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Maryland LGBTQ Historic Context Study Has Roots in an Earlier Project
Maryland LGBTQ Historic Context Study By Susan Ferentinos, PhD With Benjamin Egerman For Preservation Maryland and Maryland Historical Trust September 30, 2020 Table of Contents CHAPTER ONE: INTRODUCTION ............................................................................................................................. 2 PARAMETERS OF THIS STUDY ........................................................................................................................................... 4 METHODOLOGY ............................................................................................................................................................. 6 CHAPTER TWO: ISSUES TO BE AWARE OF WHEN APPROACHING LGBTQ HISTORIC PRESERVATION..................... 11 CHANGING LANGUAGE AND DEFINITIONS ......................................................................................................................... 13 LACK OF EVIDENCE ....................................................................................................................................................... 16 LACK OF INTEGRITY (OR EVEN SITES) ................................................................................................................................ 19 PRESERVATION OPTIONS BEYOND DESIGNATION ................................................................................................................ 23 PRESERVING SITES OF DIFFICULT HISTORY ........................................................................................................................ -
Uses of the Judeo-Christian Bible in the Anti-Abolitionist
THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES by Michael J. Mazza B. A., State University of New York at Buffalo, 1990 M. A., University of Pittsburgh, 1996 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Michael J. Mazza It was defended on April 15, 2009 and approved by Nancy Glazener, University of Pittsburgh Moni McIntyre, Duquesne University William Scott, University of Pittsburgh Committee Chair: Jean Ferguson Carr, University of Pittsburgh ii THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES Michael J. Mazza, PhD University of Pittsburgh, 2009 Copyright © by Michael J. Mazza 2009 iii Jean Ferguson Carr_______ THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES Michael J. Mazza, Ph.D. University of Pittsburgh, 2009 This dissertation examines the citational use of the Judeo-Christian Bible in two sociopolitical debates within the United States: first, the debate over the abolition of slavery in the nineteenth century, and second, the contemporary debate over gay rights. This study incorporates two core theses. First, I argue that the contemporary religious right, in its anti-gay use of the Bible, is replicating the hermeneutical practices used by opponents of the abolitionist movement. My second thesis parallels the first: I argue that the contemporary activists who reclaim the Bible as a pro-gay instrument are standing in the same hermeneutical tradition as nineteenth-century Christian abolitionists. -
Gregg Nestor, William Kanengiser
Gregg Nestor, Guitar William Kanengiser, Guitar Jessica Pierce, Flute Francisco Castillo, Oboe Kevan Torfeh, Cello David McKelvy, Harmonica Anna Bartos, Soprano Executive Album Producers for BSX Records: Ford A. Thaxton and Mark Banning Album Produced by Gregg Nestor Guitar Arrangements by Gregg Nestor Tracks 1-5 and 12-16 Recorded at Penguin Recording, Eagle Rock, CA Engineer: John Strother Tracks 6-11 Recorded at Villa di Fontani, Lake View Terrace, CA Engineers: Jonathan Marcus, Benjamin Maas Digitally Edited and Mastered by Jonathan Marcus, Orpharian Recordings Album Art Direction: Mark Banning Mr. Nestor’s Guitars by Martin Fleeson, 1981 José Ramirez, 1984 & Sérgio Abreu, 1993 Mr. Kanengiser’s Guitar by Miguel Rodriguez, 1977 Special Thanks to the composer’s estates for access to the original scores for this project. BSX Records wishes to thank Gregg Nestor, Jon Burlingame, Mike Joffe and Frank K. DeWald for his invaluable contribution and oversight to the accuracy of the CD booklet. For Ilaine Pollack well-tempered instrument - cannot be tuned for all keys assuredness of its melody foreshadow the seriousness simultaneously, each key change was recorded by the with which this “concert composer” would approach duo sectionally, then combined. Virtuosic glissando and film. pizzicato effects complement Gold's main theme, a jaunty, kaleidoscopic waltz whose suggestion of a Like Korngold, Miklós Rózsa found inspiration in later merry-go-round is purely intentional. years by uniting both sides of his “Double Life” – the title of his autobiography – in a concert work inspired by his The fanfare-like opening of Alfred Newman’s ALL film music. Just as Korngold had incorporated themes ABOUT EVE (1950), adapted from the main title, pulls us from Warner Bros. -
Accelerating Acceptance 2016
Accelerating Acceptance 2016 A Harris Poll survey of Americans’ acceptance of LGBT people 1 GLAAD’s“ findings point to a culture of Accelerating complacency, wherein Acceptance 2016 the non-LGBT public is under the false and Introduction potentially dangerous 2015 represented an especially historic year in the movement impression that for LGBT equality, with the Supreme Court’s landmark ruling in Obergefell v. Hodges, which guaranteed same-sex couples the right the work for LGBT to marry nationwide. Notwithstanding the American public has grown well beyond majority status in support for marriage equality equality is done. and we have reached what TIME Magazine called the “transgender tipping point,” GLAAD’s recent survey results, conducted by Harris Poll, reveal that other key, yet perhaps more nuanced attitudes about LGBT people are lagging and the cause of Accelerating “ Acceptance in 2016 and beyond must continue. With the monumental progress achieved for marriage equality also comes a misperception that LGBT people are now fully equal in the eyes of the law. For example, half of non-LGBT Americans (50%) currently believe that “gay people have the same rights as everybody else,” GLAAD’s survey reveals. GLAAD’s findings point to a culture of complacency, wherein the non-LGBT public is under the false and potentially dangerous impression that the work for LGBT equality is done. Yet, GLAAD’s survey also reveals that slow but steady progress is being made for acceptance of LGBT people. In many of the ‘comfortability’ questions central to GLAAD’s Accelerating Acceptance survey, non-LGBT Americans report significantly less discomfort than was reported in 2014. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Browsing Through Bias: the Library of Congress Classification and Subject Headings for African American Studies and LGBTQIA Studies
Browsing through Bias: The Library of Congress Classification and Subject Headings for African American Studies and LGBTQIA Studies Sara A. Howard and Steven A. Knowlton Abstract The knowledge organization system prepared by the Library of Con- gress (LC) and widely used in academic libraries has some disadvan- tages for researchers in the fields of African American studies and LGBTQIA studies. The interdisciplinary nature of those fields means that browsing in stacks or shelflists organized by LC Classification requires looking in numerous locations. As well, persistent bias in the language used for subject headings, as well as the hierarchy of clas- sification for books in these fields, continues to “other” the peoples and topics that populate these titles. This paper offers tools to help researchers have a holistic view of applicable titles across library shelves and hopes to become part of a larger conversation regarding social responsibility and diversity in the library community.1 Introduction The neat division of knowledge into tidy silos of scholarly disciplines, each with its own section of a knowledge organization system (KOS), has long characterized the efforts of libraries to arrange their collections of books. The KOS most commonly used in American academic libraries is the Li- brary of Congress Classification (LCC). LCC, developed between 1899 and 1903 by James C. M. Hanson and Charles Martel, is based on the work of Charles Ammi Cutter. Cutter devised his “Expansive Classification” to em- body the universe of human knowledge within twenty-seven classes, while Hanson and Martel eventually settled on twenty (Chan 1999, 6–12). Those classes tend to mirror the names of academic departments then prevail- ing in colleges and universities (e.g., Philosophy, History, Medicine, and Agriculture). -
True Colors Resource Guide
bois M gender-neutral M t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian polyamorousBirls queer Femme queer bisexual GAY GrrlsAsexual bisexual GAY bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois gender-neutral M gender-neutralLOVEM gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch Birls polyamorousBirls polyamorousBirls queer Femme queer Femme Asexual bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois M gender-neutral gender-neutral M t t F F ALLY Lesbian INTERSEX butch INTERSEXALLY Birls polyamorousBirls queer Femme queer bisexual Asexual GAY GrrlsAsexual bisexual bi-curious bi-curious transsexual QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bois bois LOVE gender-neutral M gender-neutral t F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident pansexualtranssexual QUEstioningtransgender bi-confident pansexualtranssexual bois bois M gender-neutral M gender-neutral t t F F INTERSEXALLY Lesbian butch INTERSEXALLY Lesbian butch polyamorousBirls polyamorousBirls queer Femme queer Femme bisexual GAY GrrlsAsexual bisexual GAY GrrlsAsexual bi-curious bi-curious QUEstioningtransgender bi-confident -
Download the Playbook
A Guide for Reporting SOUTHERN on LGBT People in STORIES South Carolina WE ARE A PROUD SPONSOR OF THE GLAAD SOUTHERN STORIES PROGRAM 800.789.5401 MGBWHOME.COM GLAAD Southern Stories A Guide for Reporting on LGBT People in South Carolina Getting Started 4 Terms and Definitions 5 South Carolina’s LGBT History 6 When GLAAD’s Accelerating Acceptance report revealed that levels of discomfort towards the LGBT community are as high as 43% in Terms to Avoid 10 America—and spike to 61% in the South—we knew we had to act. To accelerate LGBT acceptance in the U.S. South, GLAAD is telling the stories of LGBT people from across the region through our Southern Stories program. We are amplifying stories of LGBT people who are resilient in the face of inequality and Defamatory Language 11 adversity, and building a culture in which they are able not only to survive, but also to thrive. These are impactful stories with the power to change hearts and minds, but they are too often missed or ignored altogether. In South Carolina, the LGBT community is Best Practices in Media Coverage 12 making sure and steady progress, but the work to achieve full equality and acceptance is far from done. More and more, South Carolina sees communities of faith opening their arms to LGBT people; public officials listening to families, workers, and tax payers Pitfalls to Avoid as they voice their need for equal protections; 13 students creating supportive, inclusive spaces; and allies standing up for their LGBT friends, family members, and neighbors. -
The Life of Michelangelo Buonarroti by John Addington Symonds</H1>
The Life of Michelangelo Buonarroti by John Addington Symonds The Life of Michelangelo Buonarroti by John Addington Symonds Produced by Ted Garvin, Keith M. Eckrich and PG Distributed Proofreaders THE LIFE OF MICHELANGELO BUONARROTI By JOHN ADDINGTON SYMONDS TO THE CAVALIERE GUIDO BIAGI, DOCTOR IN LETTERS, PREFECT OF THE MEDICEO-LAURENTIAN LIBRARY, ETC., ETC. I DEDICATE THIS WORK ON MICHELANGELO IN RESPECT FOR HIS SCHOLARSHIP AND LEARNING ADMIRATION OF HIS TUSCAN STYLE AND GRATEFUL ACKNOWLEDGMENT OF HIS GENEROUS ASSISTANCE CONTENTS CHAPTER page 1 / 658 I. BIRTH, BOYHOOD, YOUTH AT FLORENCE, DOWN TO LORENZO DE' MEDICI'S DEATH. 1475-1492. II. FIRST VISITS TO BOLOGNA AND ROME--THE MADONNA DELLA FEBBRE AND OTHER WORKS IN MARBLE. 1492-1501. III. RESIDENCE IN FLORENCE--THE DAVID. 1501-1505. IV. JULIUS II. CALLS MICHELANGELO TO ROME--PROJECT FOR THE POPE'S TOMB--THE REBUILDING OF S. PETER'S--FLIGHT FROM ROME--CARTOON FOR THE BATTLE OF PISA. 1505, 1506. V. SECOND VISIT TO BOLOGNA--THE BRONZE STATUE OF JULIUS II--PAINTING OF THE SISTINE VAULT. 1506-1512. VI. ON MICHELANGELO AS DRAUGHTSMAN, PAINTER, SCULPTOR. VII. LEO X. PLANS FOR THE CHURCH OF S. LORENZO AT FLORENCE--MICHELANGELO'S LIFE AT CARRARA. 1513-1521. VIII. ADRIAN VI AND CLEMENT VII--THE SACRISTY AND LIBRARY OF S. LORENZO. 1521-1526. page 2 / 658 IX. SACK OF ROME AND SIEGE OF FLORENCE--MICHELANGELO'S FLIGHT TO VENICE--HIS RELATIONS TO THE MEDICI. 1527-1534. X. ON MICHELANGELO AS ARCHITECT. XI. FINAL SETTLEMENT IN ROME--PAUL III.--THE LAST JUDGMENT AND THE PAOLINE CHAPEL--THE TOMB OF JULIUS. -
Lavender Lives Forced Relocation for LGBTQ+ Individuals
Common Reading Series: Lavender Lives Forced Relocation for LGBTQ+ Individuals MATTHEW: Good afternoon, everyone. Is my mic good? Thank you. I'm going to be careful because I sit right in the projector line. Thank you, Karen. So ask Karen mentioned, I'm Matthew. I am the director of the Gender Identity Expression Sexual Orientation Resource Center, I use he and his pronouns. And I'm upstairs on the fourth floor of the cub, and the most beautiful view probably outside Webster on this campus. If you haven't seen it-- well, you probably did during your alive program. We overlook Kamiak Butte, which was most likely visible during your time here. Sometimes it's smoky and you can't see anything. So I have you for 45-ish minutes, and I'd like to give you an overview because I never like to be in a presentation where we might not have a roadmap of where we're going. So first off, I've a few notes and a few definitions something that's important to figure out what we're talking about. A little bit of history. Anyone in history 105 or 305? So we're going to talk about why history is important a little bit. Some present day persecution and what we're seeing happening across the globe. And then, what it means to attain refugee status here in the United States or in some of the other countries where we would think we folks are going and where the research already exists. So the UK, Australia, et cetera. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Cantatas of the Wild: Memoir, Mysticism, and Modern Feminist Poetry Permalink https://escholarship.org/uc/item/8pv9p0mf Author Keith, Melissa Dawn Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Cantatas of the Wild: Memoir, Mysticism, and Modern Feminist Poetry By Melissa Dawn Keith A dissertation submitted in satisfaction of the requirements for the degree of Doctor of Philosophy In English in the Graduate Division of the University of California, Berkeley Committee in charge: Associate Professor Geoffrey G. O’Brien, Chair Associate Professor Julia Bader Associate Professor Natalia Brizuela Fall 2012 Cantatas of the Wild: Memoir, Mysticism, and Modern Feminist Poetry Copyright © 2012 By Melissa Dawn Keith 1 Abstract Cantatas of the Wild: Memoir, Mysticism, and Modern Feminist Poetry By Melissa Dawn Keith Doctor of Philosophy in English Professor Geoffrey G. O’Brien, Chair In this dissertation, the introduction defines the erotic-mystical mode, using the poetry and prose of the five feminist writers that I argue constitute a core poetic movement. Based on their shared understandings of the centrality of this disruptive new paradigm—with important influences from English Romanticism—these poets create both lyric and prose works that position them as major leaders in feminist thought in the seventies. Collapsing conventional binaries, their works offer examples of how to live, on the deepest level, as life-affirming beings, regardless of gender, race, class, or sexuality, on a damaged, yet still vibrant, planet. They never deny difference, embracing all that is living, yet still grounded in faith in possibilities of collective communication. -
Rainer Werner Fassbinder QUERELLE 1985
Repositorium für die Medienwissenschaft Wilhelm Solms Rainer Werner Fassbinder QUERELLE 1985 https://doi.org/10.25969/mediarep/2460 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Solms, Wilhelm: Rainer Werner Fassbinder QUERELLE. In: Augen-Blick. Marburger Hefte zur Medienwissenschaft. Heft 1-2: Der neueste deutsche Film. Zum Autorenfilm (1985), S. 22–29. DOI: https://doi.org/10.25969/mediarep/2460. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an.