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Son-WSFA 67 Miller 1972-09-05 SON OF THE WSFA JOURNAL WSFA JOURNAL Supplement - -- -- -- -- — - 9 th September, 1972 Issue (7767) Editor & Publisher: Don Miller ----------------- 20£ per copy In This Issue -- IN THIS ISSUE; IN BRIEF (misc. notos/commcnts); COLOPHON......................... pg 1 DISSECTING THE HEART OF THE MATTER: Prozino Reviews, by Richard Dclap (AMAZING, 9/72; ANALOG, 9/72; F&SF, 9/72; GALAXY, 9-6/72) ............... pp 2-6 THE CON GAME: Mid-Octobor thru December 1972 ................................................. pg 6 ON THE MOVE: A few changcs-of-address............................................................... pg 6 RECENT REISSUES: Book Reviews, by Michael T. Shoemaker (Eight Stories From The Rest of the Robots, by Isaac Asimov; Vulcan's Hamner, by Philip K. Dick; Cities of Wonder, cd. Damon Knight) ................................. pg 7 THE BOOKSHELF: Nov; Releases, etc. .(GALE RESEARCH CO.; DOVER PUBS) .. pg 8 S.F. PARADE: Book Reviews (STAN BURNS: The Light That Never Was, by Lloyd Biggio, Jr.; The Barons of Behavior, by Tom Purdom; RICHARD WADHOLM: Lord of Light, by Roger Zelazny) .................................................... pp 9,10 In Brief — . Still no break in publishing crisis; if crisis hasn't been resolved by end of Sept, we will probably have to suspend publication of TWJ and SOTWJ indefinitely. (Also, still no sign of the missing artwork we wore supposed to receive in Aug.) Reviewers, pls. list publisher, date, price, and # of pages with your book re­ views. This information is particularly useful to the readers. After holding this stencil since the 1st week of Sept., we finally have some LACon news to relate (courtesy of LOCUS #121 (Chas, & Dona Brown, 3h00 Ulloa St., San Francisco, CA 9hll6; 12/03, 26/36)): D.C. won 17h Convention (Discon II, Labor Day Weekend ’7k, Sheraton Park Hotel, Pro GoH Roger Zelazny, Fan Goll Jay Kay Klein, 09 attending, 03 supporting; Discon II, Box 31127, Wash., DC 20031)* Hugo Awards: BEST NOVEL; To Your Scattered Bodies Go, by Philip Josi Farmer; BEST NOVELLA: "The Queen of Air and Darkness", by Poul Anderson; BEST SHORT STORY: "Inconstant Iloon"', by Larry Niven; BEST DRAMATIC PRESENTATION: A Clock­ work Orange; BEST PROFESSIONAL ARTIST: Frank Kelly Freas; BEST PROFESSIONAL MAGAZINE: F&SF; BEST FANZINE: LOCUS; BEST FAN ARTIST: Tim Kirk; BEST FAN WRITER: Harry Warner, Jr. (Full results in nextish.) -MHru 2,607 in attendance. SOTWJ is pubbed every 1-3 weeks. Subs (via lst~class mail): 20^ oa., 6/&1.10, 12/ $2; via 3rd-class mail (2 or more at time): 12/01.79 (12/70p UK). THE WSFA JOURNAL is 600 oa., h/$2 US, Canada, & Hex.; 29p oa., 9/hl UK; 600 oa., 9/02.90 elsewhere. Yearly combined rate (TWJ & SOTWJ): 010 (deposit, for continuing subs to ca.; bal­ ance refundable or applied to next yr's sub, as requested). For names & addresses of Overseas Agents, advertising info (flyors/ads in SOTWJ only), & air-mail rates, write the-od. For Address Code moaning, see SOTWJ #66 or #68 (but note that N = You are mentioned herein; K = Something of yours is montioned/roviewed hercinj. — DLM THE WSFA JOURNAL (Supplement) ■ $ D. Miller 12319 Judson Road Wheaton, Maryland U.S.A. 20906 TO: • .. FIRST CLASS MAIL FIRST CLASS MAIL SOTWJ-67/2 (dissecting) a THE HEART OF THE MATTER Operational Procedure Supervised by­ Richard Dolap ' Magazines for MAY, 1972 Of most interest this month’ is a special F&SF report on the growing aca­ demic interest in science fiction, with even the regular features (book reviews and Asimov's science column) geared to fit into the schema. This report should be of great interest to readers who have been fretting over the possible "ruin­ ous" influence- wielded by the .so-rcallod' scholars, and William Tenn, who is re­ sponsible' for getting this report together, offers a comprehensive history and speculation of the results of this growing popularity in the halls of academe. (Personally, I believe today's audience is completely starved for imaginative concepts'and’is only novi coming to realize its cause in the empty calorics of "mass entertainment".) F&SF also has the best selection of fiction this month and ANALOG has the worst, true to form. AMAZING STORIES — Hay: Serial: Other Days, Other Eyes (part one) — Bob Shaw. Novelettes: The Man Who Walked Home — James Tiptrco, Jr. John Delgano is the world's first time traveler, introduced in a cryptic opening paragraph that only becomes clear as Tiptroe depicts the world after his departure. Earth has become a ravaged planet on which John makes an annual brief appearance, blinking in and but of a future which is, to him, the past. The scenes’of Earth's recovery from widespread destruction arc handled with zest, with an Aldiss-likc symbolism peering out from behind. John's dilemma, however, is never quite as emotionally involving as I think Tiptrco wants it to be, and the story, though a good one, misses being the better story that vias possible. Soft Change — Gordon Eklund. This is an odd story about a woman, Maviquc, who goes through a lot of soul-searching only to end where she began, facing the same decision. Her journey takes her to a world where the people have molded into a "maturity" of oneness, of peace; but true peace is not the same as human peace of mind, and Maviquc is tortured by the melding process, memories of her aggravatingly complacent family, and her desperate love for another woman. Eklund points out that "there is a scheme to things", but I'm not convinced that he's any more aware of its nature than I am *aftci reading this pretentious ambiguity. Evocative and provocative in spots, it rings with a false sound, like a bell with a crack up its side, that simply is too flawed for comfortable listening. Short Stories: In Dying Venice — Roger Ebert. Like his first, Ebert's second story is well-written and clever, this time about the world 5>0 years hence where bottle-born people are the majority, where young ogo-fillod actors are willing to die (literally) for their art, and the intelligence of man is sinking like the city of Venice, covered by the. lapping waves of indifference. It reads much like early Shockley, even down to the touches of vrry humor enlivening a very basic plot, and is the kind of enjoy­ able tale wo really don't soo much of any more. Good. Watchd/g — Jack 0. Haldeman. We're familiar novi with stories about the world watched over by machines after man has departed, but Haldeman pulls a very neat little trick by involving SOTWJ-67/3 the reader emotionally •with the groat computer-complex which awaits man's re­ turn and is eventually forced to stave off the madness of loneliness in self­ created realms of fantasy. It's a good idea, handled with care and refreshing simplicity. Well done. Latest Feature — Maggio Nadler. This is a weak one about a firm which sells very expensive ($90,000) tele­ vision sets—sots with a secret attachment that allows owners to spy on various locations around the city, sating their voyeuristic urges. The kicker ending is more like a shuffle, so obvious from the very beginning that only the most muddle-headed readers could’possibly miss it. Mediocre. There's No Ono Left to Paint the Sky — Grant Carrington. One day "transmitters" apocar from nowhere and every oorson on the Earth leaves through them to explore the universe, to hear the "music of the spheres"— all, that is, except one man, a poet, who stays and ponders the fate of man's abandoned art. That's all he does, too...just ponders...at thimble-depth. Really awful. Science: The Scientist In Science Fiction — David L. Book. • * # is- * . ANALOG — May: . Serial: • A Transatlantic Tunnel, Hurrah! (part two) — Harry Harrison. Short Novel: Solo Kill — S. Kye Boult. In this sequel to "A Little Edge" (July '71'); Baron Amar son and his fliers continue the battle against the winged Draks who swarm in the sides of Boult's paradoxical planet and feed on the Rivermcn and Valley People. Aside from the confusion of the varied races, from the clawed defenders to the beaked and mur­ derous wing-men, there is also a confusion in the sociological morality—who is killing whom and why?--that is perhaps intended to bring homo to the reader the senselessness of endless conflict. To make things even more murky there is a rope of religion, tied to an easily-toppled post of pacifism, resting on a downward slope leading to genocide. What's right? Who's wrong? Boult seems to consider such questions more trivia as ho paces his empty characters through smash and kill and maim and action, action, Action! The story is carelessly written, unrelievedly boring and offensively without a true purpose or a con­ clusion. Disgusting. Short Stories: Lunchbox — Howard Waldrop. When Earth's first unmanned ship lands on Mars in 1977, problems develop that were not expected and cannot bo controlled simply by viewing transmissions from a mindless scanning camera. You see,’ there is life on the Red Planet and it is very interested in something now. Waldrop seems afraid to go all out for total farce, so his story ends up just silly, thin on humor and short on plot. Routine. The Observer — Clifford D. Simak. An intelligence suddenly awakens, aware of itself as a bodiless, memory­ less entity on a planet of a double sun. Bit by bit it finds words and symbols coming into use as it needs them to comprehend the surroundings and its own self. Simak's brief journey of discovery is cleanly handled and easy reading, and while I find the climax a bit hard to accept it's still a fairly good story which should entertain most readers.
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