Archaeological Curved Throwing Sticks from Fish Cave, Near Fallon, Nevada
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Traditional Aboriginal Tools (Ebook)
CRACKERJACK EDUCATION — TEACHING WITH AUNTY Year 4 Knowledge area: Tools, Weapons and Utensils TEACHING NOTES Traditional Aboriginal Tools (eBook) Text type: written, online, multimodal VISUAL STIMULUS FOCUS Traditional Aboriginal Tools is an informative poem using descriptive language to explain the different Aboriginal tools, how they were used and the natural materials they were made from. PRIOR TO VIEWING Introduce the Traditional Aboriginal Tools eBook to students. Start the eBook on the website. To engage your students, ask them if they can think of any tools or weapons Aboriginal people might have used thousands of years ago. Background o String, cord and hair: nets, baskets, • Thousands of years ago, ancient Australians mats and fishing lines could only make their tools using the o Wood and bark: dishes, shields, spears, materials nature provided. These materials boomerangs, dugout canoes and rafts included wood from trees, stone, vines from o Stone: tools to use as weapons, or to plants, glue from the sticky sap that leaks cut and carve woods out of certain trees, and animal bones. o Pebbles and stones: tools to grind • Often the Aboriginal men carried only a seeds to flour spear thrower, spears, and those weapons o Bone: spear points and needles to sew needed to catch the animals’ native to their animal skins 2 territory. The women carried the rest — o Animal skins: vessels to carry water. babies, household utensils — to leave the • Clubs, nets, snares and spears were used to 1 men free to use their weapons. catch different types of animals and birds … • Aboriginal people used the natural resources Large animals were speared or clubbed and around them to make things that they smaller ones were caught in pits and nets 3 needed. -
The Road to Iconicity in the Pa- Leoart of the American West
ekkehart malotkI The Road to Iconicity in the Pa- leoart of the American West Introduction Throughout the world, all paleoart traditions considered to be the earliest uniformly display a remarkable noniconicity, whether they occur as port- able objects or in the context of rock art. This uniformity is believed to be attributable not to cultural difusion but to an evolved, predisposing neuro- biology shared by all human beings. This panglobal similarity of the most basic phosphene-like motif repertoires also holds for the Pleistocene-Hol- ocene transition period in the American West. From Canada to Northwest Mexico and from Texas to the Paciic Coast, canyon walls, boulder faces and rock shelters served as canvases for the arriving Paleoamericans and their descendants. Their non-igurative, geocentric marking systems, summar- ily labeled here Western Archaic Tradition (Fig. 1), lasted for thousands of years until in very limited areas full-blown iconicity in the form of distinct biocentric styles set in around the Middle Holocene (Fig. 2). Many regions, however, remained committed to the graphic Western Archaic Tradition mode until A. D. 600 or later or never developed representational motifs. Preceding the onset of imagery featuring anthropomorphs and zoomorphs, a seemingly restricted vocabulary of igurative designs –, primarily animal and bird tracks as well as hand- and footprints – that can be regarded as proto-iconic forerunners along the developmental path of rock art, observ- able in the American West. 171171 ekkehart malotkI Fig. 1: Typical WAT petroglyphs from a site north of St. George, Utah (photograph E. Malotki). Fig. 2: Typical »biocentric« style imagery of the Middle/Late Holocene that marks an ideo- logical shift from the long-lasting noniconic rock art of the WAT (photograph E. -
5 Years on Ice Age Europe Network Celebrates – Page 5
network of heritage sites Magazine Issue 2 aPriL 2018 neanderthal rock art Latest research from spanish caves – page 6 Underground theatre British cave balances performances with conservation – page 16 Caves with ice age art get UnesCo Label germany’s swabian Jura awarded world heritage status – page 40 5 Years On ice age europe network celebrates – page 5 tewww.ice-age-europe.euLLING the STORY of iCe AGE PeoPLe in eUROPe anD eXPL ORING PLEISTOCene CULtURAL HERITAGE IntrOductIOn network of heritage sites welcome to the second edition of the ice age europe magazine! Ice Age europe Magazine – issue 2/2018 issn 25684353 after the successful launch last year we are happy to present editorial board the new issue, which is again brimming with exciting contri katrin hieke, gerdChristian weniger, nick Powe butions. the magazine showcases the many activities taking Publication editing place in research and conservation, exhibition, education and katrin hieke communication at each of the ice age europe member sites. Layout and design Brightsea Creative, exeter, Uk; in addition, we are pleased to present two special guest Beate tebartz grafik Design, Düsseldorf, germany contributions: the first by Paul Pettitt, University of Durham, cover photo gives a brief overview of a groundbreaking discovery, which fashionable little sapiens © fumane Cave proved in february 2018 that the neanderthals were the first Inside front cover photo cave artists before modern humans. the second by nuria sanz, water bird – hohle fels © urmu, director of UnesCo in Mexico and general coordi nator of the Photo: burkert ideenreich heaDs programme, reports on the new initiative for a serial transnational nomination of neanderthal sites as world heritage, for which this network laid the foundation. -
The Museum of Northern Arizona Easton Collection Center 3101 N
MS-372 The Museum of Northern Arizona Easton Collection Center 3101 N. Fort Valley Road Flagstaff, AZ 86001 (928)774-5211 ext. 256 Title Harold Widdison Rock Art collection Dates 1946-2012, predominant 1983-2012 Extent 23,390 35mm color slides, 6,085 color prints, 24 35mm color negatives, 1.6 linear feet textual, 1 DVD, 4 digital files Name of Creator(s) Widdison, Harold A. Biographical History Harold Atwood Widdison was born in Salt Lake City, Utah on September 10, 1935 to Harold Edward and Margaret Lavona (née Atwood) Widdison. His only sibling, sister Joan Lavona, was born in 1940. The family moved to Helena, Montana when Widdison was 12, where he graduated from high school in 1953. He then served a two year mission for the Church of Jesus Christ of Latter-day Saints. In 1956 Widdison entered Brigham Young University in Provo, Utah, graduating with a BS in sociology in 1959 and an MS in business in 1961. He was employed by the Atomic Energy Commission in Washington DC before returning to graduate school, earning his PhD in medical sociology and statistics from Case Western Reserve University in Cleveland, Ohio in 1970. Dr. Widdison was a faculty member in the Sociology Department at Northern Arizona University from 1972 until his retirement in 2003. His research foci included research methods, medical sociology, complex organization, and death and dying. His interest in the latter led him to develop one of the first courses on death, grief, and bereavement, and helped establish such courses in the field on a national scale. -
Speech Sounds Vowels HOPE
This is the Cochlear™ promise to you. As the global leader in hearing solutions, Cochlear is dedicated to bringing the gift of sound to people all over the world. With our hearing solutions, Cochlear has reconnected over 250,000 cochlear implant and Baha® users to their families, friends and communities in more than 100 countries. Along with the industry’s largest investment in research and development, we continue to partner with leading international Speech Sounds:Vowels researchers and hearing professionals, ensuring that we are at the forefront in the science of hearing. A Guide for Parents and Professionals For the person with hearing loss receiving any one of the Cochlear hearing solutions, our commitment is that for the rest of your life in English and Spanish we will be here to support you Hear now. And always Ideas compiled by CASTLE staff, Department of Otolaryngology As your partner in hearing for life, Cochlear believes it is important that you understand University of North Carolina — Chapel Hill not only the benefits, but also the potential risks associated with any cochlear implant. You should talk to your hearing healthcare provider about who is a candidate for cochlear implantation. Before any cochlear implant surgery, it is important to talk to your doctor about CDC guidelines for pre-surgical vaccinations. Cochlear implants are contraindicated for patients with lesions of the auditory nerve, active ear infections or active disease of the middle ear. Cochlear implantation is a surgical procedure, and carries with it the risks typical for surgery. You may lose residual hearing in the implanted ear. -
Kemper Tools
KEMPER TOOLS Ribbon Tools Wire end tools are used to remove Wire and Wood Tools are combinations Ribbon tools derive their name from the controlled amounts and shapes of clay. of wood modeling tools and wire tools. thin flat ribbon like steel that is used to These 6 inch tools are suitable for Not The 5 inch and 6 inch Wire and Wood form their cutting heads. These tools cutting and slicing. The ends are made Tools are used for delicate clay removal, provide sharp cutting edges with for high-strength music wire and are modeling and shaping. They are made additional strength in the direction of cut. firmly attached to the hardwood handles with plated high strength music wire, with brass ferrules. brass ferrules and imported hardwood. 6' Ribbon Tools These tools provide a variety of shaper for light cutting and slicing. The ends are formed from clock-spring steel and are firmly attached to the handles with brass ferrules. RSS Sculpting Tool Kit Five of the most popular sculpting tools In the 6” ribbon tool series packaged In an attractive, reusable vinyl pouch. Includes RI, R2, R3. R4 and R5. DSS Sculpting Tool Kit Five of the most popular sculpting tools in the 6" double wire end series packaged In an attractive, reusable vinyl pouch. Includes D1, 02, 03. D7 and DIO. 8" Double Wire End Tools This assortment of 8 inch tools provides the sculptor and potter with a series of shapes designed for medium duty cutting and slicing of clay. The wire ends are formed from high strength stainless steel and are firmly attached to hard-wood handles with brass ferrules. -
Bureau of Land Management Manages 270 Million Acres of Public Lands in the \\"Est and What We Learn About Past People and How They Adapted to Their Alaska
·suoptUaua8 aimnJ JOJ .\ofua no.\ saJJnosai aqJ 3AB31 sn d1aq asB<Jid 1l()C)-)LL L0£ £00Z8 AM. 'auuakiq:) 8Z81 xog "O"d anuaAy ua.l.fll.M )l)Z ~UJWOA.M. lZOV-6£) 108 rn£z-mvs m '-<lD a)\lll. ltllS IO£ al!nS '"llPIH "JD 'trnU!d Sd:) l;i;)JlS alinS rnnos ti£ LSZL -OSZ £OS )96Z-80ZL6 ~0 'ptrn\µOd !>96Z XOH "O"d anuaAy qltt ·g-N 00£1 UO~<lJO 91£9-886 sos 6ttliiO!>L8 WN 'ail intrns 6ttl xog "O"d "llPIH tllJapaiJ pm~ a;,!JJO lSOd QZ[ OJJX<lW M<lN 00£9-8Z£ WL 9000-QZ)68 AN 'oua~ OOOZl xog "O"d A'Bh\ pIDAmH 0)8 8pBA<lN £16Z-!>!>Z 90I' LOI6!> .LW 'sllUffi!H 0089£ XOH "O"d l;i;)JlS PUZ£ N zzz uumuow 000£1'8£ soi 90L£8 GI 'aS!OH a;,-eJJa.L 'Btrn;)µawy 08££ oqBpJ OL9£-6£Z £0£ )[ZQ8 Q:) 'pooMa:l{tq l;i;)JlS ppyllunox 0!>8Z opmo103 9VLV-8L6 916 )Z8)6 Y:) 'OlUaW'Bl;)'BS 1vsz-3 '-<-e.M all-eno:) oosz BJWOJJ18:) 170!>!>-QP<J ZOCJ I T0!>8 zy 'iquaoqd £9)9[ X08 "Q"d l;i;iJlS qlL "N LOL£ suozµv ))))-[lZ L06 66)L-£I)66 )JV' 'all-emq;,uy £!# 'anuaAy qlL ".M zzz BlfSBIV :saJ!JJO aJBJS W'UI asaq1 PBJUOJ 'lsnd aqJ D! saimuaApy JOOQE UO!JEWJOJU! aJOW JO..{ The Bureau of Land Management Manages 270 million acres of public lands in the \\"est and what we learn about past people and how they adapted to their Alaska. -
Operatorts Manual
Safe Operation Practices • Set-Up • Operation • Maintenance • Service • Troubleshooting • Warranty OPERATOR’S MANUAL Hydrostatic Lawn Tractor — Horse WARNING READ AND FOLLOW ALL SAFETY RULES AND INSTRUCTIONS IN THIS MANUAL BEFORE ATTEMPTING TO OPERATE THIS MACHINE. FAILURE TO COMPLY WITH THESE INSTRUCTIONS MAY RESULT IN PERSONAL INJURY. TROY-BILT, P.O. BOX 361131 CLEVELAND, OHIO 44136-0019 Printed In USA Form No. 769-07569 (November 1, 2011) To The Owner 1 Thank You Thank you for purchasing a Troy-Bilt Lawn Tractor. It was If you have any problems or questions concerning the machine, carefully engineered to provide excellent performance when phone a authorized Troy-Bilt service dealer or contact us directly. properly operated and maintained. Troy-Bilt’s Customer Support telephone numbers, website Please read this entire manual prior to operating the equipment. address and mailing address can be found on this page. We want It instructs you how to safely and easily set up, operate and to ensure your complete satisfaction at all times. maintain your machine. Please be sure that you, and any other Throughout this manual, all references to right and left side of the persons who will operate the machine, carefully follow the machine are observed from the operating position recommended safety practices at all times. Failure to do so could The engine manufacturer is responsible for all engine-related result in personal injury or property damage. issues with regards to performance, power-rating, specifications, All information in this manual is relative to the most recent warranty and service. Please refer to the engine manufacturer’s product information available at the time of printing. -
Spear-Throwers of the Western Desert Aborigines of Australia by RICHARD A
il/iierwanJAuseum PUBLISHED BY THE AMERICAN MUSEUM OF NATURAL HISTORY CENTRAL PARK WEST AT 79TH STREET, NEW YORK, N. Y. I0024 NUMBER 2403 FEBRUARY I8, I 970 Spears and Spear-Throwers of the Western Desert Aborigines of Australia BY RICHARD A. GOULD1 INTRODUCTION In February, 1966, my wife and I began a study of the economy and technology of the aborigines of the Western Desert of Australia. Field studies started with a week-long visit to the Aboriginal Reserve at Wiluna, Western Australia, followed in March by a three-month period of study at the Aboriginal Reserve near Laverton, Western Australia (including visits to the nearby Mount Margaret Mission). In June, 1966, we settled at the Warburton Ranges Mission, using it as a base for studies carried on continuously until June, 1967. Despite the large size of the Western Desert, which is an area of roughly 250,000 square miles encompassing the Great Sandy, Gibson, and Great Victoria deserts of Western Australia and adjacent areas of South Australia and Northern Territory, the aborigines show remarkable uniformity of language and traditional culture throughout the entire region. The term, Western Desert Language (Douglas, 1964), has gained widespread acceptance among scholars working in this region to denote the numerous mutually intelligible dialects that occur in this area. At Wiluna the dialect encountered most often was Katutjara; at Laverton, Mount Margaret, and Warburton, the predominant dialects were Ngata- tjara and Nyatunyatjara. Aboriginal terms used in this paper conform 1 Assistant Curator of North American Archeology, the American Museum of Natural History. 2 AMERICAN MUSEUM NOVITATES NO. -
Test Through Post-Classic Sample Test Directions: the Questions In
Test Through Post-Classic Sample Test Directions: The questions in this test bank cover material contained in your class notes and textbook. For each question, select your answer and verify its correctness by locating the information in these two sources. When you have completed the questions, check your answers. Any errors should be thoroughly reviewed, and misunderstandings cleared either by participating in a study group, asking questions in class, or making an appointment with your instructor. This exercise is designed to help you master the material, and it makes no sense to misuse it by not thinking through all the questions and modifying your learning techniques if necessary. 1. The tonalamatl functioned as A. The traditional form of an Aztec codex B. The morning sacrifice by which the rising sun was nourished C. The 260 day ritual and augural calendar that controlled ceremonies E Symbols of butterflies for warriors, and crossed bones and skeletons as death imagery 2. Pre-Columbian codices from the Post-Classic period in Mexico are primarily by the Mixtecs and Aztecs. Which of the following is NOT correct? A. The scribes who wrote the codices were meticulously accurate in their genealogical details B. Mixtec and Aztec codex style was used in other art forms like vase painting and sculpture C Aztec pictorial conventions continue the tradition of the murals of Teotihuacan and Mixtec manuscript painting D. Ritual Pre- Columbian codices focused on properly conducting ceremonies demanded by the gods 3. The chacmool, coatepantli wall, inverted serpent columns and atlantean figures reflect the ____________ themes at __________________ A. -
Pottery Throwing Tools
ceramic artsdaily.org pottery throwing tools a guide to making and using pottery tools for wheel throwing This special report is brought to you with the support of MKM Pottery Tools www.ceramicartsdaily.org | Copyright © 2010, Ceramic Publications Company | Pottery Throwing Tools | i Pottery Throwing Tools A Guide to Making and Using Pottery Tools for Wheel Throwing For many years potters had to make their own tools because commercial tools were just not available. That’s all changed today as many manufacturers make a wide selection of tools to fill most of the pottery throwing needs for ceramic artists. However, for the potter with special needs or who wants a special tool, making your own tools is both creative and fun— plus you get tools that may not be available anywhere else. How to Make and Use Bamboo Tools by Mel Malinowski There’s a nostalgia for making handmade tools and bamboo is one of the best materials for making long-lasting durable pottery throwing tools. The material is easy to shape and readily available. How to Make Ergonomic Pottery Throwing Sticks by David Ogle Pottery throwing sticks are a potters best friend when it comes to throwing tall, narrow or closed forms. Held in the hand, these versatile tools can reach places no hand could touch. And if you can’t find ones to buy that work for you, David Ogle shows you the step-by-step process for making your own. How to Use a Throwing Stick by Ivor Lewis Pottery throwing sticks are hand-held tools that are a potter’s best friend when it comes to throwing tall, narrow or closed forms. -
George Hubbard Pepper Papers 1895-1918
GEORGE HUBBARD PEPPER PAPERS 1895-1918 A GUIDE TO THE MICROFILM COLLECTION Pro uesf Start here. This volume is a finding aid to a ProQuest Research Collection in Microform. To learn more visit: www.proquest.com or call (800) 521-0600 About ProQuest: ProQuest connects people with vetted, reliable information. Key to serious research, the company has forged a 70-year reputation as a gateway to the world's knowledge- from dissertations to governmental and cultural archives to news, in all its forms. Its role is essential to libraries and other organizations whose missions depend on the delivery of complete, trustworthy information. 789 E. Eisenhower Parkway • P.O Box 1346 • Ann Arbor, Ml48106·1346 • USA • Tel: 734.461.4700 • Toll-free 800·521-0600 • www.proquest.com GEORGE HUBBARD PEPPER PAPERS 1895-1918 A GUIDE TO THE MICROFILM COLLECTION GEORGE HUBBARD PEPPER PAPERS 1895-1918 A GUIDE TO THE MICROFILM COLLECTION From the collections of THE LATIN AMERICAN LIBRARY Howard-Tilton Memorial Library Tulane University, New Orleans Pro Quest Information and Learning Copyright 2000 ProQuest Information and Learning Company and The Latin American Library of Tulane University All rights reserved Library of Congress Cataloging in Publication Data George Hubbard Pepper Papers, 1895-1918 Includes Index 1. George Hubbard Pepper Papers, 1895-1918. 2. Correspondence. 3 Manuscript. ISBN 0-88354-144-0 For additional information, please contact: ProQuest Information and Learning 300N. ZeebRoad,P.O. Box 1346 Ann Arbor, Michigan 48106-1346 Telephone: 734-761-4700 800-521-0600 www.il.proquest.com CONTENTS Introduction _______________________________________________________________________________________________________________________________________ _vii A Pepper Papers I.