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LAST POST November 2020 LAST POST Legion Magazine Publishes the Last Post Annually As Long As the Date of Death Is Within the Time During the Remembrance Day Period
LAST POST November 2020 LAST POST Legion Magazine publishes the Last Post annually As long as the date of death is within the time during the Remembrance Day period. This free period of entries on the website (1982 to present), service recognizes those who have served their the notice will be added to the database and country and allows our readers to learn of the appear in the printed edition. Notices within a passing of comrades with whom they served. year of the date of death can be submitted by Last Post is reserved for these groups: family members, but entries before that time 1) ordinary members of The Royal Canadian period must come from a Royal Canadian Legion at the time of death; 2) RCL life members Legion branch. who were previously ordinary members; and These entries are added to the searchable 3) Canadian war veterans (WW II, Korean War, Last Post database at www.legionmagazine.com. Gulf War, Afghanistan) who were not Legion members at the time of death. Legion Magazine relies on RCL branches to Copyright provide the Last Post information. Please use the Reproduction or re-creation of the Last Post Section, current Last Post form, dated June 2019, which in whole or in part, in any form or media, is strictly is available from the Dominion Command forbidden and is a violation of copyright, which Supply Department. resides with Legion Magazine and its publisher, Branches should submit notices to Legion Canvet Publications Ltd. Magazine promptly to ensure timely publication. AITKENHEAD, Harold—SH5404, ANDERSON, PO John (Rennie)— Regular Force. -
07/08 Annual Review Together for a Cancer- Free Future
07/08 Annual Review Together for a cancer- free future 07/08 Annual Review Together for a Cancer Free Future 01 Contents Message from Message from the Board Chair and CEO 01 the Board Chair Articles It computes: mining data for promising drugs 12 and CEO Walking beyond grief sends a message of hope 13 Sowing the seeds of a legacy 14 The first part of the team is our donors. Non-smoker tackles lung cancer head on 15 It has been our privilege Alberta Cancer Foundation donors make personal Stepping up to challenge of breast cancer 16 contributions, plan legacy gifts, purchase lottery again this year to connect the tickets, sponsor participants in our walks and put The art of healing 17 their own ingenuity to work as volunteers, planning Employees power powers innovation 18 work of two important groups and executing more than 300 fundraising events Special meaning to this year’s golf classic 19 each year. World’s longest hockey game 20 Their support is a tribute to the thousands of that form one team intent on Albertans diagnosed with cancer this year. It’s a Coping with the cost of cancer 21 message of hope for the nearly 16,000 expected Bridging the gap between research and practice 22 building a cancer-free future to be diagnosed next year. And their gifts honour Face off against cancer 23 the memory of more than 5,000 Albertans who New lab space key to attracting talent 24 for individual Albertans and lose their battle with cancer each year. -
BIO POESY Is Quickly Becoming One of the Most Exciting New Canadian
POSEY BIO POESY is quickly becoming one of the most exciting new Canadian voices. Influenced by innovative enigmatic artists like Kate Bush and Freddie Mercury, as well as 90s alternative rock queens PJ Harvey, Tori Amos, and Alanis Morissette, the Toronto-based artist has formed a gritty and unmistakable sound that demands to be heard. Pairing inspiration from her favourite novels with vulnerable confessions from her own life, POESY’s dark and powerful alt-rock rhythms makes it possible to dance and cry and wonder and hope all at once. During her 2018 participation in CTV’s The Launch, POESY collaborated with composer/ producer Stephan Moccio (Miley Cyrus, Celine Dion, Avril Lavigne) to release the top 40 single Soldier of Love. The track drew comparisons to powerful rock front-women Amy Lee and Florence Welch and set the stage for POESY to be a new alternative voice to watch. She signed a major label deal with Big Machine Label Group in May (2018). Following the national success of the single, POESY went on to give spellbinding performances at several Canadian music festivals. POESY has since joined forces with acclaimed producer and now-artist manager, Gavin Brown (Metric, Three Days Grace, Billy Talent) to build on her sound and artistic vision. The two have built up an eclectic, intensely emotional body of work to be released soon. Strange Little Girl is POESY’s first single from the project - an unapologetic feminist anthem, uniting unusual girls to step into the spotlight. POESY is a mirror for her audience; a place where they can see their own struggles, fears, desires, and dreams reflected back in an empowering larger than life performance to be shared together. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
New Labour, Globalization, and the Competition State" by Philip G
Centerfor European Studies Working Paper Series #70 New Labour, Globalization, and the Competition State" by Philip G. Cemy** Mark Evans" Department of Politics Department of Politics University of Leeds University of York Leeds LS2 9JT, UK York YOlO SDD, U.K Email: [email protected] Email: [email protected] • Will also be published in Econonry andSocitD' - We would like to thank the Nuffield Foundation, the Center for European Studies, Harvard University,and the Max-Planck-Institut fur Gesellschaftsforshung, Cologne, for their support during the writing of this paper. Abstract The concept of the Competition State differs from the "Post-Fordist State" of Regulation Theory, which asserts that the contemporary restructuring of the state is aimed at maintaining its generic function of stabilizing the national polity and promoting the domestic economy in the public interest In contrast, the Competition State focuses on disempowering the state from within with regard to a range of key tasks, roles, and activities, in the face of processes of globalization . The state does not merely adapt to exogenous structural constraints; in addition, domestic political actors take a proactive and preemptive lead in this process through both policy entrepreneurship and the rearticulation of domestic political and social coalitions, on both right and left, as alternatives are incrementally eroded. State intervention itself is aimed at not only adjusting to but also sustaining, promoting, and expanding an open global economy in order to capture its perceived -
Office of Zoning and Administrative Hearings for Montgomery
OFFICE OF ZONING AND ADMINISTRATIVE HEARINGS FOR MONTGOMERY COUNTY -----------------------------------x : : PETITION OF COSTCO WHOLESALE : Case No. S-2863 CORPORATION : OZAH No. 13-12 : -----------------------------------x A hearing in the above-entitled matter was held on March 11, 2014, commencing at 9:41 a.m., at the Office of Zoning and Administrative Hearings, 100 Maryland Avenue, 2nd Floor Council Hearing Room, Rockville, Maryland 20850 before: Martin L. Grossman Hearing Examiner Page 2 Page 4 A P P E A R A N C E S 1 P R O C E E D I N G S 2 MR. GROSSMAN: This is the 28th day of the public For the Applicant: 3 hearing in the matter of Costco Wholesale Corporation, Board Patricia Harris, Esq. 4 of Appeals No. S-2863, OZAH No. 13-12, a petition for a Mike Goecke, Esq. 5 special exception pursuant to Zoning Ordinance Section Lerch, Early & Brewer, Chartered 6 59-G-2.06 to allow petitioner to construct and operate an 7 automobile filling station which would include 16 pumps. 3 Bethesda Metro Center, Suite 460 8 The subject site is located at 11160 Veirs Mill Road in Bethesda, Maryland 20814 9 Silver Spring, Maryland. That's Lot N, 631 Wheaton Plaza, 10 Parcel 10, also known as Westfield Wheaton Mall, and is For Kensington Heights Civic Association: 11 zoned C-2, general commercial. Michele Rosenfeld, Esq. 12 The hearing was begun on April 26, 2013, and The Law Office of Michele Rosenfeld, LLC 13 resumed many times thereafter, the last date being February 11913 Ambleside Drive 14 25. -
Let the Light In
Let the Light In: An Introduction to Writing Poetry in Inclusive Settings Copyright © 2002, 2007 VSA arts VSA arts 818 Connecticut Avenue, NW, Suite 600 Washington, DC 20006 Tel.: (202) 628-2800 Fax: (202) 429-0868 TTY: (202) 737-0645 www.vsarts.org All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of the publisher. The contents of this book were developed under a grant from the U.S. Department of Education. However, those contents do not necessarily represent the policy of the U.S. Department of Education, and should not assume endorsement by the federal government. Contributors: Mimi White, Deborah Stuart Permissions to reproduce: “The Delight Song of Tsoai-Talee,” by N. Scott Momaday (New York: St. Martin’s Press, 1997) “Things I Didn’t Know I Loved,” by Nazim Hikmet. Trans. Randy Blasing and Mutlu Konuk Blasing (New York: Persea Books, 1975) “Knoxville, Tennessee,” by Nikki Giovanni. New York: HarperCollins Publishers,1994 The Book of Questions, by Pablo Neruda. Trans. William O’ Daly. Fort Townsend, WA: Copper Canyon Press, 2001 2 TABLE OF CONTENTS Foreword from the President 4 Introduction 5 “Time Out for Poetry” 8 Lesson One: Seven-Word Spill 9 Lesson Two: Borrowed Lines 15 Lesson Three: Native Peoples' Voices 20 Lesson Four: Hello Moon 26 Lesson Five: From Image to Word 30 Lesson Six: Mapping Your World 34 Lesson Seven: Stone Poems 39 Lesson Eight: "I Never Knew I Loved" 44 Lesson Nine: Of Time and Place 48 Addendum 53 Annotated Bibliography 58 Web Sites 60 3 FOREWORD Whether it’s a nursery rhyme from childhood, a moving song lyric, or a few lines of classic verse, poetry strikes a chord for many of us. -
BC's Music Sector
BC’s Music Sector FROM ADVERSITY TO OPPORTUNITY www.MusicCanada.com /MusicCanada @Music_Canada BC’S MUSIC SECTOR: FROM ADVERSITY TO OPPORTUNITY A roadmap to reclaim BC’s proud music heritage and ignite its potential as a cultural and economic driver. FORWARD | MICHAEL BUBLÉ It’s never been easy for artists to get a start in We all have a role to play. Record labels and music. But it’s probably never been tougher other music businesses need to do a better than it is right now. job. Consumers have to rethink how they consume. Governments at all levels have to My story began like so many other kids recalibrate their involvement with music. And with a dream. I was inspired by some of successful artists have to speak up. the greatest singers – Ella Fitzgerald, Tony Bennett and Frank Sinatra – listening to my We all have to pull together and take action. grandfather’s record collection while growing up in Burnaby. I progressed from talent I am proud of the fact that BC gave me a competitions, to regular shows at local music start in a career that has given me more venues, to a wedding gig that would put me than I could have ever imagined. After in the right room with the right people – the touring around the world, I am always right BC people. grateful to come home to BC where I am raising my family. I want young artists to When I look back, I realize how lucky I was. have the same opportunities I had without There was a thriving music ecosystem in BC having to move elsewhere. -
August2018 • 60Freeevents
AUGUST 2018 • 60 FREE EVENTS BY DATE Daily, 9am-5pm through Labor Day. San Diego Botanic Garden, 230 Quail Gardens Drive. Free Blue Star Museum Program. Free admission to active duty, National Guard and Reserve members of the U.S. military and their families (card carrier plus 5 immediate family members). To express appreciation and say ‘thank you’ to the brave men and women of the U.S. Military. Info: http://bit.ly/2aApu51 During August. San Dieguito United Methodist Church, 170 Calle Magdalena. Free Auditions, San Diego North Coast Singers. Children and teens, grades 2-12, audition for one of the choirs for the Fall 2018 semester which includes a performances in the community. One of the top children’s choruses in San Diego, 100+ boys and girls in five ensembles. To schedule an audition, email: [email protected] or call 760-944-1866. Wednesday, August 1, 12:00-12:50pm. Encinitas Library, 540 Cornish Drive. Free Wednesdays@Noon: Jonathan Leviim, violin, Irina Bessonova, piano. The duo will perform Paganini's Moses in Egypt Variation on One String G, Massenet’s Meditation from the opera Thais, plus works by Bach, Veracini, Gluck, Debussy, Marcello, and Kreisler. Irina will perform solo piano works by Schubert and Mozart. (Parks, Rec. and Cultural Arts) Info: www.Encinitasca.gov/WedNoon, 760-633-2746. Every Wednesday, 3-4pm. EOS Fitness, 780 Garden View Court. Free to cancer patients and survivors Zumba: Gentle Dance Fitness Class for Cancer Recovery. Research shows that movement to music provides a wide range of benefits: it reduces physical and mental fatigue, increases blood flow, aids lymphatic system and boosts immunity. -
Sum 41 Alive
SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel -
The Music Distribution Industry in Canada 2006
THE MUSIC DISTRIBUTION INDUSTRY IN CANADA 2006 BY LARRY LEBLANC FEB. 2006 This report has been prepared by Larry LeBlanc for the Canadian Association of Broadcasters (CAB). The purpose of this document is to provide a profile of the English and French-language components of distribution of the Canadian-owned label and artist sector as well as Canadian artists signed or distributed by multinationals in Canada. The report specifically discusses changes in the music distribution sector in Canada since 1998. As well, such newly emerging factors as the rise of widespread Internet-based downloading; the rise of music subscription services; and the use of ringtones, ringtunes and podcasting in affecting music sales are also discussed. The report indicates that Canadian music retail has become more consolidated and more selective with product choices. Major music retailers carry a different product mix today than a decade ago. There are fewer music CDs, and more film-related DVD and computer game product. Although radio remains a critical vehicle for the Canadian record industry, labels and retailers cite a waning impact of the medium on overall sales. The study is based on a review of existing documentation, secondary research as well as analysis and findings drawn from 11 interviews conducted by Larry LeBlanc, as the principal source of primary research. Music OVERVIEW Canada's small market size, and a sizable support infrastructure is enabling the domestic industry to develop distinct acts for audiences home and abroad. In the past three years, global markets have embraced a new wave of formidable Canadian English-language rock acts including: Arcade Fire, Broken Social Scene, Death From Above 1979, Feist, Stars, the Dears, Alexisonfire, Metric, Bedouin Soundclash, and Hot Hot Heat; as well as such French-language acts as Corneille, and Lynda Lemay. -
The Lived Experience of Children's Musical Identity
Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Winter 12-20-2012 "Music is Waiting For You:" The Lived Experience of Children's Musical Identity Michelle Mercier De Shon L. Michelle Mercier-De Shon Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation Mercier, Michelle De Shon, ""Music is Waiting For You:" The Lived Experience of Children's Musical Identity." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/msit_diss/100 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, “MUSIC IS WAITNG FOR YOU: THE LIVED EXPERIENCE OF CHILDREN’S MUSICAL IDENTITY, by L. MICHELLE MERCIER-DESHON, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chair, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs.