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NICELLE BEAUCHENE GALLERY Maija Peeples-Bright SEALabrate with Maija! May 31-June 30, 2019 Opening Reception: Friday, May 31, 6-8 pm Nicelle Beauchene is pleased to present a solo exhibition of paintings by Maija Peeples-Bright, spanning three decades of her career from 1971-1996. Titled SEALabrate with Maija!, this exhibition is the artist’s first in New York. For nearly thirty years, Peeples-Bright exhibited at Adeliza McHugh’s Candy Store Gallery in Folsom, California. McHugh was in her fifties and had no formal experience in the art world when she decided to open an art gallery after the local health department shut down her almond nougat business. The Candy Store Gallery became synonymous with the Funk Art movement and Peeples-Bright showed there along side Robert Arneson, Clayton Bailey, Roy De Forest, David Gilhooly, Irv Marcus, and William T. Wiley. Peeples-Bright was introduced to McHugh through her teacher at UC Davis Robert Arneson and had her first exhibition there in 1965. In the late 1960’s, frustrated with the limitations of Funk, Peeples-Bright was a founding member of the Northern Californian movement dubbed Nut Art. Along with Clayton Bailey, Roy De Forest, David Gilhooly, and David Zack, Nut artists sought to create fantasy worlds that were reflective of each artist’s idiosyncrasies and self-created mythologies. Peeples-Bright and others adopted alter egos for this purpose, she was known as “Maija Woof.” In 1972 at California State University Hayward, Clayton Bailey organized the first Nut Art exhibition. A manifesto written for the occasion by Roy De Forest declared: “THE WORK OF A PECULIAR AND ECCENTRIC NUT CAN TRULY BE CALLED ‘NUT ART’… THE NUT ARTIFICER TRAVELS IN A PHANTASMAGORIC MICRO-WORLD, SMALL AND EXTREMELY COMPACT, AS IS THE LIGHT OF A DWARF STAR IMPLODING INWARD.” SEALabrate with Maija! is a glimpse into the colorful world of the artist’s creation. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Ed Carpenter, Artist [email protected] Commissions
ED CARPENT ER 1 Ed Carpenter, Artist [email protected] Revision 2/1/21 Born: Los Angeles, California. 1946 Education: University of California, Santa Barbara 1965-6, Berkeley 1968-71 Ed Carpenter is an artist specializing in large-scale public installations ranging from architectural sculpture to infrastructure design. Since 1973 he has completed scores of projects for public, corporate, and ecclesiastical clients. Working internationally from his studio in Portland, Oregon, USA, Carpenter collaborates with a variety of expert consultants, sub-contractors, and studio assistants. He personally oversees every step of each commission, and installs them himself with a crew of long-time helpers, except in the case of the largest objects, such as bridges. While an interest in light has been fundamental to virtually all of Carpenter’s work, he also embraces commissions that require new approaches and skills. This openness has led to increasing variety in his commissions and a wide range of sites and materials. Recent projects include interior and exterior sculptures, bridges, towers, and gateways. His use of glass in new configurations, programmed artificial lighting, and unusual tension structures have broken new ground in architectural art. He is known as an eager and open-minded collaborator as well as technical innovator. Carpenter is grandson of a painter/sculptor, and step-son of an architect, in whose office he worked summers as a teenager. He studied architectural glass art under artists in England and Germany during the early 1970’s. Information on his projects and a video about his methods can be found at: http://www.edcarpenter.net/ Commissions Bridge And Exterior Public Commissions 2019: Barbara Walker Pedestrian Bridge, Wildwood Trail, Portland, OR, 180’ x 12’ x 8’. -
2020 Impact Report
20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner. -
British Art Studies November 2020 British Art Studies Issue 18, Published 30 November 2020
British Art Studies November 2020 British Art Studies Issue 18, published 30 November 2020 Cover image: Sonia E. Barrett, Table No. 6, 2013, wood and metal.. Digital image courtesy of Bruno Weiss. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents The Lost Cause of British Constructionism: A Two-Act Tragedy, Sam Gathercole The Lost Cause of British Constructionism: A Two- Act Tragedy Sam Gathercole Abstract This essay reflects on the demise of British constructionism. Constructionism had emerged in the 1950s, developing a socially engaged art closely aligned with post-war architecture. Its moment was not to last however, and, as discourses changed in the 1960s and 1970s, constructionism was marginalised. -
Clayton Bailey (1939 - )
CLAYTON BAILEY (1939 - ) Clayton Bailey‟s incredible universe defies description. One of the University of California-Davis Funk artists, Bailey uses ceramics, metals, and mixed media to create sculptures that give life to the fantasies going on in his head. His amazingly crafted pieces have been described by others, and indeed by himself, as “Nut Art” or “Crock Art” - they move, they make noises, and above all they refuse to take themselves or the world seriously. ARTIST’S STATEMENT – CLAYTON BAILEY “I like the „magic‟ of converting mud into stone.”1 1. Quoted in: Susan Peterson. The Craft and Art of Clay. Englewood Cliffs, N. J.: Prentice Hall, 1992. RESUME – CLAYTON BAILEY 1939 Born, Antigo, WI 1957-1961 University of Wisconsin, Madison, WI, B.S. Art Education 1958 Married Betty 1961-1962 University of Wisconsin, Madison, WI, M.S., Art and Art Education 1962 Toledo Museum of Art glassblowing seminars Paoli Clay Company Instructor, People‟s Art Center, St. Louis, MO Instructor, Ceramic Sculpture, School of Architecture, Washington University, St. Louis, MO 1963 Instructor, University of Iowa, summer session Louis Comfort Tiffany Grant American Crafts Council Research Grant 1963-1967 Professor of Art, Wisconsin State University, Whitewater, WI 1967 Professor of Art, University of South Dakota Interim Professor, University of California-Davis, Davis, CA 1968-1996 Professor of Art, California State University, Hayward, CA (Chairman of the Art Department 1984-1987) 1979 National Endowment for the Arts Craftsmen‟s Fellowship 1982 Honorary Fellowship Award for Contributions to Education in the Ceramic Arts, NCECA 1990 National Endowment for the Arts Grant 1996-Present Professor Emeritus of Ceramics, California State University, Hayward, CA Studio Artist, Port Costa, CA BIOGRAPHY – CLAYTON BAILEY Although primarily identified with the Bay Area, Clayton Bailey was born in Antigo, WI, and grew up in the Midwest. -
New Sculpture at St Andrew Plymouth
VISION FOR THE PILLARS Commissioning New Art for Churches 2012 Competition Submission of The Minster Church of St Andrew, Plymouth Vision for the Pillars PREFACE - CATCHING THE VISION Do you wish to set out on the adventure of commissioning new art? (Commissioning New Art for Churches, page3) When we responded to the invitation to compete for the Jerusalem Prize we had little idea how exciting an adventure it was to be: from deciding what was going to be our project to completing this stage of the competition, we have discovered so much, met so many interesting people and engaged in processes completely new to us. It has been a roller coaster of a learning experience – and in no small part the Guide has done what its producers aimed to do; stimulated and encouraged us in “a process that has been both enjoyable and rewarding”. From simply considering a sculpture on two pillars at the entrance to a newly acquired space in front of the church, we have come to realise the significance of the space itself as an interface between our bustling City Centre and the church building. From rather modest expectations of a work in metal, in the light of our research on public art, both in our own City and further afield, we have raised our sights expecting that what we achieve will be an iconic work of art, in a material determined by the commissioned artist, to compare in importance with the John Piper windows, which enhance our church in its post-war restoration. We are confident that when we make known our brief, interest will not be limited to local artists. -
Exhibit Catalog (PDF)
Mastery in Jewelry & Metals: Irresistible Offerings! Gail M. Brown, Curator Mastery in Jewelry & Metals: Irresistible Offerings! Gail M. Brown, Curator Participating Artists Julia Barello Mary Lee Hu Harriete Estel Berman Michael Jerry Elizabeth Brim Robin Kranitzky & Kim Overstreet Doug Bucci Rebecca Laskin Kathy Buszkiewicz Keith Lewis Harlan W. Butt Charles Lewton-Brain Chunghi Choo Linda MacNeil Sharon Church John Marshall John Cogswell Bruce Metcalf Chris Darway Eleanor Moty Jack DaSilva Tom Muir Marilyn DaSilva Harold O'Connor Robert Ebendorf Komelia Okim Sandra Enterline Albert Paley Fred Fenster Beverly Penn Arline Fisch Suzan Rezac Pat Flynn Stephen Saracino David C. Freda Hiroko Sato-Pijanowski Don Friedlich Sondra Sherman John G. Garrett Helen Shirk Lisa Gralnick Lin Stanionis Gary S. Griffin Billie Theide Laurie Hall Rachelle Thiewes Susan H. Hamlet Linda Threadgill Douglas Harling What IS Mastery? A singular idea, a function, a symbol becomes a concept, a series, a marker- a recognizable visual attitude and identifiable vocabulary which grows into an observation, a continuum, an unforgettable commentary. Risk taking. Alone and juxtaposed….so many ideas inviting exploration. Contrasting moods and attitudes, stimuli and emotional temperatures. Subtle or bold. Serene or exuberant. Pithy observations of the natural and WHAT is Mastery? manmade worlds. The languages of beauty, aesthetics and art. Observation and commentary. Values and conscience. Excess and dearth, The pursuit and attainment, achievement of purpose, knowledge, appreciation and awareness. Heavy moods and childlike insouciance. sustained accomplishment and excellence. The creation of irrepressible, Wisdom and wit. Humor and critique. Reality and fantasy. Figuration important studio jewelry and significant metal work: unique, expressive, and abstraction. -
Thonet214 42971.Pdf
1859 214 Design Michael Thonet Michael Thonet 1796 in Boppard am Rhein geboren, absolvierte eine Lehre als Bau- und Möbeltischler. 1819 eröffnete er als Meister seine eigene Werkstatt. Zwischen 1830 und 1836 gelingt ihm die Erfindung der ”Möbel aus gebogenem Holz”. 1842 holt ihn Fürst Metternich nach Wien. Zunächst arbeitet er bei verschiedenen Unternehmen und verfeinert weiter seine Technik des Holzbiegens. 1849 gründet er, zusammen mit seinen 5 Söhnen, die eigene Möbelwerkstatt, 1853 überschreibt er ihnen das Unternehmen, es wird protokolliert unter ”Gebrüder Thonet”. Thonet operiert sehr erfolgreich: auf Weltausstellungen werden die Möbel ausgezeichnet, u.a. in London 1851 und 1862, es entstehen eigene Verkaufsniederlassungen in den Großstädten der ganzen Welt – von Amsterdam bis New York, und der Exportmarkt floriert. Später produzieren rund 6000 Mitarbeiter in 7 Fabriken rund 865.000 Stühle pro Jahr. 1871 stirbt Michael Thonet in Wien. Sein wichtiger Grundsatz war die Familientradition. Heute führt die 5. Thonet-Generation das Unternehmen in Frankenberg (Deutschland), dem 1889 gegründeten Standort. Michael Thonet Michael Thonet born 1796 in Boppard/Rhine River, trained as a very successful operation: the furniture was awarded at World Fairs, among carpenter and joiner. In 1819 he opened his own workshop as a master others in London in 1851 and 1862; sales offices in large cities throughout the craftsman. Between 1830 and 1836, he invented the „furniture made of bent world were established – from Amsterdam to New York – and the export mar- wood“. In 1842, Prince Metternich brought him to Vienna. At first, he worked ket boomed. Later on, around 6,000 employees produced about 865,000 chairs for various companies and refined his technique of bending wood. -
Gareth Mason: the Attraction of Opposites Focus the Culture of Clay
focus MONTHLY the culture of clay of culture the Gareth Mason: The Attraction of Opposites focus the culture of clay NOVEMBER 2008 $7.50 (Can$9) www.ceramicsmonthly.org Ceramics Monthly November 2008 1 MONTHLY Publisher Charles Spahr Editorial The [email protected] telephone: (614) 794-5895 fax: (614) 891-8960 editor Sherman Hall assistant editor Brandy Wolfe Ceramic assistant editor Jessica Knapp technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty editorial assistant Holly Goring Advertising/Classifieds Arts [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel Handbook Only advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Series $29.95 each Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production Electric Firing: Glazes & Glazing: production editor Cynthia Griffith design Paula John Creative Techniques Finishing Techniques Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Scott Bennett; Sculptor, Birmingham, Alabama Tom Coleman; Studio Potter, Nevada Val Cushing; Studio Potter, New York Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by Ceramic Publications Company; a Surface Decoration: Extruder, Mold & Tile: subsidiary of The American Ceramic Society, 600 Cleveland Ave., Suite 210, Westerville, Ohio 43082; www.ceramics.org. -
School Name Contact Name Title Department Name 92Nd Street Y
School Name Contact Name Title Department Name 92nd Street Y Jonathan Wahl Director Jewelry Center Academy of Art University Charlene Modena Director Jewelry & Metal Arts Adams State College Dana Provence Visual Arts Alberta College of Art and Design Charles Lewton-Brain Jewellery + Metals Alvin Community College Diane Falkenhagen Jewelry Appalachian State University Frankie Flood Metalsmithing & Jewelry Design Arapahoe Community College Amy Bailey Program Coordinator Jewelry & Metals Arcadia University Karen Misher Metals & Jewelry Arizona State University Victoria Altepeter School of Art/Metals Armory Art Center Lisa M. Johnson Director Jewelry & Metalsmithing Arrowmont School of Arts and Crafts Bill Griffith Outreach Art League School Abby Goldblatt Jewelry Art League School Brian Kirk Sculpture Art League School Gretchen Raber Jewelry Art League School Mary Ellen Trozzo Jewelry Art League School Michael Brehl Jewelry Art League School Nick Barnes Jewelry Art League School Tina Chisena Jewelry Art League School Paula Coupe Jewelry Austin Community College Gary Webernick Rio Grande Campus (RGC)/Studio Art Ball State University Jessica Calderwood Art/Metals Birmingham City University Stephen Bottomley Head of School School of Jewellery Boise State University Anika Smulovitz Art Dept. - 1510 Bowling Green State University Marissa Saneholtz Fine Arts/Jewelry & Metals Bowling Green State University Tom Muir Fine Arts/Jewelry & Metals Bridgewater State College Preston Saunders Art/Metals & Jewelry Brockway Center for Arts & Technology Art/Metals -
Tubular Steel Classics Indice Índice
Tubular Steel Classics Indice Índice Storia . Historia Il Modernismo in architettura . Arquitectura modernista 4 Designer del Bauhaus . Diseñadores de la Bauhaus 5 Thonet e il Bauhaus . Thonet y la Bauhaus 6 Lo sviluppo dei mobili in tubolare d’acciaio . La evolución de los muebles de tubo de acero 8 Tubolare d’acciaio curvato a freddo . Tubo de acero curvado en frío 10 Mart Stam . Mart Stam 12 Seduti per aria . Sentarse como en el aire 14 Biblioteca nazionale di Lipsia . Biblioteca Nacional de Leipzig 16 Marcel Breuer . Marcel Breuer 18 Marcel Breuer e Thonet . Marcel Breuer y Thonet 20 Ludwig Mies van der Rohe . Ludwig Mies van der Rohe 24 1927 Nuove forme dell’abitare . 1927: la nueva vivienda 26 Un monumento del Modernismo . Monumento al modernismo 28 Informazioni generali . Informaciones generales Chi siamo . Sobre nosotros 2 Thonet Design Team . Thonet Design Team 30 Il design prende vita grazie alla nostra artigianalità . Nuestro oficio artesanal sirve de inspiración al buen diseño 32 Abbiamo eletto l’individualità a nostro standard . La individualidad es nuestro estándar 34 App di Thonet . Aplicación de Thonet 128 Banca dati multimediale . Base de datos audiovisuales 129 Museo Thonet . Museo Thonet 130 Showroom . Salas de exposición 131 Contatti . Contactos 132 Materiali . Materiales Sostenibilità . Sostenibilidad 38 Cuoio . Piel 40 ThonetTec® . ThonetTec® 41 Tessuti . Telas 42 Superfici in legno . Superficies de madera 44 ThonetDur® . ThonetDur® 45 Pure Materials . Pure Materials 46 Classics in Colour . Classics in Colour 52 Thonet All Seasons . Thonet All Seasons 54 Prodotti . Productos Classici . Clásicos 58 Thonet All Seasons . Thonet All Seasons 102 Il programma di fornitura veloce di Thonet .