Rudyard Kipling Bibliothèque Nobel 1907
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Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
Rudyard Kipling Bibliothèque Nobel 1907
Bibliothèque Nobel 1907 Rudyard Kipling Œuvres A Tale of Two Cities 107.0017e Wilful-Missing" 107.0006 M. I. 107.0006 Poésie lyrique: Poème Soldier an' Sailor Too" 107.0006 Soldier an' Sailor Too" 107.0962e Cells 107.0006 Columns 107.0006 Hadramauti 107.0006 Mary, Pity Women!" 107.0006 The Widow's Party 107.0006 Mary, Pity Women!" 107.0962e The Jacket 107.0006 For to Admire" 107.0006 Griffen's Debt 107.0017e Christmas in India 107.0017e Shillin' a Day 107.0006 The Service Man" 107.0006 The Betrothed 107.0017e Chant-Pagan 107.0006 The Betrothed 107.0032e Half-Ballade of Waterval 107.0006 The Song of the Women 107.0032e The Sergeant's Weddin' 107.0962e The Song of the Women 107.0017e The 'Eathen 107.0962e The Story of the Gadsbys - L'Envoi 107.0020e Follow me 'Ome" 107.0006 Gentlemen-Rankers 107.0006 Follow me 'Ome" 107.0962e The Mare's Nest 107.0006 The Instructor 107.0006 In Springtime 107.0017e Boots 107.0006 One Viceroy Resigns 107.0032e The Married Man 107.0006 L'Envoi 107.0006 Lichtenberg 107.0006 L'Envoi 107.0017e Arithmetic on the Frontier 107.0032e To the Unknown Goddess 107.0017e The Sergeant's Weddin' 107.0006 A Tale of Two Cities 107.0006 The Moral 107.0006 A Tale of Two Cities 107.0032e The Mother-Lodge 107.0006 To the Unknown Goddess 107.0032e Arithmetic on the Frontier 107.0006 The Moon of Other Days 107.0017e Pagett, M.P. 107.0017e One Viceroy Resigns 107.0017e Pagett, M.P. -
May Newsletter
THE KIPLING SOCIETY FOUNDED 1927 Registered Charity No.278885 Bay Tree House, Doomsday Garden, Horsham, West Sussex, RH13 6LB England Telephone: 07801 680516 e-mail: [email protected] NEWSLETTER – MAY 2021 As the second wave of the pandemic comes to an end in the UK and we look forward to a return to some sort of normality, this will be the final edition of the Newsletter which we intend to print and distribute by post. If any member who currently receive it this way would in future like to receive it electronically, please could they let us (at the e-mail address above) have an e-mail address to which it can be sent. Alternatively, the current edition (and past ones) can be found on the Society News page of our website. FUTURE MEETINGS • Monday 14th June: 6.00pm. The Honourable Artillery Company is hosting a historical lecture and dinner jointly with the Kipling Society at Armoury House, City Road, London, EC1. After a two-course dinner, Professor Ian Beckett will address the company on ‘Kipling’s Army Revisited’, with a finish time no later than 9.00pm. The event will be held in accordance with the ‘rule of six’, with guests seated six per table in a large banqueting hall. Full details and an application form are appended to this newsletter. • Wednesday 30 June, 5.00pm. (by Zoom) AGM. After which Adrian Munsey will address the Society on the production of his acclaimed documentary Rudyard Kipling: a Secret Life. Adrian will show some clips from the film and describe to us how it was conceived, planned and shot. -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
My Boy Jack Book Summary Rudyard Kipling: Poems Study Guide
my boy jack book summary Rudyard Kipling: Poems Study Guide. Although Kipling is perhaps most famous for his short stories like "The Jungle Book," he was just as famed for his verse as his prose. His work, which is staggering in number, consists of such major poems as "If", "The White Man's Burden", "The Ballad of East and West", "Gunga Din", "Mandalay", and "Danny Deever". He wrote poetry throughout his life and published in newspapers, magazines, and collections and anthologies. Kipling's reputation has shifted throughout the years; more contemporary readers and scholars find many of his poems difficult to love or respect due to their embrace and sometimes-promulgation of the imperialist, racist, and misogynistic attitudes that prevailed during the day. However, during his own time he garnered more respect and a great deal of popularity. T.S. Eliot wrote of him: "[He had] an immense gift for using words, an amazing curiosity and power of observation with his mind and with all his senses, the mask of the entertainer, and beyond that a queer gift of second sight, of transmitting messages from elsewhere, a gift so disconcerting when we are made aware of it that thenceforth we are never sure when it is not present: all this makes Kipling a writer impossible wholly to understand and quite impossible to belittle." One of Britain's most famous writers, E.M. Forster, took up the subject of Kipling's poetry in a very insightful 1909 lecture. He began by expressing the assumption that Kipling was dull and vulgar, and countered that with his own perspective that "putty, brass and paint are there, but with them is fused, at times inextricably, a precious metal." Forster saw Kipling as very much "alive" and lauded him for this. -
Works in the Kipling Collection "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After"
Works in the Kipling Collection Title Main Author Publication Year Material Type Call Number "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "Collectanea" Rudyard Kipling. Kipling, Rudyard, 1865-1936. 1908 BOOK PR 4851 1908 "Curry & rice," on forty plates ; or, The ingredients of social life at Atkinson, George Francklin. 1859 BOOK DS 428 A76 1859 "our station" in India / : "Echoes" by two writers. Kipling, Rudyard, 1865-1936. 1884 BOOK PR 4854 E42 1884 "Kipling and the doctors" : Bateson, Vaughan. 1929 BOOK PR 4856 B3 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1935 BOOK PR 4854 T26 1935 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1938 BOOK PR 4854 T26 1938 "The Times" and the publishers. Publishers' Association. 1906 BOOK Z 323 T59 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1906 BOOK PR 4854 T35 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1925 BOOK PR 4854 T352 1925 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1926 BOOK PR 4854 T352 1926 [Autograph letter from Stephen Wheeler, editor of the Civil & Wheeler, Stephen, 1854-1937. 1882 BOOK PR 4856 A42 1882 military gazette, reporting his deputy [Diary, 1882]. -
Matrix Become a Fan Without Being Irrevocably Cut Off from Any SF Roots
£1.25 110 NewsCetter Of tile Brittsll Science Yiction Association Ye6ruar9 - Marcil 1994 Morrix110 Datarife Determinants It seems to make more Sense to start a new year in February when the Membership weather is once more becoming civilised, rather than having it This costs £15 per year (UK and EC). immediately adjacent to the glullony and indulgence of Christmas. A British winter seems to be an endless tunnel of low-level misery and New members: Alison Cook, 27 Albemarle Drive. Grove, Wantage. dampness, so the first appearance of Ihe sun produces a primitive Oxon aXIl ON8 resurgence of joy. As the skeleton trees slowly blur into buds and the ground changes from mud to mud with stalks, there seems more point Renewals: Keith Freeman, 269 Wykeham Road, Reading RG6 IPL to life: and, perhaps, there may seem to be more to life than reading SF. USA: Cy Chauvin. 14248 Wilfred Street, Detroit. M148213, USA Unlike the metamorphosis from larva to dragon fly, an SF reader can Matrix become a fan without being irrevocably cut off from any SF roots. A fan will almost by definition stan as an SF reader who wishes to take Jenny and Steve Glover. 16 Aviary Place, Leeds LSl2 2NP a mOTe active role in the SF community. I'm not entirely convinced. Tel: 0532 791264 though, that people deliberately set out to become fans, There are a whole series of circumstances which seem to be coincidences and Vector which cascade onto the unwary reader but which will fail to activate anyone unless some spark of curiosity or sense of wonder gets ignited Catie Cary. -
Rudyard Kipling 1
Rudyard Kipling 1 Rudyard Kipling The Project Gutenberg eBook, Rudyard Kipling, by John Palmer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re−use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Rudyard Kipling Author: John Palmer Release Date: March 24, 2006 [eBook #18045] Language: English Character set encoding: ISO−8859−1 ***START OF THE PROJECT GUTENBERG EBOOK RUDYARD KIPLING*** E−text prepared by Al Haines Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 18045−h.htm or 18045−h.zip: (http://www.gutenberg.net/dirs/1/8/0/4/18045/18045−h/18045−h.htm) or (http://www.gutenberg.net/dirs/1/8/0/4/18045/18045−h.zip) RUDYARD KIPLING Rudyard Kipling 2 by JOHN PALMER [Frontispiece: Rudyard Kipling] New York Henry Holt and Company First Published in 1915 CONTENTS I. INTRODUCTION II. SIMLA III. THE SAHIB IV. NATIVE INDIA V. SOLDIERS THREE VI. THE DAY'S WORK VII. THE FINER GRAIN VIII. THE POEMS BIBLIOGRAPHY AMERICAN BIBLIOGRAPHY INDEX I INTRODUCTION There is a tale of Mr Kipling which relates how Eustace Cleever, a celebrated novelist, came to the rooms of a young subaltern and his companions who were giving an account of themselves. Eustace Cleever was a literary man, and was greatly impressed when he learned that one of the company, who was under twenty−five and was called the Infant, had killed people somewhere in Burma. -
Twenty Poems From
THE P OEMS O F RUDYARD K I PLI NG B A - OOM BALLADS 1 82m! Tfi and ARR CK R ( o m ) . ue 2nd /z u fld TH E S EVEN S ( 1 3 T o m ) . F V NATI O ! Tk ousand THE I E NS ( n ot ) . DEP ARTMENTAL DITTI ES (8 1 r! o wn Svc o un in uck am 63 ne t e ach Cr , b d b r , . u v o l me . a v bo un in lim lambs k in t Fc . 8 o d te p , p , gil p, a m 65 ne t e h v lu e . c o Fca 8v o o und in c o th to s . ne t e ach p . , b l , gilt p , 5 v o ume l . 71 Ed ti o n I n 8 v ua o ume s . S 7 8 S er v i ce i . l q re ( a 8v o 5 ne t e ach v o ume c p. , 3 . l . TWENTY POEMS FRO M RUDYARD KIP LI NG ! M b th k l s o a K ab y ro er nee s , s ys ir, ! To s t a nd b r a ss h a th -w s one in e en i e , ' But in my bro ther s v oice I h e ar M o w n u a w d a o rr ie s ine n ns ere g . Hi s Go d is as h is fat e a s s i s gn . -
Introduction
1 Introduction JAN MONTEFIORE Cities and Th rones and Powers Stand in Time’s eye Almost as long as fl owers 1 Which daily die. ipling’s brief elegy for the vanity of human deeds brings together three K themes of this collection of essays: the subjection of his own work and reputation to those processes of time and change of which his poem warns; his relationship to historical institutions of rule and dominance named as ‘Th rones and Powers’; and his many-sided artistry, manifested in this ironic vision of the fall of ancient empires mediated through echoes of Milton and Herrick.2 An account of Kipling ‘in Time’s eye’ necessarily begins with the changes in his reception, here represented in capsule form by the fi rst three essays from G.K. Chesterton (1905), George Orwell (1942) and Randall Jarrell (1961). His reputation has been notoriously changeable since he arrived in London in 1890 as the young genius from India who in one year had had ‘more said about his work, over a wider extent of the world’s surface, than some of the greatest of England’s writers in their whole lives’,3 in 1895 was sounded out as a possible successor to Tennyson as Poet Laureate,4 and whose near-death from pneumonia in 1899 was headline news in three continents. Praise was never undiluted: his ‘vulgarity’ was mocked by Oscar Wilde and attacked by Robert Buchanan and, more devastatingly, Max Beerbohm;5 and as Kipling’s imperialist opinions became more strident after the Boer War he lost the 9780719090172_C01.indd 1 11/10/13 12:02 PM 2 In Time’s eye esteem of British literary intellectuals, whom he in turn despised (his close friends included no fellow writer except Rider Haggard, author of thrillingly mythopoeic imperialist fantasy novels). -
Zanzibar: Its History and Its People
Zanzibar: its history and its people http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.PUHC025 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Zanzibar: its history and its people Author/Creator Ingrams, W.H. Publisher Frank Cass & Co., Ltd. Date 1967 Resource type Books Language English Subject Coverage (spatial) Northern Swahili Coast, Tanzania, United Republic of, Zanzibar Stone Town, Tanzania Source Princeton University Library 1855.991.49 Rights By kind permission of Leila Ingrams. Description Contents: Preface; Introductory; Zanzibar; The People; Historical; Early History and External Influences; Visitors from the Far East; The Rise and Fall of the Portuguese; Later History of the Native Tribes; History of Modern Zanzibar. -
Mr. Kipunc/S Five Nations. 843 PRODUCED by UNZ.ORG
Mr. KipUnc/s Five Nations. 843 tion ; his ideas are many but his words this banquet. In this attitude the poet are few. He dislikes action, yet he at descended to the arena of strife, on a tracts the active. He seeks no recloMies, level with others of not half his merit yet he is acclaimed. In a study of Mal- who had dinners given in their honor. larm^ and his salon which appeared in How difficult it is to refuse at the right 1892,1 said: " In this poet we find a phi moment! The art of saying " no " is the losopher free from superstition and pre supreme art in the life of every thinker. judice, a thinker who embraces all that Of all things connected with the daily is vital in art, music, and literature." routine of a man of talent, tliis thing of But the best minds are often led into knowing when and how to I'efuse is the foolish acts, even against their better simplest and the rarest. It is so easy to judgment. The poet was inveigled into know and so hard to do. But until we accepting a banquet in his honor, offered learn to do it we can expect nothing but by a number of his admirers, at which misunderstanding and failure. conventional toasts, speeches, and re It was remarked by a journalist that sponses, prearranged and machine-made, Mallarm^, at this banquet, looked as if were the order of the evening. He was he had come to bury his last friend.