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Building and Strengthening Communities and Social Networks PROTEUS a J O U R N a L O F I D E a S
SPRING 2011 VOLUME 27:1 PROTEUS A JOURNAL OF IDEAS Building and Strengthening Communities and Social Networks PROTEUS A J OURN A L OF I DE A S Building and Strengthening Communities and Social Networks VOLUME 27:1 SPRING 2011 An ancient Greek sea divinity, herdsman of seals, Proteus could be elusive by changing his form at will appearing as a lion, a serpent, a boar, water, or a tall tree. However when those who caught him succeeded in holding him fast, Proteus assumed his proper shape of an old man and told the truth. PROTEUS A J O U R N A L O F I D E A S VOLUME 27 SPRING 2011 NUMBER 1 BUILDING AND STRENGTHENING COMMUNITIES AND SOCIAL NETWORKS Upcoming Issues of Proteus Watch for our Call for Papers on H-Net and in the Chronicle of Higher Education among other places in the Summer of 2011. Contents Upcoming Theme: The Human Body 1 Editor’s Notes: Building Communities 37 From Pathways to Portals: Getting to the Laurie J.C. Cella Root of a Public Housing Community Nicola Mann We welcome ideas for future themes! 5 Editor’s Notes: Exploring Social Networks Richard A. Knight 51 Social Networking & Virtual Community Submissions, requests for further information, or orders for copies should Xin-An Lu be addressed to the Managing Editor of Proteus at [email protected]. 7 News Talks: Critical Service-Learning for Social Change 57 Google in China: Finding Creative Spoma Jovanovic, Dan DeGooyer, Jr., Solutions to Cultural Differences and David Reno Christopher E. Eby 23 Something Old, Something New, Something 63 Online Activism for a Heterogeneous Time: Borrowed, Something Blue: Lessons The Pink Chaddi Campaign and the Social Learned During a Service-Learning Media in India Experience in the Gulf Coast Saayan Chattopadhyay Sean R. -
Seeking Offense: Censorship and the Constitution of Democratic Politics in India
SEEKING OFFENSE: CENSORSHIP AND THE CONSTITUTION OF DEMOCRATIC POLITICS IN INDIA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Ameya Shivdas Balsekar August 2009 © 2009 Ameya Shivdas Balsekar SEEKING OFFENSE: CENSORSHIP AND THE CONSTITUTION OF DEMOCRATIC POLITICS IN INDIA Ameya Shivdas Balsekar, Ph. D. Cornell University 2009 Commentators have frequently suggested that India is going through an “age of intolerance” as writers, artists, filmmakers, scholars and journalists among others have been targeted by institutions of the state as well as political parties and interest groups for hurting the sentiments of some section of Indian society. However, this age of intolerance has coincided with a period that has also been characterized by the “deepening” of Indian democracy, as previously subordinated groups have begun to participate more actively and substantively in democratic politics. This project is an attempt to understand the reasons for the persistence of illiberalism in Indian politics, particularly as manifest in censorship practices. It argues that one of the reasons why censorship has persisted in India is that having the “right to censor” has come be established in the Indian constitutional order’s negotiation of multiculturalism as a symbol of a cultural group’s substantive political empowerment. This feature of the Indian constitutional order has made the strategy of “seeking offense” readily available to India’s politicians, who understand it to be an efficacious way to discredit their competitors’ claims of group representativeness within the context of democratic identity politics. -
The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Luka Chuppi: Kartik Aaryan and Kriti Sanon's Film Plays Hide-And-Seek
13 SATURDAY, MARCH 2, 2019 2- TOTAL DHAMAAL (PG-13) (HINDI/COMEDY/ADVEN- 10-ALONE / TOGETHER (PG-15) (FILIPINO/ROMANTIC/ DAILY AT: 12.15 + 3.00 + 5.45 + 8.30 + (11.15 PM THURS/FRI) OASIS JUFFAIR TURE) NEW DRAMA) NEW AJAY DEVGN, MADHURI DIXIT, ANIL KAPOOR LIZA SOBERANO, ENRIQUE GIL, JASMINE CURTIS 3- THE KNIGHT OF SHADOWS: BETWEEN YIN AND 1-FIGHTING WITH MY FAMILY (15+) (DRAMA/COME- FROM THURSDAY 21ST 7.00 PM ONWARDS DAILY AT: 11.00 AM + 1.30 + 4.00 + 6.30 + 9.00 + 11.30 PM YANG (PG-13) (ACTION/COMEDY/FANTASY) NEW DY/BIOGRAPHY) NEW DAILY AT: 10.30 AM + 1.00 + 3.45 + 6.30 + 9.15 PM + 12.00 MN JACKIE CHAN, ELANE ZHONG, ETHAN JUAN DWAYNE JOHNSON, FLORENCE PUGH, JACK LOWDEN 11-ALITA: BATTLE ANGEL (PG-15) (ACTION/ADVEN- DAILY AT: 10.45 AM + 1.00 + 6.15 + (11.30 PM THURS/FRI) DAILY AT: 12.30 + 5.00 + 9.30 PM 3- DUMPLIN (15+) (COMEDY/DRAMA) NEW TURE/ROMANTIC) DAILY AT (VIP): 10.45 AM + 3.30 + 8.15 PM DANIELLE MACDONALD, JENNIFER ANISTON, ROSA SALAZAR, CHRISTOPH WALTZ, JENNIFER CONNELLY 4-ALITA: BATTLE ANGEL (PG-15) (ACTION/ADVEN- LUKE BENWARD DAILY AT: 11.30 AM + 2.00 + 4.30 + 7.00 + 9.30 PM + 12.00 MN TURE/ROMANTIC) 2-TOTAL DHAMAAL (PG-13) (HINDI/COMEDY/ADVEN- DAILY AT: 12.00 + 2.15 + 4.30 + 6.45 + 9.00 + 11.15 PM ROSA SALAZAR, CHRISTOPH WALTZ, JENNIFER CONNELLY TURE) NEW 12-GULLY BOY (PG-15) (HINDI/DRAMA/MUSICAL) DAILY AT: 6.00 + 8.30 + (11.00 PM THURS/FRI) AJAY DEVGN, MADHURI DIXIT, ANIL KAPOOR 4- UPGRADE (15+) (ACTION/THRILLER) NEW ALIA BHAT, RANVEER SINGH, SIDDHANT CHATURVEDI FROM THURSDAY 21ST 7.00 PM ONWARDS LOGAN MARSHALL-GREEN, RICHARD -
REPRESENTATION of VIOLENCE AGAINST WOMEN in INDIAN PRINT MEDIA: a COMARATIVE ANALYSIS Rupsayar Das Student, M.A
Students’ Research Global Media Journal – Indian Edition/ISSN 2249-5835 Sponsored by the University of Calcutta/ www.caluniv.ac.in Summer Issue / June 2012 Vol. 3/No.1 REPRESENTATION OF VIOLENCE AGAINST WOMEN IN INDIAN PRINT MEDIA: A COMARATIVE ANALYSIS Rupsayar Das Student, M.A. Second Year Department of Journalism and Mass Communication University of Calcutta,India Email: [email protected] Abstract: This study aims at investigating print news discourses on a relatively recent act of violence perpetrated on women in India, which evoked a nation-wide non-violent protest, popularly known as „The Pink Chaddi‟ Campaign, 2009. We considered some of the top English national and local daily newspapers (online editions) for analyses; using advanced computer-assisted qualitative data analysis software (CAQDAS) called Leximancer v3.5. We aimed to explore the frames in the news discourse through intra-media analyses, and perform comparative inter-media analyses between national- and local newspaper corpora. The „concept maps‟ produced by Leximancer v3.5, in the unsupervised-mode, threw light on the nature of the news discourse on the Campaign. We found slight evidence that some of the newspapers tried to downplay the VAW and took a detour towards political blame-game. These results somewhat reflected the results of Caputi et al. (1992), O‟Connor (2002) and Wetschanow (2003). Keywords: „The Pink Chaddi‟ Campaign, CAQDAS, Leximancer v 3.5, Concept Maps, News Frames, News Discourse Introduction It is true that we live in the 21st century, but even to this date, social malice and malpractices are still very much prevalent which are reminiscent of the past. -
English | Exam Before Exam 1-5
ENGLISH | EXAM BEFORE EXAM 1-5. (A) who join the ranks of nation builders. hoarders has made matters worse. And this, Lt Governor feels, is where (B) It may not make a meaningful difference in a country which scores the cops come in: cracking down on hoarders, and facilitating through poorly in ease of paying taxes changes in traffic rules the transport of veggies into the capital. (C) which contributes more than 50% of the Centre’s total tax Such policing of sabzi may or may not come as a boon to householders revenue. whose budgets have been hard hit by rising prices. But adding mandi- (D) India’s tax department has been sending certificates of minding to the sundry other duties that the capital city’s already appreciation to tax payers, acknowledging their contribution to overstretched police force has to cope with might not go down well with nation building. the constable whose regular beat will not only cover protecting VVIPs, (E) but is noteworthy nevertheless. India’s direct tax payers form but also include keeping an eye on kaddus of another sort. part of a narrow base More than ever before, our lawmen will have to be mindful not only of (F) Certificates of appreciation, therefore, should be the their p’s and q’s while on the job, but will also have to mind their peas beginning of an exercise to add to the pool of tax payers and queues at outlets selling the precious commodities where CORRECT ORDER - DBECFA pickpockets might lurk pinching potatoes, not purses. -
Cultural Policing in Dakshina Kannada
Cultural Policing in Dakshina Kannada Vigilante Attacks on Women and Minorities, 2008-09 March, 2009 Report by People’s Union for Civil Liberties, Karnataka (PUCL-K) Publishing history Edition : March, 2009 Published : English Edition : 500 copies Suggested Contribution : Rs. 50 Published by : PUCL-K Cover Design by : Namita Malhotra Printed by : National Printing Press Any part of this Report may be freely reproduced, copied or transmitted as necessary. PUCL-K only asserts the right to be identified with the reproduced version. Contents Chapter I- Introduction ................................................... 1 1.1 Need and Purpose of the Report 1.2 Background to Dakshina Kannada 1.3 Consolidation of Hindutva Forces in Karnataka 1.4 Methodology Chapter II - Vigilante Attacks in Dakshina Kannada ...... 8 2.1 Amnesia Pub Incident 2.2 Intimidation of Independent Voices 2.3 Valentine’s Day Offensive 2.4 Continuing Attacks with Renewed Impunity Chapter III - Understanding Cultural Policing in Dakhina Kannada ......................................26 3.1 Strategy of Cultural Policing 3.2 Role of Organizations Professing Hindutva 3.3 Role of the Police 3.4 Role of the Media 3.5 Role of the Public 3.6 Impact of Cultural Policing Chapter IV - Cultural Policing leading to Social Apartheid: Violation of the Constitutional Order .......39 Chapter V - Civil Society’s Response to Cultural Policing ...43 5.1 Komu Souharde Vedike (KSV) 5.2 Karnataka Forum for Dignity (KFD) 5.3 Democratic Youth Federation of India (DYFI) 5.4 People’s Movement for Enforcement -
CONTEMPORARY ISSUES in MEDIA ETHICS Boctor of $I)Tios(Opi)
CONTEMPORARY ISSUES IN MEDIA ETHICS ABSTRACT THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of $I)tIos(opI)p IN PHILOSOPHY By MD. EHSAN Under the Supervision of M. MUQIM DEPARTMENT OF PHILOSOPHY ALIGARH MUSLIM UNIVERSITY, ALIGARH (INDIA) 2009 ABSTRACT Twenty first century is the century of knowledge and information. Knowledge is the power. Media such as newspapers, radio, television, magazines, internet etc. are the primary and central source of information and knowledge of this fast moving world. Hence, media enjoys enormous power and exerts tremendous impacts on our lives. Media as a powerful institution not only disseminates information and knowledge rather it influences our lives, our political systems and our society as a whole. It shapes our opinions, beliefs, attitudes and behaviours. It affects our decision and judgment about family, home, education, institution etc. through information and knowledge it provides. So much so that it fashions our tastes and moral standards, and socializes our younger generation. Furthermore, media has got important role to play in democracy. It is media which helps democracy become 'of and 'by' the people. It wheels democracy. It facilitates democracy by making interaction between the governed and the governor. Moreover, it is considered to be the back bone as well as the fourth pillar of democracy. * I am using media as a singular noun In view of the enormous power implicit in media, its tremendous impacts on our lives and on our governing systems, and in view of its deep penetration in our society the need arises to use it with great caution and control. -
COMMUNICATOR the Journal of Indian Institute of Mass Communication Volume LIII, Number-4, October-December, 2018 ISSN: 0588-8093 Message from Editor-In-Chief
COMMUNICATOR The Journal of Indian Institute of Mass Communication Volume LIII, Number-4, October-December, 2018 ISSN: 0588-8093 Message From Editor-in-Chief At the outset, I wish to express my gratitude to all the academicians and scholars who participated and presented papers at the National Seminar on “The State of Indian Language Journalism and Training” organised by IIMC with support from Indian Council of Social Sciences and Research (ICSSR) on October, 29 and 30, 2018 at IIMC Campus. K. G. Suresh The conference was organised to Editor-in-Chief commemorate the silver jubilee of Director General, IIMC our Eastern Regional Campus at Dhenkanal, Odisha from where we started our first language journalism programme in Odia. In the last three years, we have given a major push to language journalism launching a Malayalam Journalism programme at our Kottayam, Kerala campus and Marathi Journalism programme at Amravati, Maharashtra campus. This apart, we have upgraded the Certificate programme in Urdu Journalism to a full fledged Diploma programme. We have even started a three months Advanced Certificate Programme in Sanskrit Journalism in collaboration with the Shri Lal Bahadur Shastri Rashtriya Sanskrit Vidyapeeth besides setting up the Department of Indian Language Journalism. Future plans include starting Hindi and Urdu Journalism programmes from our Jammu campus and Bangla from our Odisha campus. Apart from the papers presented at the conference, many eminent academicians have also contributed to this volume. I am confident that this special issue on the state of Indian language journalism and training would be a collector’s issue for both students and scholars as also media persons across the country and would help them in better understanding of the issues at stake and take requisite steps to improve the quality and standard of both language journalism and training at a time when language journalism is growing by leaps and bounds. -
J-INFORMASI 2021 N0 1.Indd
Informasi - ISSN (p) 0126-0650; ISSN (e) 2502-3837 Vol. 51, No. 1 (2021), pp. 65-92, doi: http://doi.org/10.21831/informasi.v51i1.38170. 65-92 Islamic vigilantism and women in social media Md. Sayeed Al Zaman Department of Journalism and Media Studies, Jahangirnagar University, Savar, Dhaka, Bangladesh Email: [email protected] Abstract In Bangladesh, the number of cyber-citizens has been skyrocketing since the 2010s. Violence against women is also proliferating along with the presence of Islam in public spheres and discourses. Using thematic analysis, this study analyzes the discourse data collected from Facebook, the dominant social media of Bangladesh. The key aim of the research is to find out the bedrock of Islamic vigilantism and verbal aggressiveness against women in social media. Subsequently, three interlinked themes have been explored: women’s religiosity, women’s attire, and women’s virtue. The findings have shown that men mainly capitalize on these three conventional and stereotyped ideas of popular Islam to conduct vigilantism against women in social media, which is most often accompanied by different types of verbal aggressiveness. Further, this study considering deep-rooted misogyny and patriarchy in Bangladesh society argues that these factors might have contributed to directing online vigilantism against women. As little research has been done in this area, this research study would lead to further researches in this area. Keywords: Islam, vigilantism, women, social media, Bangladesh 65 Informasi, Vol. 51. No. 1. (2021), 65-92 INTRODUCTION Women in the South Asian region have a long history of exploitation and backwardness thanks to men’s social authority and domination (Hashmi, 2000). -
Moral Policing Attitudes in the Society Ma Sociology 2018-2020
MORAL POLICING ATTITUDES IN THE SOCIETY A CASE STUDY ON THE EXPERIENCES OF DIFFERENT MORAL POLICING VICTIMS IN THIRUVANATHAPURAM MA SOCIOLOGY 2018-2020 i TABLE OF CONTENTS ABSTRACT CHAPTERS TITLE PAGE NO I INTRODUCTION 1-10 II REVIEW OF LITERATURE 11-21 III METHODOLOGY 22-24 IV CASES PRESENTATION 25-30 V THEMATIC ANALYSIS 31-41 & DICUSSION VI FINDINGS, SUGGESTION 42-46 & CONCLUSION BIBILIOGRAPHY 47-49 APPENDIX 49-51 ii ABSTRACT The present study titled “MORAL POLICING ATTITUDES IN THE SOCIETY: A CASE STUDY ON THE EXPERIENCES OF DIFFERENT MORAL POLICING VICTIMS IN THIRUVANATHAPURAM” is to understand the different moral policing attitudes existing in our society. It is been conducted on people who either reside or study in Thiruvananthapuram district and has experienced moral policing in their lives. The study is been conducted using qualitative methods. Moral Policing is not an uncommon scenario in Modern India. It refers to the process through which certain groups or individual tries enforce a code of morality either harming or non harming. The cases of moral policing are on a high in India and Kerala. These kinds of activities are considered to be illegal under the legal law. It is said that certain groups harm people in the name of moral policing with the support of the political parties and cops. The voices of the people who undergoes such activities are paid less interest. In a nation where everything has a secular and democratic face such activities seem to be less focussed. However, a culture of silence exists in showcasing the experiences of the moral policing victims. -
TRACING the TEMPORAL ASSEMBLAGE of INDIAN MEDIA a Thesis Submitted to the Faculty of the Graduate School O
THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Lakshmi Padmanabhan, Bachelor of Arts Washington, DC April 28, 2011 Copyright 2011 by Lakshmi Padmanabhan All Rights Reserved ii THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA Lakshmi Padmanabhan, Bachelor of Arts Thesis Advisor: Jatinder P. Singh, Doctor of Philosophy. ABSTRACT This thesis examines two films – Slumdog Millionaire (Boyle, 2008) and Dostana (Mansukhani, 2008) to explore the circulation of national identities within these films and the circulation of the films themselves within larger discourses of the nation, particularly India. This thesis argues that our current cultural moment require changing understandings of the idea of ‘film’, to include its multiple networks of capital and affect, and a changing understanding of ‘nation’ as materially illustrated in these films. The aim of this thesis is to conceive of a way to understand films as a collection of temporalities, and to map the duration of these temporalities as they reveal the emerging networks of circulation that change the ontology of both film and nation. I also argue that the ‘nation’ is an affective construct, and that ‘nationness’ is the ‘trace’ or ‘residue’ that these films bear. This argument also marks a specific approach to the idea of a ‘nation’ itself that includes more than the boundaries of the state, or the ethnicity of the people, but begins to address the way objects possess certain national traces, particularly within cultural objects such as the arts.