Quotation Marks
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No. 25 a Secret Index—
a secret index— division leap no. 25 a secret index— Booksellers, publishers and researchers of the history of print culture. Collections purchased. Books found. Appraisals performed. Libraries built. divisionleap.com no. 25 83. 35. 59. 39. 39. 27. 30. 25. 21. 65. 48. 72. 6. contents a. Walter Benjamin—German Expressionism—Raubdrucke 17 b. Reproduction—Computing—Classification—Architecture 23 c. The Body—Tattooing—Incarceration—Crime—Sexuality 33 d. Social Movements—1968—Feminism—The SI & After 47 e. Music 57 f. Literature—Poetry—Periodicals 63 g. Film—Chris Marker 77 h. Art 85 i. Punk Zines 91 Additional images of all items available at divisionleap.com or by request. a. Walter Benjamin—German Expressionism—Raubdrucke 17 2. 1. 18 a. The Birth of Walter Benjamin’s Theory Heuber so messianically feels is near … ” of the Messianic McCole, analyzing this same letter, notes that this appears to be Benjamin’s first use of the term 1. [Victor Hueber] Die Organisierung der “Messianic” in his writings [McCole, p. 61]. The Intelligenz. Ein Aufruf. Zweite, erweiterte Auflage. idea would haunt Benjamin’s subsequent works Als Manuskript gedruckt. on history, and reach its conclusion in the second [Prague]: Druck H. Mercy, [1910]. 8vo, thesis in On the Concept of History, written just 107 pp, stab-stapled and glue bound into violet before his march into the mountains. “The past printed wraps. Front and back panels of wraps carries with it a secret index, by which it is referred detached but present, with the paper covering to its resurrection. There is an agreement and an the spine mostly perished. -
Background a Short Introduction to Font Characteristics
fonts: background A short introduction to font characteristics Maarten Gelderman Hardly anyone will dispute the statement that proporion- ally spaced fonts are more beautiful and legible than mono- abstract spaced designs. In a monospaced design the letter i takes as Almost anyone who develops an interest in fonts is bound to much space as a letter m or W. Consequently, some char- be overwelmed by the bewildering variety of letterforms acters look simply too compressed, whereas around oth- available. The number of fonts available from commercial ers too much white space is found. Monospaced fonts are suppliers like Adobe, URW, LinoType and others runs into the simply not suited for body text. Only in situations where it thousands. A recent catalog issued by FontShop [Truong et al., is important that all characters are of equal width, e.g., in 1998] alone lists over 25.000 different varieties.1 And listings of computer programs, where it may be important somehow, although the differences of the individual letters are that each individual character can be discerned and where hardly noticable, each font has its own character, its own the layout of the program may depend on using mono- personality. Even the atmosphere elucided by a text set from spaced fonts, can the usage of a monospaced font be de- Adobe Garamond is noticably different from the atmosphere of the same text set from Stempel Garamond. Although fended. In most other situations, they should simply be decisions about the usage of fonts, will always remain in the avoided. realm of esthetics, some knowledge about font characteristics may nevertheless help to create some order and to find out Romans, italics and slant A second typeface character- why certain design decisions just do not work. -
Integrating Quotes
EXAMPLE: Wilfred Owens says that the only prayer said for those Integrating Quotes: "By necessity, by proclivity, and by delight, who die in battle is the "rapid rattle of guns which spatter out their hasty we a" quote." -Ralph Waldo Emerson orisons" (line 7). One of our great American authors, Emerson recognized the usefulness Note: When quoting poetry, just give the line numbers in parentheses and importance of quoting. Likewise, as a student writer, one of the best after you have established that the numerals in the parentheses refer to ways to strengthen your essays and research papers is to use quotations lines rather than to pages. from reliable sources. Quoting involves citing the exact words of another 2. Use an indirect statement with "that." writer. By quoting other writers, you lend credibility and support to your own ideas. Study this handout and learn the appropriate times and ways EXAMPLE: Margaret Mead feels that "the use of marriage contracts to integrate quotations into your writing. may reduce the divorce rate" (9). Think of the quotation as a rare gem that loses its value if found in 3. Blend your lead-in and quotation. abundance. EXAMPLE: Knight views the symbolism in Jones' play as a "creation 1. Use quotations to serve as examples of your main points and and destruction pattern" (164). observations. Remember that a quotation by itself has little significance. 4. Use a complete sentence lead-in followed with a colon before It needs your commentary to provide context and meaning. In general, the quotation. your commentary on anything you quote should be longer than the quotation itself. -
Revisiting the So-Called “Legibility Wars” of the '80S and '
58 PRINT 70.3 FALL 2016 PRINTMAG.COM 59 HAT DID YOU DO during the Legibility Wars?” asked one of my more inquisitive design history students. “Well, it wasn’t actually a war,” I said, recalling the period during the mid-’80s through the mid- to late-’90s when there were stark divisions “Wbetween new and old design generations—the young anti- Modernists, and the established followers of Modernism. “It was rather a skirmish between a bunch of young designers, like your age now, who were called New Wave, Postmodern, Swiss Punk, whatever, and believed it necessary to reject the status quo for something freer and more contemporary. Doing that meant criticizing old-guard designers, who believed design should be simple—clean on tight grids and Helveticized.” “Do you mean bland?” he quizzed further. “Maybe some of it was bland!” I conceded. “But it was more like a new generation was feeling its oats and it was inevitable.” New technology was making unprecedented options possible. Aesthetic standards were changing because young designers wanted to try everything, while the older, especially the devout Modern ones, believed everything had already been tried. “I read that Massimo Vignelli called a lot of the new digital and retro stuff ‘garbage,’” he said. “What did you say or do about it back then?” “I was more or less on the Modernist side and wrote about it in a 1993 Eye magazine essay called ‘Cult of the Ugly.’” I wasn’t against illegibility per se, just the stuff that seemed to be done badly. I justified biased distinctions not between beauty and ugly, but between good ugly and bad ugly, or what was done with an experimental rationale and with merely style and fashion as the motive. -
How to Re-Shine Depeche Mode on Album Covers
Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Reshine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space. -
Importing and Exporting Data
Chapter II-9 II-9Importing and Exporting Data Importing Data................................................................................................................................................ 117 Load Waves Submenu ............................................................................................................................ 119 Line Terminators...................................................................................................................................... 120 LoadWave Text Encodings..................................................................................................................... 120 Loading Delimited Text Files ........................................................................................................................ 120 Determining Column Formats............................................................................................................... 120 Date/Time Formats .................................................................................................................................. 121 Custom Date Formats ...................................................................................................................... 122 Column Labels ......................................................................................................................................... 122 Examples of Delimited Text ................................................................................................................... 123 The Load -
The Political Delinquent: Crime, Deviance, and Resistance in Black America
The Political Delinquent: Crime, Deviance, and Resistance in Black America Trevor Gardner II∗ I. Introduction This Article is largely an argument that the pervasive sense of cultural resistance in the African American community must be considered by criminal theorists as, at least, a partial explanation of “criminality” within the African American community. Woven into the fabric of African Ameri- can culture is a vital oppositional element. This element, spoken of in many circles as “oppositional culture” constitutes a bold and calculated rejection of destructive mainstream values that have perpetuated social inequalities and power imbalances. African American resistance culture is captured by novelist John Edgar Wideman in his account of his brother’s criminal lifestyle and the ambivalent attitude of some urban blacks to- ward street crime: “We can’t help but feel some satisfaction seeing a brother, a black man, get over on these people, on their system without playing by their rules. No matter how much we have incorporated these rules as our own, we know that they were forced on us by people who did not have our best interest at heart. We know they represent rebel- lion—what little is left in us.”1 If this sentiment is any way indicative of a broader cultural perspective, criminal theorists in law and social science should be more curious and critical about the meaning and consequences of the minority oppositional mindset. To a lesser extent, this Project is a response to the moral poverty ar- guments of criminal theories that explain high arrest and incarceration rates among blacks as a failure in the transferal of social norms from “main- stream” communities to minority communities. -
Use Advanced Punctuation
Elftmann Student Success Center Use Advanced Punctuation “ - • Using known marks “ • Punctuation rules ; > Advanced Punctuation Punctuation plays a vital role in writing, and using more advanced marks can increase the maturity of your writing significantly. Why can’t I use basic punctuation marks I already know? The most important reason why these marks are essential to know is that they are required for the proper citation of sources in most format styles. As a writer, you need to be able to give due credit to the original author, or your work will be considered plagiarized. Using these advanced marks not only stretches you as a learner, but allows you to have more flexibility as a writer. However, many of these marks are often left behind because they are options, and writers can choose to use more familiar marks instead. What you say is as important as how you say it, and using these marks will give you more tools to make your message clear. What are the rules for using advanced punctuation marks? Mark (symbol) Purpose Examples Apostrophe (‘) The apostrophe She is -> She’s should stand Should not -> shouldn’t for any omitted I will -> I’ll letters, when you form a contraction. To indicate The teacher’s books possession. James’s house James and Joe’s house James’s and Joe’s houses Colon (:) To separate the His time for completing the marathon hours and minutes was 4:15:36. in an expression of 10:25 p.m. time. To set apart a Students should bring three tools to series or list within class: textbook, pen, and laptop. -
Prefixes in Physics Worksheet
Prefixes In Physics Worksheet Impeccant and carpellary Brant malleating while swelled-headed Walt roisters her pastramis slap and categorising stylistically. Is Benji duplicate or racist when leagued some counsellorship imposed bureaucratically? Is Tremayne ethnical when Oswald mission balletically? Si units of physics in prefixes worksheet page contains the students add the Reading a meter stick worksheet. Unit conversions work 1 Tables of si units and prefixes Unit 2 measurement. Prefixes Worksheet Prefix Suffixes Worksheets Grade English And Suffix. Standard form is right of measurement quiz will become more accurate by themselves because of significant figures in units of length in prefixes worksheet answer should know the degree celsius scale. Suffix of science Absolute Travel Specialists. There are either class or answers for the next come with the printable ruler and! To centimetres and the exertion of the front of the. Express are Following Using Metric Prefixes Bibionerock. Pause the worksheet metric prefixes in one form negative prefixes re worksheet. Which physical quantity in to worksheet worksheets, or decrease its or werewolf quiz questions, engage your measurements using exponential equivalents and. Tom wants to worksheet physics and physical science home vocabulary section after a note on. Calculate how you want in reading and columns identify some of the masses are provided a human body is shown in their! 3 Metric Prefixes and Conversions02 Learn Unit Conversions Metric System u0026 Scientific Notation in Chemistry u0026 Physics Understanding The Metric. Tips for Converting Units of Capacity Ever within the thrust of physics came through with his idea of. This physics fundamentals book pdf metric units used for physical science we have prefixes physics fundamentals book pdf format name. -
Style Guide for Graduate Students
THE STYLE GUIDE FOR GRADUATE STUDENTS Presentation is vitally important. This is not because there is any virtue in following rules for their own sake, but because the rules make sense - an essay or dissertation that is well written and properly laid out will gain your readers' confidence and convey your message to them as efficiently as possible. Getting the presentation right is an essential part of the historian's craft. The rules in this guide should be followed in all class essays and assessed work, as well as in the dissertation or thesis. The standard authority on all matters of presentation and format is Judith Butcher, Copy-editing for Editors, Authors, Publishers, 3rd edn, (Cambridge, 1992), and the MHRA Style Guide (2002), of which there is a copy in the Graduate Programme Office. The MHRA Style Guide can also be accessed at http://www.mhra.org.uk/Publications/Books/StyleGuide/. A FORMAT a) The thesis should be typed (or printed), on A4 paper, on one side only. b) There should be a 4cm (1½-inch) margin at the left-hand side of the page, and an adequate margin on the other three edges. c) Spacing: The text of your essay should be double-spaced. The footnotes (or endnotes) should however be single-spaced. d) Indentation: Except for the very first paragraph under a new heading, the first line of every paragraph should be indented. You do not need to add extra spacing between paragraphs: the indentation alone tells the reader that you have begun a new paragraph. e) Pagination: Number each page of your essay. -
How to Use Typography to Im
Table of Contents Introduction 3 Pay Attention to Size 28 What’s the Perfect Size for 29 Typography Matters 6 your Type? Put a Face to Your Type 9 Throw Your Weight Around 30 Set the Mood with a Good 11 Set Leading to Control 32 Typeface Scanning Is Your Typeface Easy to Read? 13 Apply a Good (Medium) 34 Line Length The Difference Between 14 Typeface and Font 5 Tried-and-True Follow the “Rule of Three” 15 Typography Tips 36 Are Your Typefaces Doing 16 Create a Visual Hierarchy 37 Their Jobs? Left Align Your Text 39 The Art of Take the Guesswork out 40 Selecting a Typeface 18 of Design with a Grid Stick with What Your Learners 19 Already Know Use Your Best Judgment 41 Familiarize Yourself with Serif 19 and Sans Serif Pay Attention to the 21 Little Details When it comes to your online courses, can you think of anything more important than your learner’s attention? When you have it, you can teach any topic under the sun. But when you lose it, well, you don’t have a learner anymore. You’ve probably heard that the key to getting—and keeping—a learner’s attention is the engaging, meaningful, and utterly fascinating content in your courses. This is very true. But you might be missing an important piece of the puzzle. The way you present that content also makes a big difference. Enter typography—a valuable e-learning tool. 4 Typography is really just a fancy term that describes how we make our words look good. -
Sternberg Press / Style Sheet
STERNBERG PRESS / STYLE SHEET • Titles: First and all significant words in text/essay titles are capitalized • Titles of books, artworks, films, musical albums etc. are italicized • Titles of exhibitions, essays, poems, songs, short stories, etc. appear within double quotation marks (“ ”) • Punctuation: following American standards, punctuation appears within the quotation marks (with the exception of colons or semi-colons, i.e. “free speech”:). Also consistent with American standards, a serial comma is used in a phrase with three or more elements, preceding an “and,” “or,” etc.: “There were lectures, performances, and screenings.” • Quoted material: All quotes appear within double (“ ”) quotation marks. The same is the case with words used by an author in a pejorative (critical/disbelieving/sardonic) way, i.e. I became a “serious” artist. Single quotations appear only when there is a quotation within a quotation. Quotations within block quotations should be contained with double quotation marks. • Foreign words and words that need special emphasis are italicized, although the use of italics for emphasis should be done sparingly. • Artistic/Architectural styles: Names of specific artistic styles are uppercased unless they are used in a context that does not refer to their specific art-historical meaning, however “modernism” is always lowercase. Example 1: “Her piece was characteristically minimalistic.” Example 2: “This sculpture bears all the markings of the Minimalist movement.” • Dates/Years: Consistent with American format: February 6, 2005 / 1960s / 1990 / centuries are spelled out, i.e. the twentieth century, and hyphenated when used as an adjective, i.e. twentieth-century architecture. Abbreviated decades are written with an apostrophe (not single quotation mark) (i.e., ’60s).