Entry Fees: • NO Entries Will Be Accepted on the Field

EDINBORO UNIVERSITY HIGHLAND GAMES • Pre-Premier and Primary -- Registration 8:30 EDINBORO UNIVERSITY HIGHLAND GAMES FUSTA Registration #USE 0111 am. Events begin at 9:00 am. Highland Dance Competition Entry Form Saturday, September 7, 2019 • Intermediate and Premier -- Registration 12:30 McComb Fieldhouse pm. Events begin at 1:00 pm. • Events will be divided into age groups Primary: Name ________________________________________________ 1. 16 Pas de Basque according to entries received. 2. Pas de Basque + Hi Cuts • Age is determined as of day of competition Address ______________________________________________ 3. Highland Fling (4) (September 7, 2019). 4. Sword Dance (2+1) City ____________________ State ____________ Zip _______ Beginner: • Morning events will begin with Flora Mac 5. Highland Fling (4) Donald’s Fancy. Afternoon events will begin Telephone ____________________________________________ 6. Sword Dance (2+1) with the Barracks Johnnie and Sailor’s 7. Seann Triubhas (3+1) E-mail _______________________________________________ 8. Flora MacDonald’s Fancy (4) Hornpipe. Novice: • FUSTA & SCOTDANCE 2019 cards must be FUSTA or ScotDance # _______________________________ 9. Highland Fling (4) shown at time of registration. 10. Sword Dance (2+1) Teacher’s Name ______________________________________ • Medals will be awarded for all events except 11. Seann Triubhas (3+1) 12. Flora MacDonald’s Fancy (4) Premier 18 & over; they will receive cash. Teacher’s E-mail ______________________________________ Intermediate: • Trophies will be awarded to the dancer Date of Birth _________________________________________ 13. Highland Fling (4) with the highest points in each class. 14. Sword Dance (2+1) • Primary dancers will receive medals only. Age (as of 09/07/2019) _________________________________ 15. Seann Triubhas (3+1) 16. Barracks Johnnie (4) • Special awards will be “Most Promising Event Numbers _______________________________________ Premier 7 and under 12: Beginner Dancer” (Chosen from Beginner age 17. Highland Fling (4) group with largest number of entries) and Amount Enclosed _____________________________________ 18. Sword dance (2+1) $1.00 from each entry will be donated to FUSTA East Region. “Premier Award” (Awarded by dance off of all 19. Seann Triubhas (3+1) 20. Sailor’s Hornpipe (4) 1st place winners in all Premier groups). • We reserve the right to combine or cancel Premier: Please make checks payable to: 21. Highland Fling (6) any event due to lack of participation. If ( Edinboro University of PA ) 22. Sword Dance (3+1) event is cancelled, competitors will be 23. Seann Triubhas (4+2) 24. Sailor’s Hornpipe (4) notified prior to the day before the competition. Canadian entries: “Cash Only” or Check in US All events will be governed by SOBHD Rules • Entries must be received by August 23, Funds *plus additional $6.00 processing fee 2019. No SASP is needed as festival for checks. admission is free. • Parking fee is $10. Entry Fees: • NO entries will be accepted on the field. Primary Send entry form and check to: $12 one or all dances For further dance information call Kathy at: Kathy Horvath Beginner, Novice, Intermediate (412) 551-7420 or E-mail at: 719 Pine Street $15 one or all dances [email protected]. Premier Crescent, Pa 15046 $18 one or all dances USA .

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Savannah Scottish Games & Highland Gathering
47th ANNUAL CHARLESTON SCOTTISH GAMES-USSE-0424 November 2, 2019 Boone Hall Plantation, Mount Pleasant, SC Judge: Fiona Connell Piper: Josh Adams 1. Highland Dance Competition will conform to SOBHD standards. The adjudicator’s decision is final. 2. Pre-Premier will be divided according to entries received. Medals and trophies will be awarded. Medals only in Primary. 3. Premier age groups will be divided according to entries received. Cash prizes will be awarded as follows: Group 1 Awards 1st $25.00, 2nd $15.00, 3rd $10.00, 4th $5.00 Group 2 Awards 1st $30.00, 2nd $20.00, 3rd $15.00, 4th $8.00 Group 3 Awards 1st $50.00, 2nd $40.00, 3rd $30.00, 4th $15.00 4. Trophies will be awarded in each group. Most Promising Beginner and Most Promising Novice 5. Dancer of the Day: 4 step Fling will be danced by Premier dancer who placed 1st in any dance. Primary, Beginner and Novice Registration: Saturday, November 2, 2019, 9:00 AM- Competition to begin at 9:30 AM Beginner Steps Novice Steps Primary Steps 1. Highland Fling 4 5. Highland Fling 4 9. 16 Pas de Basque 2. Sword Dance 2&1 6. Sword Dance 2&1 10. 6 Pas de Basque & 4 High Cuts 3. Seann Triubhas 3&1 7. Seann Triubhas 3&1 11. Highland Fling 4 4. 1/2 Tulloch 8. 1/2 Tulloch 12. Sword Dance 2&1 Intermediate and Premier Registration: Saturday, November 2, 2019, 12:30 PM- Competition to begin at 1:00 PM Intermediate Premier 15 Jig 3&1 20 Hornpipe 4 16 Hornpipe 4 21 Jig 3&1 17 Highland Fling 4 22.
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June 22, 2019
The PA Renaissance Faire Production is proud to sponsor the NAFC COMMISSION Member of the North American Feis Commission President: Jim Graven [email protected] Member of An Coimisiun, Dublin, Ireland Feis is sanctioned by and governed by An Comisiun (www.clrg.ie), the NAFC (www.northamericanfeiscommission.org) and the Mid-Atlantic Region (www.midatlanticregion.com) NAFC CHAMPIONSHIPS Edward Callaghan Music Scholarship Championship Under 15 - will be held at the Golden Horseshoe Feis on June 15, 2019 FEIS INFORMATION James Brennan Music Scholarship Championship Under 21 - will be held at the Peach State Feis on May 4, 2019 Saturday - June 22, 2019 NAFC Championship Belts Starting at 9:00 am! Sacramento, CA - January 19th, 2019 Gerry Campbell Senior Belt PA Renaissance Fairegrounds Robert Gabor Junior Belt 2775 Lebanon Rd. George Sweetnam Minor Belt Manheim, PA 17545 FEIS REGISTRATION SUMMARY Info: parenfaire.com Up to June 12, all registration only accepted at www.quickfeis.com Feis caps are: (registration will close for those levels only once that cap has been reached) o Grades ..................... 500 o Championship ......... 150 FEIS ADJUDICATORS Anne Marie Leonard, Canada Eileen McDonagh-Moore, New York Jimmy Early, New York Joan T. Cass, New York Chairman: Jim Graven Kathy Spencer-Revis, New York Treasurer: Carrie Emich Kerry Kelly Oster, New York Kristen Butke-Zagorski, Tennessee Entry Secretary: Kathleen Yates Laura Le Meusier, California Syllabus: Jim Graven Patricia Morissy, New York Peggy Woods Doherty, Massachusetts Siobhan Moore, New York COMPETITION FEES CELTIC FLING FEIS FESTIVAL Feis Admission includes ONE day ticket to the festival Competition Fees FEES (you can purchase a second day ticket at registration) Solo Dancing / TR / Sets / Non-Dance Kick-off concert on Friday featuring great performers! $ 10 Bring your appetite and enjoy delicious foods and (per competitor and per dance) refreshing wines, ales & ciders while listening to the live Preliminary Championship music! Gates open at 4PM.
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Scottish and Irish Elements of Appalachian Fiddle Music
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 3-1995 Scottish and Irish Elements of Appalachian Fiddle Music Matthew S. Emmick Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Ethnomusicology Commons, and the Musicology Commons Recommended Citation Emmick, Matthew S., "Scottish and Irish Elements of Appalachian Fiddle Music" (1995). Undergraduate Honors Thesis Collection. 21. https://digitalcommons.butler.edu/ugtheses/21 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER UNIVERSITY HONORS PROGRAM Honors Thesis Certification Matthew S. Emmick Applicant (Name as It Is to appear on dtplomo) Scottish and Irish Elements of Appalachian Fiddle M'-Isic Thesis title _ May, 1995 lnter'lded date of commencemenf _ Read and approved by: ' -4~, <~ /~.~~ Thesis adviser(s)/ /,J _ 3-,;13- [.> Date / / - ( /'--/----- --",,-..- Commltte~ ;'h~"'h=j.R C~.16b Honors t-,\- t'- ~/ Flrst~ ~ Date Second Reader Date Accepied and certified: JU).adr/tJ, _ 2111c<vt) Director DiJe For Honors Program use: Level of Honors conferred: University Magna Cum Laude Departmental Honors in Music and High Honors in Spanish Scottish and Irish Elements of Appalachian Fiddle Music A Thesis Presented to the Departmt!nt of Music Jordan College of Fine Arts and The Committee on Honors Butler University In Partial Fulfillment of the Requirements for Graduation Honors Matthew S. Emmick March, 24, 1995 -l _ -- -"-".,---.
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Traditional Music of Scotland
Traditional Music of Scotland A Journey to the Musical World of Today Abstract Immigrants from Scotland have been arriving in the States since the early 1600s, bringing with them various aspects of their culture, including music. As different cultures from around Europe and the world mixed with the settled Scots, the music that they played evolved. For my research project, I will investigate the progression of “traditional” Scottish music in the United States, and how it deviates from the progression of the same style of music in Scotland itself, specifically stylistic changes, notational changes, and changes in popular repertoire. I will focus on the relationship of this progression to the interactions of the two countries throughout history. To conduct my research, I will use non-fiction sources on the history of Scottish music, Scottish culture and music in the United States, and Scottish immigration to and interaction with the United States. Beyond material sources, I will contact my former Scottish fiddle teacher, Elke Baker, who conducts extensive study of ethnomusicology relating to Scottish music. In addition, I will gather audio recordings of both Scots and Americans playing “traditional” Scottish music throughout recent history to compare and contrast according to their dates. My background in Scottish music, as well as in other American traditional music styles, will be an aid as well. I will be able to supplement my research with my own collection of music by close examination. To culminate my project, I plan to compose my own piece of Scottish music that incorporates and illustrates the progression of the music from its first landing to the present.
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Highland Dance Competitions & Championships
HIGHLAND DANCE COMPETITIONS & CHAMPIONSHIPS ScotDance USA MW-0202 May 22-24, 2020 Alma College Art Smith Arena – Hogan Center 614 West Superior Street Alma, Michigan 48801 EVENTS: Choreography Competition Great Lakes Open Championship Great Lakes Open Premiership Pre-Premier Competition Great Lakes Closed Championship – Midwest Regional Qualifier for USIR Judges: Pipers: Diane Krugh – Houston, Texas Glen Sinclair – London, Ontario Pat McMaster – Niagara-on-the-Lake, Ontario Bill Weaver – St. Louis, Michigan Jill Young – Calgary, Alberta Registration: Visit Ticketleap for registration information for all events. Sponsorship opportunities are also available. $5 from each entry goes to support ScotDance USA Midwest. Entries accepted through May 17, 2020, unless otherwise noted. Rules: 1. Competitions will be conducted in accordance with the rules of the Royal Scottish Official Board of Highland Dancing (RSOBHD). 2. The judge’s decision is final. 3. Age groups will be determined according to the number of entries and competitors’ ages as of the day of the competitions, with the exception of the Great Lakes Closed Championship. 4. Dancers must present their 2020 registration card to register and receive awards. 5. Dancers first to enter shall be last to dance. 6. Dancers must be ready and appear when called or forfeit the chance to dance. 7. Dancers must be in full costume to receive awards. 8. Awards are given at the judge’s discretion. 9. Alma Highland Festival reserves the right to make changes to the event or schedule so long as the change falls within the scope of RSOBHD Rules. Questions: Megan Brown, Organizer Email: [email protected] Phone/Text: (989) 763-6456 Friday, May 22, 2020: Choreography Competition Registration opens at 5:30pm, competition begins at 6:00pm.
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Hornpipes, Jigs, Strathspeys, and Reels are different types of Celtic dances. Piobaireachd is an ancient and poetic style of music that is best played for somber occasions. Name Type Hark! The Herald Angels Sing Christmas Here We Come A Wassailing Christmas I Saw Three Ships Christmas Jingle Bells Christmas Little Drummer Boy Christmas O Come All Ye Faithful Christmas Joy to The World Christmas We Wish You a Merry Christmas Christmas Alex and Hector Hornpipe Ballachulish Walkabout, The Hornpipe Crossing the Minch Hornpipe Jolly Beggarman, The Hornpipe Papas Fritas Hornpipe Rathven Market Hornpipe Redondo Beach Hornpipe Sailor's Hornpipe, The Hornpipe Streaker, The Hornpipe Walrus, The Hornpipe Alan MacPherson of Mosspark Jig Banjo Breakdown, The Jig Blue Cloud, The Jig Brest St. Marc (The Thunderhead) Jig Cork Hill Jig Ellis Kelly's Delight Jig Glasgow City Police Pipers, The Jig Gold Ring, The Jig Honey in the Bag Jig Irish Washerwoman, The Jig Judge's Delimma, The Jig Paddy's Leather Breeches Jig Paddy's Leather Breeches (D. Johnstone setting) Jig Patrick's Romp Jig Phat John Jig Scotland the Brave Jig Wee Buns Jig 79th's Farewell to Gibraltar March All the Blue Bonnets are Over the Border March Argylls Crossing the River Po March Arthur Bignold of Lochrosque March Atholl Highlanders March Balmoral Highlanders March Barren Rocks of Aden, The March Battle of the Somme March Battle of Waterloo March Bonnie Charlie March Bonny Dundee March Brown Haired Maiden, The March Cabar Feidh March Castle Dangerous March Cullen Bay March Farewell
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2002 Scottish Games
Try our Lindsay's 80/- (Shilling) Brewed Especially for the St. Louis Scottish Games. Schlafly Beer 2t DO Locust, Saint Louis, MO 63 t 03 3t 4-24t -BEER www.schlafly.com CeudMile Failtel ~ ~ "A Hundred Thousand Welcomes!" Table of Contents Greetings, and welcome to our Second Annual l Scottish Games & Cultural Festival of the 21st Ceud Mile Failte century! CEO's Message. 2 Ceremonies .. 3 It seems almost like yesterday when we were at the Help ....... ... 4 fun-filled 2001 Games, rain and all. Although a lot has Animals & Birds . ... 5 changed around us, other traditions have been revived Athletics. ...... 6 and solidified. The modern Scottish Games are a British Car Show & Clubs ...... 10 celebration of the deep and rich cultural heritage that Children's Activities .. ..... 11 originated in Scotland and is recognized throughout Entertainment 12 America. We are pleased to continue to present such Overview Schedule ........._.... .... 17 a festive and exciting occasion within Forest Park. Site Map ..................................... 18 The uplifting spirits of Scotland and America will again be intertwined with History/Storytelling 20 culture, heritage, and celebration during the St. Louis Games. We encourage Scottish Genealogy . ..22 you to take the opportunity to be entertained by the wonderful skills of Photo Opportunity ..... ... _.23 competing dancers, athletes, pipers, and drummers. Listen to the folk musicians, Highland Dancing .. 24 storytellers, and Clan historians. View some classics at the British car show, Piping & Drumming ..... 26 and watch the sheepdogs perform. Sample some great food and find unique Clan History ... .... _28 gifts. I guarantee that the assembled tartans of the Clans and the full force of Gaelic .............._.......
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Highland & National Dancing
th PDANZ Morrinsville A & P Saturday 6 March 2021 South Auckland HIGHLAND & NATIONAL DANCING Approved To be conducted under the Rules of P & D Assn. of New Zealand (Inc) 31/1/2021 SPONSORED BY MORRINSVILLE FLOORING XTRA & BEDS R US MORRINSVILLE AUTO TRIM AND UPHOLSTERERS Place: The Morrinsville Recreation Grounds, Anzac Ave If wet at Morrinsville Soccer Club Rooms, Recreation Grounds CLOSING DATE: 25th February 2021 Entries to: Morrinsville A & P Society, P. O. Box 284 Morrinsville 3340 Enquires:-Phone 07 889 3831 email - [email protected] Time: 9 am Saturday 6th March 2021 Entry Fee: $4.00 per class. (incl Pipers Fee). Unless stated otherwise. Late entries accepted on the day at 50 cents extra, per class Prizes: Medals for 1st, 2nd & 3rd Novice, Restricted and all Under 10 yrs Under 12 & 14 Years -1st; $6 2nd; $5, 3rd; $4, - Under 16: 1st; $10 2nd; $8 3rd; $7. Merit Award -Money. Unless stated otherwise. Points Prize for each age group. JUDGE: - Tess Pilkington STEWARD: - Mrs Julie Lee Novice Under 12 years Class 1000 Novice Highland Fling Class 1013 Highland Fling (Will need more than 2 Dancers or it will be a display) Class 1014 Sword Dance Class 1015 Irish Jig Restricted Under 14 years (never won that dance) Class 1016 Sailors Hornpipe Class 1001 Highland Fling Class 1002 Sword Dance Under 14 years Class 1003 Irish Jig Class 1017 Highland Reel (Sub Sword) Class 1004 Sailors Hornpipe Class 1018 Sean Truibhas Class 1019 Irish Hornpipe Under 8 years Class 1020 Sailors Hornpipe Class 1005 Highland Fling Class 1006 Sword Dance
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Melodic Identity and Tune Resemblance Karen E. Mcaulay
1 ABSTRACTS (grouped by session) Session 1: Melodic Identity and Tune Resemblance Karen E. McAulay (Royal Conservatoire of Scotland, Glasgow) ‘All the right notes, but not necessarily in the right order’*: Musical Resemblances over the Border The appealing Northumbrian pipe-tune, “I saw my love come passing by me”, appears in at least three nineteenth century sources, and again in Cock’s Tutor for the Northumbrian Half-Long Bagpipes. The latest two of these are shorter, whilst the first two elaborate the tune with variations. Nonetheless, the resemblances are clear; their kinship is indisputable. However, there are two much earlier appearances of similar tunes in publications north of the border. A century older, each has a different title, and although the shapes of these tunes are undeniably similar, they are certainly neither identical forerunners to one another, nor to “I saw my love”. Indeed, one source was linked in 1925 to a totally different tune. Notwithstanding this earlier identification, I dispute the similarity, and propose that there is some kind of link between “I saw my love” and her earlier Scottish cousins. Whilst the Tune Archive enabled me to trace the iterations of the Border tunes, it failed to flag up these Scottish tunes as potential relatives, partly because their rhythmic notation means the Theme Code index failed to pick up the same strong beats. I propose to demonstrate the methodology I have adopted to attempt to prove my hypothesis. If I’m right, it suggests that before I saw my love come passing by me, she had enjoyed a bit of a shadowy Celtic past.
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Dance the Highland Fling
Dance the Highland Fling Liina Flynn | 21st July 2011 When I was growing up, my Scottish grandmother taught me how to dance the Highland Fling. With arms flung above my head, I hopped on my feet moving one leg behind the other as I chanted “shed, behind, before, behind”. The footsteps of the dance were taught to me in an old chant that explained a pattern of fabric weaving and helped me to remember which steps came next. One theory about the Highland Fling is that it originated as a dance of triumph at the end of a battle; another says it was danced on top of a shield before battle, to ward away evil spirits. So, with highland dancing and its militaristic origins on my mind, I took my tartan heart and my (sort of) nimble feet and Scottish country dancing enthusiasts Judy Cook and Andrew Ross. went to learn more about Scottish dancing. When I arrived at a Scottish country dancing class in Lismore, rather than launching into a solo Highland Fling, I was prepared to take part in a group dancing lesson with guided instructions. I had heard about the formal Scottish dance „The Gay Gordons‟, but dancing instructor Judy Cook tells me it‟s a pretty ordinary dance and closer to ballroom dancing than Scottish country dance. Instead, tonight we‟ll be doing dances like Galloping Carousel, Campbell‟s Frolic, Dancing Bees, and Good Hearted Glasgow. Scottish country dancing usually requires at least six or eight people to be able to form a set, but while we‟re waiting for other people to arrive, Judy wants to teach us Domino Five, a dance that only requires five people.
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Scottish Rite Magazine
sUMMER 20 18 The Pine Tree Highlander A P ublication of the St. Andrews Society of Maine The only place to be on that beautiful Saturday is the Topsham Fairgrounds just off Route I-295 in Topsham, Maine. Why is that? It’s really simple! Throughout the day, starting at 8 a.m., pipers will be piping, drummers will be drumming, kilts will be swinging, flags will be flut - tering, dancers will be showing their intricate moves, athletes will be performing at the highest levels, and everyone on the Fairgrounds will be hav - ing a wonderful time. But there’s so much more. Your Games Committee has really gone way out to make this important Scottish Festival anniversary edition one for the books. Consider the additional events planned for your enjoyment. Throughout the day there’ll be perform - ances in Fiddler’s Glen where, you guessed it, fiddle music and balladeers, among others, will be per - forming for enjoyment of all. There also are Celtic bands, harpers, Historical Highlanders, a great selection of mouth-watering Scottish food, a huge selection of merchandise to peruse and select from, and a large contingent of Scottish clans will be on hand to answer questions, share history, add pageantry and perhaps even offer a piece of deli - cious shortbread to visitors at their tent sites. More Games Info on Page 2 & 3 Friday night everyone is invited to a Celtic Ceilidh at the Topsham Fairgrounds that will kick off the 40th annual Maine Highland Games and Scottish Festival. The ceilidh starts at 6 p.m.
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Amateur Medal Tests & Grade Examinations
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