It was just 1966 when composer John Kander wrote the beautiful masterpiece that is "Cabaret." Set in Berlin, Germany during the 1930s, the dawn of Nazi Germany, the story follows American Sally Bowles and her life in Berlin working as a dancer at The Kit Kat Club. Narrated by the enthusiastic Emcee, "Cabaret" compels its audience with its characters, plot, and issues that remain prevalent today.
Friends Select School used a myriad of character choices/development-- one that I have never seen before as an audience member at a showing of "Cabaret". For one, to say that Alex Giganti as The Emcee stole the show would be an understatement. Giganti's energy-- continual through each number-- shone effulgently through even the slowest of songs. His utter and complete dedication to his character was evident; with each hand motion, head bob, snap, clap, what have you, Giganti never failed to impress the audience. As an avid theatre enthusiast, his performance as The Emcee would have made Alan Cummings proud.
In addition to this, Sally Bowles played by Nola Latty gave a commendable performance. Her high belts were absolute music to my ears. It is no doubt that the role of Sally Bowles is extremely difficult to play, yet with Latty's vocal, dance, AND acting skills, she attempted the role with grace and energy-- a very fine job on her part.
The Kit Kat Club dancers, an ensemble consisting of predominantly females rather than men, served as the single ensemble in "Cabaret." Featuring solo dancers such as Rosie, played by Emma Miller, The Kit Kat Club dancers were humorous and a joy to watch. The way that they all played off of each other yet kept in tact with their own originality was a bold choice for this show, yet one that worked well. With the help of student costume designer, Kate McGrath, the Kit Kat Club dancers, as well as the rest of the cast, looked exuberant, colorful, and each had a unique style depending on the character.
Because of the time period and setting as a whole, along with the emotional diversity of the characters and the maturity of content, "Cabaret" is considered a very difficult show, especially at the high school level. Despite this, the cast members put on a show that undoubtedly captured my attention with simply their energy and characterization. by Chelsea Chaet of Eastern Regional High School
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In Friends Select School’s production of “Cabaret,” life was beautiful. The girls were beautiful. Even the orchestra was beautiful.
The musical “Cabaret” takes place in Berlin, Germany just before, and then during, the rise of the Nazis. It follows the story of American novelist Cliff Bradshaw, want-to-be-star Sally Bowles, aging landlord Fraulein Schneider, and her relationship with Herr Schultz, a Jewish fruit salesman. The entirety of the show is underscored by the Emcee, who works as the bridge between the audience and the characters, often breaking the fourth wall.
The cast did an outstanding job of transporting the audience into 1930s Germany, specifically the Kit Kat Club girls and boys. Their numbers - choreographed by student Kayla Warren - were well performed and highlights of the show. Additionally, the costume crew for “Cabaret’s” work showed and paid off in spades. Each costume was so clearly selected for a reason, and fit appropriately in the time period.
Alex Giganti as the Emcee was the stand out of this production. His portrayal of the Emcee was dark, gritty, hilarious, and heartbreaking. Giganti’s enthusiasm for the role shined through in all of his numbers, making each and every time he was on stage a treat. Even his ballad - titled “I Don’t Care Much” - kept the audience engaged and left some in tears. Additionally, Nola Latty was commendable in her portrayal of Sally Bowles. She especially excelled in the moments of the show in which Sally’s break down becomes evident to the audience.
Playing the roles of Ernst Ludwig and Fraulein Schneider, Eli Luchak and Mary Graham, respectively, did great jobs in creating characters that are both likable and despicable in their own ways. Ludwig, for obvious reasons - his strong ties to the Nazi party - and Schneider in her cowardice and refusal to stand up against the party. To paraphrase a line from the show, if she was not against it she was for it. In addition, Fraulein Kost, played by Kyra Stetler, and Herr Schultz, played by Avery Johnson, provided a few much needed moments of comic relief with their characters. And, as the show went on, they both did outstanding jobs in showing the darker change in both characters.
These days, “Cabaret” is all too relevant. Friends Select School’s cast and crew truly did a first-rate job in translating a script written in the 60’s to be just as relatable to today’s audiences.
by Alyssa Rosenberg of Eastern Regional High School
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History is rarely more alive than when performed on stage. Friends Select School’s Cabaret is the perfect example of art imitating life through a show that proves that theater need not always create a fantastical world in order to find a fantastic story.
The musical takes place in 1930’s Berlin, amidst a whirlwind of social experimentation and liberation before Hitler’s rise to power. It follows characters from Europe and America while they navigate the complicated society, with frequent interruptions by the larger-than-life “Emcee” who breaks the fourth wall to bring the audience closer to the action.
Friends Select displayed strong ensemble work and an admirable commitment to very challenging subject matter. The cast effectively took advantage of the limited space and student leadership in the production shone through both in the artistic and technical realms.
Alex Giganti (the Emcee) anchored the show, never allowing the energy to drag or the glamor to fade, while embodying multiple levels of German society. His intentional acting choices grounded his character and brought a certain maturity to the stage that is rare in high school theater. Often seen lurking in the background of scenes, Giganti managed to create many sinister and striking tableaus throughout the night. Nola Latty (Sally Bowles) gave a robust performance, and, while occasionally difficult to understand, the production would have suffered without her quiet confidence.
In the supporting cast, Mary Graham (Fraulein Schneider) was charismatic and believable. Often by her side, Avery Johnson (Herr Schultz), brought a gentle, grandfatherly humor to the show, which nicely complimented Graham. Additionally, Daniel Nelson (Bobby) capitalized on his few lines to cement himself as a comic presence on stage.
Kayla Warren’s Fosse-esque choreography was truly a highlight, showcasing the abilities of the actors with simple yet elegant movement. Friends Select School’s Costume Crew put together period- appropriate pieces for all actors. From the swastika on Ernst Ludwig’s sleeve to Sally’s evolution from a glittery night-club girl to a sensibly-clad mother-to-be, the costumes undeniably enhanced the story.
Friends Select School reminded us that, although we are not yet immune from the contagious effects of fear and hatred, art will always heal.
by Zoe Walker of Friends' Central School
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Wilkommen! Bienvenue! Welcome! With these sung greetings, Friends Select School ushered their audience into the racy, raucous, and risque nightlife of 1931 Berlin, Germany. On Friday night, FSS Theater presented Cabaret to a packed house.
Cabaret premiered on Broadway in 1966, and became popular both in the U.S. and overseas. With book by Joe Masteroff, lyrics by Fred Ebb, and music by John Kander, the musical focuses on an American writer’s time spent in Berlin and his encounters with the sleazy Kit Kat Club. However, as Hitler’s Nazi regime arises, the world of Cabaret and its cast of characters grow darker and more sinister. The FSS theater program tackled this challenging production with maturity, and did not let the increasingly sobering material dampen their dynamic show.
The FSS Costumes crew helped maintain the tone the show by outfitting the cast with fantastic ensembles. The Kit Kat Girls’ costumes were especially fitting for their individual personas. Working in tandem with costumes was the superb choreography by Kayla Warren. Simple and deliciously fun, Warren created dance numbers that reeled the audience in and kept our attention. She smartly made use of the small stage and aisles of the theater, and played to the strengths of each dancer.
The leading actors shone on Friday night. In particular, the Emcee, played by Alex Giganti, gave a hilariously stellar performance. His character was eccentric, bawdy, and outrageous, and Giganti took ownership of his role and the space whenever he appeared onstage. Giganti’s ballad, “I Don’t Care Much,” showcased his powerful vocals, and highlighted Sally Bowles’ (Nola Latty) sorrow. Latty played an energetic and endearing Sally. Due to sound troubles, it was difficult to hear her voice over the orchestra; however, her jazzy belted high notes were easily distinguished.
The supporting characters were brought to life by their impressive actors. Mary Graham (Fraulein Schneider) and Avery Johnson (Herr Schultz) played a delightful old couple, and their chemistry was palpable. Johnson’s one liners, followed by Graham’s blushing retorts, received many chuckles from the audience. The Kit Kat Girls worked well together, and despite a few mishaps, they recovered quickly and kept the show moving.
Overall, Friends Select School’s Cabaret was a captivating and jarring production that garnered a standing ovation at their final curtain. The cast’s energy and dedication to the show encouraged their audience to leave their troubles outside because in there life was beautiful.
by Noelle Mercer of Friends' Central School
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Berlin was forever changed after the Nazis rose to power, but “Cabaret” lives as a stark reminder of a different time. Performed at Philadelphia’s Friends Select School, “Cabaret” provides a racy look into the past through a roaring score by John Kander and Fred Ebb, and a surprisingly relevant book by Joe Masteroff.
Originally opening on Broadway in 1966, “Cabaret” takes place in Berlin, Germany during the rise of the Nazi party. The story follows multiple storylines, which are tied together by a sort of moderator known as The Emcee (played brilliantly by Alex Giganti). Though it is fifty years old, “Cabaret” is as pertinent as ever in 2016, touching upon such topics as abortion, immigration, discrimination, and the nature of controversial politics. As such, “Cabaret” has the potential to greatly impact the audience.
Though he is not particularly involved in the storyline, the star of the musical is The Emcee, and Alex Giganti lit up the stage in this incredibly challenging role. Not only did Giganti masterfully execute his many musical numbers, but he also made the role his own with his uniquely gripping facial expressions and movements. Also notable were strong performances by Isaac Riley Wasserman and Mary Graham in supporting roles.
Due to the nature of its music, “Cabaret” tends to present complex choreography. In contrast to many other high school productions, student Kayla Warren undertook the impressive task with remarkable success. Warren’s choreography was a particular high point of the production, and left audiences eager for the next musical number.
Friends Select School’s pit orchestra did a decent job of handling the ambitions score, and generally added handled itself well and kept pace with actors. Kitty Holder’s accordion was particularly satisfying, perfectly setting the mood in a number of numbers.
Also impressive is the stage management. Though this task is typically set aside for a designated individual, the process was undertaken by Jamison Lung and Daniel Nelson, who both appeared on stage as actors. The fact they even attempted this task is notable on its own, but they were also able to adequately coordinate changes in set pieces and proper actor placement, seemingly without the assistance of anyone else.
Overall, “Cabaret” was a worthy production of the theatre classic. With Alex Giganti at the helm, Friends Select School finds its way through a very ambitious musical, hitting the mark more often than not. “Cabaret” is not a simple production, and any company who attempts this work deserves accolades. by Alex Mackle of Eastern Regional High School
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The beautiful musical, Cabaret, was based on a book written by Christopher Isherwood with music created by John Kander and Fred Ebb. It first aired on Broadway in 1966 and then went on to have more than five Broadway revivals. It follows the story of Sally Bowles and her love interest, Cliff Bradshaw all while Hitler's reign to Germany arises. Their love is short-lived when Sally aborts her baby that they are about to have, symbolizing the freedom of the Jewish ending as the awful events in Germany begin to unfold.
Friends Select High School put on a difficult production of this musical with a great ensemble of the Kit Kat Club girls and costumes that truly helped the audience feel in time with the show.
The main actor, the Emcee, was amazingly captured by Alex Giganti. His acting and singing were so amazing that he left the audience silent during the touching and heartfelt moments throughout the show. Nola Latty also did a nice job at committing to her character and smiling through the dark show.
Supporting characters, Mary Graham, Isaac Wasserman, and Kyra Steller also did well in playing such different characters to move the show along to the amazing ending.
As for the technical aspects of the show, the costumes were beautifully thought out and the choreography was very intricate. Although there were few issues with the curtains and backstage movement during the first act, they were quickly resolved.
Friends Select High School did a good job at tackling such a difficult musical. They deserve applaud for all of the hard work they put into the show.
by Anuska Ball of Eastern Regional High School
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Willkommen, Bienvenue to Friends Select School’s daring production of Cabaret! From the prevalence of religious discrimination, explorations of gender and sexuality, abortion, and political and moral quandaries, it seems this 1966 Kander and Ebb classic is more relevant now than ever.
The darkly reimagined production follows American novelist Cliff Bradshaw (Isaac RIley Wasserman) as he travels to 1930s Berlin during the rise of the Nazis. He discovers the real Berlin as audiences are welcomed to the seedy yet glamorous Kit Kat Club, hosted by the flamboyant Emcee (Alex Giganti), featuring cabaret girls and the toast of Mayfair, Sally Bowles (Nola Latty).
From the moment the lights shone upon Alex Giganti, this master of ceremonies commanded the stage and the audience’s attention. This demanding role, executed nearly flawlessly by Giganti, brought tears and cheers, whether he was dancing in a chorus line or crooning a ballad.
The Kit Kat Club’s other lead, Sally, sweetly sang through the classics of the show, ending the title song with both a powerful voice and powerful emotion. Her opposite, Isaac RIley Wasserman, tackled one of the most complex of characters, Cliff. His character evolvement was witnessed throughout the story, clearly showcasing his struggles with morality in a city filled with sin.
Despite the limited space onstage, the cast made great use of their facilities with a versatile set and a crew of actors to smoothly accomplish set changes. In addition to the smartly designed set, the choreography by Kayla Warren still allowed an impressive amount of movement and paid nice homage to the classic Fosse style of the show.
The darkly humorous, suggestive, and shocking production made for a most engaging, deeply affecting show. The relevant story and fascinating cast produced laughs, tears, and gasps, making for a most interesting production where troubles can be forgotten, because at the cabaret, life is beautiful.
by Bridgette Burton of Eastern Regional High School
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Leave your troubles outside. . . Here, life is beautiful, proclaims the emotive and cunning Emcee, played by Alex Giganti. From an original book, the Kit Kat Club antics and alcohol takes 1930s Berlin, Germany. It is also in this time, where many fret about the uprise in their “politics-“ the rise of Nazi Germany. Center City Friends Select School students captured this raw essence of a hideaway from Government calamities. However, what happens when the real world collides with glitter and gin? Do we live in our fantasies or in real life? When are neighbors friends or political foes?
Nola Latty showed the distraction of Sally Bowles in the ever-evolving world where her jobs and families are in constant question. When American Cliff Bradshaw (Isaac Riley Wasserman) comes as a starving novelist, Sally finds him as a way to hold a new adventure. In reality, Cliff is stiff and conflicted all the time, seeing no comfort. He tries to escape with Sally. No matter the love or the child, she cannot leave the stage. The mature Fraulein Schneider (Mary Graham) and Herr Schultz (Avery Johnson) also battled the balance of fantasy and reality. Both fitting the lonely old love duo well, this story showed the sacrifices one must make in their lifestyles.
With a practical set of several curtains and chairs, the company staged gripping and contained songs and dances like “Mein Herr.” The actors made every inch on stage a moment. Especially the Emcee, Giganti held such power to the show, like in costumes of a glittery gray dress, juxtaposing Sally’s gray skirt during “I Don’t Care Much.” The Pit Orchestra was also very good in keeping with the actors’ often varying tempos and intros in this jazz period show.
We see that at the end of Act 1, Kyra Stetler’s Fraulein Kost brings all people in with “Tomorrow Belongs to Me:” away from conflicts of a Nazi friend and an innocent yet deadly marriage. However, time creeping forward, the end of Act 2 greets the Emcee, dressed in concentration camp garments, with a SS jacket over top. No one can escape this. What happened when Sally asked Cliff, “I’ll show you the real Berlin?” Cliff responds, “When I can afford it.” In these moments, characters, money, and “politics” glide into the club as audience members. Either with accents or not, everyone can understand this. by Nancy Bowne of Eastern Regional High School
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Friends Select School’s intimate theater transformed compellingly into Weimar Era Germany last Friday night for their performance of Cabaret.
Cabaret is set in pre-World War II Germany and switches settings back and forth from the risqué Kit Kat Club to an apartment in Berlin. It follows the story of British cabaret singer Sally Bowles and American writer Cliff Bradshaw, interspersed with appearances by the Club’s host, the Emcee. The musical is rather well-known and experienced multiple Broadway revivals. It addresses topics such as anti-Semitism, sexuality, and gender, which are still heavily prominent today, and the story resonates with a modern audience just as it must have when it first took the stage in 1966.
The cast made effective use of the small theater space and were able to truly bring the show to life. The majority of the actors were committed to their roles, and the moments when they had the most confidence and let go was when they shined. Technical aspects, especially costuming and makeup, were true to the time period and kept the audience engaged. The production addressed sensitive issues present in the script carefully, still allowing them to have the full impact necessary. Many scenes were risky and mature, and therefore some of the most striking.
Perhaps the most captivating performer was Alex Giganti (Emcee) who brought the audience in with the opening number and kept high energy and strong commitment (essential to the character) throughout. He was unapologetic with sexuality and gender expression. Movements were calculated and precise, and delivery of the final scene was extremely impactful. Nola Latty (Sally Bowles) pulled of her seductive, inviting character with grace. She had beautiful stage presence and charisma, and when she had the most confidence and support she was able to belt out notes and went from good to great. Her emotions in the second act were impactful and the character’s downward spiral was believable.
Ensemble members were often featured and represented different characters from scene to scene. Kit Kat Club dancers’ execution of the beautiful choreography was generally uniform and they were unapologetic when necessary. Fraulein Schneider and Herr Schultz (Mary Graham and Avery Johnson, respectively) had fantastic chemistry. Mary Graham had a smooth voice and was one of the more stand-out supporting actors. Isaac Riley Wasserman (Cliff Bradshaw) appeared to have a firm understanding of his character, and maintained strong professionalism. It was occasionally difficult to understand actors with their German accents, but the accents were so authentic it can make up for it.
Costumes and choreography were the most impactful elements of tech; they took risks and ran with them. Costumes were true to the time period and dances were both well crafted and executed. There were occasional issues with sound, but actors did not break character or let small issues affect them.
Cabaret had humor which transitioned hauntingly into tragedy. The performers have striking potential, and this was a production that will not soon be forgotten. by Adelynn Anderson of Episcopal Academy
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Want a combination of fun-filled songs, mature content, and unique artistic choices? Then, Cabaret by Joe Masteroff is the show for you. The show offers multiple cultures, but primarily German, to help the audience have a better understanding of the range of opinions about World War II.
Cabaret encompasses Berlin at the time before World War II before Hitler’s rise to power. At the Kit Kat Club, singer Sally Bowles meets a writer named Clifford Bradshaw. The two balanced each other’s personalities-Sally is very outgoing and headstrong, while Cliff is much more reserved and down to earth. The two live together in a house run by Fraulein Schneider, an old woman, whom falls in love with Herr Schultz, a jewish widow. The show is narrated by the Emcee; a colorful, odd character who works at the Kit Kat Club and acts as a comedic relief to the show.
Friends Select High School used their small amphitheater to create an intimate setting for the show, which fit the intense subject. The orchestra was out in the open and brought you into the world of the show. The costumes fit each character’s personalities perfectly. Sally’s outfits started out as sparkly and risque. As the show took a dark turn, her outfits became more dull. The Emcee often wore dresses; defining gender roles and breaking the barriers of the time period, which is the whole purpose of his character. The choreography was complex, imaginative, and my favorite part of the show.
Sally Bowles is a tough role to play due to the emotional complexity and difficulty of her songs. Nola Latty portrayed Sally Bowles convincingly and strongly. In the beginning, she seemed to lack confidence, but as the show went on she became more comfortable on stage. This allowed her to belt out the final note in “Cabaret”, earning her well-deserved a standing ovation. The Kit Kat Girls were a good comedic relief despite the occasional dip in energy. Fraulein Schneider and Herr Schultz had amazing chemistry. Mary Graham, who played Fraulen Schneider, brought the crowd to tears with her solo, “What Would You Do”. I could write a whole paragraph praising Alex Giganti, the Emcee. His dedication, specificity, and commitment to the show was extraordinary. His performance during “I Don’t Care Much” left the audience speechless. At the end of the show, he took his moment and flooded the audience with a variety of feelings that stayed with them all the way home.
The setting was quite creative, they only used curtains and few props which complimented the atmosphere. There were multiple technical microphone errors; however, the actors always stayed in character and put their trust that their dedication and talent would shine through.
by Brynn Doyle of Episcopal Academy
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With Friends' Select's intimate theatre, minimal set, and live orchestra, the audience was invited to a night at the Cabaret indeed.
Though the show by John Kander and Fred Ebb was a risky choice, the cast's confidence and certitude is what brought it to life in a manner that exemplifies the very best of high school theatre.
Each performer's character developed beautifully over the course of the musical. Through their touching scenes, alluring dances, lively orchestra, interesting props, and many costumes, the cast and crew accurately depicted the rise of the Nazi regime through juxtaposing it with the decline of the risque Kit Kat club.
Alex Giganti's fearless portrayal of the Emcee was simply impeccable, and his interspersed scenes added the energy that kept the audience fully engaged, throughout the entire production. His ability to smoothly transition his once inviting and lighthearted character, to a tragic one was also very impressive and impactful.
Nola Latty and Isaac Riley Wasserman's interpretations of Sally Bowles and Cliff Bradshaw, were two more noteworthy acts. Both actors seemed reserved at the start, but quickly warmed up to the audience and were able to give compelling performances. They had great chemistry with one another, and were able to tell this story with the balance of sophistication and exuberance that it required.
Another actress who gave a stand-out performance was Mary Graham, who played Fraulein Schneider. She took full command of the stage and had a wonderful presence. She never seemed hesitant as she fully committed to her character. Her scenes with Kyra Stetler who played Fraulein Kost, were thoroughly enjoyable instances of comic relief. Furthermore, her relationship with Herr Schultz played by Avery Johnson was a highlight of the show, that perfectly incapsulated what budding romance between adults looks like.
These captivating performances given by the cast members were fully enhanced by the wonderful orchestra, conducted by Daniel Carsello, and the abundance of costumes by Keturah Baht T'om, Claire McHarg, Sophie Gilbert, Polo Sotnik-Platt and Matin Yaqubi.
Both of these aspects of the show added to the overall ambience of being in a nightclub. The costumes also added more depth to each character, and helped to accurately express their emotions.
Despite a few technical errors throughout, the cast remained poised and unfazed at all times. It was evident that their focus was on giving an enthralling performance, and though there seemed to be a lack of energy at times, they made up for it with their apt and intricate dances, choreographed by Kayla Warren, as well as their incredible vocals, and chemistry with one another. Overall, the cast and crew offered a classic yet renovated rendition of Cabaret,that left the audience moved.
by Karishma Singh of Friends' Central School
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In a dubious nightclub in Weimar-era Berlin you can check all your problems at the door. Hitler is on his rise to power, and tension surrounding political standpoints can be cut with a knife. Roles of gender and sexuality are being reconsidered. Out of the whirlwind of imminent danger that is Germany, the Kit Kat Klub emerges as a place of respite.
Friends Select School’s production of Cabaret didn’t shy away from risks. Originally written as Goodbye Berlin, a book by Christopher Isherwood in 1939, in 1951 it became the play I Am a Camera by John Van Druten, then the musical hit broadway in 1966 before becoming a film in 1972. Needless to say, the show was an ambitious decision to take on. An Emcee (Alex Giganti) bursting with vitality teaches the audience about life in Germany and how it translates to the life within the club. A showgirl called Sally (Nola Latty) lives with her head in the clouds and optimism almost to a fault. She falls in love with Cliff Bradshaw (Isaac Riley Wasserman), a writer all the way from America and decides to leave the cabaret at his urging. Hitler gains power as the happiness of the characters declines.
A small cast of 18 students worked to bring the nightclub from Berlin to Philadelphia. Alex Giganti grabbed his role of the Emcee by the horns as he made it a point to engage the audience in all that he did and carried the energy consistently through both acts. He additionally displayed the many dimensions of his character, especially in his singing of “I Don’t Care Much” as well as through his expressions in the final number. Two lovers, Fraulein Schneider (Kyra Stetler) and Herr Schultz (Avery Johnson) presented a connection unlike the others onstage which persuaded the audience to root for their relationship. As trying to stay as true to setting as possible, every character spoke in an accent: this made it difficult to understand at times.
The costumes and makeup fit with the time and were executed well; many of the outfits that characters wore mirrored their current mindset. Choreography done by Kayla Warren was well thought out and executed.
Friends Select’s production of Cabaret allowed audience members to leave their troubles at the door, even if the characters did not.
by Maranda Plunkett of Friends' Central School
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Friends' Select School's touching production of the 1966 musical Cabaret, depicted the day-to-day life in a 1930's cabaret, and in Berlin, as the Nazis were slowly but steadily rising to power. The musical offers insight to the characters' joys and sorrows, hopes and fears, successes and failures, as their lives intertwine in a vibrant cabaret.
Friends' Select's actors and director took many risks putting on this controversial show, including the song "If you could see her" and the "Finale" but all were executed with care and were very well received by the audience. The show required many challenging scene changes and time skips, which were very well managed by both the actors and the stage crew.
Alex Giganti delivered an energizing and humorous performance, as he portrayed the cabaret Emcee, who entertains the audience despite the threatening rise of the Nazis in Berlin. His exquisite performance had a powerful impact on the audience, as he performed this challenging role flawlessly without letting his movements get sloppy or out of control. Alex lured the audience in right from the very first song, "Wilkommen" and immediately set the tone of the play. His interactions with the others characters was a pleasure to watch, as he was demonstrated very deep emotions, which is extremely difficult with a predominantly flamboyant character.
Some notable moments was his last interaction with Sally Bolwes (Nola Latty) in the dramatic song "I don't care much", as he transitioned from a uplifting, bright, Emcee, to a hauntingly beautiful and elegant character, as he brought tears to the audience's eyes. His final moments in the "Finale" was simply breathtaking, as his character slowly broke down and shook up the audience when he revealed a concentration camp uniform from under his SS-like coat.
Another notable performer was Mary Graham as Fraulein Schneider, an aging concierge who is very affected by the Nazi rise in Germany. It was easy to consider her as an adult, as she set a more realistic and raw tone to the show. Her song, "What would you do?", was particularly moving, as she beautifully illustrated her overwhelming struggles regarding her Jewish fiance Herr Schultz (Avery Johnson). Graham and Johnson's interactions were sincere and delicate, especially in their first song "It couldn't please me more", which brought a smile to the audience. Overall, Graham's performance was touching, as her character carried a heavy burden throughout the story, but was always there to protect the others and help them carry out their hopes and dreams.
There was a slight lack of energy in a few songs in the first act, but as the show progressed, the actors seemed more confident, and finished the second act on a with a lot of energy and intent.
Although Cabaret was ensemble based, some creatures performers really stood out, notably: Kyra Stetler playing both Frenchie and Fraulein Kost, and and Emma Miller, portraying Rosie. Their short scenes and dancing brought some needed comic relief, especially in act two, where the show becomes significantly darker and almost menacing. Their performances lightened the mood, with an irresponsible and exasperating apartment resident, and a particularly precocious cabaret dancer.
While the set was minimalistic, it effectively conveyed the different locations and tones of the play, along with the costumes, that helped the audience witness the emotional changes of the characters, especially Sally Bowles (Nola Latty). The scene changes were quick and for the most part, flawless.
Friends' Select School's production was very enjoyable, and while some moments lacked energy, the overall experience was inspiring and uplifting.
by Margaux Berland of Friends' Central School
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With infectious energy and dazzling smiles, the cast of Friend Select School’s Cabaret welcomed their audience with, “Leave your troubles outside. We have no troubles here!”
Cabaret is set in 1931 in Berlin, Germany during the rise of Hitler. It’s plot features three story lines: an American and a Brit falling in love, a fruit vendor seeking the hand of a board house owner, and a provocative Emcee, leader of the local Kit Kat Klub, as a guide through the story. Cabaret is celebrating it’s 50th anniversary, premiering on Broadway in 1966 and winning eight Tony Awards including Best Musical and Best Original Score.
The cast moved well during ensemble numbers and embodied their roles wonderfully. Actors projected their voices and were easy to hear, even through the occasional microphone difficulties. The cast was undoubtedly committed to their roles.
From start to finish, Alex Giganti (Emcee) wowed the audience with his impeccable level of energy and charisma! Each movement he made was calculated and deliberate. Each smile conveyed a sense that he knew more than he let on. Each step was strong and grounded. Giganti absolutely stole the show each time he was on stage and should an impressive range as an actor. His vivacious energy opened the show in “Wilkommen” with smiles and gestures out of the woodworks. His classic line “We have no troubles here,” was taken to heart and believed as he showed just why dancing across the stage and interacting with the young women on stage with him. By “I Don’t Care Much,” Giganti had a somber, subdued stature and facial expression, performing the song beautifully and garnering himself a standing ovation by the end of the show. An exceedingly impressive performance, Giganti’s home is clearly on the stage.
Mary Graham (Fraulein Schneider) played her role with a maturity beyond her years. Her facial expressions showed her unsure thoughts while she skillfully used her body to show the contrasting authority and assured state her character was so used to. Her vocals during “So What” were full and charming, creating another enjoyable number in the first act.
Student choreographer Kayla Warren did a marvelous job creating visually pleasing and contextually appropriate choreography.
So leave your troubles behind and come see the Cabaret at Friends Select School! You surely have nothing to worry about while in their more than capable storytelling hands.
by Marissa Emerson of Upper Merion Area HS
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Willkommen, bienvenue, welcome to Cabaret -- your best dream and worst nightmare. Armed with seductive strippers and glistening wine, the racy, glamorous fantasy of a nightclub seems to the perfect escape from life’s hardships. Friends Select School showed audiences that there may be more than meets the eye in their Friday production of Cabaret.
This musical portrays the story of Christopher Isherwood’s Goodbye to Berlin, adding a jazzy score by John Kander and Fred Ebb to bring the show to the stage. The 1966 Broadway production received fame, leading to a film adaptation and performances in London and New York. Cabaret itself takes place in 1930s Berlin with the Kit Kat Club, one seedy source of evening entertainment in the city. As the Nazis rise to power, American writer Cliff Bradshaw (Isaac Riley Wasserman) grapples with the question of accepting Germany’s festive facade or returning to the familiar.
Holed up in a small apartment owned by Fraulein Schneider (Mary Graham), Bradshaw receives many enticing appeals from the club’s regulars. Emcee (Alex Giganti), master of ceremonies, beckons throughout with flamboyant gestures, dramatic facial expressions, and melodic voice. This intricate character was masterfully personified, paralleling Bradshaw’s internal struggle with the juxtaposition between his huge, bright energy in numbers such as “Wilkommen” and haunting, sorrowful reflection in “I Don’t Care Much.” Emcee’s compelling madness was balanced by Fraulein Schneider’s rational, maternal presence. As this aged woman struggled to refuse a tempting late romance with Jewish Herr Schultz (Avery Johnson), the personal consequences of political turmoil gained a tormented realism.
Despite warning signs of the inevitable, cabaret performer Sally Bowles (Nola Latty) frustrated both Schneider and Bradshaw in her escapism. While her gestures seemed to carry a persistent nonchalance throughout, she exhibited a subtle transition into despair at the disruption of her carefree life. Equally indulgent was Fraulein Kost (Kyra Stetler). Both brought comedic moments to cushion the serious implications of the subject matter while the versatile ensemble shifted between bold nightclub numbers and the ambience of average German citizens burdened by their country's status quo.
Both socially and politically complex, this setting demands maturity from those who portray it. The cast met the task with notable effort, executing intimate actions and suggestive choreography while persevering through technical complications. Dazzling costumes framed their performance with elegant imagery and profound symbolism, highlighting the nuances of Emcee’s evolution while challenging traditional gender roles. Emcee’s glittery silver dress was as bright as his wild, sinful smiles, and as the colors beneath Sally’s iconic glitter darkened, her personal descent was portrayed quite effectively. A skillful student pit band collaborated fluidly with these aesthetic cues, coupling with the Emcee to bring energy back from quieter moments.
Delivering a profound message amidst the lighthearted and sensuous, Friends Select School gave a lively yet insightful goodbye to one of history’s deepest regrets with their production of Cabaret. by Trinity Pike of Upper Merion Area HS
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From the red lighting, to the sparkles in Sally’s costumes, Friends Select School's production of Cabaret was exhilarating. The musical based on a book that is also a movie stars a Cabaret singer from England named Sally Bowles and an American author named Cliff Bradshaw. One night while Sally is working, Cliff and Sally cross paths which leads to an emotional dynamic throughout the musical.
One actor that really caught my eye from the beginning was Alex Giganti as the Emcee. From the little moves of his fingers and a raise of his eyebrows to the sway of his hips, he added and comedic and sensible tone to the musical. He managed to bring more life to the musical as it went on. Sally’s smile was so uplifting. Her high notes brought out the confidence within her as the audience had their eyes on her.
Cliff was a natural on stage as he looked comfortable. Fraulein Schneider blew me away. She is very talented and there was so much dynamic between her and Herr Schulz. The choreography was very impressive. For a cast that were not all dancers, they kept the beat and strutted their stuff.
I could see the development of Sally's character and how she got more depressed through what she wore throughout the show. There was a large variety of lighting and the set was well done. The microphones were not on during the whole show and there were some troubles, but the actors did a really great job at holding it all together and belting their notes. I was also impressed by how well the stage was used for it being so small.
Overall, I thoroughly enjoyed watching the musical. There were a few mishaps during the show, but there is never not one mistake during a live performance. The actors and actresses were all very talented and I could tell that some were born to be on stage. The choreography, set, lighting, the props and of course the extremely talented cast made watching their version of the musical so enjoyable. Afterall. “Life is beautiful in the cabaret.” by Kira Connell of Upper Moreland High School
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Friends Select School put on a performance of Cabaret this past weekend that had the audience leave all of their troubles outside. This challenging show by Joe Masteroff follows the tale of the nightlife at the Kit Kat Klub while the Nazi’s are coming to power in Germany. Intermingled with the plot of the club, there is also the story of the relationship between Cliff Bradshaw (Issac Riley Wasserman)) and Sally Bowles (Nola Latty), both foreigners trying to make their way in Berlin. In their stories, we can see the greater themes of darkness that are slowly sweeping over Germany.
Not only were the girls beautiful in this show, but so was the orchestra. Each piece was well put together with every instrument able to be heard. Kayla Warren choreographed five pieces, the most notable one being for the song “Mein Herr” where the Kit Kat Girls and Sally did many difficult movements on chairs. The Friends Select Costume Crew selected and made seven costumes for Sally, and with her costumes you could see the evolution of a bright, happy young women beginning to lose her spirit. Altogether, the overall crew for this show was the key to put it all together perfectly.
From the words “wilkommen” to “auf wiedersehen,” this cast had the audience captivated in their story. The Emcee (Alex Giganti) by far was one of the star performers. From his talented voice in “I Don’t Care Much” to the way his hand shook as he revealed his concentration camp uniform, he stole the show. As the excitement of the show grew, Cliff and Sally both got more into it as well. One of the highlights of the show was Sally’s belt in her swan song “Cabaret”. The chemistry between Fraulein Schneider (Mary Graham) and Herr Schultz (Avery Johnson) was tangible as the couple struggled through falling in love to breaking apart due to Schultz being Jewish.
This “Perfectly Marvelous” production definitely deserved the unanimous standing ovation it got from the crowd. by Rebeka Humbrecht of Upper Moreland High School