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Star Wars the Law Awakens
STAR WARS THE LAW AWAKENS MEGAN HITCHCOCK, ESQ. JOSHUA GILLILAND, ESQ. THE LAW AWAKENS Jedi Lawyers Finn or Rey’s Lightsaber? Defense of Others Rebel Law Medical Malpractice Droid Ownership Employee Safety Torture Self-Defense LAWYERS LOVE STAR WARS The Law is Strong with This One… STAR WARS JUDICIAL QUOTES Age of Judges: 40s to 60s A 46 year-old Judge was 9 years-old when Star Wars came out. “In fact, on August 1, 2012 your tweets will be sent across the universe to a galaxy far, far away.” People of the State of New York v. Malcolm Harris, Docket No. 2011NY080152 (N.Y. Crim. Ct. June 30, 2012). JEDI JUDGES This attempted diversion—the legal equivalent of Obi-Wan Kenobi’s “These aren’t the droids you’re looking for,” see Star Wars Episode IV: A New Hope (Lucasfilm 1977)—is unavailing.“ United States v. Stapleton, 2013 U.S. Dist. LEXIS 108189, 23-24 (E.D. Ky. July 31, 2013). In addressing an accounting issue and net proceeds, the Seventh Circuit explained, “Size matters not, Yoda tells us. Nor does time.” U.S. v. Hodge, 558 F.3d 630, 632 (7th Cir. 2009). IS FINN OR REY THE LEGAL OWNER OF LUKE’S ORIGINAL LIGHTSABER? TRACING THE LIGHTSABER OWNERSHIP HISTORY Anakin: New lightsaber during Battle of Geonosis Obi-Wan: Took lightsaber on Mustafar Obi-Wan: Gave Luke lightsaber on Tatooine Darth Vader cut off Luke’s hand on Cloud City OBI-WAN WAS RIGHT TO TAKE ANAKIN’S LIGHTSABER ON MUSTAFAR Anakin Had Killed Younglings Jedi Law Enforcement Obi-Wan right to take dangerous weapon (Cal Pen Code §§ 245, 833, 18000 and 18005) Alternate theory: Spoils -
Understanding Childhood Trauma and What We Can Do About It
UNDERSTANDING CHILDHOOD TRAUMA AND WHAT WE CAN DO ABOUT IT Flojaune Griffin Cofer, PhD, MPH Director of State Policy & Research Public Health Advocates ANAKIN SKYWALKER AKA DARTH VADER Adolescence/YA: Anakin’s age: • Trusted adult Episode 1: 9 years old Health Excellent relationship Episode 2 : 19 years old with Obi-Wan Episode 3: 22 years old Kenobi Episode 4: 41 years old • Jedi Education Adulthood: Episode 5: 44 years old • Freed from • Unplanned multip Episode 6: 45 years old slavery pregnancy (Luke & Leia) Childhood : • Lacks Trust • Child Slave • Corrupting influences Protective Factors Protective • Taken from his (Sith Lord Darth Risk Factors Risk mother to be Sidious) trained as a Jedi Adolescence/YA: • Domestic Violence in at age 10 • Exposure to Marriage to Padme Conception & • Abandonment violence via • Severely burned Pregnancy: • Heightened Clone Wars • Death Star Explosion • Born a slave arousal • Mom dies • Ongoing war Health Poor Poor • Absent Father • Fear of Loss • Premature death Conception Demise ©Flojaune Griffin, 2014 Adverse CHILDHOOD Experiences (ACEs) ADVERSE COMMUNITY EXPERIENCES • DIRECT: Witness or experience racism and violence • COMMUNITY: Feel and experience racism and violence everywhere • Prevents us from meeting our basic need: Safety • High levels of trauma across the population Historically Advantaged and Disadvantaged A Group Analysis for the United States TYPE OF OPPRESSION VARIABLE ONE-UP ONE-DOWN Racism Race/Ethnicity/Color White People of Color (African, Latinx, Native, Asian/PI,) Sexism Gender Men Women, non-binary, transgender Heterosexism Sexual Orientation Heterosexual LGBTQIA Religious Oppression Religion Protestants Sikhs, Muslims, Jews, Catholics*, Not religious Classism Socioeconomic Class Owning, upper/middle Poverty, working class, low hourly wage class, managerial workers Elitism Education level/ College-educated; Not college-educated; less prestigious schools place in hierarchy top 20-40 schools Xenophobia Immigration Status U.S. -
Trouble on Tatooine How the Grinth Stole Lifeday
Trouble on Tatooine How the Grinth Stole Lifeday Anchorhead: The players have accepted a contract that had them picking up a bunch of cargo that had been floating in space for a few hundred years. This was next to a wrecked ship that had been salvaged of everything usable. The contact says you are to deliver this cargo to Docking Bay 94 in Mos Eisley. Then, this Watto fella gives you an astromech and some credits. The “Enter Player ship name” emerges from hyperspace over the desert planet of Tatooine. This barren wasteland is the furthest thing from the ideal planet to celebrate Life Day at. At least there are some good cantinas down there. Allow the PCs to make last minute preparations before landing. Are they preparing weapons they want to carry off the ship? Are they hiding contraband? You land in Mos Eisley at Docking Bay 94, excited to conclude this transaction. Of course, as you disembark, you realize this deal is no better than any other. There is no cargo skiff, no transport and most annoying of all… no astromech. Instead, there’s a buck-toothed Twi’lek in fine robes. He steps toward you as your feet touch down on Tatooine sand. The Twi’lek bows courteously and says, “Greetings. I am Bibfort, Mr. Watto’s personal assistant. I trust you had no problem acquiring the cargo? Mr. Watto would like for me to inspect it if I may?” PCs can stay and watch Bibfort spend three hours going overthe cargo in excruciating detail, or they can head to the cantina. -
Star Wars™ Customizable Card Game™ Complete Card List
Star Wars™ Customizable Card Game™ Complete Card List The following lists all cards available for the Star Wars™ Customizable Card Game™ through the Theed Palace expansion (Dec. 2001). The list is sorted chronologically by expansion, and alphabetically by card type then card name. Card numbers provided for reference only. US cards come before the Japanese market’s cards [Card List - Vers. 4.0] Key To Rarity: F — Fixed VR — Very Rare F# — Foil Card — Limited or Foil C — Common SR — Super Rare R# — Reflections Foil Card Check Box U — Uncommon UR — Ultra Rare T# — Tournament Foil Card — Unlimited or Revised R — Rare XR — Exclusive Rare #M — Mail-in Correction Card WB Check Box P — Premium PV — Preview Card #A — Alternate Image Card — Japanese Limited ° — Episode I Card N# — Unplayable Card #E — Card with error(s) 5 — Japanese WB Premiere Limited (December 1995)| 41 — Fusion Generator Supply Tanks C2 42 — Observation Holocam U2 Premiere Unlimited (April 1996)| Dark Side Rarity 43 — Restraining Bolt C2 Characters 44 — Stormtrooper Backpack C2 1 — 5D6-RA-7 [Fivedesix] R1 45 — Stormtrooper Utility Belt C2 2 — Admiral Motti R2 Effects 3 — Chief Bast U1 46 — A Disturbance In The Force U1 4 — Colonel Wullf Yularen U1 47 — Baniss Keeg C2 5 — Commander Praji U2 48 — Blast Door Controls U2 6 — Darth Vader R1 49 — Blaster Rack U1 7 — Dathcha U1 50 — Dark Hours U2 8 — Death Star Trooper C2 51 — Death Star Sentry U1 9 — Djas Puhr R2 52 — Disarmed R1 10 — Dr. Evazan R2 53 — Expand The Empire R1 11 — DS-61-2 U1 54 — Fear Will Keep Them In Line R2 12 -
Force Powers
FORCE POWERS Compiled by Cheshire Edited by Thiago S. Aranha Table of Contents Jedi Powers Control and Sense Powers Farseeing 17 Control Powers Life Bond 17 Absorb/Dissipate Energy 4 Lightsaber Combat 18 Accelerate Healing 4 Projective Telepathy 19 Concentration 4 Contort/Escape 5 Control Disease 5 Control and Alter Powers Accelerate Another’s Healing 20 Control Pain 5 Control Another’s Disease 20 Detoxify Poison 6 Control Another’s Pain 20 Emptiness 6 Control Breathing 20 Enhance Attribute 7 Detoxify Another’s Poison 20 Force of Will 7 Place Another in Hibernation Trance 21 Hibernation Trance 8 Remove Another’s Fatigue 21 Instinctive Astrogation Control 8 Return Another to Consciousness 21 Reduce Injury 8 Transfer Force 21 Remain Conscious 8 Remove Fatigue 9 Resist Stun 9 Sense and Alter Powers Short-Term Memory Enhancement 9 Dim Another’s Senses 22 Lesser Force Shield 22 Sense Powers Beast Languages 10 Control, Sense and Alter Powers Combat Sense 10 Affect Mind 22 Danger Sense 10 Battle Meditation 23 Instinctive Astrogation 11 Enhanced Coordination 23 Life Detection 11 Force Harmony 24 Life Sense 11 Projected Fighting 24 Life Web 12 Magnify Senses 12 Merge Senses 12 Dark Side Powerss Postcognition 13 Predict Natural Disaster 13 Control Powers Rage 25 Receptive Telepathy 13 Sense Force 14 Sense Force Potential 14 Alter Powers Sense Path 15 Bolt of Hatred 25 Shift Sense 15 Dark Side Web 26 Translation 16 Injure/Kill 26 Weather Sense 16 Control and Alter Powers Alter Powers Aura of Uneasiness 26 Telekinesis 16 Electronic Manipulation 26 -
STAR WARS PRO MANUAL 500-55J5-01 © & ™ Lucasfilm Ltd
SERVICE AND OPERATION MANUAL WARNING IMPORTANT HEALTH WARNING: PHOTOSENSITIVE SEIZURES - A very small percentage of people may experience a seizure when exposed to certain visual images, in- cluding flashing lights or patterns. Even people with no history of seizures of epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” due to certain visual images, flashing lights or patterns. Symptoms can include lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. IMMEDIATELY STOP PLAYING AND CONSULT A DOCTOR IF YOU EXPERIENCE ANY OF THESE SYMPTOMS. Stern Pinball machines are assembled in Elk Grove Village, Illinois, USA. Stern Pinball has inspected each game element to ensure it meets our quality standards. Each pinball machine has unique characteristics that make it a one-of-a-kind American made product. Each will have variations in appearance resulting from differences in the machine’s particular wood parts, individual printed art and mechanical assemblies. No playfield is perfectly flat and varies depending on the season. Game play will result in playfield dimpling as the harder steel ball contacts the wood and coating; over time multiple dimples will blend to make them less noticeable. Normal plastic insert crazing (tiny stress cracks) and ghosting (small cloudy areas around insert edges) are often seen in pinball machines, due to a combination of plastic mold stress, pushing of inserts into purposely undersized holes, and heating and breaking of inserts’ plastic “skin” when the playfield field is sanded. -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y. -
Women, Sf Spectacle and the Mise-En-Scene of Adventure in the Star Wars Franchise
This is a repository copy of Women, sf spectacle and the mise-en-scene of adventure in the Star Wars franchise. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/142547/ Version: Accepted Version Article: Tasker, Y orcid.org/0000-0001-8130-2251 (2019) Women, sf spectacle and the mise-en- scene of adventure in the Star Wars franchise. Science Fiction Film and Television, 12 (1). pp. 9-28. ISSN 1754-3770 https://doi.org/10.3828/sfftv.2019.02 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Women, science fiction spectacle and the mise-en-scène of space adventure in the Star Wars franchise American science fiction cinema has long provided a fantasy space in which some variation in gender conventions is not only possible but even expected. Departure from normative gender scripts signals visually and thematically that we have been transported to another space or time, suggesting that female agency and female heroism in particular is a by-product of elsewhere, or more precisely what we can term elsewhen. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
I'll Be Refferencing Scenes from the Film with Screen Shots
Scene The Scene is shown in the film between ~25mins to 37mins, covering the events of the Jedha Revolt. Following the characters Jyn, Cassian and K-2SO on their mission to find Saw Gerrera. I’ll be refferencing scenes from the film with screen shots, and ~25mins to indicating their timing or range with this image: 37mins Any reference to controller input will be concerning the Xbox One controller, making use of the “A”, “B”, “X” and “Y” buttons for example. Characters Jyn Erso Sharp-Shoot Grapple Cassian Andor Sharp-Shoot Quadnoculars Rebel Access K-2SO Imperial Access Strength Mechanics Sharp-Shoot – Hold “X” to bring up a targeting reticle and aim for specific LEGO target pieces. Releasing “B” fires the characters weapon at the target. Grapple – Tap “B” near a grapple point it access high areas or swing across gaps. This can also connect to grapple points on objects. When pulling an object, the player must repeatedly press “B” to fill a meter, at which point the object will be moved. Grapple Pull Grapple Swing Quadnoculars – Press “B” when standing in an area highlighted with Arubesh VFX, then move the targeting reticle around until viewing desired location, at which point the UI flashes and a new object or LEGO piece will appear. Rebel Access – Pressing “B” at a Rebel Access panel brings up a small screen showing broken fragments of planets. The player must move a highlighted fragment into the matching slot in the circle in the middle, then the next piece is highlighted and then the next until the planet is whole.