CONCEPTS and OBJECTS 0. Introduction
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The Meaning and Significance of Dispute on Objectless Presentations
NeuroQuantology | December 2018 | Volume 16 | Issue 12 | Page 87-91| doi: 10.14704/nq.2018.16.12.1344 Seliverstov S., The Meaning and Significance of Dispute on Objectless Presentations The Meaning and Significance of Dispute on Objectless Presentations Vladimir Seliverstov* ABSTRACT This paper considers the evolution of understanding and the status of objectless presentations in the works of the three main authors of this tradition: “The Theory of Science” by B. Bolzano, “On Content and Object of Presentations” by K. Twardowski and “Intentional Objects” by E. Husserl. A critical analysis of these positions on objectless presentations is interesting, because here in one point, in one discussion, we have several very important philosophical theories that have had an impact on the philosophical debates in the twentieth century, particularly on the discussion Alexius Meinong and Bertrand Russell at the beginning of XX century. We want to show, how this Meinong’s conception has contemporary philosophy. Here author aims to show how theory of objects as such came into being and how its main ideasmade weresignificant discussed contribution and criticized into the in problemsubsequent of nonexistent philosophical objects thought. that Thisstill remainsdispute pushesone of theus tomost think debated that we in deal here with fundamental ideological differences between these conceptions. Therefore, it allowed to consider another important philosophical and methodological problem - the problem of incommunicability between logical and psychological conceptions. Key Words: Bolzano, Twardowski, Theory of Objects, Phenomenology, Objectless Presentations, Intentionality 87 DOI Number: 10.14704/nq.2018.16.12.1344 NeuroQuantology 2018; 16(12):87-91 The Problem he is often called a precursor of analytic philosophy. -
Either in Plain Text Format As Am Attached PDF) at the End of the Term
History of Analytic Philosophy410 — Syllabus Lecturer: SidneyFelder,e-mail: [email protected] Rutgers The State University of NewJersey, Spring 2021 “Office Hours” (i.e., individual discussions): By Appointment Formanyreasons, there is no uncontroversial general characterization of the range of work that tends to be classified under the heading “Analytic Philosophy”. For our purposes, an analytic philosopher is anyone whose work is conducted in awareness of the fundamental importance, for every variety of foundational and philosophical inquiry,ofobtaining a proper understanding of what properties of thought, perception, language, and the world, and what properties of their relationship, makepossible the meaningful ascription of truth, fal- sity,and referential significance of anykind to such things as thoughts, beliefs, sentences, propositions, and judgments. This course covers the early history of analytic philosophy, concentrating largely on writings of Gottlob Frege, Bertrand Russell, G.E. Moore, and Ludwig Wittgenstein, whose work secured recognition of the necessity as well as the great difficulty of this kind of inquiry. Weeks 1, 2, 3, 4 Transition from idealism, naturalism, and Kantianism Russell Our Knowledgeofthe External World (1914) Chapter I, Current Tendencies; Chapter II, Logic As the Essence of Philosophy Frege The Foundations of Arithmetic (1884) , Introduction and sections 1-28. Moore Principia Ethica (1903) , Chapters I, II, III (36-44) ,VI(110-121) Russell The Principles of Mathematics (1903) , Chapters I, III (Sections 37-38, 43-45) ,IV, V(56-60, 63-65) ,VI(66-74) , VIII (86-87, 93) ,IX, X, XVI, XXVI, XXVII (217-219) ,XLII, XLIII (337-341) ,LI Weeks 5, 6, 7, 8, 9, 10 Construction of a Language for Mathematics. -
Tractatus Logico-Philosophicus</Em>
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 8-6-2008 Three Wittgensteins: Interpreting the Tractatus Logico-Philosophicus Thomas J. Brommage Jr. University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Brommage, Thomas J. Jr., "Three Wittgensteins: Interpreting the Tractatus Logico-Philosophicus" (2008). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/149 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Three Wittgensteins: Interpreting the Tractatus Logico-Philosophicus by Thomas J. Brommage, Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Co-Major Professor: Kwasi Wiredu, B.Phil. Co-Major Professor: Stephen P. Turner, Ph.D. Charles B. Guignon, Ph.D. Richard N. Manning, J. D., Ph.D. Joanne B. Waugh, Ph.D. Date of Approval: August 6, 2008 Keywords: Wittgenstein, Tractatus Logico-Philosophicus, logical empiricism, resolute reading, metaphysics © Copyright 2008 , Thomas J. Brommage, Jr. Acknowledgments There are many people whom have helped me along the way. My most prominent debts include Ray Langely, Billy Joe Lucas, and Mary T. Clark, who trained me in philosophy at Manhattanville College; and also to Joanne Waugh, Stephen Turner, Kwasi Wiredu and Cahrles Guignon, all of whom have nurtured my love for the philosophy of language. -
Chapter 1 Elementary Logic
Principles of Mathematics (Math 2450) A®Ë@ Õæ Aë áÖ ß @.X.@ 2017-2018 ÈðB@ É®Ë@ Chapter 1 Elementary Logic The study of logic is the study of the principles and methods used in distinguishing valid argu- ments from those that are not valid. The aim of this chapter is to help the student to understand the principles and methods used in each step of a proof. The starting point in logic is the term statement (or proposition) which is used in a technical sense. We introduce a minimal amount of mathematical logic which lies behind the concept of proof. In mathematics and computer science, as well as in many places in everyday life, we face the problem of determining whether something is true or not. Often the decision is easy. If we were to say that 2 + 3 = 4, most people would immediately say that the statement was false. If we were to say 2 + 2 = 4, then undoubtedly the response would be \of course" or \everybody knows that". However, many statements are not so clear. A statement such as \the sum of the first n odd integers is equal to n2" in addition to meeting with a good deal of consternation, might be greeted with a response of \Is that really true?" or \why?" This natural response lies behind one of the most important concepts of mathematics, that of proof. 1.1 Statements and their connectives When we prove theorems in mathematics, we are demonstrating the truth of certain statements. We therefore need to start our discussion of logic with a look at statements, and at how we recognize certain statements as true or false. -
Frege's Influence on Wittgenstein: Reversing Metaphysics Via the Context Principle*
Frege's Influence on Wittgenstein: Reversing Metaphysics via the Context Principle* Erich H. Reck Gottlob Frege and Ludwig Wittgenstein (the later Wittgenstein) are often seen as polar opposites with respect to their fundamental philosophical outlooks: Frege as a paradig- matic "realist", Wittgenstein as a paradigmatic "anti-realist". This opposition is supposed to find its clearest expression with respect to mathematics: Frege is seen as the "arch-pla- tonist", Wittgenstein as some sort of "radical anti-platonist". Furthermore, seeing them as such fits nicely with a widely shared view about their relation: the later Wittgenstein is supposed to have developed his ideas in direct opposition to Frege. The purpose of this paper is to challenge these standard assumptions. I will argue that Frege's and Wittgen- stein's basic outlooks have something crucial in common; and I will argue that this is the result of the positive influence Frege had on Wittgenstein. It would be absurd to claim that there are no important differences between Frege and Wittgenstein. Likewise, it would be absurd to claim that the later Wittgenstein was not critical of some of Frege's ideas. What, then, is the common element I see? My sugges- tion is that the two thinkers agree on what I call a reversal of metaphysics (relative to a standard kind of metaphysics attacked by both). This is not an agreement on one particu- lar thesis or on one argument. Rather, it has to do with what is prior and what is posterior when it comes to certain fundamental explanations in metaphysics (also, relatedly, in semantics and epistemology). -
The Theatre of Death: the Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, Must One Die to Be Dead
The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead. Twitchin, Mischa The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/8626 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead? Mischa Twitchin Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy. 1 The Theatre of Death: the Uncanny in Mimesis (Abstract) The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in mimesis” and of the “theatre of death” give content to each other – historically and theoretically – as distinct from the one providing either a description of, or even a metaphor for, the other? Thus, while the title for this concept of theatre derives from an eponymous manifesto of Tadeusz Kantor’s, the thesis does not aim to explain what the concept might mean in this historically specific instance only. Rather, it aims to develop a comparative analysis, through the question of mimesis, allowing for different theatre artists to be related within what will be proposed as a “minor” tradition of modernist art theatre (that “of death”). -
Formal Proof : Understanding, Writing and Evaluating Proofs, February 2010
Formal Proof Understanding, writing and evaluating proofs David Meg´ıas Jimenez´ (coordinador) Robert Clariso´ Viladrosa Amb la col·laboracio´ de M. Antonia` Huertas Sanchez´ PID 00154272 The texts and images contained in this publication are subject –except where indicated to the contrary– to an Attribution-NonCommercial-NoDerivs license (BY-NC-ND) v.3.0 Spain by Creative Commons. You may copy, publically distribute and transfer them as long as the author and source are credited (FUOC. Fundacion´ para la Universitat Oberta de Catalunya (Open University of Catalonia Foundation)), neither the work itself nor derived works may be used for commercial gain. The full terms of the license can be viewed at http://creativecommons.org/licenses/by-nc-nd/3.0/legalcode © CC-BY-NC-ND • PID 00154272 Formal Proof Table of contents Introduction ................................................... ....... 5 Goals ................................................... ................ 6 1. Defining formal proofs .......................................... 7 2. Anatomy of a formal proof ..................................... 10 3. Tool-supported proofs ........................................... 13 4. Planning formal proofs ......................................... 17 4.1. Identifying the problem . ..... 18 4.2. Reviewing the literature . ....... 18 4.3. Identifying the premises . ..... 19 4.4. Understanding the problem . ... 20 4.5. Formalising the problem . ..... 20 4.6. Selecting a proof strategy . ........ 21 4.7. Developingtheproof ................................ -
Concepts and Objects
5 Concepts and Objects Ray Brassier 1. The question ‘What is real?’ stands at the crossroads of metaphysics and epistemol- ogy. More exactly, it marks the juncture of metaphysics and epistemology with the seal of conceptual representation. 2. Metaphysics understood as the investigation into what there is intersects with epistemology understood as the enquiry into how we know what there is. This intersec- tion of knowing and being is articulated through a theory of conception that explains how thought gains traction on being. 3. That the articulation of thought and being is necessarily conceptual follows from the Critical injunction which rules out any recourse to the doctrine of a pre-es- tablished harmony between reality and ideality. Thought is not guaranteed access to being; being is not inherently thinkable. There is no cognitive ingress to the real save through the concept. Yet the real itself is not to be confused with the concepts through which we know it. The fundamental problem of philosophy is to understand how to reconcile these two claims. 4. We gain access to the structure of reality via a machinery of conception which extracts intelligible indices from a world that is not designed to be intelligible and is not originarily infused with meaning. Meaning is a function of conception and con- ception involves representation—though this is not to say that conceptual representa- tion can be construed in terms of word-world mappings. It falls to conceptual ratio- nality to forge the explanatory bridge from thought to being. 5. Thus the metaphysical exploration of the structure of being can only be carried out in tandem with an epistemological investigation into the nature of conception. -
The Theatre of Death: the Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, Must One Die to Be Dead?
The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead? Mischa Twitchin Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy. 1 The Theatre of Death: the Uncanny in Mimesis (Abstract) The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in mimesis” and of the “theatre of death” give content to each other – historically and theoretically – as distinct from the one providing either a description of, or even a metaphor for, the other? Thus, while the title for this concept of theatre derives from an eponymous manifesto of Tadeusz Kantor’s, the thesis does not aim to explain what the concept might mean in this historically specific instance only. Rather, it aims to develop a comparative analysis, through the question of mimesis, allowing for different theatre artists to be related within what will be proposed as a “minor” tradition of modernist art theatre (that “of death”). This comparative enquiry – into theatre practices conceived of in terms of the relation between abstraction and empathy, in which the “model” for the actor is seen in mannequins, puppets, or effigies – is developed through such questions as the following: What difference does it make to the concept of “theatre” when thought of in terms “of death”? What thought of mimesis do the dead admit of? How has this been figured, historically, in aesthetics? How does an art of theatre participate -
I HEGEL's LOGIC of ABSOLUTE IDEALISM and HIS POLITICAL
HEGEL’S LOGIC OF ABSOLUTE IDEALISM AND HIS POLITICAL ARGUMENT: THE CONCEPTUALITY OF ACTUALITY A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Matthew J. Smetona May, 2010 Examining Committee Members: Aryeh Botwinick, Advisory Chair, Political Science Joseph M. Schwartz, Political Science Carol C. Gould, Philosophy and Political Science Joseph Margolis, External Member, Philosophy i © by Matthew J. Smetona 2010 All Rights Reserved ii ABSTRACT Title: Hegel’s Logic of Absolute Idealism and his Political Argument: The Conceptuality of Actuality Candidate’s Name: Matthew J. Smetona Degree: Doctor of Philosophy Temple University, 2010 Doctoral Advisory Committee Chair: Aryeh Botwinick This dissertation is about the theoretical foundation of Hegel’s political argument. Its goal is to comprehend the basic structure of that argument by articulating the conceptual framework Hegel employs when he asserts that the particular set of political institutions he is arguing for is rational. Its argument is that the criterion Hegel employs in his conception of rationality is that an object is rational if and only if it is comprehended by thought in and through the holistic inferential system of concepts he refers to as the Concept ( der Begriff ). Hegel’s final argument in the Science of Logic is that there can be no actual object that is not “rational,” i.e., that is not constituted, in all of its determinations, by the unified activity of thinking that is the Concept. Consequently, it is argued that the rationality, and therewith the actuality, of Hegel’s rational state depicted in the Philosophy of Right derives from the fact that it is comprehended by thought in and through the totality as thought that is the Concept. -
Epistemology and Ontology in Frege and Peirce: on Thoughts and Generals* Epistemologia E Ontologia Em Frege E Peirce: Sobre Pensamentos E Gerais
Epistemology and Ontology in Frege and Peirce: On Thoughts and Generals* Epistemologia e Ontologia em Frege e Peirce: Sobre Pensamentos e Gerais Maria Uxía Rivas Monroy Departamento de Lóxica e Filosofía Moral Faculdade de Filosofía Universidade de Santiago de Compostela – USC, España [email protected] Abstract: The main aim of this paper is to compare the refl ections by Frege and Peirce with respect to the ontology and epistemology of some abstract entities or abstract elements, namely, Fregean thoughts and Peircean generals. The reason for this comparison is that they have given distinct answers to similar epistemological and ontological problems. Therefore, the paper will concentrate basically on the importance given by them to abstract entities or abstract features, and on the ontological position they have taken in regards to them, and which were motivated by their interests in science and in the justifi cation of scientifi c knowledge. The paper will also analyse the different roles that language and representation systems play in Frege’s and Peirce’s refl ections with respect to these abstract elements or entities, favouring Peirce’s position, which did not separate ontology from epistemology, and, therefore, it is not committed to the Platonism Frege was led to. Keywords: Abstract entities. Epistemology. Frege. Fregean thoughts. Generals. Ontology. Peirce. Resumo: O objetivo principal deste trabalho é comparar as refl exões de Frege e Peirce em relação à ontologia e à epistemologia de algumas entidades abstratas ou elementos abstratos, a saber, os pensamentos fregianos e os gerais Peircianos. A razão para essa comparação é que eles deram respostas distintas para problemas epistemológicos e ontológicos similares. -
Denying the Antecedent - Wikipedia, the Free Encyclopedia
Denying the antecedent - Wikipedia, the free encyclopedia Help us provide free content to the world by • LearnLog more in /about create using Wikipediaaccount for research donating today ! • Article Discussion EditDenying this page History the antecedent From Wikipedia, the free encyclopedia Denying the antecedent is a formal fallacy, committed by reasoning in the form: If P , then Q . Navigation Not P . ● Main Page Therefore, not Q . ● Contents Arguments of this form are invalid (except in the rare cases where such an argument also ● Featured content instantiates some other, valid, form). Informally, this means that arguments of this form do ● Current events ● Random article not give good reason to establish their conclusions, even if their premises are true. Interaction The name denying the ● About Wikipedia antecedent derives from the premise "not P ", which denies the 9, 2008 ● Community portal "if" clause of the conditional premise.Lehman, v. on June ● Recent changes Carver One way into demonstrate archivedthe invalidity of this argument form is with a counterexample with ● Contact Wikipedia Cited true premises06-35176 but an obviously false conclusion. For example: ● Donate to No. If Queen Elizabeth is an American citizen, then she is a human being. Wikipedia ● Help Queen Elizabeth is not an American citizen. Therefore, Queen Elizabeth is not a human being. Search That argument is obviously bad, but arguments of the same form can sometimes seem superficially convincing, as in the following example imagined by Alan Turing in the article "Computing Machinery and Intelligence": “ If each man had a definite set of rules of conduct by which he regulated his life he would be no better than a machine.