CONTACTS IN CANNES (MAY 15TH – 24TH) OFFICE IN CANNES IN CANNES UPCOMING Emilie Georges | emilie@memento-films.com | +33 6 62 08 83 43 25 la Croisette, Bagatelle, 3rd floor THE PAST NEW SHORT TERM 12 NEW LOUDER THAN BOMBS Nicholas Kaiser | nicholas@memento-films.com | +33 6 43 44 48 99 by Asghar Farhadi by Destin Cretton by Joachim Trier Marion Klotz | marion@memento-films.com Official Selection – In Competition World Market Premiere Constance Malpel | constance@memento-films.com | +33 6 86 13 35 84 NEW MR. KAPLAN NEW ILO ILO NEW CHASING THE WIND by Alvaro Brechner Tanja Meissner | tanja@memento-films.com | +33 6 22 92 48 31 by Anthony Chen by Rune Denstad Langlo Ram Murali | ram@memento-films.com | +33 6 59 46 41 02 Directors’ Fortnight World Market Premiere NEW COLD IN JULY Nick Shumaker | nick@memento-films.com | +33 6 52 59 08 30 NEW BLUE RUIN NEW BACK IN CRIME by Jim Mickle by Jeremy Saulnier by Germinal Alvarez Directors’ Fortnight World Market Premiere ALSO AVAILABLE OFFICE IN PARIS WE ARE WHAT WE ARE V/H/S/2 9 Cité Paradis – 75010 Paris – France by Jim Mickle by Adam Wingard, UNDER THE RAINBOW Tel: +33 1 53 34 90 20 Directors’ Fortnight Edúardo Sanchez, by Agnès Jaoui Fax: +33 1 42 47 11 24 Timo Tjahjanto, Gareth Evans, FOXFIRE sales@memento-films.com Jason Eisener… by Laurent Cantet festival@memento-films.com Market Screening international.memento-films.com IN THE NAME OF by Malgoska Szumowska CIRCLES by Srdan Golubovic

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THE PAST A film by Asghar Farhadi By the Academy Award winning director of A SEPARATION (25 million USD in worldwide box-office) With BÉRÉNICE BEJO (Academy Award nominee for The Artist), TAHAR RAHIM (A Prophet, Our Children) and ALI MOSAFFA

Following a four year separation, Ahmad returns to Paris from Tehran, upon his French wife Marie’s request, in order to finalize their divorce procedure. During his brief stay, Ahmad discovers the conflicting nature of Marie’s relationship with her daughter Lucie. Ahmad’s efforts to improve this relationship soon unveil a secret from their past.

PRODUCED BY MEMENTO FILMS PRODUCTION CO-PRODUCED BY FRANCE 3 CINEMA AND BIM DISTRIBUZIONE BUDGET: 11 MILLION USD LANGUAGE: FRENCH, ITALIAN, FARSI | FRANCE | 2013 | 129 MIN NEW DIRECTORS’ FORTNIGHT IN CANNES

ILO ILO A film by Anthony Chen First Feature - Caméra d’Or contender

Set in Singapore, ILO ILO chronicles the relationship between the Lim family and their newly arrived maid, Teresa. Like many other Filipino women, she has come to this city in search of a better life. Her presence in the family worsens their already strained relationship. Jiale, the young and troublesome son, starts to form a unique bond with Teresa, who soon becomes an unspoken part of the family. But this is 1997 and the Asian Financial Crisis is begin- ning to be felt in the region…

WITH YEO YANN YANN, CHEN TIAN WEN, ANGELI BAYANI, KOH JIA LER PRODUCED BY FISHEYE PICTURES PTE LTD SINGAPORE | 2013 | 99 MIN NEW DIRECTORS’ FORTNIGHT IN CANNES

BLUE RUIN A film by Jeremy Saulnier

Blue Ruin follows a mysterious homeless man whose quiet life is turned upside down by dreadful news regarding a past tragedy. He sets off for his childhood home to carry out an act of vengeance but proves an amateur assassin, finding himself in a brutal fight to protect his estranged family.

WITH MACON BLAIR, DEVIN RATRAY, AMY HARGREAVES PRODUCED BY FILMSCIENCE, NEIGHBORHOOD WATCH AND THE LAB OF MADNESS USA | 2013 | 92 MIN DIRECTORS’ FORTNIGHT IN CANNES

WE ARE WHAT WE ARE A film by Jim Mickle By the director of STAKE LAND (Audience Award Winner Midnight Madness Toronto 2011) A re-imagining of the Mexican Horror Cult Film ‘Somos Lo Que Hay’ In their small town, the Parkers are known for their discretion and reclusiveness. Behind closed doors, the father, Frank, rules his family with a firm severity. “A refreshingly mature genre entry that plants queasy Following the brutal and unexpected death of their dread and unleashes a good dose of scares, the film mother, teenage daughters Iris and Rose need to start is that rare modern horror movie that doesn’t simply looking after their younger brother Rory. Soon though, fabricate its scares with the standard bag of post- they must carry even more weight as they are faced production tricks and grips from start to finish. Both with new responsibilities. At their father’s command, actresses are terrific.” THE HOLLYWOOD REPORTER they must continue a macabre ancestral tradition at all costs. But when a torrential storm hits the region, the “Tastefully Macabre. Jim Mickle is the strongest town’s rivers overflow, and the local authorities start new voice in American genre film, one I can only to uncover clues that lead them closer to the Parker compare to the golden era of John Carpenter. Mickle family’s terrible secret. writes characters that are timeless.” TWITCH

WITH JULIA GARNER (THE LAST EXORCISM 2, MARTHA MARCY “The film is markedly more frightening than its MAY MARLENE), AMBYR CHILDERS (GANSTER SQUAD, predecessor, in a crooked ‘Night of the Hunter’ vein. THE MASTER), BILL SAGE (AMERICAN PSYCHO, BOARDWALK As in the original, the encroachment of authorities EMPIRE) AND KELLY MC GILLIS (TOP GUN, WITNESS) ratchets up tension further toward the climax, but PRODUCED BY RODRIGO BELLOTT, ANDREW CORKIN, NICHOLAS Mickle and Damici find a denouement all their own; SHUMAKER, JACK TURNER AND LINDA MORAN it’ll certainly be a talking point among audiences, so USA | 2013 | 100 MIN suffice to say it’s at once more physically extreme and more thematically elegant than the Mexican film’s exit strategy.” VARIETY

“Outdoing the original by a long shot, Mickle’s take on the story is poetic, creepy and, finally, satisfyingly gross.” INDIEWIRE

“A re-make that succeeds superbly while remaining true to the strange and sad intimately spirit of the original.” MSN.COM

“One of horror’s most interesting directors. The visual storytelling skill on display here is some of the strongest the genre has seen in years.” FILM THREAT

“A grisly, outrageous tale of a small twon family of flesh eaters that’s both chilling and blackly comic.” TOTAL FILM NEW WORLD MARKET PREMIERE IN CANNES

SOUTH SOUTH BY SOUTHWEST BY SOUTHWEST GRAND JURY PRIZE AUDIENCE AWARD

SHORT TERM 12 A film by Destin Cretton

Grace is a 20-something supervisor at Short Term 12, a foster-care facility for at-risk teenagers. She is pas- sionate about her work and takes great care of the “Genuinely moving and heartfelt, honest and kids, though she struggles with her own troubled past. striking, this is a drama that will have audiences When Jayden, a gifted, restless, teenager arrives at simultaneously laughing and crying. Larson the facility, Grace finds herself no longer able to ignore gives a phenomenal performance!” SCREEN the difficulties of her own childhood — and it puts the delicate balance of her life and work at risk. She must “The stunning SXSW fest winner puts the recent find her way through a crisis that both pushes her to the Park City competition lineup to shame.” VARIETY edge and allows her to discover unexpected glimmers of humor and hope. “Genuinely moving, affecting, engaging. Theatrical appeal is strong. Brie Larson gives a breakthrough WITH BRIE LARSON (DON JON’S ADDICTION, THE SPECTACULAR performance.” THE HOLLYWOOD REPORTER NOW, UNITED STATES OF TARA), JOHN GALLAGHER JR. (THE NEWSROOM), KAITLYN DEVER (THE SPECTACULAR NOW, “Brie Larson turns in an Oscar worthy performance J. EDGAR), RAMI MALEK (NEED FOR SPEED, TWILIGHT, THE MASTER) as the lead. Not only emotionally engaging, it’s also PRODUCED BY MAREN OLSON, ASHER GOLDSTEIN, JOSHUA funny.” AIN’T IT COOL ASTRACHAN, RON NAJOR USA | 2013 | 96 MIN “Impeccable performances all around. Tremendous- lyinvolving. Intensely likable protagonists with a penchant for cracking jokes under duress.” INDIEWIRE

“A roller coaster of every emotion, managing to be both heartwarming and heartrending at once. But what a great ride.” THE PLAYLIST

“The whole thing just feels perfect or magical, a shining example of what cinema is all about. Funny, moving, surprising and emotional, Short Term 12 is an awards contender from top to bottom. The performances are mind-blowing, the writing sharp, and the direction beautiful.” SLASHFILM (10/10)

“An emotional powerhouse through the confidence of its direction, the thoughtful and surprisingly funny script, and the tremendous performances from its cast led by a breakthrough turn from star Brie Larson. The swiftness with which the film can swing between funny and serious is astounding. Phenomenal performances.” COLLIDER (RATING : A) NEW WORLD MARKET PREMIERE IN CANNES

CHASING THE WIND A film by Rune Denstad Langlo

Anna hasn’t seen her family for a decade. She’s moved to Berlin, where she now works as a fashion designer, happily living with Mathias. When her grandmother dies, she reluctantly returns to her small town in Norway to take care of the arrange- ments and stays with her grumpy grandfather. But in the week leading up to the funeral, nothing goes as expected and secrets that were kept for too long are soon revealed. Anna is forced to reconsider how she lives her life and learn to care for the ones she really loves.

WITH MARIE BLOKHUS, TOBIAS SANTELMANN (KON-TIKI), SVEN-BERTIL TAUBE (MILLENIUM) PRODUCED BY MOTLYS (OSLO, AUGUST 31ST, NORTH, TURN ME ON DAMMIT!) NORWAY | 2013 | 93 MIN NEW WORLD MARKET PREMIERE IN CANNES

BACK IN CRIME A film by Germinal Alvarez

Inspector Richard Kemp never got around to putting the handcuffs around the Eardrum Slasher, a danger- ous serial killer whose rampage began 20 years before. When Hélène, a psychologist, witnesses the Slasher’s latest crime and offers to testify, Kemp falls in love with her at first sight. In a mysterious turn of event, Kemp is suddenly trans- ported back in time to the site of the Eardrum Slasher’s first murder, he realizes that this could provide a second chance to catch the killer. As he tries to help his youngerself and meets the much younger Hélène, Kemp triggers a series of events with unforeseen consequences…

WITH JEAN-HUGUES ANGLADE (BETTY BLUE, LA FEMME NIKITA, QUEEN MARGOT) AND MÉLANIE THIERRY (BABYLON A.D, THE PRINCESS OF MONTPENSIER) PRODUCED BY HAUT ET COURT (COCO BEFORE CHANEL) FRANCE | 2013 | 102 MIN MARKET SCREENING IN CANNES

V/H/S/2 By the directors of THE BLAIR WITCH PROJECT, THE RAID, YOU’RE NEXT, HOBO WITH A SHOTGUN… US Release by Magnolia Pictures

In V/H/S/2, the second film in the V/H/S franchise, a pair of private investigators break into the home of a missing college student, uncovering a collection “This rip-roaring good time should easily build of mysterious videotapes that reveal four horrifying on the first edition’ s success in all formats films, trafficked by an underground tape sharing com- munity, which lead them toward a shocking resolution (and more territories), with further franchise to their case. extension a no-brainer.” VARIETY

“V/H/S/2 delivers an unbroken series of BY SIMON BARRETT, ADAM WINGARD, EDÚARDO visceral shocks, with more frightening extremes SANCHEZ, GREGG HALE, TIMO TJAHJANTO, GARETH HUW EVANS, JASON EISENER than the original V/H/S.” INDIEWIRE PRODUCED BY BRAD MISKA, GARY BINKOW, JAMIE NASH “With its streamlined approach and group USA | 2013 | 95 MIN of ridiculously talented filmmakers at the helm, V/H/S/2 is a total success, and there will surely be more to come.” TWITCH

“Not only a horror anthology better than the original, but proof positive this franchise has some serious legs. V/H/S/2 is horror at its most entertaining.” SLASHFILM

“Infinitely more thrilling, V/H/S/2 is a rare breed of anthology in which every segment is not only good, but cracking with creativity.” FANGORIA

‘Safe Haven’ (Gareth Evans and Timo Tjahjanto’s segment) is a bold piece of original horror that will widely be revered, applauded. It’s a towering achievement in horror cinema.” THE PLAYLIST

“V/H/S/2 comes at the viewer like a boxer.” AIN’T IT COOL

“V/H/S/2: bloody kinetic, bloody fun, bloody bloody.” TOTAL FILM

“V/H/S/2 is a leaner, but totally crazier, scarier, wilder, funnier follow-up to VHS, in every single way.” FIRST SHOWING NEW SCRIPT AVAILABLE UPCOMING

LOUDER THAN BOMBS A film by Joachim Trier By the director of OSLO, AUGUST 31ST (Un Certain Regard Cannes 2011) and REPRISE

Three years after her unexpected death, the preparation of an exhibition celebrating the famous war photogra- pher Laura Freed brings her husband and their two sons together for the first time in years. When an unsettling secret resurfaces, the three men are forced to look at each other and themselves in a new light, redefining their innermost needs and desires.

WITH ISABELLE HUPPERT (AMOUR, THE PIANO TEACHER, 8 WOMEN) AND GABRIEL BYRNE (IN TREATMENT, USUAL SUSPECT, THE END OF VIOLENCE) PRODUCED BY MOTLYS (OSLO, AUGUST 31ST, NORTH, TURN ME ON DAMMIT) CO-PRODUCED BY BONA FIDE, MA.JA.DE FILM, MEMENTO FILMS PRODUCTION AND NIMBUS FILM NORWAY, GERMANY, FRANCE, USA DELIVERY MAY 2014 BUDGET 9 MILLIONS USD NEW SCRIPT AVAILABLE — PROMO AVAILABLE UPCOMING

MR. KAPLAN A film by Alvaro Brechner By the director of BAD DAY TO GO FISHING (Cannes Critics’ Week 2009)

Jacob Kaplan lives an ordinary life in Uruguay. Like many of his other Jewish friends, Jacob fled Europe for South America because of World War II. But now turning 76, he’s become rather grumpy, fed up with his community and his family’s lack of interest in its own heritage. One beach bar may, however, provide him with an unexpected opportunity to achieve greatness and recover his family’s respect in the community: its owner, a quiet, elderly German, raises Mr.Kaplan suspicion of being a runaway nazi Ignoring his family’s concerns about his health, Jacob secretly recruits Contreras, a more loyal than honest former police officer, to help him investigate. Together, they will try to repeat the historic capture of Adolf Eich- mann: by unmasking and kidnapping the German and secretly taking him to Israel.

WITH HECTOR NOGUERA, NESTOR GUZZINI AND ROLF BECKER PRODUCED BY BAOBAB FILMS, SALADO, RAZOR FILM PRODUKTION (WADJDA, WALTZ WITH BASHIR) DELIVERY FALL 2013 NEW SCRIPT AVAILABLE UPCOMING

COLD IN JULY A film by Jim Mickle By the director of WE ARE WHAT WE ARE Based on Joe R. Lansdale’s cult-classic novel

COLD IN JULY tells the story of Richard Dane, a small town frame builder from East Texas who is forced to kill a man in self-defense. He then meets Ben Russel, a rough ex-con and the father of the man Dane shot, who is hell-bent on avenging his son’s death. But small town corruption and paranoia turn these bitter ennemies into unlikely allies, as the two guilt-stricken fathers begin a search for truth, aided by Dane’s tough minded wife and a pig-raising detective from the back- woods of Houston. Before it’s all over, they uncover a bigger secret, darker and more dangerous than any of them could have imagined.

PRODUCED BY BELLADONNA PRODUCTIONS SHOOTING JULY 2013 DELIVERY JANUARY 2014 USA | 2014 BUDGET 3,5 MILLIONS USD ALSO AVAILABLE ALSO AVAILABLE

SILVER SHELL FOR BEST ACTRESS SAN SEBASTIAN 2012

UNDER THE RAINBOW FOXFIRE A film by Agnès Jaoui A film by Laurent Cantet By the directors of THE TASTE OF OTHERS and LOOK AT ME By the director of THE CLASS (Palme d’or, Cannes 2008) French Release on March 6th on 350 screens Adapted from the bestseller by Joyce Carol Oates (Blonde, Them) Already over $8M at the French Box-Office

Laura is still waiting for Prince Charming at the age of 24. So when Upstate New York, 1953, a working class neighborhood in a small Sandro appears at a party, exactly like her Prince would in her dreams, “Jaoui and Bacri’s playful screenplay is witty and town. In this violent post-war culture controlled by men, a group “A masterpiece.” LE NOUVEL OBSERVATEUR she thinks she’s found the right one. But then again, when she meets knowing, and the perfs are all first-rate, suggesting of headstrong teenage girls unite into a sisterhood of blood: they ““A jubilation unknown to Laurent Cantet. The casting Maxime, Laura starts to wonder if some Princes could be more charm- a decent B.O. pot of gold at home and in niche form the Foxfire gang, a secret female-only society, recognized process — similar to ‘The Class’ — brings equal results: ing than others? release abroad.” VARIETY by the flametattooed on the back of its members’ shoulders. the actresses evolve with a breathtaking ease in the “Foxfire” for pretty foxes, but also “Foxfire” for fire and destruction. Of course Sandro has problems of his own: his father, Pierre, just “Every single actor is remarkable! With a special universe halfway between history and utopia.” LE MONDE bumped into Madam Irma at his father’s funeral and this reminded mention for Agathe Bonitzer, both luminous Legs, Maddy, Lana, Rita and Goldie cannot accept any longer to be him of the date of his own death which Madame Irma had predicted humiliated and discriminated against for being poor, and being girls. and fragile.” LE MONDE “Highly sensual and wildly anti-establishment, these ages ago. Now Pierre is unable to make any plans, not with his new Headed by the feisty Legs, the girls set on a trip for revenge, and try ‘Confessions of a girl gang” will haunt for long time partner Eleonore, nor with Sandro And Maxime has his own problems, “A fierce comedy by the Jaoui-Bacri duo, that preys to pursue their impossible dream: living according to their own rules the dreams and nightmares of the audience.” MARIANNE and so does Eleonore, Marianne, Jacqueline and many others. But on our illusions. A lesson of wisdom.” TELERAMA and laws, no matter what. But there’s a prize to pay... don’t worry, in the end, they’ll all live happily ever after. “As beautiful as it is surprising, these Foxfire girls filmed “An ensemble film, bittersweet, funny and by Cantet appear like ancestors of Pussy Riot. Foxfire invigorating. With a graceful ease, the film captures burns with contemporaneity, the beauty of the film resides WITH AGNÈS JAOUI, JEAN-PIERRE BACRI, AGATHE BONITZER, ARTHUR DUPONT, our present and offers tasty dialog.” PREMIERE in this fire that refuses all forms of backward-looking and BENJAMIN BIOLAY, DIDIER SANDRE, BEA ROSEN consumes the screen.” LES INROCKUPTIBLES WRITTEN BY AGNÈS JAOUI AND JEAN-PIERRE BACRI PRODUCED BY LES FILMS A4 WITH RAVEN ADAMSON, KATIE COSENI, MADELEINE BISSON, “Lead by the revelation Raven Adamson, this girl gang FRANCE | 2013 | 113 MIN CLAIRE MAZEROLLE, RACHAEL NYHUUS is remarkable.” LIBÉRATION PRODUCED BY HAUT ET COURT, FILM FARM FRANCE, CANADA | LANGUAGE: ENGLISH “Cantet tracks down with a thriller tempo and sometimes dreadful tension, the limits of revolt. He’s helped in his quest by a stunning group of actresses. The wild epic scope of the film will question you as much as it will grab you.” PREMIERE ALSO AVAILABLE ALSO AVAILABLE

BERLIN 2013 BERLIN 2013 EUCUMENICAL TEDDY AWARD PRIZE SPECIAL JURY PRIZE AWARD

IN THE NAME OF CIRCLES A film by Malgoska Szumowska A film by Srdan Golubovic By the directors of ELLES (Toronto 2011, Berlin 2012) By the director of THE TRAP (Berlin 2007)

Father Adam takes over a small parish in the middle of nowhere. Bosnia – 1993. In the midst of the Bosnian war, Marko a Serbian He organizes a community centre for boys with troubled pasts. His “As a humane, non-judgemental look at enduring contradictions soldier witnesses the brutal aggression of Haris, a Muslim civilian, by “A straightforward and ultimately moving film about the damage energy appreciated, the locals accept him as one of their own. Every- of Catholicism and mortal sexuality, it’s a film to be admired, if three fellow soldiers. Marko interferes and saves Haris, but is beaten done to people’s soul from the hostilities that racked the region for body wants to be close to him, feeding off of his vitality and power, not worshipped.” SCREEN to death by the infuriated soldiers. years. Top-notch performances and traditional craft should make but no one knows he harbors his own secret. After meeting an eccen- this an ap-pealing entry on the festival circuit.” “Emerging Polish filmmaker Malgoska Szumowska returns to form 2008. The war is over but the wounds of the conflict are still open. tric and silent young man, a local pariah, Father Adams is forced to THE HOLLYWOOD REPORTER in an atmospheric, sensitively shot and acted story of a gay priest.” Marko’s father is rebuilding a church, he is offered help by confront a long forgotten burden and passion. As the villagers’ worst one of Marko’s killers’ son and hesitates about accepting it. suspicions are validated, Father Adam becomes the obvious enemy. THE HOLLYWOOD REPORTER “An unorthodox morality tale about Serb-on-Serb crime in which Marko’s friend, a renowned surgeon in Belgrade, faces ter- concentric narratives make for considerable resonance. Viewers will rible choices when told to operate on one of the three soldiers “The screenplay by Szumowska and Michal Englert is careful not be rewarded.” VARIETY to judge its protagonist; the story is about love and longing rather on the verge of death. As for Haris, he now lives in Germany WITH ANDRZEJ CHYRA, MATEUSZ KOSCIUKIEIWCZ, MAJA OSTASZEWSKA than the real-life scandals of the church.” VARIETY and is faced with a unique opportunity to repay his debt to his savior. “A very compelling parable about a culture that has seen many PRODUCED BY MENTAL DISORDER 4, SHOT – SZUMOWSKI, CANAL +, ZENTROPA POLAND years of agony...highlighted by superb acting in every corner.” POLAND | 2013 | 101 MIN CINEMA BEACH WITH LEON LUCEV, NEBOJSA GLOGOVAC, NIKOLA RAKOCEVIC, ALEKSANDAR BERCEK “Comes together in a wonderful narrative tapestry that challenges PRODUCED BY FILM HOUSE BAS CELIK, NEUE MEDIOPOLIS FILMPRODUKTION, the notion of no good deed going unpunished.” FILM THREAT LA CINEFACTURE, VERTIGO, PROPELER FILM SERBIA, GERMANY, FRANCE, SLOVENIA, CROATIA | 2013 | 110 MIN SCREENINGS THE PAST (Official Selection - In Competition) FRI. MAY 17TH 8:30 AM GRAND THÉÂTRE LUMIÈRE Press Screening FRI. MAY 17TH 3:00 PM GRAND THÉÂTRE LUMIÈRE FRI. MAY 17TH 7:00 PM GRAND THÉÂTRE LUMIÈRE Official Premiere SAT. MAY 18TH 12:00 PM SALLE DU 60ÈME (TBC) Repetition SAT. MAY 18TH 5:45 PM STAR 2 Market Screening SUN. MAY 19TH 6:00 PM ARCADES 2 Market Screening MON. MAY 20TH 09:45 AM ARCADES 2 Market Screening

ILO ILO (Directors’ Fortnight) SUN. MAY 19TH 9:00 AM THÉÂTRE CROISETTE Press Screening SUN. MAY 19TH 5:00 PM THÉÂTRE CROISETTE Official Premiere MON. MAY 20TH 9:00 AM THÉÂTRE DE LA LICORNE Repetition Screening — French subtitled TUE. MAY 21TH 2:00 PM ARCADES 2 Market Screening TUE. MAY 21TH 10:00 PM STUDIO 13 Repetition Screening — French subtitled

BLUE RUIN (Directors’ Fortnight) SAT. MAY 18TH 9:00 AM THÉÂTRE CROISETTE Press Screening SAT. MAY 18TH 4:45 PM THÉÂTRE CROISETTE Official Premiere SUN. MAY 19TH 11:30 AM STAR 3 Market Screening SUN. MAY 19TH 10:00 PM STUDIO 13 Repetition Screening MON. MAY 20TH 11:30 AM ARCADES 1 Repetition Screening

WE ARE WHAT WE ARE (Directors’ Fortnight) SAT. MAY 18TH 1:30 PM STAR 3 Market Screening – Buyers only MON. MAY 20TH 12:00 PM ARCADES 2 Market Screening – Buyers only TUE. MAY 21TH 11:30 AM THÉÂTRE CROISETTE Press Screening TUE. MAY 21TH 9:00 PM THÉÂTRE CROISETTE Official Screening THU. MAY 23TH 11:30 AM ARCADES 1 Repetition Screening THU. MAY 23TH 05:00 PM LE RAIMU Repetition Screening

SHORT TERM 12 (Market Screenings) THUR. MAY 16TH 4:00 PM ARCADES 2 Market Screening SAT. MAY 18TH 4:00 PM STAR 2 Market Screening

CHASING THE WIND (Market Screenings) FRI. MAY 17TH 11:30 AM STAR 4 Market Screening MON. MAY 20TH 11:30 AM STAR 4 Market Screening

BACK IN CRIME (Market Screenings) THUR. MAY 16TH 9:30 PM STAR 3 Market Screening TUE. MAY 21TH 3:30 PM STAR 3 Market Screening

V/H/S/2 (Market Screenings) THUR. MAY 16TH 11:30 AM ARCADES 3 Market Screening MON. MAY 20TH 3:30 PM STAR 3 Market Screening FR E. CLAD . WWW : SIGN E D / TUAL C ONTRA C

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