Accessories Product Guide 08 Accessories
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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
FMI Wholesale 2006 Price List
FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods. -
HYPEBEAST UNVEILS FENDER® X HYPEBEAST STRATOCASTER
HYPEBEAST UNVEILS FENDER® x HYPEBEAST STRATOCASTER Download assets HERE Hypebeast today announces the launch of the HYPEBEAST Stratocaster®, presented in collaboration with Fender®, the iconic global guitar brand. Hypebeast shares strong bonds with a global network of content creators, and is dedicated to maintaining close interactions with established musicians across genres, as well as discovering emerging talent and bringing that to Hypebeast’s cultural realm. Constantly inspired by such meaningful connections, Hypebeast is thrilled to be joining hands with Fender to present this vintage-style guitar in Hypebeast’s signature navy. “Fender has always been closely connected to musical culture since its founding in 1946. Similarly, Hypebeast is one of the most influential online media in lifestyle and culture. Through this collaboration, we’re looking forward to bringing music closer to other cultural realms, as we share a passion for music amongst a generation immersed in fashion and lifestyle,” said Edward Cole President of APAC, Fender Music Corporation. www.hypebeast.com [email protected] Page 1 of 2 The model is based on the globally acclaimed Made in Japan Stratocaster featuring a 9.5" radius and 22 Medium Jumbo frets, delivering a sophisticated playability with modern feel optimal for any musical genres and playing style. The guitar painted in Hypebeast’s signature navy color from top to bottom - including the fingerboard and headstock - is sure to catch the attention of any culture-sensitive player. This special edition guitar is available exclusively at Fender.com in Japan, US and UK regions, as well as HBX.com in extremely limited quantities. To read full product specifications, please visit fender.com for more information. -
2016 Customguitar DESIGN GUIDE
2016 CustomGuitar DESIGN GUIDE Shown: Yuriy Shishkov Quilt Maple Masterbuilt Telecaster 2016 Fender Custom Shop Quote GuideV5.indd 1 2/3/16 1:59 PM Custom Shop ® Fender 2016 Fender Custom Shop Quote GuideV5.indd 2 2 Model Shown: Sucker Punch Sally Esquire Built By Paul Waller For more information go to fendercustomshop.com 2/3/16 1:59PM Custom Shop ® Fender Forward A Fender Custom Shop instrument is extraordinary. passion, hard-earned knowledge and skill into You know it when you play one—it’s definitely every instrument they build. It’s no ordinary place, more than the sum of its parts. It’s filled with and the creations that come from it are no ordinary intangible, electrifying elements that add a new instruments. Welcome to the Fender Custom Shop. dimension to your playing experience. It’s as if the instrument itself is imbued with history, For players who wish to create a completely alive with the spirit of the place where it was custom instrument—anything from a humbucking built and the devotion of those who crafted it. pickup-equipped banjo to a custom-engraved aluminum-bodied Strat®—we offer Masterbuilt, The Custom Shop is home to Fender’s most a singular experience working one-on-one with skilled and talented builders. It’s a bustling, noisy one of our Master Builders. Custom-Built is for and creatively volcanic place that re-earns its those prefer to start with one of our time-honored nickname—the Dream Factory—every day. Custom models and personalize the specifications to meet Shop builders are completely dedicated to their your specific needs. -
The Fender Custom Shop and “Blackie” Your Questions Answered…
The Fender Custom Shop and “Blackie” Your questions answered… A few days before the launch of the Fender Eric Clapton “Blackie” Reissue, Mike Eldred – Director of Sales and Marketing for the Fender Custom Shop, was interviewed by Guitar Center for his personal account of the “Blackie” Reissue project. GC: So Mike, what’s your role at Fender, and in the Custom Shop specifically? Mike: I’m Director of Sales and Marketing for the FMIC Custom Division, and that encompasses all brands: Tacoma, Guild, Gretsch, Fender, Charvel, Jackson, and the amplifiers. GC: What is it about “Blackie” that makes it so special, even within that special world? Mike: It’s an iconic Stratocaster. The story about the guitar is really such a great story about how Eric bought the guitar--bought several guitars--and then pieced together basically just one guitar from a bunch of different parts. So he actually built the guitar, which is very unique when it comes to iconic guitars like this. A lot of times they’re just bought at a store or something like that. But here, an artist actually built the guitar, and then used it on so many different recordings, and it was so identified with Eric Clapton and his musical legacy. GC: Then, after 35 years of ownership, he offered it up for sale. What did Fender think when they heard that Guitar Center had bought Blackie at auction for almost a million dollars? Mike: Just that we were glad that it was sold to someone we have a relationship with. The concern that we had was that somebody was going to buy it and then just lock it away and that would be that, or some private collector would buy it or something like that. -
Contents About the Author
2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84 -
Der Verzerrte Gitarrensound Entsteht, Wenn Bei Einem Reinen Gitarrensignal Zusätzliche, Ursprünglich Nicht Enthaltene Teiltöne Hervorgerufen Werden
J. J. Altersberger 2 Distorted Sound. Die Verstärkung [...] Inhaltsverzeichnis 1. Einleitung ..................................................................................................................... 5 1.1 Fragestellung und Zielsetzung.................................................................................... 5 1.2 Vorgehensweise und Methodik .................................................................................. 6 1.3 Untersuchungszeitraum .............................................................................................. 6 1.4 Begriffserklärungen.................................................................................................... 7 1.4.1 Der Sound................................................................................................................ 7 1.4.2 Verzerrung............................................................................................................... 8 1.4.3 Spielweisen............................................................................................................ 10 1.4.4 Die instrumentale Rockmusik im Zusammenhang mit der elektrischen Gitarre... 11 2. Die elektrische Gitarre................................................................................................ 13 2.1 Akustische Gitarre mit Stahlsaiten, die Archtop Gitarre und die Resonator Gitarre 13 2.2 Die Entwicklung der ersten elektromagnetischen Tonabnehmer............................. 15 2.2.1 Das Prinzip des Tonabnehmers ............................................................................ -
A Case Study of the Craft-Made Guitar Industry in the Global Economy
UNIVERSITY OF CALIFORNIA SANTA CRUZ DEMYSTIFYING THE CRAFT PRODUCTION: A CASE STUDY OF THE CRAFT-MADE GUITAR INDUSTRY IN THE GLOBAL ECONOMY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in SOCIOLOGY by Yi-Chen Liu June 2021 The Dissertation of Yi-Chen Liu is approved: ______________________________________ Professor Steven McKay, chair _______________________________________ Professor Hiroshi Fukurai _______________________________________ Professor Lisbeth Haas ___________________________________ Quentin Williams Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Table of Contents.........................................................................................................iii List of Figures................................................................................................................v Abstract.......................................................................................................................vii Acknowledgments......................................................................................................viii Chapter One: Why Are Craft-made Guitars So Expensive?........................................1 Chapter Two: How Can a Luthier Create a Value for a Guitar? The Explanations from Political-Economic and Cultural Perspectives...........................................................14 Chapter Three: Case Studies and Methodology. .......................................................38 Chapter Four: Invention -
UIUC Physics 406 Library Books
\\phyugclu\www\courses\phys406\References\P406POM_Library.doc Last Updated: January 20, 2015 UIUC Physics 406 Library Books • Please Note: All of these books are S. Errede’s personal property…. • You are welcome/encouraged to sign them out & read them! • Please take good care of them! • Please return them promptly when done, so that others in the class may also read & enjoy them, and e.g. for next semester’s students! • Please write your name & date beneath the book you signed out (below). • When returning the book, please write in the date you returned the book. • If you have any (brief) comments about the book - put them in here! Example: Great Guitar Amps I Have Known - R.P. Filabuster Steve Errede Out - 9/14/00 Returned - 9/21/00 Steve Clayton Out - 9/22/00 Returned - 9/30/00 1. The Acoustical Foundations of Music - J. Backus 2. American Guitars - Tom Wheeler 3. The Amp Book - Donald Brosnac 4. Amps! The Other Half of Rock ‘N’ Roll - Ritchie Fliegler 5. The Art of the Amplifier - Michael Doyle 6. The Art of Electronics - P. Horowitz and W. Hill 7. The Art of Inlay - Larry Robinson 8. The Beauty of the ‘Burst - Yasuhiko Iwanade 9. A Desktop Reference of Hip Vintage Guitar Amps - Gerald Weber 10. Digital and Analog Data Conversions – H. Malmstadt, C. Enke & S. Crouch 11. Electric Guitars and Basses - George Gruhn and Walter Carter 12. Electronics - J. Millman and S. Seely 1 13. Electronic Transformers and Circuits - 3rd Ed. R. Lee, L. Wilson & C. Carter 14. Fender Amps - The First 50 Years - John Teagle & John Sprung 15. -
Gretsch Setup Specs
Page 1 of 2 www.gretschguitars.com Acoustic and Electric Guitar and Bass Guitar Set-up Specifications All of the following specifications are for guitars/basses with the standard gauges of Gretsch strings that the guitar or bass is equipped with from the factory. Compensations may need to be made, if you plan to change string gauges. Modifications of the specifications can be made (within limited parameters) to adjust for player application (how hard the player picks or frets the guitar), or other considerations. Note: These are minimum specifications, meant to guide you, not to be taken as hard and fast rules. Always refer to your Gretsch Guitar Guide (owner's manual) for additional information and/or instruction. Acoustic Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .020” .018” 6/64” 5/64” Electric Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .020” .018” 4/64” 4/64” Pickup Height This specification is for humbucking and single coil pickups with height adjustments. Filtertron and Dynasonic pickups are mounted directly to the guitar’s top, and are not adjustable. Bass side Treble side 3/32 2/32 Page 2 of 2 Bass Guitar Nut Height Relief String height at 12th fret (Without “Zero” fret) (At 8th fret) (From top of fret to bottom of string) Bass side Treble side .008” Bass side Treble side .022” .022” 4/64” 4/64” Pickup Height This specification is for humbucking and single coil pickups with height adjustments. -
P406POM Reference Books
UIUC PHYSICS 406 REFERENCE BOOKS TECHNICAL: ACOUSTICS 1. The Physics of Musical Instruments, 2nd Edition, Neville H. Fletcher and Thomas D. Rossing, Springer-Verlag, New York, U.S.A., 1998. 2. The Science of Sound, 3rd Edition, Thomas D. Rossing, F. Richard Moore, Paul A. Wheeler, Addison-Wesley, U.S.A., 2002. 3. Fundamentals of Acoustics, 4th Edition, L.E. Kinsler, A.R. Frey, A.B. Coppens and J.V. Sanders, Wiley, 2000. 4. Handbook of Acoustics, Ed. By Thomas D. Rossing, Springer, 2007. 5. Sound Intensity, 2nd Edition, Frank Fahy, E &FN Spon Press/Chapman and Hall, 1995. 6. Acoustics: Sound Fields and Transducers, Leo L. Beranek and Tim Mellow, Academic Press, 2012. 7. Master Handbook of Acoustics, 5th Edition, F. Alton Everest, Ken C. Pohlmann, McGraw- Hill, 2009. 8. Fundamental of Physical Acoustics, David T. Blackstock, Wiley Interscience, 2000. 9. Vibrations and Waves, A.P. French CRC Press/W.W. Norton & Company, 1971 10. The Acoustical Foundations of Music, 2nd Edition, John Backus, W.W. Norton Company, Inc, New York, U.S.A., 1977. 11. Fourier Acoustics – Sound Radiation and Nearfield Acoustic Holography, Earl G. Williams, Academic Press, 1999. 12. The Feynman Lectures on Physics, Volume I, Richard P. Feynman, Robert B. Leighton, Matthew Sands, Addison-Wesley Publishing Company, U.S.A., 1963. See especially Chapters: 21 (Harmonic Oscillator), 22 (Algebra), 23 (Resonance), 24 (Transients), 25 (Linear Systems), 47 (Sound), 48 (Beats), 49 (Modes), and 50 (Harmonics). TECHNICAL: ELECTRONICS 1. Electronic Music - Systems, Techniques and Controls, Allen Strange, William C. Brown Company, U.S.A., 1972. 2. Principles of Electronic Instrumentation, A. -
Boss Gt-100 Amp Effects Processor Training Guide
BOSS GT-100 AMP EFFECTS PROCESSOR TRAINING GUIDE Contents 1. FEATURES 2. QUICK DEMO 3. GOING DEEP 4. FIVE FEATURES TO KNOW and SHOW 5. ACCESSORIES 6. GT-100 AMPS, EFFECTS BOSS GT-100 Training Guide 1. FEATURES The best sounding and easiest to use GT ever! All new incredible high-resolution COSM amp and effect models New dual LCD operating system for supreme ease of use 25 COSM amplifier models including eight all new Advanced amps 9 effects groups: Comp, OD/DS, Preamp, EQ, FX1, FX2, Delay, Chorus, Reverb 21 OD/DS effects, FX1/FX2 each contain 30 effects User customizable Amps, OD/DS Manual Mode instantly turns the GT-100 into a row of simple stompboxes Built in Phrase Looper w/ unlimited overdubs New ACCEL effects provides new real-time tone changes 400 programs: 200 user, 200 preset Built-in assignable Expression and CTL pedal Additional EXP or 2xCTL pedal inputs for more real time control USB-audio interface Built-in chromatic tuner and metronome Tough metal case BOSS GT-100 Training Guide 2. QUICK DEMO The Quick Demo is a way to get a customer interested in a product in less than 60 seconds. Before You Start 1. Connect the MONO (L) Gt. AMP output of the GT-100 to the clean channel of a good amp, such as a Roland JC-120 or other pro quality amp. NOTE: It is very important to use a pro quality guitar amp. Why run a high- end effect through a low-end amp? 2. Set the amp’s tone controls for a flat response.