ypsilanti, MI / GRANT National Endowment for La Sala Mendoza, Caracas, 2011 / International Territory of statue of liberty / 20 W 53 St, School of Art, Houston, TX / St #602, New York, NY / EXHIBITIONS Art on Paper / 07/01/2011–07/28/2011. 09/05/2011–10/21/2011. the Arts. RESIDENCY Delaware Venezuela / 10/11/2011– Svalbard. New York, NY / 03/11/2011– 1/1/2011. RESIDENCIES Seven 09/14/2011–09/17/2011. 2010: The 41st Exhibition / Dialectica del paisaje Center for Contemporary Art / 12/11/2011. FELLOWSHIP 03/27/2011. Double Take Triple Below Arts Initiative Artist-in- 500 Tate St, Greensboro, NC Urbano / Museo Mural Diego Asuka Goto Wilmington, DE. Ji Eun Kim Residence / Burlington, VT. EXHIBITION Space as Bursary of Research / Women Give / Museums of Bat Yam, Montana Torrey / 11/07/2010–02/06/2011. Art Rivera, Mexico City, Mexico Jason Head ’07 In All Commission of the State of EXHIBITION Sociological Bat Yam, Israel / 01/20/2011– AIRSpace Residency / Abrons EXHIBITIONS Local Histories Loop / Loop in Chicago, IL / / 07/01/2011–07/31/2011. Likelihood / triacetate, vinyl inventory, space as invention Jonathan VanDyke Painting / Seoul, South Korea Art Center at Henry Street / Real Art Ways, Hartford, CT EXHIBITIONS The Long Thüringen, Weimar, Thüringen, 03/21/2011. Put up or Shut Up / Chapel Hill Museum of Art, 10/15/2010–11/12/2010. FELLOWSHIP Sistema Nacional paint and paper / 2008 / 13.5 Germany. RESIDENCIES XVII / 05/25/2011–06/24/2011. / New York Academy of Art, Settlement, New York, NY. Chapel Hill, NC / 01/28/2011– de Creadores, FONCA, Mexico / in x 17 in / 06/16/2011–08/14/2011. Glance (solo performance) / RESIDENCIES Santa Fe Art James Melinat RESIDENCIES Sculpture Space The Albright-Knox Gallery of Advance Curse in Visual Arts / New York, NY / 02/09/2011– Jill Pangallo 04/29/2011. Masters on Main Mexico City, Mexico. Fondazione Antonio Ratti, Como, Institute / Santa Fe, NM. Taipei 03/07/2011. Creative Time / Catskill, NY / 07/08/2011– EXHIBITIONS LANY / Peter / Utica, NY. LMCC Swing Art, Buffalo, NY / 05/28/2011– Artist Village / Taipei, Taiwan. Benjamin Love ’10 Direct Passage of Light and Sound / EXHIBITIONS Anthropogenesis: Blum Chelsea, New York, NY Ishmael Randall Weeks Kuba Bakowski Space / New York, NY. 06/03/2011. Italy. Art Workshop / Casino presents Ghana Think Tank / site-specifi c installation / 2010 / dimensions variable Recent Work by Six Artists 09/11/2011. RESIDENCY Luxembourg-Contemporary Art New Museum Festival of Ideas Arteles Creative Center / / 06/08/2011–07/29/2011. EXHIBITIONS Ishmael EXHIBITIONS Out of the Matthew Mazzotta / Austin, TX / 11/18/2010– Perpitube / Nichols Gallery, Randall Weeks / Federica Nery Gabriel Lemus Jacob Yanes Forum, Luxembourg. EXHIBITION Remediate/ for the New City, New York, NY 12/17/2010. Acting Out / Haukijärvi, Finland. Woods / Regina Rex, Queens, EXHIBITIONS Border Art EXHIBITIONS Selections from Pitzer Art Galleries, Pitzer Schiavo Gallery, Rome, Italy NY / 05/19/2011–05/20/2011. Re-vision / Wavehill, Bronx, / 05/07/2011. Ghana Think Tank Letha Wilson David Leggett Bronx River Arts Center, NY / 2007 College, Claremont, CA / / 09/30/2010–11/13/2010. Biennial 2010 / El Paso the Hammer Contemporary NY / 08/01/2010–11/28/2010. at The Global Contemporary, EXHIBITIONS Stand Here and EXHIBITIONS Futuro Perfecto 12/03/2010–01/14/2011. Magnetic (individual Museum of Art and Museo Collection / Los Angeles, CA / Diana Al-Hadid 07/12/2011–09/06/2011. Chain S-Files Bienal / Museo Del exhibition) / Poznan, Poland RESIDENCY Sculpture Space Art Worlds After 1989 / Listen / James Hotel, New York, / Zora Space, Brooklyn, NY EXHIBITIONS Does Letter / Shoshana Wayne Barrio, New York, NY / de Arte Juarez / 11/21/2010– 07/03/2010–01/23/2011. The / Utica, NY. ZKM, Karlsruhe, Germany / NY / 09/30/2010–12/15/2010. / 03/10/2011–04/09/2011. Matthew Rich / 02/06/2011–02/22/2011. 02/13/2011. The Seventh Big Four / Los Angeles, CA / EXHIBITION 2010 James and City Munster Matter? / Gallery, Santa Monica, CA / 06/14/2011–01/08/2012. Dublin Camera Vivant / Ephraim, UT 09/17/2011–02/12/2012. Greening Green / ARKO EXHIBITION Ah, Wilderness Center for Contemporary 07/23/2011–08/25/2011. Contemporary / Dublin, Ireland House / Project Row Houses / 11/19/2010–12/17/2010. Nyeema Morgan Arts Center, Seoul, Korea / Chicago, IL / 12/17/2010– Audrey Foster Prize / Institute of / 02/10/2011–03/03/2011. 10/09/2010–02/27/2011. EXHIBITIONS AIRspace 2011 Richard T. Walker Contemporary Art, Boston, MA Art, Munster, Germany / / 09/06/2011–10/26/2011. The Towards the Third Culture. The 2009 / 11/10/2010–12/28/2010. 01/08/2011. Head on Poles Valerie Molnar / Abrons Art Center at Henry EXHIBITIONS The Big Picture Science Fiction / Storefront, / Chicago, IL / 01/14/2011– / 10/10/2010–01/17/2011. 10/01/2010–02/01/2011. Peripatetic School: Itinerant Co-Existence of Art, Science MaryKate Maher Lauren Adams / K21, Dusseldorf, Germany The Silk Road / Lille, France EXHIBITION Primary Structures Drawing from Latin America Street Settlement, New York, Brooklyn, NY / 11/19/2010– 02/20/2010. West, Wester, / San Jose Museum of and Technology (international EXHIBITIONS Nord Art 2011 AWARD Permanent Public NY / 05/26/2011–07/10/2011. / 03/18/2011–08/14/2011. Christopher Samuels / 10/20/2010–01/16/2011. / Drawing Room, London, conference) / CCA Laznia / Kunstwerk Carlshütte, Art Commission / St. Louis 12/05/2010. Westest Pt.2 / Fecal Face Dot EXHIBITION Cells, organs, Textiles & Quilts / 03/01/2011– You Are Here. This Is Now. / The Speed and Eagerness Gallery, San Francisco, CA Diana Al-Hadid / Nasher UK / 09/22/2011–11/13/2011. in Gdansk & Artus Court, Budelsdorf, Germany / Lambert Airport, MO / of Meaning / Spike Island, Jayoung Yoon families, fl ocks, notes, schools, Sculpture Center, Dallas, TX 05/01/2011. GRANT New York Foundation Art In General, New York, NY / / 03/11/2011–04/02/2011. Gdansk Historical Museum, 06/04/2011–10/02/2011. 10/1/2011. EXHIBITIONS 06/17/2011–07/23/2011. Bristol, UK / 07/08/2011– RESIDENCY Lower Manhattan tones and sequences / / 10/21/2011–01/15/2012. for the Arts. Gdansk, Poland / 05/23/2011– Socrates Sculpture Park EAF10 Pearlclutcher / South Psycha-Bobble / High Concept CAVE Gallery, Detroit, MI / 09/04/2011. Bay Area Now Cultural Council, Swing Space / Laboratories, Chicago, IL / Diana Al-Hadid: Water Thief / 05/25/2011. Exhibition / Socrates Sculpture Carolina State University, Tameka Norris 6 / Yerba Buena Center for Governors Island, New York, NY. 10/23/2010–11/14/2010. Nevada Museum of Art, Reno, Park, Long Island City, NY Orangeburg, SC / 10/31/2010– EXHIBITION Prospect 1.5 03/26/2011–04/09/2011. Avantika Bawa the Arts, San Francisco, CA 2010 Jessica Segall NV / 09/03/2011–01/29/2012. / 09/12/2010–03/07/2011. 11/30 /2010. Plunder / Conner (curated by Dan Cameron) / / 07/08/2011–09/25/2011. Mary Mattingly Diana Al-Hadid / Centro de EXHIBITIONS Score / Disjecta, A4 presented by Una Tittel Contemporary, Washington, New Orleans, LA / 01/03/2011– Tim Campbell GRANTS Art Matters / Portland, OR / 04/02/2011– Super 8 / Christopher Grimes EXHIBITIONS Water Water Mongolia. l.i.a.e.p. / Svalsbard, Arte Contemporaneo, La / Das Gift, Berlin, Germany DC / 09/10/2011–10/31/2011. 02/01/2011. EXHIBITION Golden Afternoon Every Where / BRIC Rotunda 05/01/2011. Hold On / Mumbai, Gallery, Santa Monica, CA / Baltimore, MD / 01/17/2011– Norway. RESIDENCIES The Conservera, Murcia, Spain / 05/06/2011–05/13/2011. The Nymph’s Reply / Luminary / 07/08/2011–09/03/2011. Gallery, Brooklyn, NY / / 09/17/2011–01/08/2012. India / 06/01/2011–07/30/2011. FELLOWSHIP New York Center for the Arts, St. Louis, Ann Oren 02/25/2011. Arctic Cirlce / Svalsbard, EXHIBITIONS E4C / Between US and the Horizon 03/16/2011–04/30/2011. On Norway. EAF / Socrates Nereden Nereye / Galeri Mana, Caitlin Berrigan Foundation for the Arts. MO / 01/31/2011–03/14/2011. / Galerie Florent Tosin, Berlin, Sarah Hotchkiss the Road / Arlington Art Center, Istanbul, Turkey / 05/28/2011– Lauren Frances Adams ’09 4CULTURE Gallery, Seattle, Sculpture Park, Queens, NY. EXHIBITION Cali International The Nymph’s Reply / latex and WA / 12/03/2009. NewTown: Germany / 06/09/2011– EXHIBITION Hail Traveler! The Arlington, VA / 02/20/2011– 07/23/2011. Disquieting Film Festival / Lugar a Dudas, 07/31/2011. Photographer as Tourist, and 04/03/2011. The Investigation, Abraham Storer Muses / Contemporary Art gouache on wall / 2011 / room- Convergences / Armory Center Cali, Colombia / 10/29/2010– sized installation, dimensions for the Arts, Pasadena, CA / the Tourist as Subject / Rick Constitution, and Formation of GRANT J. Williams Fulbright. Center of Thessaloniki—State 11/07/2010. Brindalyn Webster Flock House / Lower Manhattan variable 09/11/2010–11/14/2010. Wester Fine Art, New York, NY / Fabian Tabibian Museum of Contemporary EXHIBITION Sea Worthy / 07/07/2011–08/12/2011. Cultural Council, Governors Art, Thessaloniki, Greece Suzanne Broughel Tara Pelletier Marina 59, Far Rockaway, Island Gallery, New York, NY EXHIBITIONS Hunter College / 06/23/2011–09/04/2011. EXHIBITIONS Solo Exhibition: Rosalinda Gonzalez EXHIBITIONS Faraway Queens, NY / 07/09/2011– Anna Chiaretta Lavatelli / 07/16/2011–08/27/2011. MFA Thesis Exhibition / New One, Another / The Flag Art The Sensitive White Intellectual EXHIBITION Barri-o-rama / Neighbor / Flux Factory, Long 08/31/2011. RESIDENCY The EXHIBITION Indweller / Archer Contain, Maintain, Sustain York, NY / 12/15/2010– Foundation, New York, NY / Aljira Center for Contemporary Taller Boricua, New York, NY / Island City, NY / 08/25/2011– Wassaic Project / Wassaic, NY. Gallery, Vancouver, WA / / Artisphere, Arlington, VA 01/15/2011. Summer Exhibition / 06/29/2011–09/02/2011. Art, Newark, NJ / 03/02/2011– 06/03/2011–07/18/2011. 08/26/2011. Songs to Plants 02/21/2011–03/17/2011. / 05/19/2011–07/17/2011. & Festival / The Wassaic Lost Paradise / Marianne Cauleen Smith ’07 Remote Viewing / digital fi lm still / 2010-11 / 04/22/2011. Solo Exhibition / Project, Wassaic, NY / Jane Fox Hipple / Sunroom Project Space, Imagine Earth / Seoul Art Boesky Gallery, New York, dimensions variable / cinematography by Pattie Lee University of Memphis, Jones Wave Hill Gardens, Bronx, NY / Center, Seoul, South Korea 07/10/2011–08/28/2011. NY / 07/07/2011–08/06/2011. Alumni Gallery, Memphis, TN / EXHIBITIONS Blanks and Holes (solo exhibition) / New York, 09/13/2011–10/16/2011. / 06/09/2011–08/17/2011. Cullen Washington Jr. FELLOWSHIP New York 02/20/2011–03/17/2011. Temporary Structures: Cauleen Smith NY / 02/18/2011–03/26/2011. Shreshta Rit Premnath EXHIBITIONS Ceci n’est pas Foundation for the Arts. Alison O’Daniel Christopher Carroll Performing Architecture in une Black History Month EXHIBITIONS Astral Projector EXHIBITION Remote Viewing Spotlights / Rebekah GRANT Art Matters. Katie Herzog EXHIBITION Remarking Templeon Contemporary Art, Contemporary Art / deCordova Show / Manhattanville at The Free Church / The (solo show) / New York, NY Museum and Sculpture Park, EXHIBITIONS Abstractivism / / 01/06/2011–03/07/2011. the Trail / Roanoke College Philadelphia, PA / 07/08/2011. Jaye Rhee College, Purchase, NY / Museum of Public Fiction, Olin Gallery, Salem, VA / EXHIBITIONS Jaye Rhee: A Lincoln, MA / 09/16/2011– 01/01/2011–02/28/2011. 16th Whittier Public Library, Whittier, Los Angeles, CA / 04/06/2011– FELLOWSHIP Black Metropolis Shakedown / DODGEgallery, CA / 06/07/2011–07/21/2011. 09/08/2011–09/30/2011. New York, NY / 06/25/2011– time too late, a time too early 12/24/2011. Manifestly Destined Annual International Juried 04/14/2011. CCF Fellows Research Center / University of / Flanders Gallery, Raleigh, Gravity is Always Attractive Chicago, Chicago, IL. 07/30/2011. RESIDENCY / Stephan Stoyanov Gallery Exhibition / SOHO20 Chelsea, Exhibition / Creative Artists Andrea Chung / 10/17/2010–11/15/2010. NC / 08/05/2011–08/29/2011. New York, NY / 07/26/2011– / POST, Los Angeles, CA Agency, Los Angeles, CA AWARD apexart COMVIDEO / Artist Residency / Ragdale / 01/25/2011–01/26/2011. Tiffany Sum Videosphere: A New At the Water’s Edge / Robert 08/20/2011. Superheroes / / 07/19/2011–08/24/2011. New York, NY. EXHIBITIONS MaryKate Maher ’08 Ersetzen Steel / steel, acrylic mirror / 2010 Foundation, Lake Forest, IL. Hack / Statler Waldorf EXHIBITIONS Body-based Generation / Albright-Knox Mann Gallery, New York, NY / 516 ARTS, Albuquerque, NM / FACULTY APPOINTMENT Ain’t I A Woman? / MoCADA, / 20 ft x 18 ft x 13 ft / photo by Bilyana Dimitrova, courtesy Socrates Gallery, Los Angeles, CA / performances inspired by Janelle Iglesias Art Gallery, Buffalo, NY / 07/07/2011–08/26/2011. The 10/08/2011–01/07/2012. Adjunct Professor, Fine Arts machines / Alexandria Hotel Brooklyn, NY / 07/15/2010– Sculpture Park FELLOWSHIP New York 07/01/2011–10/09/2011. Time Island is Also the Origin / RAMP 01/13/2011–02/26/2011. The / Otis College of Art and 12/19/2010. Wide Sargasso Scott Patrick Wiener Open Daybook / Los Angeles Los Angeles, Los Angeles, CA / Foundation for the Arts. Window / Pohang Museum of Gallery, WINTEC, Hamilton, Design, Los Angeles, CA. Sea / Deutsche Bank, New New Zealand / 08/16/2011– EXHIBITION Remember Contemporary Exhibitions, Los 06/13/2011. Across the Divide / Christian Maychack Carmen Argote Nova Jiang Steel Art, Pohang, South Korea FELLOWSHIP California Crossman Gallery, Whitewater, York, NY / 09/14/2010– / 06/23/2011–08/07/2011. 08/23/2011. FELLOWSHIP Then: An Exhibition on the Angeles, CA / 01/05/2011– Community Foundation 12/17/2010. 2011 On The Road EXHIBITION Uncertain EXHIBITION 720 sq. ft. x g727: EXHIBITION Open Prototyping Photography of Memory 02/05/2011. Katie Herzog & WI / 10/17/2011–11/16/2011. Eyebeam Art and Technology emerging artist grant / / Arlington, VA / 02/01/2011– Spaces: New Work by Christian Household Mutations / g727, / Eyebeam, New York, NY Center / Eyebeam Art Space, (curated by Regina Mamou Gabie Strong / Autonomie, Los Los Angeles, CA. 04/02/2011. Maychack / Gregory Lind Los Angeles, CA / 09/25/2010– / 04/15/2011–05/15/2011. and Scott Patrick Wiener) / Angeles, CA / 10/06/2011– 2008 New York, NY. GRANTS M. Firelei Baez Gallery, San Francisco, CA / 11/06 /2010. FELLOWSHIP Eyebeam New York Foundation for the Concourse Gallery at CGIS, 11/09 /2011. RESIDENCY Victor Pacheco Nicholas Fraser 05/03/2011–06/18/2011. Fellowship / Eyebeam, New GRANT Joan Mitchell Keren Benbenisty Arts, Sculpture/Craft. Marie Harvard University, Cambridge, Bblackboxx / Bblackboxx, EXHIBITION 63rd Fingerlakes EXHIBITION Mixed Messages: York, NY. GRANT Black MA / 02/02/2011–03/14/2011. Basel, Switzerland. Exhibition / Memorial Art Foundation. A(I)DS, Art + Words / La MaMa, RESIDENCY Kunsthuis Walsh Sharpe Art Foundation. Rock Arts Foundation Grant / RESIDENCY Art Omi Gallery, Rochester, NY / La Galleria, New York, NY / SYB—Residency (Invited by Eyebeam, New York, NY. 07/23/2011–09/25/2011. 04/30/2011. Noa Giniger) / The Netherlands. Scott Patrick Wiener ’10 Southeast from Neutrals Camp at International Artists Residency / Bergen-Belsen / archival inkjet color print / 2010 / 30 in x 40 in Ghent, NY. 40 41 WE THANK OUR MANY SUPPORTERS Marella L. Consolini • Karl Haendel Joyce Kozloff • Jill Pangallo • Miyoung Sohn • Carol H.P. Cooper • Christina Haglid • Elizabeth Krakow The Paper Klip • Kathleen Soles FOR HELPING TO KEEP SKOWHEGAN STRONG • Brandon Coley Cox Jane Hammond • Josephine Ai-Wen Wu Kratz • Herbert Parsons • Ania Soliman • William Cravis Scott Hampton • Elaine Taylor Krogius Alix Pearlstein & • Bill Adams • Edra Soto BENEFACTORS DONORS Frances Lewis SUPPORTERS Sue Ann Weinberg Atlantic Trophy Co., Inc. • Alan Crichton • Kyung Woo Han • Gwenessa Lam Bruce Pearson • Gail Spaien • Megan Cump • Gail A. Hansberry • John Landewe • Tara Pelletier • Molly Springfi eld 2011 MATCHING SCHOOLS Mildred C. Brinn, Philip Aarons & Toby D. Lewis Alexander & Bonin Shelby White • Elizabeth Axtman • Erin Curtis • David Hardy & Heidi Lange • Barbara A. 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42 43 EVERY GIFT to Skowhegan benefi ts emerging artists and Skowhegan needs you more than ever. BOARD OF TRUSTEES Allen Ruppersberg SUMMER STAFF 2011 COMING SOON... Please consider making a contribution, and know Ann Gund, Chair Alison Saar Skowhegan’s summer program Gregory K. Palm, President Beverly Semmes (’82) would not be possible without that gifts of any amount are greatly appreciated! Richard T. Prins, Treasurer Lisa Sigal (’86) our summer staff. Their LIMITED EDITION Susan Paul Firestone (’72), Kiki Smith professionalism, commitment, BENEFACTOR $25,000+ Secretary Robert Storr (’78) and sense of humor support BY ANN HAMILTON George W. Ahl III Julianne Swartz (’99) the community and individuals PATRON $10,000–24,999 SUPPORTER $500–999 Jan Aronson William Wegman on campus in countless ways. to benefi t the Skowhegan SPONSOR $5,000–9,999 CONTRIBUTOR $250–499 David Beitzel (’82) Fred Wilson Scholarship Fund. Watch DONOR $1,000–4,999 FRIEND $1–249 Marianne Boesky Grace G. Bowman GOVERNORS EMERITI SUMMER PROGRAM COORDINATOR your mail, email, and To give specifi cally for scholarships, please choose Mildred C. Brinn, Lois Dodd Chair Emeritus William King (’48, ’51, ’52) Nicholas Johnston www.skowheganart.org an amount below. We will write to tell you about the artist Warren C. Cook EDUCATION Andrea Crane for more information. who received your scholarship in the 2012 session. ADVISORY COMMITTEE Craig Drennen (’06), Dean Chiara Edmands Douglas S. Cramer Nataliya Slinko (’10), Dean Katherine Gass FULL SCHOLARSHIP $5,500 Philippe de Montebello Robert Gilson David Driskell (’53) FRESCO HALF SCHOLARSHIP $2,750 Tonya Ingersol (’02) Kathy Halbreich (’65) Nicholas Sean Glover (’03), Mary M. Looker QUARTER SCHOLARSHIP $1,375 John L. Marion Instructor Robert L. Looker Kynaston McShine Nadia Ayari (’06), Assistant Victoria Love Salnikoff Richard E. Oldenburg LIBRARY Name as you wish to be listed Paula Crane Lunder Linda Shearer Judith Stoodley, Librarian Libbie J. 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printing Please return this form in the enclosed envelope with Shapco Printing, Inc. your gift. All contributions are fully tax-deductible. www.shapco.com THANK YOU! 44 SKOWHEGAN SCHOOL OF PAINTING & SCULPTURE 200 PARK AVENUE SOUTH SUITE 1116 NEW YORK, NY 10003 –1503