Queer Authority in Old and Middle English Literature

Total Page:16

File Type:pdf, Size:1020Kb

Queer Authority in Old and Middle English Literature University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2019 Queer Authority in Old and Middle English Literature Elan J. Pavlinich University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Medieval Studies Commons, and the Women's Studies Commons Scholar Commons Citation Pavlinich, Elan J., "Queer Authority in Old and Middle English Literature" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8400 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Queer Authority in Old and Middle English Literature by Elan J. Pavlinich A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Nicole Guenther Discenza, Ph.D. Anne Latowsky, Ph.D. Tison Pugh, Ph.D. Laura Runge, Ph.D. Date of Approval: June 26, 2019 Keywords: Anglo-Saxon, Boethius, Rood, Chaucer, Margery Kempe Copyright © 2019, Elan J. Pavlinich ACKNOWLEDGMENTS First and foremost, Nicole Guenther Discenza deserves more credit and praise than this page can contain. She refined this project through tireless efforts and meticulous comments across numerous drafts. Nicole has singularly exerted the most influence on my scholarship and my character. I am honored to have learned from her, a distinguished mentor. I am thankful for my dissertation committee, Anne Latowsky, Tison Pugh, and Laura Runge, for providing valuable criticism and encouragement both over the course of my writing this dissertation and through my later professional development. Mary Rambaran-Olm and Erik Wade have also kindly offered feedback and direction for my research. Mary Jane Ulmer and Diane Wakefield of the Beaver Area Memorial Library provided me with resources necessary to complete my research, much of which was made possible thanks to institutional support provided by the Department of English and the Department of Women’s and Gender Studies at the University of South Florida, as well as the LGBT Research Award granted by USF Libraries Special Collections. I am happy to share this project with my Mother, Kathy Roberts, who has made substantial sacrifices for me to take this path through academia; none of my work would have been possible without her support. I am also grateful for colleagues such as Marisa Iglesias, Jay Zysk, Kelly Williams, Hilary Fox, Colin Gillis, Jordan Zweck, Rob Wakeman, Jacob Tootalian, and Jaime Meyers, who have helped me to understand the importance of public humanities. Finally, I am thankful for Thorn, my feline companion, who continues to provided invaluable comfort and vital perspectives about personhood that influence my evolving hermeneutic. Thank you to everyone who has helped me to improve. Any remaining flaws are my own. TABLE OF CONTENTS Abstract ........................................................................................................................................... iii Introduction: Queer Medieval English Authority ............................................................................ 1 Medieval Cultural Authority ............................................................................................... 3 Queering Medieval Authority ............................................................................................ 20 Chapter One: Alfred’s Queer Wisdom in the Old English Boethius ............................................. 31 Introduction ....................................................................................................................... 31 Boethius’s Consolation and Systems of Masculine Domination ...................................... 33 Alfred’s Authority and Anglo-Saxon Orientations to Power ............................................ 45 Mommie Queerest: Speaking the Father’s Prose with the Mother Tongue ...................... 56 Queer Wisdom as Alfred’s Innovation .............................................................................. 75 Conclusion ......................................................................................................................... 88 Chapter Two: Rood Disruption: Queer Orientations in Dream of the Rood ................................. 90 Introduction ....................................................................................................................... 90 Conventional Anglo-Saxon Orientations .......................................................................... 94 Cult of the Cross Conventions ......................................................................................... 102 Speaking of Power: Translatio Studii and Anglo-Saxon Confessions of Faith ............... 112 The Anglo-Saxon Rood ................................................................................................... 117 Anglo-Saxon Culture as Eschatological End and Soteriological Center ......................... 131 Conclusion ....................................................................................................................... 140 Chapter Three: Same-Sex Desires in Chaucer’s Legend of Good Women ................................. 142 Introduction ..................................................................................................................... 142 Gendered Epistemologies ................................................................................................ 150 Homosocial Bonds of Auctorite and the Promise of Fin’Amor ...................................... 162 The Deviant Desires of Chaucer’s Fin’Amor Auctor ...................................................... 176 Simulations of Feminine Experience as Expressions of Same-Sex Desires ................... 185 Conclusion ....................................................................................................................... 193 Chapter Four: Margery Kempe’s Authority and Excess ............................................................. 196 Introduction ..................................................................................................................... 196 Authorizing Subversion ................................................................................................... 202 Playing by the Roles ........................................................................................................ 221 Conclusion ....................................................................................................................... 249 Conclusion ................................................................................................................................... 251 i References ................................................................................................................................... 261 ii ABSTRACT I argue that select early English texts queer normative authorizing conventions to authorize Old English and Middle English literatures. During the European Middle Ages, Latin cultures and literatures were privileged with authority that extended to and subverted the cultural capital of the inhabitants of England at the edge of the known Western world. I identify four exceptional English texts that employ authorizing conventions to disrupt normative networks of power that traditionally privilege Latin and to authorize English literature instead. The Norman Conquest had altered the English language and social structures; still, these altered networks of power continued to marginalize English cultural identities, and thus the means by which literary authority was constructed. Among the texts I focus on, Old English texts promote Anglo-Saxon cultural cohesion, whereas Middle English texts promote the author’s personal desires. Across the divide between Old English and Middle English, literary authority intersects with nonnormative genders and sexualities to encode England’s marginalized orientations to dominant cultural authorities. My first chapter focuses on Alfred’s Old English translation of Boethius’s Latin Consolation of Philosophy. The narrator is a fictionalized version of the author, Boethius, and Alfred’s translation characterizes him as a Roman. Alfred situates the Roman Boethius in conversation with Wisdom, an allegorical figure whom Alfred characterized as an Anglo-Saxon mother with masculine pronouns. The dynamic between the maternal Anglo-Saxon Wisdom and her foster-child, the Roman Boethius, shifts power from Latin sources to Alfred’s present Old iii English philosophical contributions. In my second chapter, I argue that Dream of the Rood queers conventional orientations of time and space to locate Anglo Saxons at both the inception of and conclusion to salvation history. The Rood is imagined as an Anglo-Saxon warrior actively participating in Christ’s passion, and thus facilitating salvation. Warning the Dreamer and the poem’s audience of the looming Judgment Day, Dream implicates England as a geographical and temporal end. Displacing cultural centers like Rome and Jerusalem, Anglo-Saxon England is privileged within Dream’s reorientations of salvation narratives. Then, I work across conventional historical
Recommended publications
  • Outlaw: Wilderness and Exile in Old and Middle
    THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested.
    [Show full text]
  • The Collected Works of Eric Voegelin, Volume 16: Order and History, Volume III, Plato and Aristotle
    The Collected Works of Eric Voegelin, Volume 16: Order and History, Volume III, Plato and Aristotle Dante Germino, Editor University of Missouri Press the collected works of ERIC VOEGELIN VOLUME 16 ORDER AND HISTORY VOLUME III PLATO AND ARISTOTLE projected volumes in the collected works 1. On the Form of the American Mind 2. Race and State 3. The History of the Race Idea: From Ray to Carus 4. The Authoritarian State: An Essay on the Problem of the Austrian State 5. Modernity without Restraint: The Political Religions; The New Science of Poli- tics; and Science, Politics, and Gnosticism 6. Anamnesis 7. Published Essays, 1922– 8. Published Essays 9. Published Essays 10. Published Essays 11. Published Essays, 1953–1965 12. Published Essays, 1966–1985 13. Selected Book Reviews 14. Order and History, Volume I, Israel and Revelation 15. Order and History, Volume II, The World of the Polis 16. Order and History, Volume III, Plato and Aristotle 17. Order and History, Volume IV, The Ecumenic Age 18. Order and History, Volume V, In Search of Order 19. History of Political Ideas, Volume I, Hellenism, Rome, and Early Christianity 20. History of Political Ideas, Volume II, The Middle Ages to Aquinas 21. History of Political Ideas, Volume III, The Later Middle Ages 22. History of Political Ideas, Volume IV, Renaissance and Reformation 23. History of Political Ideas, Volume V, Religion and the Rise of Modernity 24. History of Political Ideas, Volume VI, Revolution and the New Science 25. History of Political Ideas, Volume VII, The New Order and Last Orientation 26.
    [Show full text]
  • Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts, and a Medieval Buddhist Poetics of the Supernatural
    Japanese Journal of Religious Studies 32/: –33 © 2005 Nanzan Institute for Religion and Culture R. Keller Kimbrough Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts, and a Medieval Buddhist Poetics of the Supernatural The supernatural powers of Japanese poetry are widely documented in the lit- erature of Heian and medieval Japan. Twentieth-century scholars have tended to follow Orikuchi Shinobu in interpreting and discussing miraculous verses in terms of ancient (arguably pre-Buddhist and pre-historical) beliefs in koto- dama 言霊, “the magic spirit power of special words.” In this paper, I argue for the application of a more contemporaneous hermeneutical approach to the miraculous poem-stories of late-Heian and medieval Japan: thirteenth- century Japanese “dharani theory,” according to which Japanese poetry is capable of supernatural effects because, as the dharani of Japan, it contains “reason” or “truth” (kotowari) in a semantic superabundance. In the first sec- tion of this article I discuss “dharani theory” as it is articulated in a number of Kamakura- and Muromachi-period sources; in the second, I apply that the- ory to several Heian and medieval rainmaking poem-tales; and in the third, I argue for a possible connection between the magico-religious technology of Indian “Truth Acts” (saccakiriyā, satyakriyā), imported to Japan in various sutras and sutra commentaries, and some of the miraculous poems of the late- Heian and medieval periods. keywords: waka – dharani – kotodama – katoku setsuwa – rainmaking – Truth Act – saccakiriyā, satyakriyā R. Keller Kimbrough is an Assistant Professor of Japanese at Colby College. In the 2005– 2006 academic year, he will be a Visiting Research Fellow at the Nanzan Institute for Religion and Culture.
    [Show full text]
  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support.
    [Show full text]
  • Widsith Beowulf. Beowulf Beowulf
    CHAPTER 1 OLD ENGLISH LITERATURE The Old English language or Anglo-Saxon is the earliest form of English. The period is a long one and it is generally considered that Old English was spoken from about A.D. 600 to about 1100. Many of the poems of the period are pagan, in particular Widsith and Beowulf. The greatest English poem, Beowulf is the first English epic. The author of Beowulf is anonymous. It is a story of a brave young man Beowulf in 3182 lines. In this epic poem, Beowulf sails to Denmark with a band of warriors to save the King of Denmark, Hrothgar. Beowulf saves Danish King Hrothgar from a terrible monster called Grendel. The mother of Grendel who sought vengeance for the death of her son was also killed by Beowulf. Beowulf was rewarded and became King. After a prosperous reign of some forty years, Beowulf slays a dragon but in the fight he himself receives a mortal wound and dies. The poem concludes with the funeral ceremonies in honour of the dead hero. Though the poem Beowulf is little interesting to contemporary readers, it is a very important poem in the Old English period because it gives an interesting picture of the life and practices of old days. The difficulty encountered in reading Old English Literature lies in the fact that the language is very different from that of today. There was no rhyme in Old English poems. Instead they used alliteration. Besides Beowulf, there are many other Old English poems. Widsith, Genesis A, Genesis B, Exodus, The Wanderer, The Seafarer, Wife’s Lament, Husband’s Message, Christ and Satan, Daniel, Andreas, Guthlac, The Dream of the Rood, The Battle of Maldon etc.
    [Show full text]
  • History and Historians Selected Papers of R
    History and Historians Selected Papers of R. W. Southern Edited by R. J. Bartlett History and Historians History and Historians Selected Papers of R. W. Southern Edited by R. J. Bartlett Editorial material and organization ß 2004 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148-5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of R. J. Bartlett to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. The right of R. W. Southern to be identified as the Author of Chapters 1 to 13 in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Southern, R. W. (Richard William), 1912–2001 History and historians: selected papers of R. W. Southern / edited by R. J. Bartlett. p. cm. Includes bibliographical references and index. ISBN 1-4051-2387-7 (alk. paper) 1. Middle Ages – Historiography. 2. Medievalists – Biography. I. Bartlett, Robert, 1950– II. Title. D116.S67 2004 909.0700702–dc22 2004003050 A catalogue record for this title is available from the British Library.
    [Show full text]
  • Editorial. Transitory Parerga : Access and Inclusion in Contemporary
    Editorial. Transitory Parerga: Access and Inclusion in Contemporary Art Vlad Strukov University of Leeds, United Kingdom This item has been published in Issue 01 ‘Transitory Parerga: Access and Inclusion in Contemporary Art,’ edited by Vlad Strukov. To cite this item: Strukov V (2020) Editorial. Transitory parerga: Access and inclusion in contemporary art. The Garage Journal: Studies in Art, Museums & Culture, 01: v-xvii. DOI: 10.35074/GJ.2020.1.1.001 To link to this item: DOI: https://doi.org/10.35074/GJ.2020.1.1.001 Published: 30 November 2020 ISSN-2633-4534 thegaragejournal.org 18+ Full terms and conditions of access and use can be found at: https://thegaragejournal.org/en/about/faq#content Editorial Editorial. Transitory Parerga: Access and Inclusion in Contemporary Art Vlad Strukov Introduction The issue of access and inclusion is both topical and integral to Garage Museum of Contemporary Art, one of the backers of The Garage Journal: Studies in Art, Museums & Culture (hereafter, The Garage Journal). Institutions (museums, art colleges), ideologies (value systems, the canon), architecture (buildings, urban planning), curatorial paraphernalia (interpretation, frames, plinths) frame contemporary art. They include and exclude, give and withhold access by centralizing contemporary art in Eurocentric urban areas, by creating precarious employment opportunities, and by catering, mostly, to non-diverse audiences. By looking at these structures that frame contemporary art—point to its significance, signal its value, and movein and out of the transitory focus of art itself—we have a framework that allows us to discuss art and its boundaries, without limiting our investigation of access and inclusion to art’s ‘intrinsic’ qualities.
    [Show full text]
  • A Concise Dictionary of Middle English
    A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122
    [Show full text]
  • "Alphabet 11 - Outline" by Katherine Martin Tripp
    "Alphabet 11 - Outline" by Katherine Martin Tripp x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x Copyright Alphabet 11 - Outline at www.better-cross-stitch-patterns.com "Alphabet 11 - Outline" by Katherine Martin Tripp Copyright Alphabet 11 - Outline at www.better-cross-stitch-patterns.com Alphabet 11 - Outline Author: Katherine Martin Tripp Company: Extra Mile Mercantile Copyright: Katherine Martin Tripp Website: www.better-cross-stitch-patterns.com Fabric: Evenweave Grid Size: 112W x 90H Design Area: 7.79" x 6.21" (109 x 87 stitches) Legend: [2] DMC 3834 grape - dk Backstitch Lines: DMC-3834 grape - dk In the Photograph: The "Alphabet 11", as shown in the photograph, is stitched on 14-count Aida using DMC floss. It was originally designed to be stitched in outline, using backstitches alone. However, it can also be filled in with cross stitches. You can see an example in the letters "A" and "B" stitched at the bottom of the chart.. Outline only: • 1 strand for backstitches Filled in: • 2 strands for cross stitches and partial stitches • 1 strand for backstitches Description: Outline Letters, script/italics Characters Included : • Upper Case Letters • Lower Case Letters • Numbers • Punctuation Height: • The upper case letters are 7 stitches high. • The lower case letters without ascenders or descenders (ex: a, c, o) are 5 stitches high.
    [Show full text]
  • Xstitch Pro for Windows Manual
    Platinum For Mac OSX Plus edition Copyright D. Peters 2015 Rev. 1.00 ii Platinum For Mac OSX 1 - Introduction.................................................................................1 2 - Running XSPro...........................................................................3 3 - Commands...................................................................................5 4 - Text to Stitches..........................................................................75 5 - Creating Fonts .........................................................................79 6 - Objects......................................................................................83 7 - Motifs........................................................................................87 8 - Printing......................................................................................95 9 - Digitising for Machine............................................................117 10 - Colours....................................................................................121 11 - DP Frame ...............................................................................127 12 - Hardanger Design....................................................................131 13 - Colour Range Editor...............................................................133 14 - Settings....................................................................................139 15 - Technical Support...................................................................141 S1 - Template Format.....................................................................143
    [Show full text]
  • Roman Varia Byzantine Empire
    ROMAN VARIA 260 Æ 261 Æ 260 Black Sea Region. Roman Period. Ca. First-Third Century AD. Orichalchum Tessera. 12mm, 0.81 gm. Bull r., crescent on its back / Crescent with three stars above. Holed at 12:30 Good VF 100. 261 Magnentius (?) 350-353 AD. Tessera or Weight. 4.37 gm. An AE2 (Centenionalis) that has been altered to serve as a token or weight. The obverse has been completely smoothed and an edge-to-edge X-shaped cross neatly etched in (similar to that commonly seen on early Byzantine Nomisma weights) / Chi-rho, A-w. The edges have been cut down to conform to the desired size and weight, but a small snippet of legend is left on the Chi-rho side. Interesting. Deep olive-green Good VF 100. BYZANTINE EMPIRE 262 Æ 263 Æ 264 Æ 265 Æ 262 Justinian I, 527-565 AD. Follis, regnal year 15. Antioch, officina Γ. 39mm. Helmeted facing bust w/ globus cruciger, cross in field / Large M, cross above, star below regnal year; CHEyPo in ex. SB 219. Olive-brown. Clear facial features Good VF 125. 263 Follis, regnal year 26. Antioch, officina Γ. 35mm. Types similar to above. Rev. tHuΓv in ex. SB 221. Olive-green brown Good VF 100. 264 ½ Follis, regnal year 12. Nicomedia. Helmeted facing bust hldg globus cruciger, cross in field / Large K, cross above, NI below. SB 203. Typical weakness on upper face, otherwise sharply struck. Good VF 75. 265 Tiberias Constantine, 578-582 AD. ½ Follis. Constantinople, officina Γ. Helmeted facing bust holding globus cruciger / large XX, cross above; CONΓ in ex.
    [Show full text]
  • The Medieval English Borough
    THE MEDIEVAL ENGLISH BOROUGH STUDIES ON ITS ORIGINS AND CONSTITUTIONAL HISTORY BY JAMES TAIT, D.LITT., LITT.D., F.B.A. Honorary Professor of the University MANCHESTER UNIVERSITY PRESS 0 1936 MANCHESTER UNIVERSITY PRESS Published by the University of Manchester at THEUNIVERSITY PRESS 3 16-324 Oxford Road, Manchester 13 PREFACE its sub-title indicates, this book makes no claim to be the long overdue history of the English borough in the Middle Ages. Just over a hundred years ago Mr. Serjeant Mere- wether and Mr. Stephens had The History of the Boroughs Municipal Corporations of the United Kingdom, in three volumes, ready to celebrate the sweeping away of the medieval system by the Municipal Corporation Act of 1835. It was hardly to be expected, however, that this feat of bookmaking, good as it was for its time, would prove definitive. It may seem more surprising that the centenary of that great change finds the gap still unfilled. For half a century Merewether and Stephens' work, sharing, as it did, the current exaggera- tion of early "democracy" in England, stood in the way. Such revision as was attempted followed a false trail and it was not until, in the last decade or so of the century, the researches of Gross, Maitland, Mary Bateson and others threw a fiood of new light upon early urban development in this country, that a fair prospect of a more adequate history of the English borough came in sight. Unfortunately, these hopes were indefinitely deferred by the early death of nearly all the leaders in these investigations.
    [Show full text]