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John Mackey (B
John Mackey (b. 1973) Sasparilla (2005) We open this afternoon’s program with the delightful and raucous Sasparilla. This is a very different work than Mackey’s Asphalt Cocktail that we performed last Fall, but no less ambitious, with a large percussion battery plus accordion and contra-bass clarinet as solo instruments. It’s a very tongue-in- cheek look at the Old West as seen through the eyes of … well, we’ll let you figure that out! From the composer: Sasparilla is my first “fully original” work for wind ensemble. With Sasparilla, the primary request from the commissioning consortium was to write something “new for band,” so I approached the piece with the goal of writing something that took advantage of the wonderful sounds than only a concert band can make. “Sasparilla” was a type of liquor served in saloons in the old west. It has since become a non- alcoholic root beer-like beverage. Whether it be from bad liquor or terribly funky soda, Sasparilla tells the tale of an Old West saloon, and the specific tale seems to vary, depending on the listener. Some hear a pony who drinks from a fermented trough and goes on a joyride to Tijuana. Some hear a cowboy who can’t hold his drink. Some suggest the old west as viewed through the eyes of the old Warner Brothers cartoons. Regarding the spelling...although I would never be one to win a spelling bee, I realize that the “correct” spelling is “sarsaparilla,” but there are two other slangified spellings – “sarsparilla” and the one I’ve chosen, “sasparilla.” Although only one would win you a spelling bee, “sasparilla” looked best in print! John Mackey holds a Master of Music degree from The Juilliard School and a Bachelor of Fine Arts degree from the Cleveland Institute of Music, where he studied with John Corigliano and Donald Erb, respectively. -
Piano Rolls and Contemporary Player Pianos: the Catalogues, Technologies, Archiving and Accessibility
Piano Rolls and Contemporary Player Pianos: The Catalogues, Technologies, Archiving and Accessibility Peter Phillips A Thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Historical Performance Unit Sydney Conservatorium of Music University of Sydney 2016 i Peter Phillips – Piano Rolls and Contemporary Player Pianos Declaration I declare that the research presented in this thesis is my own original work and that it contains no material previously published or written by another person. This thesis contains no material that has been submitted to any other institution for the award of a higher degree. All illustrations, graphs, drawings and photographs are by the author, unless otherwise cited. Signed: _______________________ Date: 2___________nd July 2017 Peter Phillips © Peter Phillips 2017 Permanent email address: [email protected] ii Peter Phillips – Piano Rolls and Contemporary Player Pianos Acknowledgements A pivotal person in this research project was Professor Neal Peres Da Costa, who encouraged me to undertake a doctorate, and as my main supervisor, provided considerable and insightful guidance while ensuring I presented this thesis in my own way. Professor Anna Reid, my other supervisor, also gave me significant help and support, sometimes just when I absolutely needed it. The guidance from both my supervisors has been invaluable, and I sincerely thank them. One of the greatest pleasures during the course of this research project has been the number of generous people who have provided indispensable help. From a musical point of view, my colleague Glenn Amer spent countless hours helping me record piano rolls, sharing his incredible knowledge and musical skills that often threw new light on a particular work or pianist. -
21.6 Instrumental 78S . 2020. Pp 140-152
78 rpm INSTRUMENTAL ANAHID AJEMIAN [violinist] 1645. 12” Red RCA Victor 12-0343. CHANT POÉME (Khatchaturian) / MARO AJEMIAN [pianist]. RONDO No. 1 ON A FOLK TUNE; BULGARIAN DANCE No. 1 (Bartók). Just about 1-2. $6.00. CLAUDIO ARRAU [pianist] 3505. 12” PW Blue Telefunken E1629 [019250-1/019251-1]. SPANISCHE RHAPSODIE (Liszt). Two sides. Small lbl. stkr. Just about 1-2. $15.00. ANDRÉ ASSELIN [violinist] 1925. 12” Plum elec. Disque Gram. L-804 [CF3076-I/CF3077-I] PAVANE POUR UNE INFANTE DÉFUNTE (Ravel, arr. Kochanski) / SUITE ESPAGNOLE: Catalana; Murcienne (Joaquin Nin). Piano acc. Lucien Petitjean. Just about 1-2. $12.00. KURT ATTERBERG [composer, conductor] dir. STOCKHOLMS RADIOORKESTER 1393. 12” Blk. PW Eng. Columbia 13602 [W34901/W34902]. DE FÅVISTA JUNGFRUNA [THE FOOLISH VIRGINS], Op. 17. (Atterberg). Two sides. Just about 1-2. $15.00. WILHELM BACHAUS [pianist] 1200. 12” Red Victor 71040 [2654f]. FANTASIE IMPROMPTU, Op. 66 (Chopin). Superb copy. Just about 1-2. $12.00. 1260. 12” Red Pats. Victor 71045 [2650f]. PRÉLUDE, Op. 28, No.1; ÉTUDE, Op. 10, No. 1 (Chopin). Just about 1-2. $12.00. 1433. 12” Red ’08 Pats. Victor 71046 [2596f]. PRÉLUDE C# MINOR, Op. 3, No. 2 (Rachmaninoff). Just about 1-2. $12.00. 1883. 12” Red PW Electrola DB 1131 [Cc12191-II/Cc12196-II]. BERCEUSE, Op. 57 / WALZER IN ES DUR, Op. 57 (both Chopin). Few lightest rubs, cons . 2. $12.00. RENÉ BENEDETTI [violinist] 1546. 12” Blue elec. Eng. Columbia D15033 [WLX175-1/WLX176-1]. AIR RUSSE (H. Wieniawski). Two sides. Just about 1-2. $15.00. ALFRED BRUNEAU [conductor, composer] dir. -
17.6 Inst. and Personality 78S. Pp 170-192
78 rpm INSTRUMENTAL FRANCIS CESBRON [conductor] dir. ORCHESTRE SYMPHONIQUE 1773. 10” Green & White Lumen 30.081 [XL187/XL190]. VOILES BLANCHES AU CRÉ- PUSCULE / CALME DU SOIR (both Philippe Gaubert). Just about 1-2. $12.00. ABRAM CHASINS [pianist, composer] 1945. 10” Red Orth. Vla 1573 [OB1799-1A/OB1800-IIIA]. FAIRY TALE / PRELUDES: Op. 10, No. 5; Op. 12. No. 2; Op12. No. 1 (all Chasins). Just about 1-2. $15.00. 1946. 10” Red Orth. Vla 1582 [OB1797-IIA/OB1798-IIA]. THREE CHINESE PIECES: Flirtation in a Chinese Garden; Rush Hour in Hong Kong / A Shanghai Tragedy (all Chasins). Two sides. Few lightest mks., cons. 2. $15.00. SHURA CHERKASSKY [pianist] 2163. 10” Blue acous. Victor 45394. PRELUDE PATHETIQUE (Cherkassky) / ECOSSAI- SES (Beethoven). Cherkassky was eleven when he recorded these. Just about 1-2. $15.00. ERIC COATES [conductor, composer] dir. NEW QUEEN’S HALL LIGHT ORCH. 3390. 12” Blue acous. Eng. Columbia L1529 [76919/76922]. THE MERRYMAKERS [A MINIATURE OVERTURE / MORESQUE [DANCE INTERLUDE (both Eric Coates). Conducted by the composer. Small indentation side one and same spot on the reverse a small bump (a couple of ticks), otherwise just about 1-2. $12.00. PIERO COPPOLA [conductor, composer] dir. ORCH. SYMP. DU GRAMOPHONE 3391. 12” Blk. PW elec. Disque Gramophone W-973 [CT-4040-I/CT-4063-I]. SCHER- ZO FANTASQUE (Piero Coppola) / DANSE SYMPHONIQUE, Op. 63, No. 2 (Grieg). Just about 1-2. $12.00 ALFRED CORTOT [pianist] 1422. 10” White lbl. acous. vinyl Vla mat. B-31687-2. DOLLY SUITE: Berceuse (Fauré). Rec. 20 Jan. 1925. Unpub- lished. -
STILL PLAYS the PIANO She Started with Silent Films
INTERNATlONAL OFFICERS CHAPTER OFFICERS PRESIDENT Bob Rosencrans 36 Hampden Rd. NO. CALIFORNIA Upper Darby, PA 19082 Pres.: Howard Koff Vice Pres.: Phil McCoy VICE PRESIDENT Sec.: David Fryman Bill Eicher Treas.: Bob Wilcox 465 Winding Way Reporter: Stuart Hunter Dayton, OH 45429 SO. CALIFORNIA Pres.: Francis Cherney SECRETARY Vice Pres.: Mary Lilien Jim Weisenborne Sec.: Greg Behnke AMICA MEMBERSHIP RATES: 73 Nevada St. Treas Roy Shelso Rochester, MI 48063 Reporter: Bill Toeppe Continuing Members: $15 Dues TEXAS New Members, add $5 processing fee PUBLISHER Pres.: Haden Vandiver Tom Beckett Vice Pres.: Bill Flynt Lapsed Members, add $3 processing fee 6817 Cliffbrook Sec/Treas.: Charlie Johnson Dallas, TX 75240 Reporter: Dick Barnes MIDWEST MEMBERSHIP SECRETARY Pres.: Bennet Leedy (New memberships and Vice Pres.: Jim Prendergast mailing problems) Sec.: Jim Weisenborne THE AMICA NEWS BULLETIN Charlie W. Johnson Treas. Alvin Wulfekuhl PO. Box 38623 Reporter: Molly Yeckley Dallas, Texas 75238 PHILADELPHIA AREA TREASURER Pres. Mike Naddeo Published by the Automatic Musical Instrument Collectors' Jack & Mary Riffle Vice Pres.: John Berry As.ociation, a non-profit club devoted to the restoration, distribu 5050 Eastside Calpella Rd. Sec. Dick Price tion and enjoyment of musical instruments using perforated paper Ukiah, CA 95482 Treas.: Claire Lambert music rolls. Reporter Allen Ford Contributions: All subtects of interest to readers of the bulletin BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) are encouraged and Invited by the publisher. All articles must be N. Cal. Frank Loob Pres.: Chuck Hannen received by the 10th of the preceding month. Every attempt will be S. Cal. Dick Rigg Vice Pres: Jeff Depp made to publish all articles of general interest to AMICA members Texas: Carole Beckett Sec Mike Walter at the earliest possible time and at the discretion of the publisher. -
This Chapter Contains Commentaries on Individual Works by Percy
This chapter contains commentaries on individual works by Percy Grainger, consisting of notes on sources of the music, various arrangements that Grainger "dished up" of each work, and other criticism. The individual sections are taken from writings by various critics and musicologists and by Grainger himself. At the end are two Appendices, consisting of Grainger's own notes and suggestions on how his (and other) music should be composed, played, orchestrated, and interpreted. [Works are discussed in alphabetical order, from Air and Dance to Zanzibar Boat Song.] [NOTE: THIS ONLINE VERSION IS CURRENTLY "TEXT ONLY." IN THE PRINTED VERSION, THERE ARE NUMEROUS ILLUSTRATIONS FROM MUSICAL SCORES AND OTHER MUSICAL EXAMPLES. THESE HAVE TO BE SCANNED SEPARATELY AND WILL BE ADDED AT A FUTURE DATE. [Footnotes in the original printed version are, in this online version, embedded in the text, in [boldface, surrounded by square brackets]. To help you find individual works that are discussed, the following list shows the alphabetical range of names of works, which are in alphabetical order, described on each Web page. For example, to find Blithe Bells, click on the entry for the first page, which contains all works from Air and Dance to Carman's Whistle. You can also refer to the Table of Contents for the entire book for guidance. (Unfortunately, this method of finding the correct page is of less help for pieces that are parts of longer works. For example, Lincolnshire Posy consists of arrangements of six separate songs, Lisbon, Horkstow Grange, Rufford Park Poachers, The Brisk Young Sailor, Lord Melbourne, and The Lost Lady Found.