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The Jazz Passengers Still Life with Trouble

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THE JAZZ PASSENGERS STILL LIFE WITH TROUBLE VICTORIA EUGENIA CLUB Martxoa 18 Marzo 20:00 15 € Curtis Fowlkes (tronboia / trombón), Roy Nathanson (saxoa / saxo), Bill Ware (bibrafonoa / vibráfono), Brad Jones (baxua / bajo), Ej Rodriguez (perkusio latinoa / percusión latina, bateria / batería), Sam Bardfeld (biolina / violín) Jazz Passengers izenak berak –Art Blakeyren Jazz Messengers-etik hartua– aditzera ematen du musikari horiek amerikar musika modernoaren korronte eszentrikoetatik barna egindako bide grinatsua. Roy Nathanson saxofoi-jotzaileak eta Curtis Fowlkes tronboi-jotzaileak osatu zuten The Jazz Passengers, 1987an, Big Apple Circusen eta John Lurieren banda seminalean –The Loungen Lizar izenekoan– elkarrekin lanean zebiltzala aurkitu baitzuten biek ala biek jatorria Brooklynen izateak ematen zien kidetasun sakona. Lehenik eta behin, New Yorkeko musika abangoardistan sartu ziren, hura Knitting Factoryn zentratua zegoelarik une horretan. Musika horrek Mingusen eragina zuten dantza-erritmoak eta letra eta anekdota dibertigarriak jasotzen zituen melodia originalak nahasten zituen. Nathanson eta Fowlkesez gain, jatorrizko taldeko kideak honako hauek ziren: bibrafonoan, Bill Ware; perkusioan, E. J. Rodriguez; baxuan, Brad Jones; biolinean, Jim Nolet, eta gitarran, Marc Ribot. Gaur egun seikotea dira, eta Sam Bardfeld da beste biolin-jotzailea. The Jazz Passengers taldeak 1990etik darama mundu osoan zehar biran, eta Estatu Batuetako, Kanadako, Asiako eta Europako jaialdi ospetsuenetan eta areto garrantzitsuenetan jo dute. Taldearen lehen kontzertu eta grabazioetan, konposizio zirraragarri eta korapilatsuekin batera, ahots bereziak eta pieza komikoak nahasten zituzten, eta horren isla dira taldearen lehen bost albumak, diskoetxe independenteetan argitaratuak: Broken Night/Red Light, Deranged and Decomposed, Live at the Knitting Factory, Plail Old Joe eta Implement Yourself. Ahotsean oinarritutako konposizioak egiteko joerak, azkenik, ukitu sofistikatuagoa lortu zuen Hal Willnerrek produzitutako grabazio batean, Jazz Passenger in Love. Hau guztia 1994an gertatu zen, diskoetxe handiago batean sartzearekin bat. Grabazioak Mavis Staples eta Jimmy Scott edo Bob Dorough bezalako artistak aurkeztu zituen, baina Deborah Harryren (Blondie) parte-hartzea eta haren Dog in Sand abestia nabarmendu ziren, eta, hala, gaur egun bizirik dirauen elkarlanari ekin zioten. Taldeak bi disko grabatu zituen, Individually Twisted eta Live in Spain, non Deborah Harry ahots nagusia izan baitzen. Bira eta kontzertu ugari egin zituzten berarekin. 2001ean, beren errepertorioaren orkestrazioa egiteko eskatu zieten, Deborah Harryrekin egiteko eskatu ere, eta hala sortu zen Imitation of a kiss (Bill Waren orkestrazio eta konponketekin), zeina Buffalo Philarmonicek eta BBC Concert Orchestrak interpretatu baitzuten, bai eta, hamar urteren burura, Northern Sinfonia Chamber Orchestrak ere, Gateshead International Jazz Festivalean hain zuzen. 2006an, zuzenean jo zuten Creature From the Black Lagoon beldurrezko zineman klasiko bihurtu den filmaren musika. KOMUNIKAZIOA COMUNICACIÓN Erregina Erregeordea, 8 - 20003 Donostia / San Sebastián T. (0034) 943 481 161 E. [email protected] www.donostiakultura.eus 2010ean, The Jazz Passengersek Reunited diskoa grabatu zuen, Elvis Costello eta Deborah Harryrekin batera, eta, 2011n eta 2012an zehar, diskoa aurkezteko bira arrakastatsuak egin zituzten Europan zehar. Orain, Nathanson, Ware eta The Jazz Passengers proiektu berri bat lantzen ari dira, Trashed out, Paul Reyesen Exiles in Eden liburu arrakastatsuan oinarrituta. Liburuak 2008. urtean lehertu zen mugiezinen inguruko hondamendia eta haren ondoren gertatu ziren exekuzio hipotekarioen istorio latza kontatzen du. Trashed out lanean, Lloyd Millerrek eta Roy Nathansonek sinatzen dute gidoia; Roy Nathansonek, The Jazz Passengersek eta Lloyd Millerrek, musika; eta Roy Nathansonek, The Jazz Passengersek, Paul Reyesek eta Lloyd Millerrek, letra. Victoria Eugenia Antzokiko kontzertuan, bandaren 30. urteurrena ospatzeko argitaratutako diskoa aurkeztuko dute: Still Life with Trouble (Enja). El nombre de Jazz Passengers, tomado de los Jazz Messengers de Art Blakey, revela el apasionado recorrido de los músicos por las excéntricas corrientes de la música moderna americana. El saxofonista Roy Nathanson y el trombonista Curtis Fowlkes, que descubrieron una fuerte afinidad en sus raíces de Brooklyn mientras trabajaban juntos en la Big Apple Circus y en la banda seminal de John Lurie, The Lounge Lizars, fundaron The Jazz Passengers en 1987. Primero irrumpieron en la escena de la música de vanguardia de la ciudad de Nueva York, centrada en ese momento en la Knitting Factory, con un híbrido de ritmos de baile influenciados por Mingus y melodías originales que se completaban con letras y/o anécdotas divertidas. Además de Nathanson y Fowlkes, los miembros originales del grupo eran Bill Ware al vibráfono, E. J. Rodriguez a la percusión, Brad Jones al bajo, Jim Nolet al violín y Marc Ribot a la guitarra. Actualmente son un sexteto con Sam Bardfeld al violín. The Jazz Passengers llevan girando por todo el mundo desde 1990, y han tocado en los principales festivales y salas de Estados Unidos, Canadá, Asia y Europa. Los primeros conciertos y grabaciones del grupo mostraban complicadas y emotivas composiciones mezcladas con la voz original y piezas cómicas, como evidencian sus cinco primeros álbumes, publicados en sellos independientes, Broken Night/Red Light, Deranged and Decomposed, Live at the Knitting Factory, Plain Old Joe y Implement Yourself. La tendencia del grupo hacia la composición basada en la voz alcanzó un punto más sofisticado con la grabación producida por Hal Willner y su debut en un sello más grande, Jazz Passengers in Love, en 1994. La grabación presentaba a cantantes como Mavis Staples y Jimmy Scott o Bob Dorough, pero fue la intervención de Blondie, Deborah Harry, en la canción Dog in sand la que más destacó y significó el inicio de una colaboración que se mantiene actualmente viva. El grupo grabó dos discos, Individually Twisted y Live in Spain con Deborah Harry como principal vocalista, y con ella hicieron también muchas giras y conciertos. En 2001, les encargaron una orquestación de su repertorio con Deborah Harry, Imitation of a kiss (con arreglos y orquestación de Bill Ware), para ser interpretado por la Buffalo Philarmonic, la BBC Concert Orchestra y diez años después con la Northern Sinfonia Chamber Orchestra en el Gateshead International Jazz festival. En 2006 tocaron en directo la música del clásico del cine de terror Creature From the Black Lagoon. KOMUNIKAZIOA COMUNICACIÓN Erregina Erregeordea, 8 - 20003 Donostia / San Sebastián T. (0034) 943 481 161 E. [email protected] www.donostiakultura.eus En 2010 The Jazz Passengers grabaron su disco Reunited, con Elvis Costello y Deborah Harry. Y durante 2011 y 2012 hicieron exitosas giras por Europa presentando este álbum. Nathanson, Ware y The Jazz Passengers están trabajando en un nuevo proyecto, Trashed out basado en el libro súper ventas de Paul Reyes Exiles in Eden, que narra la devastadora historia de las ejecuciones hipotecarias en Florida tras el crash inmobiliario de 2008, con guión de Lloyd Miller y Roy Nathanson, música de Roy Nathanson, The Jazz Passengers y Lloyd Miller y letras de Roy Nathanson, The Jazz Passengers, Paul Reyes y Lloyd Miller. En el concierto del Teatro Victoria Eugenia presentarán Still Life with Trouble (Enja), nuevo disco publicado con motivo del 30º aniversario de la banda. KOMUNIKAZIOA COMUNICACIÓN Erregina Erregeordea, 8 - 20003 Donostia / San Sebastián T. (0034) 943 481 161 E. [email protected] www.donostiakultura.eus.
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    Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
  • Marc Ribot Really the Blues ZA 31 MRT 2012

    Marc Ribot Really the Blues ZA 31 MRT 2012

    architectuur theater dans muziek MUZIEK BLAUWE ZAAL GROTE PODIA MARC RIBOT REALLY THE BLUES ZA 31 MRT 2012 T +32 (0)3 248 28 28 WWW.DESINGEL.BE DESGUINLEI 25 / B-2018 ANTWERPEN WORD FAN VAN DESINGEL OP FACEBOOK deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2011-2012 JAZZ DUAL IDENTITY WO 14 DEC 2011 BRUSSELS JAZZ OrcHESTRA & I SOLISTI DEL VENTO DO 22 DEC 2011 STEPHAN CRUMP & ROSETTA ZA 28 JAN 2012 ROBIN VERHEYEN NEW YorK QUARTET DO 8 MRT 2012 MARC RIBOT REALLY THE BLUES ZA 31 MRT 2012 BENOÎT DELBECQ - FRED HERSCH DUBBELTRIO VR 4 MEI 2012 inleiding Hugo De Craen / 19.15 uur / blauwe foyer begin 20.00 uur pauze 20.40 uur einde omstreeks 20.40 uur teksten programmaboekje Didier Wijnants coördinatie programmaboekje deSingel MARC RIBOT REALLY THE BLUES MARC RIBOT gitaar COOPER-MOORE keyboards BRAD JONES contrabas JT LEWIS drums gelieve uw GSM uit te schakelen De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … REAGEER betreffende het programma van deSingel met andere toeschouwers delen. & WIN Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be Grand café deSingel open alle dagen 9 > 24 uur informatie en reserveren +32 (0)3 237 71 00 www.grandcafedesingel.be drankjes / hapjes / snacks / uitgebreid tafelen EEN (DONKERE) KNIPOOG.