ABBL Suspense Account for the Year 2010 (As of 25-08-2021)
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Copyright by Gwendolyn Sarah Kirk 2016
Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work. -
Bangladesh Assessment
BANGLADESH ASSESSMENT October 2001 Country Information and Policy Unit 1 CONTENTS I SCOPE OF DOCUMENT 1.1 – 1.5 II GEOGRAPHY General 2.1 – 2.3 Languages 2.4 Economy 2.5 – 2.6 III HISTORY Pre-independence: 1947 – 1971 3.1 – 3.4 1972-1982 3.5 – 3.8 1983 – 1990 3.9 – 3.15 1991 – 1996 3.16 – 3.21 1997 - 1999 3.22 – 3.32 January 2000 - December 2000 3.33 – 3.35 January 2001 – October 2001 3.36 – 3.39 IV INSTRUMENTS OF THE STATE 4.1 POLITICAL SYSTEM Constitution 4.1.1 – 4.1.3 Government 4.1.4 – 4.1.5 President 4.1.6 – 4.1.7 Parliament 4.1.8 – 4.1.10 4.2 JUDICIAL SYSTEM 4.2.1 – 4.2.4 4.3 SECURITY General 4.3.1 – 4.3.4 1974 Special Powers Act 4.3.5 – 4.3.7 Public Safety Act 4.3.8 2 V HUMAN RIGHTS 5.1 INTRODUCTION 5.1.1 – 5.1.3 5.2 GENERAL ASSESSMENT Torture 5.2.1 – 5.2.3 Police 5.2.4 – 5.2.9 Supervision of Elections 5.2.10 – 5.2.12 Human Rights Groups 5.2.13 – 5.2.14 5.3 SPECIFIC GROUPS Religious Minorities 5.3.1 – 5.3.6 Biharis 5.3.7 – 5.3.14 Chakmas 5.3.15 – 5.3.16 Rohingyas 5.3.17 – 5.3.18 Ahmadis 5.3.19 – 5.3.20 Women 5.3.21 – 5.3.32 Children 5.3.33 – 5.3.36 Trafficking in Women and Children 5.3.37 – 5.3.39 5.4 OTHER ISSUES Assembly and Association 5.4.1 – 5.4.3 Speech and Press 5.4.4 – 5.4.5 Travel 5.4.6 Chittagong Hill Tracts 5.4.7 – 5.4.10 Student Organizations 5.4.11 – 5.4.12 Prosecution of 1975 Coup Leaders 5.4.13 Domestic Servants 5.4.14 – 5.4.15 Prison Conditions 5.4.16 – 5.4.18 ANNEX A: POLITICAL ORGANIZATIONS AND OTHER GROUPS ANNEX B: PROMINENT PEOPLE ANNEX C: CHRONOLOGY ANNEX D: BIBLIOGRAPHY III HISTORY 3.2 East Pakistan became dissatisfied with the distant central government in West Pakistan, and the situation was exacerbated in 1952 when Urdu was declared Pakistan's official language. -
Islami Bank Bangladesh Limited Corporate Investment Wing Sustainable Finance Division Corporate Social Responsibility Department Head Office, Dhaka
Islami Bank Bangladesh Limited Corporate Investment Wing Sustainable Finance Division Corporate Social Responsibility Department Head Office, Dhaka. Sub: Result of IBBL Scholarship Program, HSC Level-2019 Following 1500(Male-754, Female-746) students mentioned below have been selected finally for IBBL Scholarship program, HSC Level -2019. Sl. No. Name of Branch Beneficiary ID Student's Name Father's Name Mother's Name 1 Agrabad Branch 8880202516103 Halimatus Sadia Didarul Alam Jesmin Akter 2 Agrabad Branch 8880202516305 Imam Hossain Mahbubul Hoque Aleya Begum 3 Agrabad Branch 8880202508003 Md Mahmudul Hasan Al Qafi Mohammad Mujibur Rahman Shaheda Akter 4 Agrabad Branch 8880202516204 Proma Mallik Gopal Mallik Archana Mallik 5 Alamdanga Branch 8880202313016 Mst. Husniara Rupa Md. Habibur Rahman Mst. Nilufa Yeasmin 6 Alamdanga Branch 8880202338307 Sharmin Jahan Shormi Md. Abdul Khaleque Israt Jahan 7 Alanga SME/Krishi Branch 8880202386310 Tammim Khan Mim Md. Gofur Khan Mst. Hamida Khanom 8 Amberkhana Branch 8880202314017 Fahmida Akter Nitu Babul Islam Najma Begum 9 Amberkhana Branch 8880202402015 Fatema Akter Abdul Kadir Peyara Begum 10 Amberkhana Branch 8880202252201 Mahbubur Rahman Md. Juned Ahmed Mst. Shomurta Begum 11 Amberkhana Branch 8880202208505 Md. Al-Amin Moin Uddin Rafia Begum 12 Amberkhana Branch 8880202457814 Md. Ismail Hossen Md. Rasedul Jaman Ismotara Begum 13 Amberkhana Branch 8880202413118 Mst. Shima Akter Tofazzul Islam Nazma Begum 14 Amberkhana Branch 8880202378513 Tania Akther Muffajal Hossen Kamrun Nahar 15 Amberkhana Branch 8880202300618 Tanim Islam Tanni Shahidul Islam Shibli Islam 16 Amberkhana Branch 8880202234504 Tanjir Hasan Abdul Malik Rahena Begum 17 Anderkilla Branch 8880202497414 Arpita Barua Alak Barua Tapasi Barua 18 Anderkilla Branch 8880202269108 Sakibur Rahman Mohammad Younus Ruby Akther 19 Anwara Branch 8880202320115 Jinat Arabi Mohammad Fajlul Azim Raihan Akter 20 Anwara Branch 8880202263607 Mizanur Rahman Abdul Khalaque Monwara Begum 21 Anwara Branch 8880202181101 Mohammad Arif Uddin Mohammad Shofi Fatema Begum Sl. -
Magazine July-2020
VOLUME-1 | ISSUE-14 | JULY 2020 Sino-India Stand-off CHINA EXPLAINS THE LADDAKH CONFLICT HAS INDIA OVERPLAYED ITS HAND? CPEC – A NOSH FROM HEAVEN? IN INDIA CLASH, CHINA SHOWS OFF MUSCLE FIXING PAKISTAN'S AVIATION THE SINO-INDIAN STANDOFF 13-K F-7 Markaz (051) 8437318 Islamabad | FROM INTIMATE HUG TO ESTRANGEMENT SUPERIORITY, THE RACE TO BE ONE UP. @WILDWINGSPAKISTAN @WILDWINGSPK f matrixxmedia matrixxmedia matrix.media matrixmag.com TEAM MATRIX Editor in Chief Content Editor Imtiaz Gul Aliya Naseer Farooq Managing Editor Content Writer Sameena Durrani Jehangir Khattak Associate Editor Content Writer Saad Gul Faizah Gillani Editor at large Content Writer Zeeshan Salahuddin Saddam Hussein Special Contributors Shaan Mehdi - Toronto Rafiq Jan - Doha Sitwat Bokhari Haroon Gul CONTENTS EDITOR’S NOTE The Sino-Indian Stand off 04 A deadly clash on June 15 between the Chinese and Indian soldiers close to Ladakh stand-off: China-Pakistan closer than ever before! 06 Patrol Point 14 in the Galwan Valley of eastern Ladakh, more than 4,300 metres above sea level, resulted in 20 Indian fatalies. China says the China explains the Laddakh Conflict 08 Galwan Valley falls enrely within its territory and blamed New Delhi for the clash and stated the clash occurred on the Chinese side of the Line of Actual India Imports over 80% of Pharma Raw Materials From China 09 Control (LAC) - the de facto border between the two Asian rivals. As both sides traded allegaons with confused messaging on the incident In India clash, China shows off muscle 10 out of New Delhi, the episode also alarmed the enre world, with analysts conjecturing as to whether this could flare up into a full-fledged Indo-China Efforts towards intra-Afghan negotiations pick up momentum 12 war. -
Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz Ur Rehman Niazi
Rang Sazi: Introduction and Evolution of Color Film Technology in Pakistan Zuraiz ur Rehman Niazi Abstract This paper discusses the introduction and evolution of color film technology in Pakistani cinema. It focuses on the transitional period from the 1960s to the 1980s and highlights the major technological and practical changes in the production of films in Pakistan, contextualizing the semiotics and importance of color for this film industry. While discussing this transition from black and white to color film in Pakistan, it also connects this shift with the evolution and introduction of color film technology on a global level, including earlier technologies of color and colorization. The research is supported by a short analysis of some early Pakistani color films. Field research at Evernew Studios, one of Pakistan's oldest film studios, also sheds some light on how the industry transitioned to color film and how technology and filmmaking was affected. Keywords: Color Film Technology, Development of Pakistani Film, Pakistani Film Studios, Film Technology and Infrastructure Introduction Color films have evolved greatly since they were first introduced in Pakistan in the 1960s. Unfortunately, there is little literature available that can address the questions of the technology and techniques that were used to make color films in the country at that time. Azra (dir. Munshi Dil, 1962) is known to be the first Pakistani color film. However, color was not new to the subcontinent. Azra came out twenty-five years after the first Hindi color film Kisan Kanya (dir. Moti B. Gidwani, 1937). Early color films in the subcontinent were either hand painted or used color film stock, like those is western countries. -
YOUR DHAKA ART SUMMIT “Dhaka Art Summit Has Set the Gold Standard for the Visual Arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS
YOUR DHAKA ART SUMMIT “Dhaka art summit has set the gold standard for the visual arts in South Asia.” -Bunty Chand, Director of Asia Society, India CONTENTS ABOUT DAS ........................................................................ 6 PROGRAMME ..................................................................... 8 SCHEDULE ........................................................................ 25 VENUE MAP ...................................................................... 54 DHAKA ............................................................................... 56 OUR PARTNERS ................................................................ 60 Front Cover: Louis Kahn, National Parliament Building, Dhaka. Image credit: Randhir Singh 2 3 The Missing One installation view. Photo courtesy of the Dhaka Art Summit and Samdani Art Foundation. Photo credit: Jenni Carter DHAKA ART SUMMIT 2018 “I have never experienced something as art focused, open and inclusive as I just did at Dhaka Art Summit. The calibre of the conversations was a rare happening in our region.¨ -Dayanita Singh, DAS 2016 Participating Artist 5 The Dhaka Art Summit (DAS) is an international, non-commercial research and exhibition platform for art and architecture connected to South Asia. With a core focus on Bangladesh, DAS re-examines how we think about these forms of art in both a regional and an international context. Founded in 2012 by the Samdani Art Foundation, DAS is held every two years in a public- private partnership with the Bangladesh Shilpakala Academy, with the support of the Ministry of Cultural Affairs and Ministry of Information of the People’s Republic of Bangladesh, the National Tourism Board, Bangladesh Investment Development Authority (BIDA), and in association with the Bangladesh National Museum. Rejecting the traditional biennale format to create a more generative space for art and exchange, DAS’s interdisciplinary programme concentrates its endeavours towards the advancement and promotion of South Asia’s contemporary and historic creative communities. -
BANGLADESH COUNTRY of ORIGIN INFORMATION (COI) REPORT COI Service
BANGLADESH COUNTRY OF ORIGIN INFORMATION (COI) REPORT COI Service Date 30 September 2012 BANGLADESH 30 SEPTEMBER 2012 Contents Go to End Preface REPORTS ON BANGLADESH PUBLISHED OR FIRST ACCESSED BETWEEN 31 AUGUST AND 30 SEPTEMBER 2012 Paragraphs Background Information 1. GEOGRAPHY ................................................................................................................... 1.01 Public holidays ................................................................................................... 1.06 Maps of Bangladesh ............................................................................................. 1.07 Other maps of Bangladesh ................................................................................. 1.07 2. ECONOMY ....................................................................................................................... 2.01 3. HISTORY ......................................................................................................................... 3.01 Pre-independence: 1947- 1971 ............................................................................ 3.01 Post-independence: 1972 - April 2010 .............................................................. 3.02 Government of Sheikh Mujibur Rahman, 1972-75 ............................................. 3.02 Government of Ziaur Rahman, 1975-81 ............................................................. 3.03 Government of Hussain Mohammed Ershad, 1982-90 ...................................... 3.04 Government of Khaleda Zia, -
Convert JPG to PDF Online
Withheld list SL # Roll No 1 12954 2 00220 3 00984 4 05666 5 00220 6 12954 7 00984 8 05666 9 21943 10 06495 11 04720 1 SL# ROLL Name Father Marks 1 00002 MRINALINI DEY PARIJAT KUSUM PATWARY 45 2 00007 MD. MOHIUL ISLAM LATE. MD. NURUL ISLAM 43 3 00008 MD. SALAM KHAN RUHUL AMIN KHAN 40 4 00014 SYED AZAZUL HAQUE SAYED FAZLE HAQUE 40 5 00016 ROMANCE BAIDYA MILAN KANTI BAIDYA 51 6 00018 DIPAYAN CHOWDHURY SUBODH CHOWDHURY 40 7 00019 MD. SHAHIDUL ISLAM MD. ABUL HASHEM 47 8 00021 MD. MASHUD-AL-KARIM SAHAB UDDIN 53 9 00023 MD. AZIZUL HOQUE ABDUL HAMID 45 10 00026 AHSANUL KARIM REZAUL KARIM 54 11 00038 MOHAMMAD ARFAT UDDIN MOHAMMAD RAMZU MIAH 65 12 00039 AYON BHATTACHARJEE AJIT BHATTACHARJEE 57 13 00051 MD. MARUF HOSSAIN MD. HEMAYET UDDIN 43 14 00061 HOSSAIN MUHAMMED ARAFAT MD. KHAIRUL ALAM 42 15 00064 MARJAHAN AKTER HARUN-OR-RASHED 45 16 00065 MD. KUDRAT-E-KHUDA MD. AKBOR ALI SARDER 55 17 00066 NURULLAH SIDDIKI BHUYAN MD. ULLAH BHUYAN 46 18 00069 ATIQUR RAHMAN OHIDUR RAHMAN 41 19 00070 MD. SHARIFUL ISLAM MD. ABDUR RAZZAQUE (LATE) 46 20 00072 MIZANUR RAHMAN JAHANGIR HOSSAIN 49 21 00074 MOHAMMAD ZIAUDDIN CHOWDHURY MOHAMMAD BELAL UDDIN CHOWDHURY 55 22 00078 PANNA KUMAR DEY SADHAN CHANDRA DEY 47 23 00082 WAYES QUADER FAZLUL QUDER 43 24 00084 MAHBUBUR RAHMAN MAZEDUR RAHMAN 40 25 00085 TANIA AKTER LATE. TAYEB ALI 51 26 00087 NARAYAN CHAKRABORTY BUPENDRA KUMER CHAKRABORTY 40 27 00088 MOHAMMAD MOSTUFA KAMAL SHAMSEER ALI 55 28 00090 MD. -
Updated Price List of Artworks from Fundraising Event for Gaza
Price list for artworks “APPEAL FOR GAZA” Exhibition: Price List of Artworks ***Note: Red marked ones are sold out. Artist: Samarjit Roy Choudhury Title: A Face Year: 14 Size: 7.5”X4” Price: Tk 30,000 Artist: Abdur Shakur Shah Title: Faces Size: 18”x18” Media: Acrylic on canvas Price: Tk 30,000 Artist: Monirul Islam Title: Gaza Is Crying Size: 17”x12” Media: Mixed media on paper Price: Tk 75,000 Artist: Syed Jahangir Title: Rest Size: 13.5”x20” Media: Ink on Paper Price: Tk 50,000 Artist: Shishir Bahttacharjee Title: Size: 9.8”X5.9” Media: Relief process Price: Tk 20,000 Artist: Shahid Kabir Title: “The Slum Queen” Size: 5.9”X7.7” Media: Etching, Sugar lift Price: Tk 30,000 Artist: Gulshan Hossain Title: What is life? Size: 11cmX16cm Media: Solar plate etching on 300 gm handmade paper. Price: Tk 25,000 Artist: Vodresur Rita Title: Eve teasing Size: 9.25”x9.25” Media: Etching aquatint Price: Tk 25,000 Artist: Anisuzzaman Title: Image of Glasgow Size: 16”X16” Media: Woodcut on paper Price: Tk 30,000 Artist: Syed Hasan Mahmud Title: Friend fish Size: 13.7”X11” Media: Price: Tk 15,000 Artist: Showpon Choudhury Title: Still life Size: 11.75”x26.5” Media: Mono-print (mixed media) Price: Tk 30,000 Artist: Kanak Chapa Chakma Title: Karnaphuly Lake Size: 15.5”X15” Media: Acrylic on Paper Price: Tk 30,000/ Artist: Jamal Ahmed Size: 27”x 41” Price: Tk 50,000 Artist: A.H. Dhali Toman Title: Grazing Ground Size: 6.7”X 18.9” Media: Relief process Price: Tk 10,000 Artist: Wakilur Rahman Title: 0.7 Size: 8.2”X 10.6” Media: Relief process Price: Tk 25,000 -
Bangladesh College of Physicians and Surgeons
Bangladesh College of Physicians and Surgeons (BCPS) 67, Shaheed Tajuddin Ahmed Ave, Mohakhali, Dhaka, Bangladesh Registered Applicant list, FCPS Part-I Examination-January-2021 BMDC NoName Speciality 27180 K.M. ABU MUSA- Anaesthesiology 29499 MD. SHAMIM KABIR SIDDQUE - Anaesthesiology 31090 MUHAMMAD MUNIRUZZAMAN - Anaesthesiology 33423 FATEMA KALI- Anaesthesiology 33697 MOHAMMED NAFEES ISLAM- Anaesthesiology 36857 MD. ASHRAFUL ISLAM- Anaesthesiology 38885 SYADA MAHZABIN TAHER- Anaesthesiology 39412 MOSHARRAF HOSSAIN - Anaesthesiology 40130 MOHAMMAD MIZAN UDDIN EMRAN- Anaesthesiology 40501 NORUN NAHAR- Anaesthesiology 42327 SOHANA SEKANDER- Anaesthesiology 43996 MOHAMMED MAMUN MORSHED- Anaesthesiology 44910 SYED MAHBOOB ISHTIAQUE AHMAD- Anaesthesiology 45105 ARUP RATAN BARAI - Anaesthesiology 46053 MD. ABU BAKER SIDDIQUE- Anaesthesiology 46101 TAHMINA BHUIYAN- Anaesthesiology 46632 SUHANA FERDOUS- Anaesthesiology 47119 MOHD.SAIF HOSSAIN JOARDER- Anaesthesiology 47129 RICHARD D' COSTA- Anaesthesiology 47565 MD. GIAS KAMAL CHOWDHURY MASUM- Anaesthesiology 48289 S. M. NAZRUL ISLAM- Anaesthesiology 48601 TAPASHI CHOWDHURY- Anaesthesiology 48825 JANNATH ARA FERDOUS- Anaesthesiology 50720 EVANA SAMAD- Anaesthesiology 51277 MD. KHIZIR HOSSAIN- Anaesthesiology 52570 SHAHANAJ SARMIN - Anaesthesiology 52891 TASNUVA TANZIL- Anaesthesiology 53159 AFIFA FERDOUS- Anaesthesiology 53350 SHOHELE SULTANA- Anaesthesiology 55285 MUNMUN BARUA- Anaesthesiology 55431 MOHAMMAD ZOHANUL ISLAM- Anaesthesiology 55459 ASHRAFUL ISLAM- Anaesthesiology 55588 MANSURA -
Exhibition Catalogue
14th Anniversary Exhibition A selection of works done between 1953 to 2018 by 38 modern & contemporary artists 14th Anniversary Exhibition A selection of works done between 1953 to 2018 by 38 modern & contemporary artists 27th July till 12th August 2018 Exhibition sponsor Published on the occasion of the inauguration of the 14th Anniversary Exhibition of Galleri Kaya. © www.facebook.com/gallerikaya Printed in Bangladesh. Abdus Shakoor Shah- 1947 Ahmed Shamsuddoha-1958 Ajit Seal-1959 Aloptogin Tushar-1968 Anisuzzaman-1972 Ashraful Hasan-1977 Atin Basak-1966 Atul Dodiya- 1959 Bijan Chowdhury-1931-2012 Chandra Shekhar Dey -1952 Debdas Chakraborty-1933-2008 Goutam Chakraborty-1965 Hamidur Rahman- 1928-1988 Hamiduzzaman Khan-1946 Hashem Khan-1941 Jamal Ahmed-1955 Kamaluddin-1977 Kazi Rakib-1955 K.G. Subramanyan-1924-2016 M.F. Husain-1915-2011 Mohammad Eunus-1954 Mohammad Iqbal-1967 Monirul Islam-1943 Murtaja Baseer-1932 Nazlee Laila Mansur -1952 Nitun Kundu-1935-2006 Rabin Mondal-1929 Rafiqun Nabi-1943 Ranjit Das-1956 Ratan Mojumder-1954 Samarjit Roy Choudhury-1937 Shahanoor Mamun-1986 Shambhu Acharya-1954 Sheikh Afzal Hossain-1960 Shishir Bhattacharjee-1960 Shohag Parvez-1981 Somnath Hore-1921-2006 Syed Jahangir-1935 14. A. E. No. 01 Abdus Shakoor Shah (B. 1947) Village poetry Signed in English u.r., 2018 121 x 46cm Acrylic on canvas Provenance : Artist collection, Dhaka 05 14. A. E. No. 02 Ahmed Shamsuddoha (B. 1958) Nature Signed in English l.l., 2017 122 x 76cm Acrylic on canvas Provenance : Galleri Kaya, Dhaka 06 03 04 06 05 14. A. E. No. 03 14. A. E. No. 04 14. -
A Tribute to Iconic Sabiha Khanum (1935-2020)
E-CineIndia April-June 2020 ISSN: 2582-2500 Tribute Aijaz Gul A Tribute to Iconic Sabiha Khanum (1935-2020) First lady of Silver Screen of Pakistan Sabiha His first wife, Jamila Begum, was a house- Khanum passed away in the United States on wife). Sabiha and Santosh, together became June 13 at the age of eighty-five. the most likeable, romantic and bankable cou- ple of film trade. Their casting together was a sure bet for ringing box office cash regis- Born as Mukhtar Begum, she spent her child- ter. She was now teaming only with Santosh. hood in Gujrat. She began her career as stage Sabiha also produced successful Punjabi film artist in Butt Shikhan in Lahore. She moved Naji (1959) in which she repeated the role of into films with debut in Beli (1950), direct- mentally unstable woman, played earlier by ed by Masood Pervaiz in 1950 with Santosh her in Gumnam. She won tremendous appre- Kumar and Shahina. Director Anwar Kemal ciation for both these roles. Pasha, notable director from the fifties and sixties, found out the real talent in her. Her teaming with Santosh Kumar under Anwar Since, songs are an integral part of our films Kamal Pasha, resulted in some of the most (at times even when they don’t belong there), memorable films: Ghulam (1953), Gumnam Sabiha Khanum holds the credit of over a doz- (1954), Qatil (1955) and Sarfarosh (1956). In en memorable melodies filmed on her. It was Late-fifties, she got married to Santosh Kumar first Iqbal ‘Bano’ and Munawar Sultana who (this was Santosh Kumar’s second marriage.