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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
RK-Praise-1.Pdf
Praise Music has always been a big part of my life. As a child, I loved to sing. When I was 12, I was so excited to receive a stereo for my birthday. At 16, I discovered the joy of driving my car and listening to music that matched my mood. As an adult, I have learned to love all types of music: hymns, contemporary praise, show tunes, and top 40, to name a few. Music frequently is playing in the background at my house and in my offce. I think my love of music is connected to how it speaks to us. It can help us express thoughts and emotions when words do not seem to work. It can make us laugh and energize us, and it can remind us of important truths about our relationship with Jesus Christ. Many songs reinforce the Good News we encounter in scripture. They sometimes spark within us a new understanding of our identity in Christ. Music connects to people of all ages and brings us together. These things inspired us to create devotions centered around song and scripture. Over the next few weeks, we will listen to contemporary Christian music, hymns, and songs from Roswell Kids. We will explore their connections to scripture and dive deeper into how they can help shape and form our faith. We hope these devotions will help your family create space in your days to focus on God, to refect on how God is speaking, and to engage in activities that help reinforce the messages. Please know you are in our prayers and that we miss your families. -
Workbook Please Visit the Last Page
SUPER SEX S.U.P.E.R Sex is an acronym created by Shan Boodram over ten years ago to discuss the various elements that are crucial to a healthy and happy intimate life. Set your terms Use protection Pleasure Emotionally wise Responsible By combining traditional sex education, psychology and everyone’s right to individualism S.U.P.E.R Sex works as a base for anyone seeking to understand their own sexuality plus intimate needs and how those things can interact with others in a healthy, optimal way. For more information about Shan and the primary resources used to create this workbook please visit the last page Set Your Terms Let’s discuss boundaries, expectations, needs, wants, setting/ framing and intent Love Languages (circle two) Gifts Acts of Service Physical Touch Words of affirmation Quality Time Sex Language (circle two) Mental - a mental connection is necessary to create a satisfactory physical connection Direct - straight to the point is how you like it Cat - you have to be the one to approach someone, you prefer to initiate intimacy on your time and terms Sensual - the stage has to be set: laundry folded, place smelling clean, music playing, candles burning! You like all of the senses to be engaged before sexual intimacy occurs Negotiator - sex itself isn’t very motivating for you BUT if you know it can be used as a bargaining chip to achieve something you do want, they you are incentivized Kinsey Scale (circle one to represent your action and star one to represent your fantasy) X - asexual 0 - strictly heterosexual 1 - Mostly heterosexual and incidentally homosexual 2 - Heterosexual and more than incidentally homosexual 3 - Bisexual 4 - Homosexual and more than incidentally heterosexual 5 - Homosexual and incidentally heterosexual 6 - strictly homosexual Boundaries 1. -
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral Thesis, University of Sunderland
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/8825/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Kinky Sexual Subcultures and Virtual Leisure Spaces Liam Wignall A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy February 2018 i | P a g e Abstract This study seeks to understand what kink is, exploring this question using narratives and experiences of gay and bisexual men who engage in kink in the UK. In doing so, contemporary understandings of the gay kinky subcultures in the UK are provided. It discusses the role of the internet for these subcultures, highlighting the use of socio-sexual networking sites. It also recognises the existence of kink dabblers who engage in kink activities, but do not immerse themselves in kink communities. A qualitative analysis is used consisting of semi-structured in-depth interviews with 15 individuals who identify as part of a kink subculture and 15 individuals who do not. Participants were recruited through a mixture of kinky and non-kinky socio-sexual networking sites across the UK. Complimenting this, the author attended kink events throughout the UK and conducted participant observations. The study draws on subcultural theory, the leisure perspective and social constructionism to conceptualise how kink is practiced and understood by the participants. It is one of the first to address the gap in the knowledge of individuals who practice kink activities but who do so as a form of casual leisure, akin to other hobbies, as well as giving due attention to the increasing presence and importance of socio-sexual networking sites and the Internet more broadly for kink subcultures. -
Q Prime Fax Cover
THREE DAYS GRACE ANNOUNCE 21-DATE TOUR WITH AVENGED SEVENFOLD & PROPHETS OF RAGE DEBUT LYRIC VIDEO FOR “RIGHT LEFT WRONG” VIA REVOLVER SET TO RELEASE NEW ALBUM OUTSIDER ON MARCH 9TH VIA RCA RECORDS CURRENTLY NHL NETWORK’S FEATURED ARTIST OF THE WEEK Critical Praise for Outsider’s First Single, “The Mountain” “…seismic new single…” - Alt Press “Workout warriors should be thrilled with this motivational new clip and cut.” - Loudwire “Those cinematic sonic flourishes augment arena-ready riffs before summiting towards a seismic refrain…” - Blabbermouth (New York- March 5, 2018) Today, Three Days Grace announce that they will embark on a 22-date tour opening for both Avenged Sevenfold & Prophets of Rage. The tour begins on July 22, 2018 in Mansfield, MA with stops including Las Vegas, Salt Lake City, Denver, & Dallas (full dates below). Tickets for all dates will go on sale on on March 9th at 10am Local Time, and will be available here. On Friday, the band debuted their lyric video for “Right Left Wrong,” the third track from their forthcoming album, Outsider (March 9th, RCA Records), via Revolver who call it a “propulsive new song.” Listen to “Right Left Wrong” via Revolver here. The band’s music video for first single “The Mountain” which Alt Press called a “…seismic new single” has been streamed over 6M times on YouTube alone, and the song is currently top 10 on the Billboard and Mediabase Rock charts. The song remained the #1 greatest gainer on the Active Rock Chart for the two weeks after its release, and is currently the #2 greatest gainer. -
THQ Online Manual
INSTRUCTION BOOKLET LIMITED WARRANTY THQ (UK) LIMITED warrants to the original purchaser of this THQ (UK) LIMITED product that the medium on which the computer program is recorded is free from defects in materials and workmanship for a period of ninety (90) days from the date of purchase. This THQ (UK) LIMITED software is sold ”as is“, without express or implied warranty of any kind resulting from use of this program. THQ (UK) LIMITED agrees for a period of ninety (90) days to either repair or replace, at its option, free of charge, any THQ (UK) LIMITED product, postage paid, with proof of purchase, at its Customer Service centre. Replacement of this Game Disc, free of charge to the original purchaser is the full extent of our liability. Please mail to THQ (UK) LIMITED, Ground Floor; Block A, Dukes Court, Duke Street, Woking, Surrey, GU21 5BH. Please allow 28 days from dispatch for return of your Game Disc. This warranty is not applicable to normal wear and tear. This warranty shall not be applicable and shall be void if the defect in the THQ (UK) LIMITED product has arisen through abuse, unreasonable use, mistreatment or neglect. THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES AND NO OTHER REPRESENTATIONS OR CLAIMS OF ANY NATURE SHALL BE BINDING OR OBLIGATE THQ (UK) LIMITED. ANY IMPLIED WARRANTIES OF APPLICABILITY TO THIS SOFTWARE PRODUCT, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO THE NINETY (90) DAY PERIOD DESCRIBED ABOVE. IN NO EVENT WILL THQ (UK) LIMITED BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM POSSESSION, USE OR MALFUNCTION OF THIS THQ (UK) LIMITED PRODUCT. -
4X GRAMMY® AWARD WINNING DUO for KING & COUNTRY TO
FOR IMMEDIATE RELEASE July 6th, 2021 4x GRAMMY® AWARD WINNING DUO for KING & COUNTRY TO EMBARK ON FIRST ARENA TOUR IN TWO YEARS WITH RELATE | THE 2021 FALL TOUR Click Here to Download Admat Nashville, TENN. – After setting an industry record with six consecutive No. 1 hits, 4x GRAMMY Award winning, platinum-selling duo and Curb | Word Entertainment recording artist for KING & COUNTRY are announcing RELATE | The 2021 Fall Tour. After wowing crowds in 2020 with their Pollstar recognized drive-in theater performances, this 24-date trek will see Joel and Luke Smallbone return to the road in compelling fashion, arranging their electrifying live spectacle for arenas and amphitheaters. BRAND NEW, never performed songs from an upcoming studio project will be featured on the tour’s setlist, along with selections from the duo’s nine No. 1 hits – including “joy.,” “Fix My Eyes,” and the cross-genre multi-week smash “God Only Knows.” This will be fans’ first chance to hear new music straight from the source. for KING & COUNTRY kick things off in Toledo, Ohio on October 7th before wrapping up in Rochester, Minnesota on November 14th. Ticket pre-sale for RELATE | The 2021 Fall Tour starts tomorrow at 10am local time, to access the pre-sale enter the code “RELATE” at the link HERE. Tickets will go on sale to the public July 9th at 10am local time, click HERE for more information. “The thought of hitting the road and seeing you again is a thrilling one,” Joel and Luke Smallbone share in a statement. “Since we were last together, we’ve been hard at work writing and recording new music, which is going to make ‘RELATE | The 2021 Fall Tour’ a particularly special one. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
It's Jerry's Birthday Chatham County Line
K k JULY 2014 VOL. 26 #7 H WOWHALL.ORG KWOW HALL NOTESK g k IT’S JERRY’S BIRTHDAY On Friday, August 1, KLCC and Dead Air present an evening to celebrate Jerry Garcia featuring two full sets by the Garcia Birthday Band. Jerry Garcia, famed lead guitarist, songwriter and singer for The Grateful Dead and the Jerry Garcia Band, among others, was born on August 1, 1941 in San Francisco, CA. Dead.net has this to say: “As lead guitarist in a rock environment, Jerry Garcia naturally got a lot of attention. But it was his warm, charismatic personality that earned him the affection of millions of Dead Heads. He picked up the guitar at the age of 15, played a little ‘50s rock and roll, then moved into the folk acoustic guitar era before becoming a bluegrass banjo player. Impressed by The Beatles and Stones, he and his friends formed a rock band called the Warlocks in late 1964 and debuted in 1965. As the band evolved from being blues-oriented to psychedelic/experi- mental to adding country and folk influences, his guitar stayed out front. His songwriting partnership with Robert Hunter led to many of the band’s most memorable songs, including “Dark Star”, “Uncle John’s Band” and the group’s only Top 10 hit, “Touch of Grey”. Over the years he was married three times and fathered four daughters. He died of a heart attack CHATHAM COUNTY LINE in 1995.” On Sunday, July 27, the Community Tightrope also marks a return to Sound Fans have kept the spirit of Jerry Garcia alive in their hearts, and have spread the spirit Center for the Performing Arts proudly wel- Pure Studios in Durham, NC, where the and the music to new generations. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
The Essential Role of Organizational Law
Article The Essential Role of Organizational Law Henry Hansmannt and Reinier Kraakmant* CONTENTS I. INTRODUCTION ................................................................................ 390 II. FIRMS AND LEGAL ENTITIES ........................................................... 391 III. FORMS OF ASSET PARTITIONING ..................................................... 393 A. Affirmative Asset Partitioning................................................. 394 B. Defensive Asset Partitioning................................................... 395 C. Patterns of Partitioning.......................................................... 396 D. Partitioningwith Respect to a Firm'sManagers .................... 398 IV. BENEFITS OF AFFIRMATIVE ASSET PARTITIONING .......................... 398 A. Reducing Monitoring Costs .................................................... 399 1. SubpartitioningAssets Within a Single Firm: CorporateSubsidiaries ................................................... 399 t Sam Harris Professor of Law, Yale Law School. tt Ezra Ripley Thayer Professor of Law, Harvard Law School. For helpful discussions and comments we would particularly like to thank Barry Adler, William Allen, John Armour, Lucian Bebchuk, John Coates, Marcus Cole, Richard Craswell, Robert Ellickson, Wolfgang Fikentscher, Jesse Fried, Antonio Gambaro, Zohar Goshen, Christopher Harrison, Howell Jackson, Louis Kaplow, Michael Klausner, Paul Mahoney, Ronald Mann, Yoshiro Miwa, Peter Muelbert, Eric Orts, Larry Ribstein, Roberta Romano, Michael Whincop,