RESEARCH BULLETIN Issue 15 | Summer 2017
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RESEARCH BULLETIN Issue 15 | Summer 2017 Maze vortex print extract RESEARCH PROJECTS AND EVENTS A review of our recent research projects and events PROJECTS EVENT REVIEWS Making Music in Manchester During WWI Dr Mauricio Pauly On 21 January, Director of Research Professor Barbara Dr Pauly was commissioned by the Bludenzer Kelly, Associate Researcher Dr Geoff Thomason and Tage zeitgemäßer Musik (Bludenz Festival for Stephen Etheridge, a volunteer on the Making Music Contemporary Music 2016 - Bludenz, Austria) to in Manchester project, travelled to Durham for a write a new piece for the Viennese ensemble Phace. conference organised by Durham University’s Centre The piece, an amplified quintet titledThe Difference for Nineteenth-Century Studies. The conference is the Buildings Between Us, was premiered at the was entitled ‘A great divide or a longer nineteenth festival in November 2016 and then performed again century? Music, Britain and the First World War’, in January at the Wien Konzerthaus. Dr Mauricio Pauly covering the extent to which the First World War acted as a watershed in the discourse of British music. The work was co-funded by the Arts Council UK and the British Council through the International Artists’ MAURICIO WAS Barbara, Geoff and Stephen had all submitted Development Fund. COMMISSIONED proposals for the conference with a Manchester BY THE theme and, as they were all accepted, they were able Mauricio is the co-director of the Manchester-based BLUDENZER TAGE to devote an entire session to music in Manchester. Distractfold Ensemble, who were asked to curate this ZEITGEMÄSSER year’s Cut & Splice Festival. The festival, produced MUSIK TO WRITE The Manchester session was chaired by Dr Aidan by BBC Radio 3 and the charity Sound and Music, A NEW PIECE FOR Thomson of Queen’s University Belfast: took place over the second weekend in March and THE VIENNESE comprised concerts at installations at Halle St Peter’s • Stephen Etheridge, ‘Brass Band Music Contests and Halle St Michael’s. Among the works featured ENSEMBLE and Entertainment in Manchester’s Public Parks in were Mauricio’s Charred Edifice Shining for amplified PHACE. World War One: Reinventing Repertoire, Patriotism string trio with performative electronics. and Tradition?’ Dr Fabrice Fitch • Geoff Thomason, ‘“The war seems so violently Dr Fitch’s work also featured prominently at the Cut to have affected the liking for music”: Rethinking and Splice festival this year. Agricola IX, written for Inherited Models of Concert-Giving in Manchester’s the Distractfold Ensemble, was performed at the Wartime Chamber Concerts’ festival and a recording of this was broadcast on BBC Radio 3’s Hear and Now programme. •Barbara Kelly, ‘Training the Nation’s Musicians During World War I: Tradition and Change at the Royal Manchester College of Music’ Dr Thomason and Professor Kelly also participated in the Music in the First World War Research Networking Meeting in April at the AHRC Gateways to the First World War Hub, University of Kent. They reported on their research and engagement activities relating to their AHRC Making Music in Phace performing The Difference is the Buildings Between Us at Manchester project. Bludenzer Tage zeitgemäßer Musik 2016 RNCM Research Bulletin | Summer 2017 page 2 RNCM COLLABORATES WITH PERFORMING THE JEWISH ARCHIVE PROJECT Research Bulletin Feature Dr David Fligg Gideon and his sister Lisa, 1940 A PIECE OF MUSIC UNCOVERED IN A PRAGUE ARCHIVE BY RESEARCHER AND RNCM TUTOR IN ACADEMIC STUDIES, DR DAVID FLIGG, RECENTLY RECEIVED A WIGMORE HALL PERFORMANCE. The piece, Topol (‘The Poplar Tree’) by the Czech world première at the Music Conservatory of Pilsen, composer and pianist Gideon Klein (1919-1945), was as part of the Out of the Shadows festival in the composed in 1938. It was never publicly performed, Czech Republic last September. This was organised but secreted away during the German occupation by the Performing the Jewish Archive (PtJA) of Prague before finding its way to the archives of project, the AHRC-funded Leeds University-based Prague’s Jewish Museum. There, it was inventoried international research initiative for which David is as part of the composer’s papers, but although Project Consultant, and which is rediscovering and his sister Lisa (Eliška) Kleinová supervised the reanimating music and theatre once thought lost as publication of most of his completed works, Topol a result of the Holocaust. remained forgotten. When David came across the manuscript, not only was there a substantial With an English translation, Topol was then included sketch of the work, but a fair-copy manuscript. “It’s in a concert at London’s Wigmore Hall in January, extraordinary that this significant work was never Music on the Brink of Destruction, later broadcast published along with Klein’s other works,” says David. on BBC Radio 3. The pianist for the Pilsen première, Vera Müllerová, was brought over for it from the Topol is a melodrama for narrator and piano, Czech Republic. Shortly before the concert, the and David suspects, for various reasons, that the narrator became indisposed, and so David stepped somewhat melancholy words are by Klein, who in at the last minute, not quite expecting the day to was later murdered at Auschwitz. David undertook end with his unplanned Wigmore début and some editing of the score, and facilitated the work’s BBC broadcast! RNCM Research Bulletin | Summer 2017 page 3 RNCM COLLABORATES WITH PERFORMING THE JEWISH ARCHIVE PROJECT Research Bulletin Feature “IT’S EXTRAORDINARY THAT THIS SIGNIFICANT WORK WAS NEVER PUBLISHED ALONG WITH KLEIN’S OTHER WORKS.” DR DAVID FLIGG David with pianist Vera Müllerová at Wigmore Hall The British Library where RNCM students will perform in June Topol was not the first of Klein’s compositions for college student-composers wrote, and had which David has organised a world première. He performed, short opera scenes based on materials came across a short movement for solo harp, part of which PtJA researchers had discovered. an unfinished suite that Klein wrote when he was 15. After some minor editing, it was first performed in In a few weeks’ time, on 27 June at the British Leeds last June. Library, RNCM composers and performers, again facilitated by Adam, will be involved in another PtJA The RNCM continues to collaborate with the PtJA. event, Archives into the Future, where new works In January, to mark Holocaust Memorial Day, the will be performed inspired by the Library’s Russian Sir John Manduell Research Forum here at the Revolution: Hope, Tragedy, Myths exhibition. RNCM welcomed David and PtJA colleague Dr Lisa Peschel (University of York) for their presentation, David Fligg is now working on a critical biography ‘Performing a Holocaust Archive’. Last June, as part of Klein. In the meantime, his chapter on Klein in of the PtJA’s Out of the Shadows festival in Leeds the forthcoming Routledge Handbook on Music and York, RNCM’s Head of School of Composition, under German Occupation will be published either Professor Adam Gorb, enabled a project whereby later this year, or next. ‘SHORTLY BEFORE THE CONCERT, THE NARRATOR BECAME INDISPOSED, AND SO DAVID STEPPED IN AT THE LAST MINUTE, NOT QUITE EXPECTING THE DAY TO END WITH HIS UNPLANNED WIGMORE DÉBUT AND BBC BROADCAST!’ RNCM Research Bulletin | Summer 2017 page 4 POSTGRADUATES HIGHLIGHTS A brief look at RNCM postgraduate news and successes Kiana Shafiei Committee. In April, Rachel also presented a RACHEL In February, Kiana Shafiei gave a lecture-recital on her paper at the Musical Cultures conference in Hull JOHNSON HAS ongoing PhD research for the practice-led research titled ‘Musical Entrepreneurship in early-Victorian event Performance as Research hosted by the Guildhall Manchester’, and has had a paper accepted for the HAD A PAPER School of Music in London and organised by the Music in Nineteenth Century Britain Conference to ACCEPTED FOR Cambridge Centre for Musical Performance Studies in be held in Birmingham in June. She will be leading THE MUSIC IN association with the Institute for Musical Research. The a Sonic Cultures Research Group session at the NINETEENTH event was chaired by Professor Mieko Kanno (Sibelius University of Manchester in May and has been CENTURY Academy) and Professor John Rink (University invited to be part of a History of the Humanities BRITAIN of Cambridge). research network in association with the University CONFERENCE of Amsterdam. TO BE HELD IN Kiana has been invited to give a performance of BIRMINGHAM IN Iranian piano repertoire in April at the Fitzwilliam Alongside her PhD research, Rachel gave a flute JUNE. Museum, University of Cambridge, as the Guest recital at St Martin-in-the-Fields in February, Artist for the third biennial conference Symposia including new and unfamiliar repertoire, and Iranica, the leading international forum for Persian presented a concert of music uncovered during her studies. The performance will be part of an event to Master’s research into 19th-century British flute honour Professor Charles Melville, Chairman of the repertoire in the Music at Wesley concert series Faculty of Asian and Middle Eastern Studies and in Chester. Trustee of the British Institute of Persian Studies, for his contributions over an academic career spanning Amir Sadeghi Konjani 40 years. Amir Sadeghi Konjani has been selected along with three other RNCM student composers to create a Rachel Johnson new work for piano trio, to be premiered during the Rachel Johnson presented a paper on Musical College’s Gold Medal