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Connecting Music and Place: Exploring Library Collection Data Using Geo-Visualizations
Evidence Based Library and Information Practice 2017, 12.2 Evidence Based Library and Information Practice Research Article Connecting Music and Place: Exploring Library Collection Data Using Geo-visualizations Carolyn Doi Music & Education Librarian University Library University of Saskatchewan Saskatoon, Saskatchewan, Canada Email: [email protected] Received: 23 Jan. 2017 Accepted: 26 Mar. 2017 2017 Doi. This is an Open Access article distributed under the terms of the Creative Commons‐Attribution‐ Noncommercial‐Share Alike License 4.0 International (http://creativecommons.org/licenses/by-nc-sa/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly attributed, not used for commercial purposes, and, if transformed, the resulting work is redistributed under the same or similar license to this one. Abstract Objectives – This project had two stated objectives: 1) to compare the location and concentration of Saskatchewan-based large ensembles (bands, orchestras, choirs) within the province, with the intention to draw conclusions about the history of community-based musical activity within the province; and 2) to enable location-based browsing of Saskatchewan music materials through an interactive search interface. Methods – Data was harvested from MARC metadata found in the library catalogue for a special collection of Saskatchewan music at the University of Saskatchewan. Microsoft Excel and OpenRefine were used to screen, clean, and enhance the dataset. Data was imported into ArcGIS software, where it was plotted using a geo-visualization showing location and concentrations of musical activity by large ensembles within the province. The geo-visualization also allows users to filter results based on the ensemble type (band, orchestra, or choir). -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
United States District Court Southern District of Texas Corpus Christi Division Marc Veasey, Et Al., ) Case No: 2:13-Cv-0019
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF TEXAS CORPUS CHRISTI DIVISION MARC VEASEY, ET AL., ) CASE NO: 2:13-CV-00193 ) Plaintiffs, ) CIVIL ) vs. ) Corpus Christi, Texas ) RICK PERRY, ET AL., ) Tuesday, September 9, 2014 ) (7:58 a.m. to 12:04 p.m.) Defendants. ) (1:08 p.m. to 6:25 p.m.) BENCH TRIAL - DAY 6 BEFORE THE HONORABLE NELVA GONZALES RAMOS, UNITED STATES DISTRICT JUDGE Appearances: See Next Page Court Recorder: Genay Rogan Clerk: Brandy Cortez Court Security Officer: Adrian Perez Transcriber: Exceptional Reporting Services, Inc. P.O. Box 18668 Corpus Christi, TX 78480-8668 361 949-2988 Proceedings recorded by electronic sound recording; transcript produced by transcription service. EXCEPTIONAL REPORTING SERVICES, INC 2 APPEARANCES FOR: Plaintiffs: CHAD W. DUNN, ESQ. KEMBEL SCOTT BRAZIL, ESQ. Brazil and Dunn 4201 Cypress Creek Parkway, Suite 530 Houston, TX 77068 ARMAND DERFNER, ESQ. P.O. Box 600 Charleston, SC 29402 J. GERALD HEBERT, ESQ. Attorney at Law 191 Somervelle Street #405 Alexandria, VA 22304 NEIL G. BARON, ESQ. 914 FM 517 Rd. W, Suite 242 Dickinson, TX 77539 EMMA P. SIMSON, ESQ. Campaign Legal Center 215 E. Street NE Washington, DC 20002 Mexican American EZRA D. ROSENBERG, ESQ. Legislative Caucus, Dechert, LLP et al.: 902 Carnegie Center, Suite 500 Princeton, NJ 08540-6531 MARK A. POSNER, ESQ. AMY L. RUDD, ESQ. GARY BLEDSOE, ESQ. SONIA K. GILL, ESQ. ERANDI ZAMORA, ESQ. Lawyers’ Committee for Civil Rights 1401 New York Ave. NW, Suite 400 Washington, DC 20005 DANIEL G. COVICH, ESQ. 802 N. Carancahua, Suite 2100 Corpus Christi, TX 78401 EXCEPTIONAL REPORTING SERVICES, INC 3 APPEARANCES FOR: (CONTINUED) Mexican American MYRNA PEREZ, ESQ. -
Effects of Duration of Selected Music As an Intervention on Postoperative
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2010 Effects of duration of selected music as an intervention on postoperative pain in open-heart surgery patients during chair rest on the first postoperative day Tzu-Ting Shu Follow this and additional works at: http://commons.emich.edu/theses Part of the Music Therapy Commons, and the Rehabilitation and Therapy Commons Recommended Citation Shu, Tzu-Ting, "Effects of duration of selected music as an intervention on postoperative pain in open-heart surgery patients during chair rest on the first postoperative day" (2010). Master's Theses and Doctoral Dissertations. 321. http://commons.emich.edu/theses/321 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. EFFECTS OF DURATION OF SELECTED MUSIC AS AN INTERVENTION ON POSTOPERATIVE PAIN IN OPEN-HEART SURGERY PATIENTS DURING CHAIR REST ON THE FIRST POSTOPERATIVE DAY By Tzu-Ting Shu, BSN, RN Thesis Submitted to the School of Nursing College of Health and Human Services Eastern Michigan University In partial fulfillment of the requirement for the degree of: MASTER OF SCIENCE IN NURSING Thesis Committee: Lorraine M. Wilson, PhD, RN: Chair Tsu-Yin Wu, PhD, RN: Committee Member December 16, 2010 Ypsilanti, Michigan i THESIS APPROVAL Effects of Duration of Selected Music as an Intervention on Postoperative Pain in Open-heart Surgery Patients during Chair Rest on the First Postoperative Day Tzu-Ting Shu APPROVED: _________________________________ _______________________ Lorraine M. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
FSU ETD Template
Florida State University Libraries 2016 Music Therapy and Music Medicine Assessment in Mental Health and Medical Research with Children and Adolescents: An Integrative Review Dawn M. Pufahl Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUSIC THERAPY AND MUSIC MEDICINE ASSESSMENT IN MENTAL HEALTH AND MEDICAL RESEARCH WITH CHILDREN AND ADOLESCENTS: AN INTEGRATIVE REVIEW By DAWN M. PUFAHL A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music 2016 Dawn M. Pufahl defended this thesis on April 15, 2016. The members of the supervisory committee were: Lori F. Gooding Professor Directing Thesis Jayne M. Standley Committee Member Dianne Gregory Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii TABLE OF CONTENTS List of Tables ................................................................................................................................. iv List of Figures ..................................................................................................................................v Abstract .......................................................................................................................................... vi 1. INTRODUCTION ......................................................................................................................1 -
2010 Literary Review (No
Whittier College Poet Commons Greenleaf Review Student Scholarship & Research 5-2010 2010 Literary Review (no. 23) Sigma Tau Delta Follow this and additional works at: https://poetcommons.whittier.edu/greenleafreview Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Sigma Tau Delta, "2010 Literary Review (no. 23)" (2010). Greenleaf Review. 12. https://poetcommons.whittier.edu/greenleafreview/12 This Book is brought to you for free and open access by the Student Scholarship & Research at Poet Commons. It has been accepted for inclusion in Greenleaf Review by an authorized administrator of Poet Commons. For more information, please contact [email protected]. An Upsilon Chapter (Sigma Tau Delta) Publication 2010 LITERARY REVIEW Number 23 May 2010 Published by The Upsilon /Jessamyn West Chapter of Sigma Tau Delta 201OLiterazyReviewEditors:Tina Rinaldi & Katy Simonian Sigma Tau Delta Advisor. Sean Morris The 2010 Litciajv Rciwir ii;is(ksigned and laid out by Tina Rinaldi in Microsoft Word. The font used is Baskervilic Old Face, with the body copy set at 10 points. The cover aft "Florida Keys 2009" by johanna Weber was created in Adobe Photoshop Elements 8.0. Printing and binding was supervised by Don Kim of Highlight Graphic USA Co. in Santa Fe Springs 2 TABLE OF CONTENTS FORE\VOR1) Poetry I Wonder Why the Muse Has Risen in Me / Annealing of the Lamb (Shannon jaiine) 6 Tomatoes (Wren Saito) 7 Sonnet in E Minor / Urban Nature (Katy Simonian) 8 Untitled (Lindy Blake) 9 The Middle-Eastern -
Jan. 23, 2020 $1 Movement Brings Delbert Africa Home Unjustly Framed, out After 41 Years
La huelga Persecución contra más grande 12 Manning, Assange 12 Workers and oppressed peoples of the world unite! workers.org Vol. 62, No. 4 Jan. 23, 2020 $1 Movement brings Delbert Africa home Unjustly framed, out after 41 years By Ted Kelly Black revolutionary groups. The chairman of the Illinois chapter of the Black Panther Delbert Orr Africa has survived more Party, Fred Hampton, was assassinated on attempts on his life than arguably any Dec. 4, 1969, in a sordid plot that involved other living revolutionary. For over 50 the FBI, the Chicago Police Department years, the United States government has and turncoat informants who had been tried to kill him, beat him, break him down placed close to Hampton’s family. and silence him. And now at the dawn of a After this murder-execution, the rest of new decade, he has bested the empire once the Chicago members— Delbert among again— Delbert Africa is free. them— had false warrants put out on After being granted parole on Dec. 20, them. He managed to elude the state’s he was finally released from SCI Dallas on agents sent to capture him and went into Jan. 18. He is the sixth MOVE 9 member exile in Canada. to be released in the last year. A few years later, back on the U.S. side As a member of the Chicago chapter of of the border, he was nearly killed in a car the Black Panthers in the 1960s, Delbert accident that left his cousin and another faced dire threats from the state’s war on friend dead, but he managed to once again evade the FBI who came to ques- tion him in the hospital. -
AUSTRALIAN SINGLES REPORT 19Th December, 2016 Compiled by the Music Network© FREE SIGN UP
AUSTRALIAN SINGLES REPORT 19th December, 2016 Compiled by The Music Network© FREE SIGN UP ARTIST TOP 50 Combines airplay, downloads & streams #1 SINGLE ACROSS AUSTRALIA Starboy 1 The Weeknd | UMA starboy Rockabye The Weeknd ft. Daft Punk | UMA 2 Clean Bandit | WMA Say You Won't Let Go 3 James Arthur | SME Riding the year out at #1 on the Artist Top 50 is The Weeknd’s undeniable hit Starboy ft. Daft Punk. Black Beatles Overtaking Clean Bandit’s Rockabye ft. Sean Paul & Anne-Marie which now sits at #2, Starboy has 4 Rae Sremmurd | UMA stuck it out and finally taken the crown. Vying for #1 since the very first issue of the Australian Singles Scars to your beautiful Report and published Artist Top 50, Starboy’s peak at #1 isn’t as clear cut as previous chart toppers. 5 Alessia Cara | UMA Capsize The biggest push for Starboy has always come from Spotify. Now on its eighth week topping the 6 Frenship | SME streaming service’s Australian chart, the rest of the music platforms have finally followed suit.Starboy Don't Wanna Know 7 Maroon 5 | UMA holds its peak at #2 on the iTunes chart as well as the Hot 100. With no shared #1 across either Starvi n g platforms, it’s been given a rare opportunity to rise. 8 Hailee Steinfeld | UMA Last week’s #1, Rockabye, is still #1 on the iTunes chart and #2 on Spotify, but has dropped to #5 on after the afterparty 9 Charli XCX | WMA the Hot 100. It’s still unclear whether there will be one definitive ‘summer anthem’ that makes itself Catch 22 known over the Christmas break. -
Dakota and All We Know of Heaven: a Spiritual Desert Matthew Olc Lins
Undergraduate Review Volume 3 Article 23 2007 Dakota and All We Know of Heaven: A Spiritual Desert Matthew olC lins Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Comparative Literature Commons, and the Literature in English, North America Commons Recommended Citation Collins, Matthew (2007). Dakota and All We Know of Heaven: A Spiritual Desert. Undergraduate Review, 3, 142-144. Available at: http://vc.bridgew.edu/undergrad_rev/vol3/iss1/23 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2007 Matthew Collins Dakota and All We Know of Heaven: A Spiritual Desert Matthew Collins Matthew Collins wrote this essay under the he two works, All We Know of Heaven by Rèmy Rougeau and Dakota mentorship of Dr. Ben Carson. by Kathleen Norris deal with themes of how monasticism and rural society interact and differ from mainstream society. All We Know of Heaven is a fictional work that tells the story of Paul Seneschal, who joins a Cistercian monastery in hope of finding meaning in life. Dakota is Ta collection of essays about rural society and spirituality in the Dakota region of the United States. These works show how monasticism and rural society are characterized by rugged simplification of everyday material life, a distrust of the outside world that ignores and shuns them, and a way of life that is slowly becoming a thing of the past. In All We Know of Heaven Paul Seneschal, who becomes Brother Antoine, enters a Cistercian monastery, in part because of the spiritual enlightenment offered from the rugged simplicity of everyday life. -
A Test of an Auditory Motion Hypothesis for Continuous and Discrete Sounds Moving in Pitch Space
A TEST OF AN AUDITORY MOTION HYPOTHESIS FOR CONTINUOUS AND DISCRETE SOUNDS MOVING IN PITCH SPACE Molly J. Henry A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: J. Devin McAuley, Advisor Rodney M. Gabel Graduate Faculty Representative Jennifer Z. Gillespie Dale S. Klopfer ii ABSTRACT J. Devin McAuley, Advisor Ten experiments tested an auditory motion hypothesis, which proposes that regular pitch- time trajectories facilitate perception of and attention to auditory stimuli; on this view, listeners are assumed to use velocity information (pitch change per unit time) to generate expectations about the future time course of continuous and discrete sounds moving in pitch space. Toward this end, two sets of experiments were conducted. In six experiments reported in Part I of this dissertation, listeners judged the duration or pitch change of a continuous or discrete comparison stimulus relative to a standard, where the comparison’s velocity varied on each trial relative to the fixed standard velocity. Results indicate that expectations generated based on velocity information led to distortions in perceived duration and pitch change of continuous stimuli that were consistent with the auditory motion hypothesis; specifically, when comparison velocity was relatively fast, duration was overestimated and pitch change was underestimated. Moreover, when comparison velocity was relatively slow, duration was underestimated and pitch change was overestimated. On the other hand, no perceptual distortions were observed for discrete stimuli, consistent with the idea that velocity information is less clearly conveyed, or easier to ignore, for discrete auditory stimuli.