Ottawa, IL 61350—Tel. (815) 433-5261

Total Page:16

File Type:pdf, Size:1020Kb

Ottawa, IL 61350—Tel. (815) 433-5261 The LaSalle County Genealogy Guild – 115 W. Glover St.—Ottawa, IL 61350—Tel. (815) 433-5261 JANUARY/FEBRUARY 2018 GUILD HOURS Mondays & Saturdays JANUARY MEETING 9:00 a.m. to 4:00 p.m. Saturday 20th 2018 Meetings—3rd Saturday of Month At 1:00 p.m. Our speakers for this month will be JANE DePAOLI and ANN NEWELL. 115 W. Glover St., Ottawa Their presentation will be on the history of THE LASALLE COUNTY POOR 815 433-5261 FARM AND CEMETERY. Jane and Ann will share in information on the peo- ple buried in the cemetery as well as old photographs of the farm, such as the Ad- INTERNET CORNER ministrator from around 1905 in front of the big red brick buildings. This will be a The LSCGG’s Home Page address is: power point program of the research they have done. Lscgg.org LSCGG’s e-mail address: [email protected] FEBRUARY MEETING Saturday the 17th 2018 If you are a member and have not given us your e-mail address, please do so GAIL RAPP will be our speaker for this months meeting. Gail enjoys at the above address. REPURPOSING OLD METAL AND WOOD, creating rusty yard art OFFICERS from old tools, farm machinery, car parts and other discarded metal. President: Jenan Jobst Thirteen years ago, on a trip to Chicago, I came across a metal sculp- (815) 433-2919 ture. Studying this piece of art I saw familiar object used to create the Vice President: Debbie Snook piece. This tweaked my interest and that is how it all started. I purchased (815) 434-6342 my welder and chop-saw. Co-Secretaries: Sandy Vahl & Carol Wenzel Editor: Carole Nagle My wife and I enjoy “picking” by visiting rummage sales, flea markets, farm auctions and even scrap yards. Items I most enjoy creating are flow- ers, animals, insects and signs. My most challenging project was creating 5 life size pieces for a man from California for his country retreat. PRESIDENT’S LETTER Merry Christmas and Happy New Year 2018, I’m writing this 2 weeks before Christmas, but you probably won’t get this newsletter before Christmas. We haven’t had too many visitors lately but we have been busy. Bob Jordan’s nephew and wife are cleaning out his house. They keep finding things that Bob had saved and bringing them to us, box after box. Bob always made a second copy for himself. We have over 1400 pic- tures that Bob had put on his computer that we now have. We also received an index to the Spectator columns from the newspaper. We have the index but the columns are at Reddick library. We are busy getting all the information filed. Remember to renew your membership to the guild for next year. I hope you have a very Merry Christmas and a great New Year. Jenan Jobst President THE GENIE’S VIEW PAGE 2 LASALLE COUNTY GENEALOGY PLACES TO GO—THINGS TO DO GUILD MEETING— 18 November 2017 State of Illinois Genealogical Society Webinars Our annual November Ethnic Potluck was enjoyed by about 20 members. We had a large variety of dishes which were truly 9 January 2018 delicious. Finding Scottish Ancestors Online There was no formal meeting but lots of good conversations 8:00 p.m. Central Time 13 February 2018 Illinois digital Resources 8:00 Central Time MEMBERSHIPS 13 March 2018 Finding Clues for Your Immigrant Ancestors in Ethnic Newspapers and Publications New Members 8:00 p.m. Central Time PRIVATIZED SECTION Please check the website for more information and regis- Only Available to Members tration http://ilgensoc.org National Genealogical Society 2018 Family History Conference 2—5 May 2018 Change of Address Grand Rapids, Michigan PRIVATIZED SECTION Presented by National Genealogical Society Only Available to Members More information http://www.conference.ngsgenealogy.org GENEALOGY TIP OF THE DAY Rejoined How much information in your genealogy files is PRIVATIZED SECTION there because you “thought” it instead of finding a Only Available to Members record or source to provide evidence of it? You may think that your relatives were married in a certain town, but the marriage record only says the name of the county. You may think great-great-grandpa was born in Jackson Township, Coshocton County, Ohio, but all Additional Surnames the records you have only say the name of the county. You may think that your grandparents attended the PRIVATIZED SECTION same church as your great-grandparents, but it’s possi- Only Available to Members ble they did not. Researchers want to think. It’s essential. Just remember that before putting down locations, events, etc. we need more than just what we think to be true. Review materials you compiled early in your re- search? Is there information you put down because you “thought” it was true? That could be why you have a brick wall. Posted: 06 Dec 2017 10:01 AM PST THE GENIE’S VIEW PAGE 3 LaSALLE THEATER area. As Christmas of 1837 neared, he sailed to St. Louis to try to persuade Bishop Rosati to install a priest in LaSalle. He The LaSalle Theater was built in 1914 by Mr. Manny related the unruliness of the labor force, and the need for some Newman and a group of LaSalle businessmen. Manny was divine guidance. His prayers were answered on March 29, the first manager in the 1920’s and was succeeded by Tom 1838, when a steamboat from St. Louis brought Fathers Raho Norman. and Parodi to LaSalle to start a Catholic mission. The Byrne The theater featured prizefights, top-notch vaudeville and cabin hosted the first mass of the mission along with all daily stock company performances through 1930. masses held until a church building could be constructed. High School and Grade School graduations were held at Michael Byrne was also living in LaSalle at the same time the theater along with campaign rallies and talent contests as William, Although it is now unknown how the two were every Friday evening. Bank nights were held during rhe related, if at all. Michael became landlord of Harrisson Hotel depression. on March 1, 1887. He also had an interest in the lumber and LaSalle’s own Gertrude Olmsted, Pearl White, Clara grain businesses and was one of the first organizers of the Bow, Ethel Barrymore, Mary Astor, Ruth Roland, Mary LaSalle National Bank. His lumberyard was sold in 1885 To Pickford, John Barrymore, Walter Pidgeon, William Mr. Stuart. Desmont, Charlie Chaplin, Wallace Reed, Tom Mix, Will Rogers, Buster Keaton, Harold Lloyd, Fatty Arbuckle, Buck Matthew Byrne was appointed manager of the Harrison Hotel Jones, Art Acord, Hoot Gibson, Yuke Knute, Young Jackie at the same time Michael Byrne took over as landlord. Later, a Coogan, Mickey Rooney, Snub Polar, Ben Turpin, Laurel & William F. Byrne became the hotel’s proprietor. William F. Hardy, Al Jolson, Eddie Cantor,, Estelle Taylor and James made improvements to the structure including rebuilding and Cagney all came to life at the theater. rearranging the hotel office in 1902. The entire hotel was re- Saturday afternoon child’s admission was three cents. furbished in 1910 during his tenure. Some of the shows were serial movies and patrons had to Also listed in City directories is John Byrne who purchased come back the next week to see the rest. the lot next to Billy Byrne’s, leading one to believe they were An orchestra pit was located in front of the stage. Music probably related. John was listed as Sec. Foreman with the from the pit filled the theater with the appropriate music Illinois Central Railroad. He lived on Third Street near the during the silent film days. Some of the musicians were: I.C. tracks. His sister was, most likely, Eliza Byrne, based on Frank Powers on the drums, Ralph Shmoeger at the piano, land records indicating a joint purchase of the same lot. Illi- Dave Hamilton on the violin, Verde Halm on the coronet nois marriage records indicate that Eliza married David L. and Charles Miller on the clarinet and saxophone. Gregg in LaSalle County on June 1, 1842. Jensen Jewelry Store was located in the west front en- P.H. Byrne is listed as serving as City Marshall in 1876. trance and the Western Union Telegraph Office was located He lived at the corner of Fourth and Tonti Streets. in the east front entrance. Finally, the last Byrne to figure prominently in LaSalle history was Edward Byrne. Edward served LaSalle as City “THE AUSTRIAN BAND” Engineer from the early 1900’s to 1936 when Larry McGonni- gal took over the position. Around the year 1914, a band known as the Austrian Band played regularly in the City’s Pulaski Park band shell. City of LaSalle, 1852-2002 The band consisted of members of Austrian descent, and Sesquicentennial - pg. 9-17 they often played at midnight mass at St. Roch’s church on Christmas Eve. City of LaSalle, 1852-2002 Sesquicentennial - pg. 7-19 THANK YOU Big Thanks to Kathy Loebach and Gayle Wright for their very generous donations. Thanks to Billie Armstrong for BYRNE your generous donation in memory of Robert Jordan. Also, thanks to the following for their donations: Mary Carter, In the early days of LaSalle, the name Byrne must Donald Kerste Marilyn Schoenfeld and Jon C. Gealow. have been heard throughout the town on a regular basis. Every donation, large or small, is truly appreciated by the Guild as we run on dues, donations and fees for information William Byrne was a canal builder from Leinster, Ire- and copies.
Recommended publications
  • Spf-Vwcaul A
    DEC. 3, 1932_ THE INDIANAPOLIS TIMES PAGE 5 HAYDN BICENTENNIAL CONCERT TO BE GIVEN TUESDAY Clara Bow, After a Long Absence, Returns to the Talking Indianapolis Saengerbund Will Give Its First Program of # Screen at the Apollo in Tiffany Thayer’s Greatly R| <*■ ->i _. the Current Season Sunday Afternoon at Knights Discussed ‘Call Her Savage.’ nt Wx 4- j of Columbus Auditorium. ‘/'NALL HER SAVAGE," Clara Bow’s long-awaited starring picture second concert of the Indianapolis Symphony orchestra will be v-4 *or Fox 1* current 44 the attraction at the Apollo theater, where at hall it wijl for THEheld Tuesday night, Dec. 6. Caleb Mills at 8:30 o'clock. remain a limited engagement. Ors occasion, will The photoplay this the orchestra celebrate the bicentennial of new is said to bring a new, more poised, dignified Franz Joseph Haydn, and will be assisted and emotional star for the delight of her by the Haydn festival chorus, countless fans. under direction of Elmer A. Steffen. As Nasa, dynamic heroine of Tiffany Thayer’s Bow drama. Miss Last summer, Mrs. Frank Cregor. president of the Matinee Musicale, touches every human emotion in what is reputed to be the Strongest screen story of her career. conceived the idea of the Haydn festival, and quickly won enthusiasts §* to her cause. With a background of elaborate settings and an all-featured cast IBjPB| Miss Bow discards the flapperisms made J 8 tft Members of the Matinee Musicale Chorale comprise a large part of that portrays hL her famous, and a tensely-dramatlc role and depicts the chorus composed also of members from church choirs and high the rich emotionalism of mother school choruses.
    [Show full text]
  • Hollywood on the Hudson Surveys New York's Role In
    HOLLYWOOD ON THE HUDSON SURVEYS NEW YORK’S ROLE IN THE ESTABLISHMENT OF MODERN AMERICAN FILMMAKING BETWEEN THE TWO WORLD WARS Hollywood on the Hudson: Filmmaking in New York, 1920–39 September 17 - October 19, 2008 The Roy and Niuta Titus Theaters New York, September 11, 2008—Hollywood on the Hudson: Filmmaking in New York, 1920- 1939, a month-long exhibition that showcases New York City’s seminal yet rarely recognized role in the establishment of the modern American film industry between the two world wars, is presented at The Museum of Modern Art, from September 17 through October 19, 2008. More than 25 feature films and many shorts, including early sound films—musicals, comedies, animated films, and documentaries—offer a survey of filmmaking in New York during the hegemony of Hollywood, from D. W. Griffith’s return from the West Coast in 1919 to the World’s Fair of 1939. Screenings include pioneering sound films shot at the Paramount Studios in Astoria, Queens, and performances by Broadway luminaries such as Louise Brooks, Marion Davies, the Marx Brothers, Gloria Swanson, and Rudolph Valentino. Hollywood on the Hudson is co-organized by Laurence Kardish, Senior Curator, Department of Film, The Museum of Modern Art; and Richard Koszarski, on whose book, Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff (Rutgers University Press, 2008), the exhibition is based. The exhibition recalls a point during which an industry built on centralized authority began to listen, for the first time, to a range of independent voices in cinema, each with their own ideas about what the movies could say and do.
    [Show full text]
  • Hollywood and France, 1914-1945 Louise G
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee.
    [Show full text]
  • TORRANCE HERALD, Toffaace, Cabf
    THURSDAY, DBClittfBBIt 29, TORRANCE HERALD, Toffaace, CaBf. Two Big Films AT WARNER'S THEY'RE ALL IN THE DOUGH "CALL HER SAVAGE" Tartars to See Irish-Trojan JO At Fox Redondo Offer Big Week >rigi Friday and Saturday, December Game Picture 30 nd 81, the Fox Redondo "Thca- Entertainment first "Centra! I'ark," with Joa The pausing of the alabaster the dell and Wallace Ford, la repo them. ft IB unique In bstltution of real human belnss catches a cross section lio are neither saint nor devil, variegated life that pulse ally but a mixture of both, goes on The entire first string footbaJJ through New York city's groat .pace In "Hell's Highway." the R. en of Torrarifee High ti»T« B**t» playground. It hns caught the C. O. picture playing Thursday, .vited with Coach Ponahue .,!» spirit and the vivid coloring- of its Friday and Saturday at Warner ianaser 8am Klein to b* lh| cosmopolitan life and has em­ «. San Pedro Theatre, in which puests of the Torrance The atMl blazoned It on the screen In a Richard Dix plays the role of a ext Sunday matinee to view tt)4 Klin" glowing- romance. ^11 of its thrill- sometimes brutal, sometimes sen- lay-by-play pictures at the Notti Ad> Ing drama, its exciting scenes, its tie convict. Dame vs. V.' S. C. football Kama' comedy and Its romance, take In one »cen? he swings a pick The theatre management will pre- place in 24 hod . with terrific force, slnkins its it the local Tartars with a foot- of an inch from Also playing Friday and Satur­ point a fraction 1 as a token of their good work day is "Me and My Gal" with a fellow coVivict'a feet, just to ring the past season.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • Estelle Taylor Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Estelle Taylor 电影 串行 (大全) Desire https://zh.listvote.com/lists/film/movies/desire-3024431/actors Playthings of Desire https://zh.listvote.com/lists/film/movies/playthings-of-desire-7203552/actors A California Romance https://zh.listvote.com/lists/film/movies/a-california-romance-62901969/actors Call Her Savage https://zh.listvote.com/lists/film/movies/call-her-savage-827179/actors The Whip Woman https://zh.listvote.com/lists/film/movies/the-whip-woman-18393957/actors Frisco Kid https://zh.listvote.com/lists/film/movies/frisco-kid-927963/actors A Fool There Was https://zh.listvote.com/lists/film/movies/a-fool-there-was-3602473/actors Bavu https://zh.listvote.com/lists/film/movies/bavu-19946029/actors Tiger Love https://zh.listvote.com/lists/film/movies/tiger-love-19363929/actors The Revenge of Tarzan https://zh.listvote.com/lists/film/movies/the-revenge-of-tarzan-2812280/actors Liliom https://zh.listvote.com/lists/film/movies/liliom-3240856/actors Blind Wives https://zh.listvote.com/lists/film/movies/blind-wives-4926622/actors Monte Cristo https://zh.listvote.com/lists/film/movies/monte-cristo-3861494/actors Where East Is East https://zh.listvote.com/lists/film/movies/where-east-is-east-3258661/actors While New York Sleeps https://zh.listvote.com/lists/film/movies/while-new-york-sleeps-7993616/actors Lady Raffles https://zh.listvote.com/lists/film/movies/lady-raffles-27981637/actors æˆå​ ä​ ººç”Ÿ https://zh.listvote.com/lists/film/movies/%E6%88%8F%E5%AD%90%E4%BA%BA%E7%94%9F-1366541/actors https://zh.listvote.com/lists/film/movies/960499/actors
    [Show full text]
  • 1 Mexican Film Censorship and the Creation of Regime Legitimacy
    Mexican Film Censorship and the Creation of Regime Legitimacy, 1913-1945 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Reyna Marie Esquivel-King, M.A. Graduate Program in History The Ohio State University 2019 Dissertation Committee: Dr. Stephanie Smith, Advisor Dr. Laura Podalsky Dr. Stanley Blake 1 Copyrighted by Reyna Marie Esquivel-King 2019 2 Abstract My dissertation, entitled, “Mexican Film Censorship and the Creation of Regime Legitimacy, 1913-1945,” argues that Mexican government officials used cinema censorship to disseminate a positive image of Mexico and Mexicans as modern and prosperous, and attempted to create an appearance of stability and control. Utilizing archival sources, newspapers, journals, and film propaganda, I examine how regimes use film censorship as a tool to legitimize their power through images. Specifically, I focus on representations of women, the indigenous, and Mexicans in U.S. cinema. The officials realized the significant persuasive and influential power that visual media had over its vast and far-reaching audiences, especially the increasingly popular form of film. They saw censorship as an efficient and effective tool they could use to create and/or change the course of any given tide of public sentiment or opinion. They implemented film censorship and the use of positive imagery to serve two purposes. One reason being to convince international audiences of Mexico’s status as a modern, powerful, and independent nation. The second was to persuade domestic audiences of the Mexican government’s legitimacy to rule and restore a sense of national pride in order to breed a common desire for national unity.
    [Show full text]
  • Myrna Loy ~ 46 Films and More
    Myrna Loy ~ 46 Films and more Myrna Loy was born Myrna Adele Williams on 2 August 1905 in Radersburg, Montana to parents of Welsh, Scottish and Swedish descent. After her rancher father David became, at just 21, the youngest man ever elected to the Montana State Legislature, the family moved 35 miles to Helena, the state capital, which is where Myrna grew up. Frank (later Gary) Cooper, four years her senior, was a near neighbour: We lived high off the hog on Fifth Avenue. It was just a nice middle- class neighbourhood. Most of the richer families were building on the opposite mountainside. Helena is a spacious city, climbing up Mount Ascension and Mount Helena from Last Chance Gulch, so we had wonderful, steep streets. When it snowed you could slide past Judge Cooper's house all the way to the railroad station in the valley part of town. The Coopers lived just below us in a fairly elegant house with an iron fence around it.1 In 1918 a flu pandemic swept the world, and one of its countless victims was 39 year old David Williams. This prompted his widow Ella to move with children Myrna and nine year old David to Los Angeles. There Myrna attended the Westlake School for Girls where at the age of 15 she caught the acting bug. In 1924-5, she came to the attention of silver screen big-hitters Rudolph and Natacha Valentino, following which doors of opportunity began to open. Her first film, released in 1925, was What Price Beauty? Later the same year she appeared alongside young Joan Crawford in Pretty Ladies.
    [Show full text]
  • Biography Denver General Subject Railroads States and Cities Misc
    Biography Denver General Subject Railroads States and Cities Misc. Visual Materials BIOGRAPHY A Abeyta family Abbott, Emma Abbott, Hellen Abbott, Stephen S. Abernathy, Ralph (Rev.) Abot, Bessie SEE: Oversize photographs Abreu, Charles Acheson, Dean Gooderham Acker, Henry L. Adair, Alexander Adami, Charles and family Adams, Alva (Gov.) Adams, Alva Blanchard (Sen.) Adams, Alva Blanchard (Sen.) (Adams, Elizabeth Matty) Adams, Alva Blanchard Jr. Adams, Andy Adams, Charles Adams, Charles Partridge Adams, Frederick Atherton and family Adams, George H. Adams, James Capen (“Grizzly”) Adams, James H. and family Adams, John T. Adams, Johnnie Adams, Jose Pierre Adams, Louise T. Adams, Mary Adams, Matt Adams, Robert Perry Adams, Mrs. Roy (“Brownie”) Adams, W. H. SEE ALSO: Oversize photographs Adams, William Herbert and family Addington, March and family Adelman, Andrew Adler, Harry Adriance, Jacob (Rev. Dr.) and family Ady, George Affolter, Frederick SEE ALSO: oversize Aichelman, Frank and Agnew, Spiro T. family Aicher, Cornelius and family Aiken, John W. Aitken, Leonard L. Akeroyd, Richard G. Jr. Alberghetti, Carla Albert, John David (“Uncle Johnnie”) Albi, Charles and family Albi, Rudolph (Dr.) Alda, Frances Aldrich, Asa H. Alexander, D. M. Alexander, Sam (Manitoba Sam) Alexis, Alexandrovitch (Grand Duke of Russia) Alford, Nathaniel C. Alio, Giusseppi Allam, James M. Allegretto, Michael Allen, Alonzo Allen, Austin (Dr.) Allen, B. F. (Lt.) Allen, Charles B. Allen, Charles L. Allen, David Allen, George W. Allen, George W. Jr. Allen, Gracie Allen, Henry (Guide in Middle Park-Not the Henry Allen of Early Denver) Allen, John Thomas Sr. Allen, Jules Verne Allen, Orrin (Brick) Allen, Rex Allen, Viola Allen William T.
    [Show full text]
  • Vitaphone Brochure (1927)
    VtTAPHDM The Biggest Thing In The Last Forty Years periments at the studio of the firm AX ORE THAN twenty-five years in Brooklyn. Then \yr C. DURANT, regarded in business as one there came a ago, H. G. Wells, in “When period of depression and likewise * the Sleeper Wakes,’’ described an of the leading figures in the security market, periods of exultation. A time came invention of the future. On a smooth when the engineers, carried predicted in 1 908 that General Motors would earn away by white surface, a yard square, “The a new lead and a new promise, for- Sleeper” saw miniature more money than the United States Steel Corpora- human fig- got to eat and worked all night. ures moving about and heard them tion. That prediction, which in 1 908 sounded fan- Screen History talk and sing. It was ‘ ‘ exactly like tastic, has become part of financial history in reality, viewed through an inverted 1927. Bit by bit things got clearer and opera glass and heard hope became stronger, with the re- through a long Recently Mr. Durant volunteered another predic- tube. ’ ’ sult that the Warners plunged deep- At that time, when both phono- tion. In an interview with B. C. Forbes that ap- er into the enterprise by taking over the huge and graphs and motion pictures were peared in Forbes’ Magazine for February, he said: expensive Manhattan doubtful experiments, Wells’s imag- Opera House in New York for the ination performed the feat of pre- continuation of the experiments and ||' I HE thing that has the biggest possibilities of dicting them, not only perfected, but as a studio for the screening of ar- tists.
    [Show full text]
  • Bibliography Filmography
    Anne Bauchens Lived: February 2, 1882 - May 7, 1967 Worked as: editor Worked In: United States by Kristen Hatch Anne Bauchens was a St. Louis, Missouri native who, at the age of twenty, moved to New York City in the hope of becoming an actor and was hired by William de Mille as a typist and stenographer in 1912. Five years later, she traveled to Hollywood to help William’s brother, producer-director Cecil B. De Mille, edit We Can’t Have Everything (1918). DeMille is quoted in the Los Angeles Herald Examiner as saying about her that “though a gentle person, professionally she is as firm as a stone wall . We argue over virtually every picture” (III 3). Nonetheless, she was the only person the director would permit to edit his films and continued working with him until his death in 1959. See also: Hettie Grey Baker, Margaret Booth, Winifred Dunn, Katherine Hilliker, Viola Lawrence, Jane Loring, Irene Morra, Blanche Sewell, Rose Smith Bibliography The bibliography for this essay is included in the “Cutting Women: Margaret Booth and Hollywood’s Pioneering Female Film Editors” overview essay. Filmography A. Archival Filmography: Extant Film Titles: 1. Anne Bauchens as Editor Till I Come Back to You. Dir. Cecil B. DeMille, sc.: Jeanie Macpherson, ed.: Anne Bauchens (Famous Players-Lasky Corp. US 1918) cas.: Fryant Washburn, Florence Vidor, si., b&w, 6 reels, 35mm. Archive: George Eastman Museum [USR], Academy Film Archive [USF]. Don’t Change Your Husband. Dir. Cecil B. DeMille, sc.: Jeanie Macpherson, ed.: Anne Bauchens (Famous Players-Lasky Corp.
    [Show full text]
  • Riddle-1-Bourbon Chapter Four Paramount Studios Paramount
    Riddle-1-Bourbon Chapter Four Paramount Studios Paramount-Lasky Studios were located on the corner of Sunset Boulevard and Vine Street. There were five enormous glass stages – the roofs being made of glass made it possible to get lots of sunlight and less arcs and spotlights were necessary for shooting a picture. This was all quite some time before talking pictures were ever thought possible; they were discussed, but not believed. In the early 1920’s, when Rudolph Valentino and Gloria Swanson were two of the greatest silent motion picture stars, I was under contract to Paramount Pictures, the same studio they were under contract to. Another up and comer at that time was a handsome and talented young man, William Boyd. He later became Hopalong Cassidy. There were six of us men called stock players and about twenty or thirty stock girls. When a picture was in need of bit players or small parts, the stock players were always used. It seemed there were never enough stock girls to go around. I never knew why. Usually, if the job was a little rough for the girls, some of the men in stock were sent to the make-up department, then to wardrobe, and they did the parts the girls wouldn’t or couldn’t play. Gloria Swanson and Rudolph Valentino were making a picture called Beyond the Rocks. They were shooting most of it on a yacht in Catalina bay. They tried the first few days with the stock girls, but they’d get too seasick and just couldn’t make it.
    [Show full text]