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UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Marginalized-Literature-Market-Life: Black Writers, a Literature of Appeal, and the Rise of Street Lit Permalink https://escholarship.org/uc/item/2d45f381 Author Norris, Keenan Franklin Publication Date 2013 Supplemental Material https://escholarship.org/uc/item/2d45f381#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Marginalized-Literature-Market-Life: Black Writers, a Literature of Appeal, and the Rise of Street Lit A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Keenan Franklin Norris June 2013 Dissertation Committee: Dr. Erica Edwards, Chairperson Dr. Tiffany Lopez Dr. Toby Miller Copyright by Keenan Franklin Norris 2013 The Dissertation of Keenan Franklin Norris is approved: _____________________________________________ _____________________________________________ _____________________________________________ Committee Chairperson University of California, Riverside Acknowledgements This dissertation is the product of both my Ph.D. study at UC Riverside and my M.F.A. at Mills College. Therefore, I’d like to acknowledge people at both institutions that have helped me to conceptualize, craft and finalize this work. I’ve been very lucky to have Dr. Erica Edwards as my committee chair. I will forever be thankful to her for her generosity and all the work she’s done on my behalf. Likewise, the guidance of committee members Drs. Tiffany Lopez and Toby Miller has been a tremendous help in this process. I’m appreciative of the entire committee for allowing me the latitude to pursue this unique topic in a somewhat unconventional style— wedding scholarship with creative writing. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors. -
Newsletter 04/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 04/14 DIGITAL EDITION Nr. 339 - Mai 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 04/14 (Nr. 339) Mai 2014 editorial Hallo Laserdisc- und DVD-Fans, ben, sondern auch den aufwändigen liebe Filmfreunde! Proben beizuwohnen und uns ausführ- lich mit Don Davis zu unterhalten. Das Wenn Sie sich in den letzten Wochen gesamte Bild- und Tonmaterial, das gefragt haben, warum wir nur sehr ein- dabei entstanden ist, hat eine Größe geschränkt telefonisch erreichbar wa- von über 100 Gbyte und wird in den ren, dann finden Sie die Antwort auf nächsten Wochen in ein Video umgear- dieser Seite. Nicht nur hielt uns die beitet, das nach Fertigstellung natür- jährlich stattfindende FMX in Atem, lich auf unserem Youtube-Kanal abruf- sondern auch noch ein Filmmusik-Kon- bar sein wird. zert der besonderen Art. Und da aller guten Dinge bekanntlich Doch zunächst zur FMX. Hierbei han- drei sind, haben wir die Gelegenheit delt es sich um einen Branchentreff der genutzt, den deutschen Kameramann Visual Effects Industrie, der jedes Jahr Alexander Sass bei seinem Kurzbesuch Oben: Hollywood-Produzent Jon Landau Unten: Hollywood-Produzent Chris DeFaria renommierte VFX-Spezialisten in die in Stuttgart vor unsere Kamera zu ho- schwäbische Hauptstadt holt. Diese len. Was er uns erzählte und auch den Spezialisten präsentieren dort im Haus Zuschauern bei der Sondervorführung der Wirtschaft ihre neuesten Arbeiten seines neuesten Films FASCINATING und geben damit tiefe Einblicke in die INDIA 3D, können Sie demnächst auf Welt der visuellen Effekte. -
Animating Race the Production and Ascription of Asian-Ness in the Animation of Avatar: the Last Airbender and the Legend of Korra
Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism. -
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00:00:00 Music Music Gentle trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:20 Jesse Host It’s Bullseye. I’m Jesse Thorn. Kathryn Hahn is an actor. She’s been in comedy films like Stepbrothers, the Anchorman movies. Many more. On TV, she starred in the NBC show, Crossing Jordan. She was also on Parks and Rec. She played Jennifer Barkley, the political consultant. She played a rabbi on the TV show Transparent. She starred in her own HBO drama called Mrs. Fletcher. I guess what I’m saying is: she has range. And here’s an example. She has an amazing supporting role on Wandavision, the bonkers new show on Disney+. I’m not gonna spend a ton of time explaining the plot of Wandavision. It’s set in the Marvel Universe, [chuckling] sometimes requires some prior knowledge. It stars Elizabeth Olsen and Paul Bettany as Wanda Maximoff and Vision, respectively. The two of them are superheroes who have settled down in a New Jersey suburb where—wouldn’t you know it—not everything is what it seems. Kathryn Hahn plays their neighbor, Agnes, who’s also hiding some secrets. The show has really taken off lately thanks in part to a very fun meme where Kathryn Hahn winks. -
Reading List from Ibram X
CTG & IDEAs Social and Racial Justice Workshop Resource Sheet Compiled by Lia Kozatch, Katelyn Kendrick, Lisa Ann Gaylord, and Lisa Young PEOPLE, ORGANIZATIONS, AND ARTICLES ● 55+ Social Justice Terms ● Advance Gender Equity in the Arts ● Alicia Garza ● American Theatre Magazine-Digital Content ● Anti-Defamation League ● AntiRacism Learning + Action Space for White People in U.S. Theatre -FB group that moves beyond allyship to accomplice/co-conspirator work ● Anti-Racist Reading List from Ibram X. Kendi ● Antiracist Checklist for Whites ● artEquity ● A.R.T. New York- #TheShowMustBePaused ● BIPOC Arts (opera group) ● BIPOC Director Database ● BIPOC Stage Managers ● BIPOC Theater Designers and Technicians Database ● Black Acting Methods: Studio and Pedagogy ● Black Lives Matter ● Colorado Refugee Connect ● Consortium of Asian-American Theaters and Artists ● DENVER EQUITY, DIVERSITY AND INCLUSION EVENT RESOURCES ● Diversity in the Arts: Colorado arts internships ● Emily Johnson: Decolonization rider for work ● The Equity Project ● Groundwater Arts ● Hollaback! Bystander Training ● HowlRound-Digital theatre commons ● https://www.ideastages.org/pillars ● IDEA Stages: Pillars of Inclusion 2021 CTG/IDEAs Social and Racial Justice Workshop Reading List 1 ● Interfaith Alliance of Colorado ● Joy-Jackson Initiative ● Latinx Theatre Commons ● Michigan State University An Open Letter Regarding Diversity, Equity, and Inclusion ● MENA Arts Advocacy Coalition ● MENA Theatre Makers Alliance ● Muslim Advocates ● Muslim Public Affairs Council ● Native Land- Canada ● Nicole Brewer ● North American Drama Therapy Association ● ONE Colorado ● Pamela Hayes- “Addressing Framework” ● Patrice Cullors ● Racism Recovery Center ● Rocky Mountain Artist' Safety Alliance ● Scaffolding Anti-racism Resources ● The SEED Project- White Privilege: Unpacking the Invisible Knapsack ● The Sikh Coalition ● System of White Supremacy and White Privilege ● Stop AAPI Hate ● Theatre Educator Pro Learning Center ● Theatre Communications Group ● Theatre for Young Audiences/USA ● U.S. -
Landmark Designation Report
LANDMARK DESIGNATION REPORT Marcus Books / Jimbo’s Bop City 1712-1716 Fillmore Street City and County of San Francisco Planning Department Landmark No. Edwin M. Lee, Mayor John Rahaim, Director XXX TABLE OF CONTENTS page OVERVIEW 2 BUILDING DESCRIPTION 4 HISTORY 8 Julian and Raye Richardson 8 Black Bookstores 10 Jimbo’s Bop City 13 Building Construction and Occupancy 17 Government Intervention and Community Response 18 ARTICLE 10 LANDMARK DESIGNATION 24 Significance 24 Integrity 25 Boundary 26 Character-Defining Features 26 Property Information 27 BIBLIOGRAPHY 28 ACKNOWLEDGEMENTS 29 The Historic Preservation Commission (HPC) is a seven-member body that makes recommendations to the Board of Supervisors regarding the designation of landmark buildings and districts. The regulations governing landmarks and landmark districts are found in Article 10 of the Planning Code. The HPC is staffed by the San Francisco Planning Department. This draft Landmark Designation Report is subject to possible revision and amendment during the initiation and designation process. Only language contained within the Article 10 designation ordinance, adopted by the San Francisco Board of Supervisors, should be regarded as final. 2 Marcus Books/Jimbo’s Bop City 1712-1716 Fillmore Street Built: c. 1893 Architect: Unknown OVERVIEW 1712-1716 Fillmore Street is significant for its association with Marcus Books, the nation’s oldest continuously operating, independent Black-owned and Black-themed bookstore.1 Marcus Books is located at the street level of a two-story-over--raised-basement Stick-Eastlake building, constructed c. 1893. The bookstore was founded by Julian and Raye Richardson in 1960, as an outgrowth of the family’s printing business, the Success Printing Co., which they established in 1947, shortly after settling in San Francisco. -
Henson Alternative
For Immediate Release SHN press contact: Anne Abrams/Erin Garcia/Shannon Barbara (415) 551-2075 or [email protected] SF Sketchfest press contact: Cindy Lang (415) 789-9090 or [email protected] HENSON ALTERNATIVE 80 HENSON PUPPETS. 6 COMEDIANS. 100% UNCENSORED. LIMITED ENGAGEMENT-10 Performances Only Curran Theatre August 18 – 27 SHN and SF Sketchfest present a limited engagement of STUFFED AND UNSTRUNG, a night of hilarious uncensored mayhem with The Miskreant Puppets and their fearless puppeteers set loose live onstage to explore the art of improvisational comedy. Created by award-winning director, producer, writer and performer Brian Henson and actor and improvisational guru Patrick Bristow and featuring The Jim Henson Company’s renowned puppeteers, STUFFED AND UNSTRUNG will play a limited engagement of 10 performances August 18 through 27 at the Curran Theatre (445 Geary Street). Tickets go on sale July 15 at 10 am. STUFFED AND UNSTRUNG is a madcap multimedia romp in which the skilled art of puppetry and comedic intelligent nonsense collide. Unpredictable, irreverent and rebellious, it’s never the same show twice as a team of expert puppeteers set off on a trail of twisted sketches and songs at breakneck pace while interaction with the audience prompts the spontaneous storylines unfolding on stage. With live musical accompaniment and Patrick Bristow as host, STUFFED AND UNSTRUNG features a cast of six puppeteers in an uninhibited and unscripted live puppet performance. The show, described by Entertainment Weekly as “one giant Mad Lib,” is actually “two shows in one” as the hilarious puppet action is projected on large screens flanking the stage, while the puppeteers display their skillful talents below all in full view of the audience. -
African Americans in San Francisco, 1945–1975 Black Liberation in the Midwest Paul T
The Postwar Struggle for Civil Rights Studies in African American History and Culture GRAHAM HODGES, General Editor New York’s Black Regiments During Slavery in the Cherokee Nation the Civil War The Keetoowah Society and the William Seraile Defi ning of a People 1855–1867 Patrick N. Minges Jesuit Slaveholding in Maryland, 1717–1838 Troubling Beginnings Thomas Murphy, S.J. Trans(per)forming African American History and Identity “White” Americans in “Black” Africa Maurice E. Stevens Black and White American Methodist Missionaries in Liberia, 1820–1875 The Social Teachings of the Eunjin Park Progressive National Baptist Convention, Inc., Since 1961 The Origins of the African American A Critical Analysis of the Least, the Civil Rights Movement, 1865–1956 Lost, and the Left-out Aimin Zhang Albert A. Avant, Jr. Religiosity, Cosmology, and Folklore Giving a Voice to the Voiceless The African Infl uence in the Novels of Four Pioneering Black Women Toni Morrison Journalists Therese E. Higgins Jinx Coleman Broussard Something Better for Our Children Constructing Belonging Black Organizing in Chicago Public Class, Race, and Harlem’s Schools, 1963–1971 Professional Workers Dionne Danns Sabiyha Prince Teach the Nation Contesting the Terrain of the Public School, Racial Uplift, and Ivory Tower Women’s Writing in the 1890s Spiritual Leadership of African- Anne-Elizabeth Murdy American Women in the Academy Rochelle Garner The Art of the Black Essay From Meditation to Transcendence Post-Soul Black Cinema Cheryl B. Butler Discontinuities, Innovations, and Breakpoints, 1970–1995 Emerging Afrikan Survivals William R. Grant, IV An Afrocentric Critical Theory Kamau Kemayó The Mysterious Voodoo Queen, When to Stop the Cheering? Marie Laveaux The Black Press, the Black A Study of Powerful Female Community, and the Integration of Leadership in Nineteenth-Century Professional Baseball New Orleans Brian Carroll Ina Johanna Fandrich The Rise and Fall of the Garvey Race and Masculinity in Movement in the Urban South, Contemporary American 1918–1942 Prison Narratives Claudrena N. -
SXSW Interactive Reveals Co-Hosts for the Second Annual Gaming Awards Ceremony Actress Janet Varney and Youtube Sensation Markiplier
SXSW Interactive Reveals Co-Hosts for the Second Annual Gaming Awards Ceremony Actress Janet Varney and YouTube Sensation Markiplier Gaming Awards Submission Deadline Approaching December 12th Austin, Texas – Dec. 5, 2014 – The South by Southwest (SXSW) Interactive Festival today announced co-hosts for its second annual Gaming Awards, honoring the best and most inventive games the industry has to offer. This year’s awards ceremony will be hosted by actress and comedian Janet Varney along with actor and popular YouTube personality Markiplier. SXSW is accepting nominations for the awards through December 12, 2014. The SXSW Gaming Awards ceremony takes place Saturday evening, March 14, 2015, at a new location, Austin’s premier entertainment venue, ACL Live at the Moody Theater. “The gaming world is growing rapidly and people everywhere are looking to games as their first choice for entertainment,” said Justin Burnham, SXSW Gaming Project Manager. “The SXSW Gaming Awards honor some of the best and most exciting games in the industry. We are thrilled to have entertainers Janet Varney and Markiplier host the show this year and give recognition to the impressive titles the industry is producing.” The Hosts As the voice for the title character on Nickelodeon’s The Legend of Korra, host of the Nerdist’s The JV Club podcast, a regular guest on the stage show and podcast phenomenon, The Thrilling Adventure Hour, and co-founder of SF Sketchfest, the San Francisco Comedy Festival, Varney brings more than 15 years of entertaining to the SXSW Gaming Awards stage. Mark Edward Fischbach, well known as Markiplier in the YouTube community for his video game commentary and voiceover work, has quickly grown his YouTube audience to almost five million dedicated fans in less than three years. -
AALBC.Com Enewsletter and Our Blog Posts on Your Kindle Ebook Reader
Like Tweet Pin +1 in Forward This month’s eNewsletter is sponsored by Naleighna Kai Naleighna Kai is the bestselling author of Every Woman Needs a Wife, The Pleasure’s All Mine and Open Door Marriage. She is also a contributing author to the New York Times Best-selling book, Caramel Flava. Open Door Marriage (Brown Girls Publishing, Jan 2014) centers around three people caught up in an all too familiar triangle. Alicia Mitchell, the love of Dallas Avery’s life disappeared, and resurfaced years later at the most inopportune time. Oh, he still loves Alicia, an older woman who captured his heart, but it’s unfortunate that he’s now engaged to a woman he learns—is her niece. When his fiancée, Tori, lays a proposition on the table, it seems that everyone will get a little of what they want, but maybe a whole lot of what they don’t. The stage is set for them to learn one valuable lesson: There’s no right way to do a wrong thing. Visit www.naleighnakai.com for more information. AALBC.com’s Best-Selling Books March/April 2014 Our best-selling books lists combine both physical and electronic book formats. Ebooks represented 53% of all sales this period. Nikki Woods’ new novel, Easier Said Than Done, was the strongest seller overall. Authors You Should Know AALBC.com mourns the passing of Sam Greenlee (May 19, 2014) Greenlee was born in Chicago on July 13, 1930. He earned a BS in political science from the University of Wisconsin. Greenlee also attended the University of Chicago and the University of Thessaloniki in Greece.