Scarlet, Red and Crimson
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COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry. -
Nathaniel Hawthorne's “Young Goodman Brown”: a Psychoanalytic
Nathaniel Hawthorne’s “Young Goodman Brown”: A Psychoanalytic Reading Nathaniel Hawthorne’s story “Young Goodman Brown” describes the maturation of its protagonist, Goodman Brown. Through a dream vision, Brown confronts his forefathers, his wife, and authoritative members of his town, and by the end of the story he has established his place in the community as an adult. The events of the dream vision are Brown’s “errand” to a witches’ Sabbath in “the heart of the dark wilderness” and his refusal to take communion from the devil. The psychological significance of the dream vision is less obvious: Through his journey, Brown becomes an adult in his community; though uninitiated at the Sabbath, he is fully initiated socially. This initiation results in a frozen emotional state as the “young” Goodman Brown becomes, overnight, an old and gloomy Goodman Brown, without hope through the end of his days. Ultimately “Young Goodman Brown” can be seen as Hawthorne reaching his own critical understanding of his Puritan ancestors. The conflict that Brown suffers during his journey in the woods is shown to be internal through the number of details that are projections of his unconscious. The devil’s arguments “seemed rather to spring from up in the bosom of his auditor”—that is, Brown himself. When “the echoes of the forest mocked him,” Brown is projecting his emotional state onto the forest. The further Brown sinks into despair, the clearer it becomes that what he sees and hears is to a large extent the product of his fancy. “Once [Brown] fancied that he could distinguish the accents of townspeople of his own,” but “the next moment, so indistinct were the sounds, he doubted whether he had heard aught” until “then came a stronger swell of those familiar tones.” Ultimately Brown himself is the “chief horror of the scene” created by his own mind in conflict. -
Trees for Good Fall Color
Selecting Trees for Good Fall Color he fall or spring of the year is an excellent time to plant deciduous trees. Although weather conditions can affect the intensity and actual fall color that will develop on T the leaves from year to year, much of it has to do with the type of tree you plant and its genetic makeup. If you are looking for trees to add to your landscape that produce consistent good fall color from year to year, please refer to the list of some recommended shade and ornamental trees below. This list contains trees that will, in most years, turn a variety of brilliant shades of red, orange, scarlet, and/or purplish-red in autumn. Large trees American Sweetgum Black Gum (Nyssa (Liquidambar styraciflua)- sylvatica)- Yellow to Yellowish-purple-red; orange to scarlet to purple select seedless cultivars. shades. Gingko or Maidenhair Red Maple (Acer rubrum)- (Gingko biloba)- Excellent Colors will vary from red- clear yellow. orange red depending on specific cultivar. Sugar Maple (Acer Katsura Tree (Cercidi- saccharum)- Brilliant phyllum japonicum)- yellow, burnt orange to Yellow-soft apricot-orange. reds. White Oak (Quercus alba)- Common Baldcypress Brown to a rich red to wine (Taxodium distichum)- Soft color. brown to orangish-brown. Linden (Tilia)- Yellow-green American Yellowwood to yellowish. (Cladrastis kentuckea)- Yellow tones. Japanese Zelkova (Zelkova serrata)- Yellow-orange- bronze to deep reddish purples depending on cultivar. Medium Trees American Hornbeam Persian Parrotia or Persian (Carpinus caroliniana)- Ironwood (Parrotia Yellow, orange, red to persica)- Brilliant yellow to reddish-purple: varies orange to scarlet-red. according to cultivar. -
Red, Crimson, Scarlet) a Word Study By: Jonathan Machtemes (Results from KJV Word Search)
Determining Correct Colors in the Early Scriptures (Red, Crimson, Scarlet) a word study by: Jonathan Machtemes (results from KJV word search) Red H119 adm pass appears: 10x translated as: dyed red, red, ruddy related modern words ?: Lat. adamantem "iron" (produces red), many Euro etymologies on "adam/adem" words are in dispute, damage (in the sense of injury, bloodletting) related obry words: H122 adm- red, ruddy H125 admdm- reddish H132 admny- red, ruddy H1818 dm- blood (of living beings, or of grapes) H120 adm- man, "Adam" of gn odn "garden of Eden" H121 adm- "Adam" of gn odn "garden of Eden", city in knon "Canaan" H124 adm- sardius (stone, gem) H123 adum, adm- owu "Esau", due to Gen 25:30. Also related: H130 admy/ adumym- of adum="Edomite", or adumym="Edomites" pl. H127 adme- ground, or perhaps "Adamkind" (Gen 12:3) and so on passed based, in large part, on dm being the root. dm is blood. Blood is a familiar, naturally occurring substance. d, as bizarrely simplistic as it seems to me at times, seems to often draw one's attention specifically to the fact that it appears as a pointed tip. It's used in ahd- one, unity, bd- apart, or dd- nipple, teat, (also dud- beloved, as in "between the teats" or the emotions). a, on the other hand, seems to act most frequently as an augmentative or giver of strength. Perhaps it is a glyph of a bull, or something with horns. Additionally, the d can be seen in words with the meaning or idea of cutting: H1843 do, H1856 dqr, H1417 gdud, or in directional words od, qdm, H1864 drum. -
Lititz Borough Shade Tree List Growth Habit Key Columnar Vase Shaped
Lititz Borough Shade Tree List Growth Habit Key Columnar Vase Shaped Pyramidal Rounded Spreading Small Trees – Mature Height Less Than Thirty Feet (30’) Species Common Name Growth Habit Form Description Crategus Winter King Hawthorn 20-35’ Broad, round head Multi- viridis colored ‘Winter bark, King’ ornamental fruit Prunus x incam Okame Cherry 15-25’ Vase-shaped, Attractive bark; ‘Okame’ becoming rounded with pink flowers in age early spring Syringa reticulata Ivory Silk Tree Lilac 20-25’ Uniform rounded White flowers ‘Ivory Silk’ shape in mid- Summer Medium Trees – Approximate Mature Height of Thirty to Fifty Feet (30-50’) Species Common Name Growth habit Form Description Carpinus American Hornbeam 20-30’ Round spreading, caroliniana native, fall color, to compaction tolerant Gleditsia Thornless Honeylocust 30-40’ Pyramidal Small, lightweight triancanthos var. leaves; Golden yellow inermis fall color; Produces ‘Imperial’ , light shade ‘Skyline’, or ‘Moraine’ Nyssa sylvatica Blackgum 20-30’ Fall foliage includes many shades of yellow, orange, red, purple and scarlet Ostrya American Hophornbeam 25-40’ Pyramidal in youth Attractive bark and virginiana becoming broad hop- like fruit; native to Quercus Sawtooth Oak 35-40’ Pyramidal in youth, Yellow fall color; acutissima becoming rounded attractive bark; to acorns Large Trees – Mature Height Greater Than Fifty Feet (50’) Species Common Name Form Growth Habit Description Acer rubrum Columnar Red Maples 50-60’ Columnar Red flowers, fruit, and ‘Bowhall’ or fall color; native Armstrong Acer rubrum -
F, Sr.Auifuvi
NATHANIEL HAWTHORNE' S USE OF WITCH AND DEVIL LORE APPROVED: Major Professor Consulting Professor Iinor Professor f, sr. auifUvi Chairman of" the Department of English Dean of the Graduate School Robb, Kathleen A., Nathaniel Hawthorne;s Fictional Use of Witch and Devil Lore. Master of Arts (English), December, - v 1970, 119 pp., bibliography, 19 titles. Nathaniel Hawthorne's personal family history, his boy- hood in the Salem area of New England, and his reading of works about New England's Puritan era influenced his choice of witch and Devil lore as fictional material. The witch- ci"aft trials in Salem were evidence (in Hawthorne's inter- pretation) of the errors of judgment and popular belief which are ever-present in the human race. He considered the witch and Devil doctrine of the seventeenth century to be indicative of the superstition, fear, and hatred which governs the lives of men even in later centuries. From the excesses of the witch-hunt period of New England history Hawthorne felt moral lessons could be derived. The historical background of witch and Devil lore, while helpful in illustrating moral lessons, is used by Hawthorne to accomplish other purposes. The paraphernalia of witchcraft with its emphasis on terrible and awesome ceremonies or practices such as Black Sabbaths, Devil compacts, image-magic, spells and curses, the Black Man in'the forest, spectral shapes, and familiar spirits is used by Hawthorne to add atmospheric qualities to his fiction. Use of the diabolic creates the effects of horror, suspense, and mystery. Furthermore, such 2 elements of witch and Devil doctrine (when introduced in The Scarlet Letter, short stories, and historical sketches) also provide an aura of historical authenticity, thus adding a v dimension of reality and concreteness to the author's fiction. -
Crataegus Laevigata 'Crimson Cloud' 'Crimson Cloud' English Hawthorn
Fact Sheet ST-211 November 1993 Crataegus laevigata ‘Crimson Cloud’ ‘Crimson Cloud’ English Hawthorn1 Edward F. Gilman and Dennis G. Watson2 INTRODUCTION Crimson Cloud (also known as ‘Superba’) English Hawthorn grows rapidly in a pyramidal form to about 20 feet, then the crown expands to become oval or irregular (Fig. 1). The tree tolerates most soils, growing well in clay, but prefers heavy, dry loam. The main ornamental feature is white and red flowers borne in spring which together give the tree a deep pink color. Fruits are red and quite showy but do not cover the tree. Though quite ornamental, Hawthorns are susceptible to insect and disease problems. Branching habit is decidedly drooping and care should be given when locating this tree near pedestrian or vehicular traffic. GENERAL INFORMATION Figure 1. Middle-aged ‘Crimson Cloud’ English Hawthorn. Scientific name: Crataegus laevigata ‘Crimson Cloud’ Availability: grown in small quantities by a small Pronunciation: kruh-TEE-gus lee-vih-GAY-tuh number of nurseries Common name(s): ‘Crimson Cloud’ English Hawthorn DESCRIPTION Family: Rosaceae USDA hardiness zones: 4B through 8 (Fig. 2) Height: 20 to 25 feet Origin: not native to North America Spread: 15 to 25 feet Uses: Bonsai; espalier; wide tree lawns (>6 feet Crown uniformity: irregular outline or silhouette wide); medium-sized tree lawns (4-6 feet wide); Crown shape: oval; pyramidal recommended for buffer strips around parking lots or Crown density: moderate for median strip plantings in the highway; reclamation Growth rate: medium plant; screen; narrow tree lawns (3-4 feet wide); Texture: fine specimen; sidewalk cutout (tree pit); residential street tree; tree has been successfully grown in urban areas where air pollution, poor drainage, compacted soil, and/or drought are common 1. -
The Birth-Mark Hawthorne, Nathaniel
The Birth-Mark Hawthorne, Nathaniel Published: 1843 Type(s): Short Fiction Source: http://gutenberg.org 1 About Hawthorne: Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachu- setts, where his birthplace is now a museum. William Hathorne, who emigrated from England in 1630, was the first of Hawthorne's ancestors to arrive in the colonies. After arriving, William persecuted Quakers. William's son John Hathorne was one of the judges who oversaw the Salem Witch Trials. (One theory is that having learned about this, the au- thor added the "w" to his surname in his early twenties, shortly after graduating from college.) Hawthorne's father, Nathaniel Hathorne, Sr., was a sea captain who died in 1808 of yellow fever, when Hawthorne was only four years old, in Raymond, Maine. Hawthorne attended Bowdoin College at the expense of an uncle from 1821 to 1824, befriending classmates Henry Wadsworth Longfellow and future president Franklin Pierce. While there he joined the Delta Kappa Epsilon fraternity. Until the publication of his Twice-Told Tales in 1837, Hawthorne wrote in the comparative obscurity of what he called his "owl's nest" in the family home. As he looked back on this period of his life, he wrote: "I have not lived, but only dreamed about living." And yet it was this period of brooding and writing that had formed, as Malcolm Cowley was to describe it, "the central fact in Hawthorne's career," his "term of apprenticeship" that would eventually result in the "richly med- itated fiction." Hawthorne was hired in 1839 as a weigher and gauger at the Boston Custom House. -
Mr. Nelson's Roses 1856
MR. NELSON'S ROSES, 1856 In The Southern Cultivator, Robert Nelson, a nurseryman of Macon, Georgia, listed the roses he considered best for Southern gardens: China Roses Arch Duke Charles; of very luxuriant growth, and a most prolific bloomer. The flowers are very different in color, varying from light pink to deep crimson, with all the intermediate shades, sometimes, also, marbled and spotted; grows 4 to 5 feet high. Camelliaflora; light rosy purple, in very large clusters; grows about 4 feet high. Carmine Superbe; flowers medium, in great profusion, of a very dark crimson hue, and of a globular form; foliage dark reddish; it forms a neat little hedge. Duchesse of Kent; flowers of medium size, beautifully formed, and in great clusters; color, light pink, or nearly white, with a cream colored centre. It is almost a never-ceasing bloomer, but during the droughts, in summer, the white flowers look as if sprinkled with blood. It grows very compact and bushy--almost dwarfish. Madam Breon; bright rosy crimson, very large and brilliant flowers, which, in the fall, assume a still more brilliant hue. Marjolin; an immense bloomer of a brilliant dark scarlet color and velvety tint. This variety, planted close to "Duchesse of Kent," or planted promiscuously in a hedge, will form a most beautiful object. Lawrenciana; also called the "Picayune" is remarkable for its very small flowers and foliage; it forms a neat edging around beds. Lawrenciana Viridis; the "Green Rose," is a botanical curiosity. The flower, if it can be called so, consists of a greet [sic] tuft of leaves, or, more correctly, in a double calyx, destitute of petals. -
Mandevilla Bella.Pdf
New Mandevilla Bella Series Varieties 2020: Bella™ Deep Red This plant makes a big impact at retail and in the garden. Our biggest Bella in the series, this variety is well suited to larger containers and retails best on a trellis. The intense red color makes an impressive display and does not fade as the flowers age. This is a strong vining variety. Bella™ Grande Pink An impressive variety with very large, rosy pink flowers. Bella Grande Pink is well suited to larger containers such as gallons and patio pots. Plants will bloom continuously throughout the summer heat. Bella Grade Pink is colder sensitive and should be kept above 54ºF (12ºC) to avoid leaf drop. Bella™ Grande Red This variety has an improved deep red color, but performs very similar to the original Bella Red. This variety flowers later than others in the series but makes a great season extender item at retail. The growth habit is compact with dense branching, making a solid rounded plant that does not split in production or shipping, ensuring a great retail presentation. Bella™ Hot Pink Well suited for 6-inch or larger containers, Bella Hot Pink is one of the strongest, most dependable varieties in the series. In the first year, Bella Hot Pink has a strong, upright mounded habit perfect for pot production, but will start vining in year two if trellised plants are desired. A European favorite due to its tight well branched structure that does not fall apart as plants gain volume. Bella™ Pink Bella Pink produces a much higher flower count than the other standard pink varieties on the market. -
Program with Speaker Bios (PDF)
A CELEBRATION of the SCARLET & BLACK PROJECT APRIL 29-30, 2021 SCHEDULE OF EVENTS APRIL 29--DAY ONE 11:00 AM Art & Archives of the Scarlet & Black Project 1:00 PM The First Black Alumni: An Exploration of S&B Volume 2 6:00 PM Keynote Address: President Jonathan Holloway APRIL 30--DAY TWO 11:00 AM A Community Project: Scarlet & Black in New Brunswick 1:00 PM The Student Protest Movement at Rutgers: S&B Volume 3 4:00 PM The Legacy of Scarlet & Black: A Conversation with Marisa Fuentes and Deborah Gray White APRIL 29-DAY ONE 11:00 AM ART & ARCHIVES OF THE SCARLET & BLACK PROJECT This panel will explore the images used in the Scarlet & Black Project volumes, the digital archive, and community art projects in New Brunswick. Panelists will discuss how their contributions have helped to shape the images and artwork of the project. Jesse Bayker, Digital Archivist for the Scarlet & Black Project Erika Gorder, University Archivist, Rutgers University Libraries Tracey Johnson, Rutgers University History Department Dan Swern, Producing Director at coLAB Arts APRIL 29-DAY ONE 1:00 PM THE FIRST BLACK ALUMNI: AN EXPLORATION OF SCARLET & BLACK VOLUME 2 This panel will discuss the scholarship of Scarlet & Black, Volume 2: Constructing Race and Gender at Rutgers, 1865-1945. Panelists will discuss how race and gender shaped the experience of some of the first black students to attend Rutgers, such as Paul Robeson and Julia Baxter Bates. Shaun Armste ad, Rutgers University H istory Department Kendra Boyd, Rutgers-Camden University Assistant Professor of History Miya Carey, Binghamton University Presidential Postdoctoral Fellow Bruce Hubbard, Rutgers Class of 1969;Principal of Bruce A. -
Indian Influence on the Chinese Novel the Journey to the West
SINO-PLATONIC PAPERS Number 114 March, 2002 Beyond the Question of the Monkey Imposter: Indian Influence on the Chinese Novel The Journey to the West by Ramnath Subbaraman Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form.