Information Sheet the Nationally Significant Collections
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Members' Centre and Friends' Group Events
MEMBERS’ CENTRE AND FRIENDS’ GROUP EVENTS AUTUMN/WINTER 2019 Joining a centre or group is a great way to get more out of your membership and learn more about the work of the Trust. All groups also raise vital funds for Trust places and projects across the country. Please note that most groups charge a small annual membership subscription, separate to your Trust membership. The groups host a range of lectures, outings, social events and tours for their members throughout the year. For more information please contact each group directly. ABERDEEN AND DISTRICT MEMBERS’ Thursday 13 February, 2.00pm: Talk by Dr Thursday 3 October, 2.15pm: Annual CENTRE (SC000109) Fiona-Jane Brown “Forgotten Fittie” at the general meeting, followed by a talk from Ben Aberdeen Maritime Museum, Shiprow. Judith Falconer, Programme Secretary Reiss of the Morton Photography Project, which has supported the Trust in curating Tel: 01224 938150 Tuesday 17 March, 7.30pm: Annual general and conserving its photographic collection. Email: [email protected] meeting followed by a talk by Gordon Guide Hall, Myre Car Park, Forfar. Murdoch “Join the National Trust….. and see Booking is essential for events marked * the world” at the Aberdeenshire Cricket October date TBC: Visit to Drum Castle to There is a charge for guests attending talks. Club, Morningside Road. see the “A Considered Place” exhibition. For further information, please contact the Tuesday 17 September, 7.30pm: Talk by * Day excursion in early May TBC Membership Secretary. Finlay McKichan “Lord Seaforth: Highland landowner, Caribbean governor and slave * Annual holiday in early June TBC Saturday 2 November, 10–12 noon: Coffee owner” at the Aberdeenshire Cricket Club, morning at the Old Parish Church Hall, Morningside Road. -
National Collecting Scheme Scotland National
National Collecting Scheme Scotland National Collecting Scheme Scotland is an initiative that supports public collections across Scotland to acquire and present challenging contemporary visual art. The initiative also seeks to enable curators within those organisations to extend their knowledge and understanding of contemporary visual arts, and to develop their engagement with the visual arts sector in Scotland. Scotland is home to some very fine public collections, which are of local, national and international significance. It is the aim of the NCSS that those public collections are able to reflect the range and vibrancy of contemporary art created here and abroad, that they can help build new audiences for the contemporary visual arts, as well as engage and work with artists and visual arts organisations. Some facts : • NCSS is an initiative of the Scottish Arts Council. • Currently NCSS has seven museum partners. These are Aberdeen Art Gallery, McManus Galleries, Dundee, Edinburgh City Art Centre, Gallery of Modern Art, Glasgow, Hunterian Art Gallery, Paisley Museum and Art Gallery, and the Pier Arts Centre, Orkney. • In its first phase - 2003-2006 - NCSS enabled a total of 122 acquisitions by six public collections (including craft in its first phase). In 2007-2008 a further 18 works of visual art have been acquired. The Scottish Arts Council will support further acquisitions in 2008-2009. • NCSS member were also involved in an innovative joint commissioning project – the first of its kind in the UK. They collaborated to commission Joanne Tatham & Tom O’Sullivan to create a substantial and ambitious new work of art for Scotland • Aberdeen Art Gallery hosted the Scotland & Venice exhibition December 2007- January 2008. -
National Dimensions
ONS NATIONAL DIM NATIONAL DIMENNATIONAL DIMENSIONS NAL DIMENSIONS DIMENSIONS NATIO This report was researched and written by AEA Consulting: Magnus von Wistinghausen Keith Morgan Katharine Housden This report sets out the collaborative work undertaken by the UK’s nationally funded museums, libraries and archives with other organisations across the UK, and assesses their impact on cultural provision across the nation. It focuses on the activities in recent years of members of the National Museum Directors’ Conference (NMDC), and is largely based on discussions with these institutions and selected partner organisations, as well as on a series of discussion days hosted by the NMDC in different regional centres in July 2003. It does not make specific reference to collaborative work between NMDC organisations themselves, and focuses on activities and initiatives that have taken place in the last few years. For the sake of simplicity the term ‘national museum’ is used throughout the report to describe all NMDC member organisations, notwithstanding the fact that these also include libraries and archives. In this report the term ‘national’ is used to denote institutions established by Act of Parliament as custodians of public collections that belong to the nation. It is acknowledged that the NMDC does not include all museums and other collecting institutions which carry the term ‘national’ as part of their name. Specific reference to their activities is not contained in this report. Published in the United Kingdom by the National Museum Directors' -
Contemporary Art Society Annual Report 1982
Contemporary Art Society Annual Report and Statement of Accounts 1982 ate Gallery 0 John Islip Street Dndon SW1 P 4LL 1-821 5323 The Annual General Meeting of the Contemporary Art Society will be held at Warwick Arts Trust, 33, Warwick Square, S.W.1 on Tuesday, August 9th, 1 983 at 6.1 5 p.m. 1 . To receive and adopt the report of the committee and the accounts for the year ended December 31,1 982, together with the auditor's report. 2. To appoint auditors, special notice having been given, pursuant to section 1 42 of the Companies Act 1 948 and section 1 4 (1} (a) of the Companies ' Act 1 976, of the intention to propose the following resolution as an ordinary resolution:-- that Messrs. Neville Russell be, and are hereby, appointed auditors of the Society in place of the retiring auditors, Messrs. Sayers Butterworth, to hold office until the conclusion of the next general meeting at which accounts are laid before the Society. 3. To authorise the committee to determine Messrs. Neville Russell's remuneration for the coming year. 4. To elect to the committee the following who has been duly nominated; Philip Poilock, The retiring members are Joanna Drew and the Marquess of Dufferin and Ava. 5. Any other business. By order of the committee Petronilla Spencer-Silver Company Secretary May 28 1 983 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Untitled Drawing from a series of paintings made in Australia, 1 981 Chalk, charcoal and wash on paper 44£ x 62 inches/1 13x157 cm. -
KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt -
FOI-16-1243 - Market Research - Provost Skene"S House Date: 02 November 2016 14:19:29 Attachments: PSH Market & Audience Research Report Draft.Pdf
From: Foi Enquiries To: Subject: FOI-16-1243 - Market Research - Provost Skene"s House Date: 02 November 2016 14:19:29 Attachments: PSH Market & Audience Research Report Draft.pdf Dear , Thank you for your information request of 21 September 2016. Aberdeen City Council (ACC) has completed the necessary search for the information requested. Please accept our apologies for the delay in responding to your request. The following quote regarding the refurbishment of Provost Skene's House was attributed to Councillor Young in an article on page 6 in the Aberdeen Press and Journal dated 21st September 2016. "The market research indicates a strong desire for a family-friendly experience within the house." Please would you send me the market research material inclusive of the following: The scope of the market research, the dates the market research was carried out and by whom, the groups targeted by the research, and the market research report. Please find attached a copy of the Provost Skene House Market & Audience Research Report. We hope this helps with your request. Yours sincerely, Nicky Leiper Information Compliance Officer INFORMATION ABOUT THE HANDLING OF YOUR REQUEST ACC handled your request for information in accordance with the provisions of the Freedom of Information (Scotland) Act 2002. Please refer to the attached PDF for more information about your rights under FOISA. Information Compliance Team Communications and Promotion Office of Chief Executive Aberdeen City Council Room 1-24 Town House Broad Street ABERDEEN AB10 1AQ [email protected] 01224 523827/523602 Tel 03000 200 292 *03000 numbers are free to call if you have ‘free minutes’ included in your mobile call plan. -
National Programme 2017/2018 2
National Programme 2017/2018 2 National Programme 2017/2018 3 National Programme 2017/2018 National Programme 2017/2018 1 National Programme Across Scotland Through our National Strategy 2016–2020, Across Scotland, Working to Engage and Inspire, we are endeavouring to bring our collections, expertise and programmes to people, museums and communities throughout Scotland. In 2017/18 we worked in all of Scotland’s 32 local authority areas to deliver a wide-ranging programme which included touring exhibitions and loans, community engagement projects, learning and digital programmes as well as support for collections development through the National Fund for Acquisitions, expert advice from our specialist staff and skills development through our National Training Programme. As part of our drive to engage young people in STEM learning (Science, Technology, Engineering and Maths), we developed Powering Up, a national science engagement programme for schools. Funded by the ScottishPower Foundation, we delivered workshops on wind, solar and wave energy in partnership with the National Mining Museum, the Scottish Maritime Museum and New Lanark World Heritage Site. In January 2017, as part of the final phase of redevelopment of the National Museum of Scotland, we launched an ambitious national programme to support engagement with Ancient Egyptian and East Asian collections held in museums across Scotland. Funded by the National Lottery and the Esmée Fairbairn Collections Fund, the project is providing national partnership exhibitions and supporting collection reviews, skills development and new approaches to audience engagement. All of this work is contributing to our ambition to share our collections and expertise as widely as possible, ensuring that we are a truly national museum for Scotland. -
Enton QX Use 21/5/09 15:52 Page 1
FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 1 BibliographY 1955-2009 AleXander Fenton CBE , MA , BA , DL itt, Hon DL itt ( ABD ), FRSE , FRSGS , FSA , FSAS cot, HRSA Professor Emeritus of Scottish EthnologY Presented bY his colleagues at the European Ethnological Research Centre on the Occasion of his 80 th BirthdaY 26 June 2009 FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 2 AleXander Fenton on the occasion of his graduation from the UniVersitY of Cambridge in 1953 . FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 3 BibliographY 1955-2009 AleXander Fenton CBE , MA , BA , DL itt, Hon DL itt ( ABD ), FRSE , FRSGS , FSA , FSAS cot, HRSA Professor Emeritus of Scottish EthnologY ForeWord bY Margaret A MackaY European Ethnological Research Centre Celtic and Scottish Studies UniVersitY of Edinburgh 27 George Square Edinburgh EH8 9LD FENTON BIBLIOGRAPHY QX 198 x 129:Fenton QX use 21/5/09 15:52 Page 4 Printed in Great Britain The right of The European Ethnological in 2009 bY Research Centre to be identified as the The European Ethnological compiler of this book has been asserted Research Centre, bY it in accordance With the CopYright, UniVersitY of Edinburgh Designs and Patents Act 1988 . CopYright © European Ethnological The coVer illustration shoWs Pitglassie Research Centre 2009 Croft, Auchterless, AleXander Fenton’s childhood home. Painted bY MaY Beale, Images: as credited © 2009 c1950 . No reproduction permitted Without Printed and bound in Great Britain bY Written permission to The European Athenaeum Press Ltd, Gateshead, Ethnological Research Centre in the TYne & Wear. -
Dean Castle Development Project
Dean Castle Development Project eastayrshireleisure.com A Brief History Dean Castle dates from at least the 14th Century. Built by the ambitious, influential and well-travelled Boyd family, the Lords of Kilmarnock, the buildings and estate continued to be lived in and developed until the mid-1700’s, when a large fire devastated the site. The Boyd family moved on shortly after and the site passed through the ownership of several important and influential people, until it was inherited by the 8th Lord Howard de Walden. From about 1905, De Walden set about re-building areas of the Castle that had fallen into disrepair. He used the Castle to display his collections of Arms and Armour, and early Musical Instruments. In 1974, the 9th Lord Howard De Walden gifted the Castle, estate and collections to the people of Kilmarnock under the stewardship of Kilmarnock and Loudoun District Council, now East Ayrshire Council. The venue has operated as a visitor attraction ever since, and is managed by East Ayrshire Leisure Trust. The Dean Castle site comprises a number of historic buildings set around a central courtyard. These are: The Keep Completed around 1350, the Keep is the oldest permanent structure on the site. It was the original home and stronghold of the Boyd family, Lords of Kilmarnock. As well as being a domestic residence, the work of the Lords was done here. It contains a Great Hall, private chambers, Minstrel’s Gallery, a dungeon, a guardhouse, and kitchens. The Palace (or Place) This building was finished around 1460 and was designed to accommodate the expanding role that the Boyd Family held in society and within political circles. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Kilmarnock Living
@^abVgcdX`A^k^c\ 6 H E : 8 > 6 A E A 6 8 : I D A > K : ! L D G @ ! A : 6 G C 6 C 9 : C ? D N ilZcineaVXZhndj]VkZid`cdlVWdji ^c@^abVgcdX`VcY:Vhi6ngh]^gZ The Dean Castle and Country Park, Kilmarnock River Ayr Way, from Glenbuck A phenomenal medieval experience. The Dean Castle is a A unique opportunity for walkers to experience the most glorious wonderfully well-preserved keep and surrounding buildings set in Ayrshire countryside on Scotland’s first source to sea walk. Starting beautifully manicured gardens and Country Park extending to more at Glenbuck, the birthplace of legendary football manager Bill than 480 acres. Shankley, the path travels 44 miles to the sea at Ayr. The Historic Old Town, Kilmarnock Burns House Museum, Mauchline Narrow lanes and unique little boutique shops. There are plenty of Situated in the heart of picturesque Mauchline, the museum was supermarkets and big stores elsewhere in Kilmarnock, but check the first marital home of Robert Burns and Jean Armour. As well as out Bank Street for something really different. being devoted to the life of Scotland’s national poet, the museum The Palace Theatre and Grand Hall, Kilmarnock has exhibits on the village’s other claims to fame – curling stones The creative hub of East Ayrshire. This is where everything from and Mauchline Box Ware. opera companies to pantomimes come to perform. And the hall is a great venue for private events. Kay Park, Kilmarnock Soon to be home to the Burns Monument Centre, this is one of Rugby Park, Kilmarnock the best of Kilmarnock’s public parks. -
Graeme Todd the View from Now Here
GRAEME TODD The View from Now Here 1 GRAEME TODD The View from Now Here EAGLE GALLERY EMH ARTS ‘But what enhanced for Kublai every event or piece of news reported by his inarticulate informer was the space that remained around it, a void not filled by words. The descriptions of cities Marco Polo visited had this virtue: you could wander through them in thought, become lost, stop and enjoy the cool air, or run off.’ 1 I enjoy paintings that you can wander through in thought. At home I have a small panel by Graeme Todd that resembles a Chinese lacquer box. In the distance of the image is the faint tracery of a fallen city, caught within a surface of deep, fiery red. The drawing shows only as an undercurrent, overlaid by thinned- down acrylic and layers of varnish that have been polished to a silky patina. Criss-crossing the topmost surface are a few horizontal streaks: white tinged with purple, and bright, lime green. I imagine they have been applied by pouring the paint from one side to the other – the flow controlled by the way that the panel is tipped – this way and that. I think of the artist in his studio, holding the painting in his hands, taking this act of risk. Graeme Todd’s images have the virtue that, while at one glance they appear concrete, at another, they are perpetually fluid. This is what draws you back to look again at them – what keeps them present. It is a pleasure to be able to host The View from Now Here at the Eagle Gallery, and to work in collaboration with Andrew Mummery, who is a curator and gallerist for whom I have a great deal of respect.