Events, Places and Things and Their Place in Lehi History
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Mount Vernon Democratic Banner November 19, 1875
Digital Kenyon: Research, Scholarship, and Creative Exchange Mount Vernon Banner Historic Newspaper 1875 11-19-1875 Mount Vernon Democratic Banner November 19, 1875 Follow this and additional works at: https://digital.kenyon.edu/banner1875 Recommended Citation "Mount Vernon Democratic Banner November 19, 1875" (1875). Mount Vernon Banner Historic Newspaper 1875. 19. https://digital.kenyon.edu/banner1875/19 This Book is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Mount Vernon Banner Historic Newspaper 1875 by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. - ($2,00 Per Annul!l i n A dvance, L. HARPER, Editcr an~ Propriet) A FAMILY NEWSPAPER-DEVO'l'ED 'IO POLITICS, NEWS, AGRICULTURE, LITERATURE, THE ARTS AND SCIENCES, EDUCATION, THE MARKETS, &c. 7voLUME XXXIX. MOUNT VERNON, OHIO: ]fµIDAY, NOVEMBER 19, 187 5.' NUMBER 29. 'rl\AVDLl'l:R.'S GUIDl:I. TUE l'A VOIU'i'E Cllll,D. cbariuin.~ apparition put all such ideas to A Shrewd Sausage Dealer. A R oyal Scandal. ~ ll ~01:ts off t}itl'lt£l11t~lu;. ·1875. FALL 1875. l --o-- 1 J1ight. Dumb nnd motionlc8" sho stood Th3 other.day, about no0n, a youogman I A lcrribloatory cornea from Spain, whicb . ·-·-·"---•----~-.. ~y N:™3. S. M. D. rIATT. l for the poor soul Dever could perform in1• loft iu charge of one of the law uffice;; on 'if truo, do,troy• all hopas of a decent go,• T'· C!evcland I Mt. -
Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A
Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A Culture and Contexts (intro from printed book) News stories don’t satisfy on a human level. We know that Guantanamo is still open, but do we really know what that means?’ The idea is to experience an emotional understanding, so it’s not just an intellectual abstraction. -Laura Poitras, filmmaker The structure, process and narrative units that make up most of the book rely on language in presenting facts and argument. In contrast, the emphasis in this unit is on forms of artistic expression. .Images and music are one component of the culture of surveillance that so infuses our minds and everyday life. The symbolic materials and meanings of culture are social fabrications (though not necessarily social deceptions). They speak to (and may be intended to create or manipulate) needs, aspirations, and fears. Culture communicates meaning and can express (as well as shape) the shared concerns of a given time period and place. Surveillance technology is not simply applied; it is also experienced by agents, subjects, and audiences who define, judge and have feelings about being watched or a watcher. Our ideas and feelings about surveillance are somewhat independent of the technology per se. As with the devil in Spanish literary tradition (image below) the artist can serve to take the lid off of what is hidden, revealing deeper meanings. Here the artist acts in parallel to the detective and the whistleblower: Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A In the original version of the book I divided the cultural materials into two units. -
The Effect of the Rivalry Between Jesse Knight and Thomas Nicholls Taylor on Architecture in Provo, Utah: 1896-1915
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1991 The Effect of the Rivalry Between Jesse Knight and Thomas Nicholls Taylor on Architecture in Provo, Utah: 1896-1915 Stephen A. Hales Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Mormon Studies Commons, and the Urban, Community and Regional Planning Commons BYU ScholarsArchive Citation Hales, Stephen A., "The Effect of the Rivalry Between Jesse Knight and Thomas Nicholls Taylor on Architecture in Provo, Utah: 1896-1915" (1991). Theses and Dissertations. 4740. https://scholarsarchive.byu.edu/etd/4740 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. LZ THE EFFECT OF THE RIVALRY BETWEEN JESSE KNIGHT AND THOMAS NICHOLLS TAYLOR ON architecture IN PROVO UTAH 189619151896 1915 A thesis presented to the department of art brigham young university in partial fulfillment of the requirements for the degree master of arts 0 stephen A hales 1991 by stephen A hales december 1991 this thesis by stephen A hales is accepted in its present form by the department of art of brigham young university as satisfying the thesis requirement for the degree master of arts i r rr f 1 C mark hamilton committee0amimmiweemee chilechair mark Johnjohndonjohnkonjohnmmitteekonoon committeec6mmittee -
The Ezra Booth Letters
IN THE ARCHIVES The Ezra Booth Letters Dennis Rowley BOTH EZRA BOOTH, a Methodist cleric from Mantua, Ohio, and the Booth letters are familiar to students of early Mormon history. Booth was the first apostate to write publicly against the new Church, and most standard histories include an account of his conversion and almost immediate apostacy.1 He joined the Church in June 1831 after seeing Joseph Smith miraculously heal the paralyzed arm of his neighbor, Mrs. John Johnson. He left on a mission to Missouri with Joseph Smith and twenty-six others later that summer. Apparently, he expected to convert many people and perform miracles similar to Joseph's through the power of the priesthood to which he had been newly ordained. When neither converts nor miracles were readily forthcoming and when he began to see frailties in Joseph Smith and other Church leaders (including seeming incon- sistencies in some of the Prophet's teachings), he became disaffected from the Church. On 6 September 1831, shortly after Booth returned to Ohio from his Mis- souri mission, a Church conference barred him from preaching as an elder.2 Shortly thereafter, he shared some of his negative feelings in a letter to the Reverend Ira Eddy, a presiding elder in the Methodist Circuit of Portage County, Ohio, and sent a second letter to Edward Partridge, attempting to dissuade him from further affiliation with the Mormons. During the months of October, November, and December 1831, Booth's initial letter to Eddy, his letter to Partridge, and an additional eight letters to Eddy, were published in a weekly newspaper, the Ohio Star, of Ravenna. -
I State Historic Preservation Officer Certification the Evaluated Significance of This Property Within the State Is
Form No. 10-300 (p&t-, \Q-1 UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS __________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS____ I NAME , HISTORIC The Knight Block AND/OR COMMON LOCATION STREET& NUMBER 1~13 East Center Street; 20-24 North University Avenue —NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Provo VICINITY OF Utah 1st STATE CODE COUNTY CODE Utah 049 Utah 049 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE —DISTRICT —PUBLIC 2LOCCUPIED _ AGRICULTURE _ MUSEUM JXBUILDING(S) -XPRIVATE —UNOCCUPIED X.COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS X_YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Mark K. Alien, J. Knight Alien, Joseph K. Alien STREET & NUMBER 836 North 1100 East CITY, TOWN STATE VICINITY OF Utah 84601 LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEDS,ETC. Utah County Courthouse STREET & NUMBER CITY, TOWN STATE Provo, Utah 84601 1 REPRESENTATION IN EXISTING SURVEYS TITLE Utah State Register of Historic Sites DATE April 1977 —FEDERAL .XSTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Utah State Historical Society CITY, TOWN STATE Salt Lake City, Utah DESCRIPTION CONDITION CHECK ONE CHECK ONE _XEXCELLENT _DETERIORATED _UNALTERED .XORIGINALSITE _GOOD __RUINS XALTERED _MOVED DATE. _FAIR _UNEXPOSED The Knight Block is a three story rectangular building, approximately 55 feet by 118 feet, housing a ground floor of retail space with a full basement and two upper floors of offices. -
Dedication of the Newel Knight Grave Monument
Dedication of the Newel Knight Grave Monument In the spring of 1907, a party consisting of Jesse Knight; his daughter, Inez Knight Allen; his daughter-in-law, Lucy Jane B. Knight; an elder brother, Samuel R. Knight; President George H. Brimhall of Brigham Young University; and J. W. Townsend of Crete, Nebraska, visited the old campsite and made arrangements for a piece of ground on which to erect a monument for Jesse’s father. On this ground was erected an imposing granite shaft facing the highway and enclosed by an iron fence. On the shaft is inscribed the following bit of history: Erected 1908 NEWELL KNIGHT Born September 13, 1800; Died January 11, 1847 A member of the Church of Jesus Christ of Latter-day Saints FATHER Who died during the hardships of our exodus from Nauvoo to Salt Lake City. “Blessed are they which are persecuted for righteousness’ sake, for theirs is the kingdom of heaven.”—Matt. V:10 While there, President Brimhall, who was a gifted poet, composed the following lines in 1907 at the gravesite of Newel Knight and other pioneers who died in Niobrara, Nebraska on their journey west: Not backward, but onward and upward they looked; A fire in each bosom was burning. For the new land of promise the Lord had them booked And they yearned with and Israelite yearning. The comforts of home they had left far behind. The wilderness wild was around them. The voice of their God was the only one kind. And here the cold winter had found them. The smoke from their cabins arose to the sky— Their prayers of the morning and bedtime. -
BYU Education Week Booklet
BYU EDUCATION August 19–23, 2019 | educationweek.byu.edu Helaman 5:12 BYU CONTINUING EDUCATION Program Highlights Campus Devotional Elder Gary E. Stevenson of the Quorum of the Twelve Apostles Tuesday, August 20, 2019 Marriott Center 11:10 a.m. • Topics include marriage More than 1,000 classes and family, communication, health, history, fnance, the that Renew, Refresh, and arts, personal development, Recharge! a wide variety of gospel subjects, and more! • Come for a day, an evening, or the entire week! Evening Performances See pages 44–45 for information Beauty and the Beast, a SCERA Production GENTRI: The Gentlemen Trio Welcome to BYU Education Week Building Our Foundation upon Christ (Helaman 5:12) We are pleased to welcome you to BYU Education Week, a program now in its 97th year, with more TABLE OF CONTENTS than 1,000 classes to strengthen and enrich your life! Education Week brings together 240 REGISTRATION AND CLASS INFORMATION presenters, more than 600 volunteers, and hundreds of BYU employees to provide a unique, Registration and General Information 46–50 outstanding educational experience Monday Concurrent Sessions 4–5 This year’s theme—Building Our Foundation upon Christ—is taken from Helaman 5:12 Tuesday–Friday Concurrent Sessions 6–10 President Russell M Nelson taught, “Without our Redeemer’s infinite Atonement, not one Tuesday–Friday Class Titles 11–32, 37–38 of us would have hope of ever returning to our Heavenly Father Without His Resurrection, Continuing Legal Education Classes 39 death would be the end Our Savior’s Atonement -
Pascal Grad.Sunysb 0771M 10564.Pdf (7.133Mb)
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Breaking Icons: Passivity and Asexuality in Representation of the Three Graces and the Renaissance Madonna A Thesis Presented by Nina Melissa Pascal to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Studio Art Stony Brook University May 2011 Stony Brook University The Graduate School Nina Melissa Pascal We, the thesis committee for the above candidate for the Master of Fine Arts degree, hereby recommend acceptance of this thesis. Howardena Pindell Professor, Department of Art Toby Buonagurio Professor, Department of Art Victoria Hesford, Assistant Professor, Department of Women’s and Gender Studies This thesis is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis Breaking Icons: Passivity and Asexuality in Representation of the Three Graces and the Renaissance Madonna by Nina Melissa Pascal Master of Fine Arts in Studio Art Stony Brook University 2011 This thesis will examine my artistic practice in relation to a feminist critique of pop cultural imagery through the lens of historical/theological constructs of beauty and passivity. I will look specifically at the ideals of feminine beauty and virtue embedded in classical archetypes such as the Three Graces and the Renaissance Madonna. Discussion of the thesis work will also be situated in relation to the history and symbolic connotations of the Black Madonna. iii For Iesha and Jeremyah, These works could not have been possible without you. -
Luray Caverns—"Eighth Wonder of the World"
• VoL. LII WASHINGTON, D. C., SEPTEMBER 13, 1904 No. 37 of the existence of the Caverns, than they began limestone rocks, weathers them very rapidly. litigation to regain the property. They failed in All, doubtless, are familiar with the fact that the lower courts, but finally succeeded in getting there exist many underground streams, rivers, their claims sustained by a higher court. Mr. and lakes, and that flowing water exerts a stu- Stebbins lost heavily by the transaction; but pendous power in eroding, or wearing away and Luray Caverns—"Eighth Wonder of the later on he came into possession of the rich mine removing, great masses of rock. World" of truth embraced in the third angel's message. Now a cave is but an underground valley — a IN the beautiful Luray Valley, which forms Had he succeeded in realizing the anticipated pro- system of large ravines. If the cave hill is sub- Page County, Virginia, are found the great fits from his discovery, perhaps he would not have ject to rain torrents flowing from the surrounding limestone caverns that are said to excel all other been so ready to accept of the new-found truth. mountains, and if its strata are inclined, water known caves of the world, surpassing in beauty and variety of ornamentation, though not equaling in size, the world-famed Mam- moth Cave of Kentucky. The Luray Valley is hemmed in on every side with a rim of mountains, ranging from two thousand to four thousand feet in height. The Blue Ridge begins on the north, swings completely around the valley to the west, then the Massanutten Mountains com- plete the circle. -
Mormonism's Last Colonizer: the Life and Times of William H. Smart
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Mormonism's Last Colonizer: The Life and Times of William H. Smart William B. Smart Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the History of Religion Commons Recommended Citation Smart, W. B. (2008). Mormonism's last colonizer: The life and times of William H. Smart. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mormonism’s Last Colonizer Uintah Stake president William H. Smart Mormonism’s Last Colonizer The Life and Times of William H. Smart William B. Smart Utah State University Press Logan, Utah Copyright ©2008 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7200 www.usu.edu/usupress Publication of this book and the accompanying CD was sup- ported by a subvention from the Charles Redd Center for Western Studies at Brigham Young University. Manufactured in the United States of America Printed on recycled, acid-free paper ISBN: 978-0-87421-722-3 (cloth) ISBN: 978-0-87421-723-0 (e-book) Library of Congress Cataloging-in-Publication Data Smart, William B. (William Buckwalter), 1922- Mormonism’s last colonizer : the life and times of William H. Smart / William B. Smart. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-722-3 (cloth : alk. -
Journal of Mormon History Vol. 23, No. 2, 1997
Journal of Mormon History Volume 23 Issue 2 Article 1 1997 Journal of Mormon History Vol. 23, No. 2, 1997 Follow this and additional works at: https://digitalcommons.usu.edu/mormonhistory Part of the Religion Commons Recommended Citation (1997) "Journal of Mormon History Vol. 23, No. 2, 1997," Journal of Mormon History: Vol. 23 : Iss. 2 , Article 1. Available at: https://digitalcommons.usu.edu/mormonhistory/vol23/iss2/1 This Full Issue is brought to you for free and open access by the Journals at DigitalCommons@USU. It has been accepted for inclusion in Journal of Mormon History by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Journal of Mormon History Vol. 23, No. 2, 1997 Table of Contents CONTENTS LETTERS viii ARTICLES • --Mormon Sugar in Alberta: E. P. Ellison and the Knight Sugar Factory, 1901-17 William G. Hartley, 1 • --Ellison Milling and Elevator Company: Alberta Wheat with Utah Roots Gregory P. Christofferson, 30 • --Friends Again: Canadian Grain and the German Saints Richard Neitzel Holzapfel, 46 • --"The Grand, Fundamental Principle:" Joseph Smith and the Virtue of Friendship Steven Epperson, 77 • --Zina Presendia Young Williams Card: Brigham's Daughter, Cardston's First Lady Donald G. Godfrey, 107 • --Ernest L. Wilkinson's Appointment as Seventh President of Brigham Young University Gary James Bergera, 128 • --The Mechanics' Dramatic Association: London and Salt Lake City Lynne Watkins Jorgensen, 155 • --"Every Thing Is Favourable! And God Is On Our Side": Samuel Brannan and the Conquest of California Will Bagley, 185 ENCOUNTER ESSAY • --Keeping Company with Wilford Woodruff Thomas G Alexander, 210 REVIEWS --Martha Sonntag Bradley, Kidnapped from That Land: The Government Raids on the Short Creek Polygamists Becky Johns, 221 --Frederick S. -
Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research.