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The Orontids of Armenia by Cyril Toumanoff
The Orontids of Armenia by Cyril Toumanoff This study appears as part III of Toumanoff's Studies in Christian Caucasian History (Georgetown, 1963), pp. 277-354. An earlier version appeared in the journal Le Muséon 72(1959), pp. 1-36 and 73(1960), pp. 73-106. The Orontids of Armenia Bibliography, pp. 501-523 Maps appear as an attachment to the present document. This material is presented solely for non-commercial educational/research purposes. I 1. The genesis of the Armenian nation has been examined in an earlier Study.1 Its nucleus, succeeding to the role of the Yannic nucleus ot Urartu, was the 'proto-Armenian,T Hayasa-Phrygian, people-state,2 which at first oc- cupied only a small section of the former Urartian, or subsequent Armenian, territory. And it was, precisely, of the expansion of this people-state over that territory, and of its blending with the remaining Urartians and other proto- Caucasians that the Armenian nation was born. That expansion proceeded from the earliest proto-Armenian settlement in the basin of the Arsanias (East- ern Euphrates) up the Euphrates, to the valley of the upper Tigris, and espe- cially to that of the Araxes, which is the central Armenian plain.3 This expand- ing proto-Armenian nucleus formed a separate satrapy in the Iranian empire, while the rest of the inhabitants of the Armenian Plateau, both the remaining Urartians and other proto-Caucasians, were included in several other satrapies.* Between Herodotus's day and the year 401, when the Ten Thousand passed through it, the land of the proto-Armenians had become so enlarged as to form, in addition to the Satrapy of Armenia, also the trans-Euphratensian vice-Sa- trapy of West Armenia.5 This division subsisted in the Hellenistic phase, as that between Greater Armenia and Lesser Armenia. -
Social Change in Eleventh-Century Armenia: the Evidence from Tarōn Tim Greenwood (University of St Andrews)
Social Change in Eleventh-Century Armenia: the evidence from Tarōn Tim Greenwood (University of St Andrews) The social history of tenth and eleventh-century Armenia has attracted little in the way of sustained research or scholarly analysis. Quite why this should be so is impossible to answer with any degree of confidence, for as shall be demonstrated below, it is not for want of contemporary sources. It may perhaps be linked to the formative phase of modern Armenian historical scholarship, in the second half of the nineteenth century, and its dominant mode of romantic nationalism. The accounts of political capitulation by Armenian kings and princes and consequent annexation of their territories by a resurgent Byzantium sat very uncomfortably with the prevailing political aspirations of the time which were validated through an imagined Armenian past centred on an independent Armenian polity and a united Armenian Church under the leadership of the Catholicos. Finding members of the Armenian elite voluntarily giving up their ancestral domains in exchange for status and territories in Byzantium did not advance the campaign for Armenian self-determination. It is also possible that the descriptions of widespread devastation suffered across many districts and regions of central and western Armenia at the hands of Seljuk forces in the eleventh century became simply too raw, too close to the lived experience and collective trauma of Armenians in these same districts at the end of the nineteenth and beginning of the twentieth centuries, to warrant -
Georgia Armenia Azerbaijan 4
©Lonely Planet Publications Pty Ltd 317 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travell ers – your comments keep us on our toes and help make our books better. Our well- travell ed team reads every word on what you loved or loathed about this book. Although we cannot reply individually to postal submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/privacy. Stefaniuk, Farid Subhanverdiyev, Valeria OUR READERS Many thanks to the travellers who used Superno Falco, Laurel Sutherland, Andreas the last edition and wrote to us with Sveen Bjørnstad, Trevor Sze, Ann Tulloh, helpful hints, useful advice and interest- Gerbert Van Loenen, Martin Van Der Brugge, ing anecdotes: Robert Van Voorden, Wouter Van Vliet, Michael Weilguni, Arlo Werkhoven, Barbara Grzegorz, Julian, Wojciech, Ashley Adrian, Yoshida, Ian Young, Anne Zouridakis. Asli Akarsakarya, Simone -
ART of MEDIEVAL ARMENIA Chairs: Seyranush Manukyan, Oliver M
Thematic Session of Free Communications: ART OF MEDIEVAL ARMENIA Chairs: Seyranush Manukyan, Oliver M. Tomić Lilit Mikayelyan, Depictions of Glory Wreaths in the Early Medieval Armenian Sculpture and Their Parallels in the Art of Byzantium and Sasanian Iran Zaruhi Hakobian, Little Known Subjects and Images on Early Christian Stelae of Armenia Seyranush Manukyan, Tatev Monastery Frescoes. Armenia, 930 Ekaterina Loshkareva, The Theme of the Second Coming of Christ in the Repertory of Architectural Plastic Art of Armenian Churches of the 13th – the First Half of the 14th Century Nazénie Garibian, Le corpus Dionysien et la typologie de la cathédrale de Zwart’noc’ en Arménie (VIIe s.) Lilit Mikayelyan Depictions of Glory Wreaths in the Early Medieval Armenian Sculpture and Their Parallels in the Art of Byzantium and Sasanian Iran The symbolism of the wreath offered as a sign of victory and glory is well known in the Antique culture from which it was transferred to the Christian art. In Christianity the wreath became the symbol of an award given to righteous men who had reached the Heavenly Kingdom, the symbol of martyrdom and victory on sin. Numerous pictures of wreaths are known on early Christian sarcophaguses, ivory bindings, mosaics, architectural décor and so on. In the Armenian art of the 5th – 7th centuries they can be seen in the relief sculptures of churches and tetrahedral Stelae, mostly in the scenes of Baptism or Praising of the Holy Virgin and Christ. On Armenian monuments wreaths have several iconographic variants, a part of which goes back to late Antique and early Byzantine samples, representing stylized pictures of laurel wreaths or wreaths- crowns, as attributes of martyrdom and glory. -
Eduard L. Danielyan Progressive British Figures' Appreciation of Armenia's Civilizational Significance Versus the Falsified
INSTITUTE OF HISTORY OF THE NATIONAL ACADEMY OF SCIENCES OF THE REPUBLIC OF ARMENIA EDUARD L. DANIELYAN PROGRESSIVE BRITISH FIGURES’ APPRECIATION OF ARMENIA’S CIVILIZATIONAL SIGNIFICANCE VERSUS THE FALSIFIED “ANCIENT TURKEY” EXHIBIT IN THE BRITISH MUSEUM YEREVAN 2013 1 PUBLISHED WITH THE APPROVAL OF THE SCIENTIFIC COUNCIL OF THE INSTITUTE OF HISTORY OF THE NATIONAL ACADEMY OF SCIENCES OF THE REPUBLIC OF ARMENIA This work was supported by State Committee of Science MES RA, in frame of the research project № 11-6a634 “Falsification of basic questions of the history of Armenia in the Turkish-Azerbaijani historiogrpahy”. Reviewer A.A.Melkonyan, Doctor of History, corresponding member of the NAS RA Edited by Dr. John W. Mason, Pauline H. Mason, M.A. Eduard L. Danielyan Progressive British Figures’ Appreciation of Armenia’s Civilizational Significance Versus the Falsified “Ancient Turkey” Exhibit in the British Museum This work presents a cultural-spiritual perception of Armenia by famous British people as the country of Paradise, Noah’s Ark on Mt. Ararat-Masis and the cradle of civilization. Special attention is paid in the book to the fact that modern British enlightened figures call the UK government to recognize the Armenian Genocide, but this question has been politicized and subjected to the interests of UK-Turkey relations, thus being pushed into the genocide denial deadlock. The fact of sheltering and showing the Turkish falsified “interpretations” of the archaeological artifacts from ancient sites of the Armenian Highland and Asia Minor in the British Museum’s “Room 54” exhibit wrongly entitled “Ancient Turkey” is an example of how the genocide denial policy of Turkey pollutes the Britain’s historical-cultural treasury and distorts rational minds and inquisitiveness of many visitors from different countries of the world.The author shows that Turkish falsifications of history have been widely criticized in historiography. -
Shirak Guidebook
Wuthering Heights of Shirak -the Land of Steppe and Sky YYerevanerevan 22013013 1 Facts About Shirak FOREWORD Mix up the vast open spaces of the Shirak steppe, the wuthering wind that sweeps through its heights, the snowcapped tops of Mt. Aragats and the dramatic gorges and sparkling lakes of Akhurian River. Sprinkle in the white sheep fl ocks and the cry of an eagle. Add churches, mysterious Urartian ruins, abundant wildlife and unique architecture. Th en top it all off with a turbulent history, Gyumri’s joi de vivre and Gurdjieff ’s mystical teaching, revealing a truly magnifi cent region fi lled with experi- ences to last you a lifetime. However, don’t be deceived that merely seeing all these highlights will give you a complete picture of what Shirak really is. Dig deeper and you’ll be surprised to fi nd that your fondest memories will most likely lie with the locals themselves. You’ll eas- ily be touched by these proud, witt y, and legendarily hospitable people, even if you cannot speak their language. Only when you meet its remarkable people will you understand this land and its powerful energy which emanates from their sculptures, paintings, music and poetry. Visiting the province takes creativity and imagination, as the tourist industry is at best ‘nascent’. A great deal of the current tourist fl ow consists of Diasporan Armenians seeking the opportunity to make personal contributions to their historic homeland, along with a few scatt ered independent travelers. Although there are some rural “rest- places” and picnic areas, they cater mainly to locals who want to unwind with hearty feasts and family chats, thus rarely providing any activities. -
Mirrorc SPECTATOR Since 1932
THE ARMENIAN MIRRORc SPECTATOR Since 1932 Volume LXXXXI, NO. 34, Issue 4676 MARCH 13, 2021 $2.00 Boston City Council ‘Jeopardy!’ Show Supports Genocide Opposition Continues to Clue Calls Armenia Education, Including Irredentist towards Armenian Genocide Rally Against Pashinyan Karabakh BOSTON — As it stands, Boston YEREVAN (Armenpress, ‘Jeopardy!’ Expresses Regrets Public Schools currently do not require Panorama.) — The joint candi- their history or social science curricu- CULVER CITY, Calif. (gwwire. date of the Fatherland Salvation lum frameworks to include the topic of com, Twitter) — The game show Movement Vazgen Manukyan genocide when teaching United States “Jeopardy!” used the clue “This said during a demonstration at history or world history. country has been accused of irreden- Baghramyan Street that they At the Council meeting the first week tism, the reclaiming of old territory, will patiently move forward of March, the Council voted to adopt over the Nagorno-Karabakh area in their struggle, demanding the a resolution in support of passage of Azerbaijan” in an episode aired on resignation of Prime Minister House Docket (H.D.) 1167, “An Act March 4. The answer given as “What Nikol Pashinyan. Concerning Genocide Education” and is Armenia” by Jim Cooper was ac- Vazgen Manukyan empha- Senate Docket (S.D.) 1592, “An Act cepted as correct, but it led very sized that it is necessary to Advancing and Promotion Genocide quickly to a social media kerfuffle. organize elections, so as the Education” in the Massachusetts State Various individual Armenians, angry people could make a choice, legislature. that the clue, using the word “accused,” but that should be done not un- H.D. -
Armenian Monuments Awareness Project
Armenian Monuments Awareness Project Armenian Monuments Awareness Project he Armenian Monuments Awareness Proj- ect fulfills a dream shared by a 12-person team that includes 10 local Armenians who make up our Non Governmental Organi- zation. Simply: We want to make the Ar- T menia we’ve come to love accessible to visitors and Armenian locals alike. Until AMAP began making installations of its infor- Monuments mation panels, there remained little on-site mate- rial at monuments. Limited information was typi- Awareness cally poorly displayed and most often inaccessible to visitors who spoke neither Russian nor Armenian. Bagratashen Project Over the past two years AMAP has been steadily Akhtala and aggressively upgrading the visitor experience Haghpat for local visitors as well as the growing thousands Sanahin Odzun of foreign tourists. Guests to Armenia’s popular his- Kobair toric and cultural destinations can now find large and artistically designed panels with significant information in five languages (Armenian, Russian, Gyumri Fioletovo Aghavnavank English, French, Italian). Information is also avail- Goshavank able in another six languages on laminated hand- Dilijan outs. Further, AMAP has put up color-coded direc- Sevanavank tional road signs directing drivers to the sites. Lchashen Norashen In 2009 we have produced more than 380 sources Noratuz of information, including panels, directional signs Amberd and placards at more than 40 locations nation- wide. Our Green Monuments campaign has plant- Lichk Gegard ed more than 400 trees and -
Buildings in Their Patrons' Hands? the Multiform Function of Small Size
Transkulturelle Perspektiven 3/2014 - 1 - و Maria Cristina Carile Buildings in their patrons’ hands? The multiform function of small size models between Byzantium and Transcaucasia The representation of the church model in the hands order to understand the value of these models after of the church's patron or founder finds its roots in the the twelfth century – following the chronological frame arts of Late Antiquity. Since the sixth century, this mo- of this volume – it is important to determine their im- tif adorned church apses, as an image of offering to portance in Caucasian visual culture, first tracing the Christ or the Virgin. 1 Later, it became a strong iconic evolution of the donation image. This will help us to image conveying the role of the patron/founder in the evaluate the meaning of architectural models in the construction and his devotion, which was embodied changed historical context of the Transcaucasian in the model as well as in the building itself. As such, principalities between the late twelfth and the thir- the theme had particular fortune in medieval Rome teenth centuries, when architectural models on and spread to the East as far as the Caucasus. After church walls were enriched with new meanings. the Latin conquest of Constantinople during the fourth crusade (1204 AD), the motif was widely adopted in The first appearance of the motif in the Transcaucasi- the Balkans and in the territories in close contact with an area probably dates back to the sixth century. This Byzantium. 2 This paper will focus on church models is testified by a now-lost sculpted relief with the im- as a motif, reflecting on their spread and role in the age of a woman holding a church model, which may decoration of the external façades of the churches in have decorated the outer walls of the cathedral com- the Caucasus and, specifically, in the area of Trans- plex at Agarak (region of Ayrarat), formed by a fifth- or caucasia. -
Annual Report
ANNUAL REPORT Darygan Dy.ygacir 2020 2014 St. John Armenian Church of Greater Detroit Very Reverend Father Aren Jebejian Pastor Reverend Father Armash Bagdasarian Assistant Pastor 22001 Northwestern Highway | Southfield | Michigan | 48075 248.569.3405 www.stjohnsarmenianchurch.org RULES AND REGULATIONS CONCERNING CHURCH MEMBERSHIP 5. All persons who have been baptized and confirmed in the Armenian Church, who accept its doctrine, canons, and rites, and who fulfill their obligations to the Church and community, shall be members in good standing of the Parish Church and shall constitute the Parish Assembly. 6. Every member of the parish, 18 year of age or over, shall pay his (or her) Church an annual dues, the amount of which shall be paid in full by December 31st of the current year. 7. Members in good standing of a Parish Church, who are 18 years of age or over, may participate in the Assemblies of the same Parish and may vote, provided that at least six months have elapsed since they have registered and paid dues at the time of registration as members of the Parish. They may be eligible for office one year after becoming members, provided they have attained the age of 21. 8. Members who fail to pay their dues for one or more years automatically forfeit their right to vote at Parish Assemblies, or to hold elective office within the Parish. Such members may reinstate these rights by payment of their dues in arrears for at least the previous two years. 9. No one may be a voting member in more than one Parish at the same time. -
Armenian Church Timeline
“I should like to see any power of the world destroy this race, this small tribe of unimportant people, whose history is ended, whose wars have all been fought and lost, whose structures have crumbled, whose literature is unread, whose music is unheard, whose prayers are no longer uttered. Go ahead, destroy this race. Let us say that it is again 1915. There is war in the world. Destroy Armenia. See if you can do it. Send them from their homes into the desert. Let them have neither bread nor water. Burn their houses and their churches. See if they will not live again. See if they will not laugh again.” –William Saroyan ARMENIAN CHURCH TIMELINE 1. Birth of the Holy Savior Jesus Christ in Bethlehem. Years later, an Armenian prince, Abqar of Edessa (Urfa), invites Jesus to his court to cure him of an illness. Abgar’s messengers encounter Jesus on the road to Calvary and receive a piece of cloth impressed with the image of the Lord. When the cloth is brought back to Edessa, Abgar is healed. 33. Crucifixion, Resurrection and Ascension of Jesus Christ On the 50th day after the Resurrection (Pentecost)the Holy Spirit descends upon the Apostles gathered in Jerusalem. 43. The Apostle Thaddeus comes to Armenia to preach Christianity. He is martyred in Artaz in southeastern Armenia. 66-68. The Apostle Bartholomew preaches in Armenia. He is martyred in Albac, also in southeastern Armenia. The Armenian Church is apostolic because of the preaching of the Apostles Thaddeus and Bartholomew in Armenia. 75. King Sanatruk and his daughter, Sandoukht convert to Christianity. -
Armenian Tourist Attraction
Armenian Tourist Attractions: Rediscover Armenia Guide http://mapy.mk.cvut.cz/data/Armenie-Armenia/all/Rediscover%20Arme... rediscover armenia guide armenia > tourism > rediscover armenia guide about cilicia | feedback | chat | © REDISCOVERING ARMENIA An Archaeological/Touristic Gazetteer and Map Set for the Historical Monuments of Armenia Brady Kiesling July 1999 Yerevan This document is for the benefit of all persons interested in Armenia; no restriction is placed on duplication for personal or professional use. The author would appreciate acknowledgment of the source of any substantial quotations from this work. 1 von 71 13.01.2009 23:05 Armenian Tourist Attractions: Rediscover Armenia Guide http://mapy.mk.cvut.cz/data/Armenie-Armenia/all/Rediscover%20Arme... REDISCOVERING ARMENIA Author’s Preface Sources and Methods Armenian Terms Useful for Getting Lost With Note on Monasteries (Vank) Bibliography EXPLORING ARAGATSOTN MARZ South from Ashtarak (Maps A, D) The South Slopes of Aragats (Map A) Climbing Mt. Aragats (Map A) North and West Around Aragats (Maps A, B) West/South from Talin (Map B) North from Ashtarak (Map A) EXPLORING ARARAT MARZ West of Yerevan (Maps C, D) South from Yerevan (Map C) To Ancient Dvin (Map C) Khor Virap and Artaxiasata (Map C Vedi and Eastward (Map C, inset) East from Yeraskh (Map C inset) St. Karapet Monastery* (Map C inset) EXPLORING ARMAVIR MARZ Echmiatsin and Environs (Map D) The Northeast Corner (Map D) Metsamor and Environs (Map D) Sardarapat and Ancient Armavir (Map D) Southwestern Armavir (advance permission