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Digital Drum Kit QUICK START GUIDE
SD9K Digital Drum Kit QUICK START GUIDE www.simmonsdrums.net FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: •Reorient or relocate the receiving antenna. •Increase the separation between the equipment and receiver. •Connect the equipment into an outlet on a different circuit. •Consult an experienced radio/TV technician for help. SD9K congratulations! Thank you for purchasing the Simmons® SD9K Digital Drum Kit. In an effort to be environmentally friendly and use less paper we have decided to include this “mini” Quick Start Manual. For in-depth detail on your Simmons® SD9K you can visit www.simmonsdrums.net and download a PDF file version of the full manual. We estimate that by doing this we are saving approximately 250,000 pieces of paper annually. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
From the Archives
From the Archives As PAS celebrates its 50th anniversary, here’s a look back at some of the ads that appeared in Percussive Notes during the 1960s and ’70s. The Drums Unlimited Percussion Publications catalog was the definitive reference source for percussion solos, ensembles and method books in the 1970s and ’80s. See-through drumsets were big in the early to mid-1970s, but see-through marching drums never quite caught on. One of the first ads to ever appear in Percus- sive Notes in 1968 was a four-page spread introducing Rogers Accu-sonic timpani. The Winter 1976 issue of Frank’s Drum Shop and Carroll Sound were cussive Notes Per- two of the primary sources for percussion saw the introduc tion of wind chimes under the - instruments in the 1970s, and two of the trade name of the Hollywood earliest supporters of PAS through. their Percussive Notes Mark Tree. advertising in Combining a RotoTom with a marching snare must have seemed like a good idea at the time (1978). FEBRUARY 2011 10 PERCUSSION NEWS www.pas.org Fall 1973 saw the introduction of Remo’s Black Dot heads. Ludwig quickly followed with Silver Dots. Vic with his “friends” in 1980: his Rolls and his RotoToms. McCormick’s Bell-Tote, which allowed a bell lyre to be carried horizontally and played with two hands, was one of the first steps toward putting melodic percussion on the field in the early 1970s, long before anyone was using a pit. Percussive The same 1971 issue of Notes saw the introduction of the Shortly after Deagan ElectraVibe, which was an McCormick introduced early attempt to amplify a vibraphone, the Bell-Tote, Ludwig and Musser’s Kelon, the first synthetic introduced marching xylophone bars. -
S Sounds Disks
S Sounds Disks Compatibility list: S2 - S2 Turbo - S3 - S3 Turbo - S2R 950705 950720 950745 5 100 Performances Vol.1 20 Ethnic (Instruments Vol.1) 45 Orchestra (Gran Piano - Bos & 100 new performanc Bazoo Bazoo Str. Bazoo-K (patch) Orfer) Mandolin MandolPk Ukulele 950709 Bosendorfer Grand 9 Rock (Drum's own Vol.1) 950724 950749 Brass Shot Brush Roll Dr. "Q" 24 Rock (Electric Pianos Vol.1) 49 Sounds Disk (100 Performances Drum Kit 9 Electric Kick Electric Kit 1 MKS MKS HD MKS SF1 Vol.3) Electric Kit 2 Electric Kit 3 Electric Kit 4 Rhod "ES" Rhodes HD1 Rhodes SF1 Electric Kit 5 Electric Tom Flam 01 100 new performanc Custom E.piano 3 950725 Flam 02 Hip Hop Kit 1 House Kit 1 25 Orchestra (Strings Vol.2) Strong Switch Lead Synchoirs House Op HH House Rim Shot Kick 1 Wave "26" Cellos Section Violas Section Violins Section Kick 2 Kick 3 Kick 4 950750 Kick 5 Kick 6 Noisette 950729 50 Rock (Electric Guitars Vol.1) 29 Multimedia (Special FX Vol.1) Piranhas Polyfusion Rock Kit 1 5th Dist Gtr. DistStab1 DistStab2 Roll 02 Roll 04 Roll 05 Alarm Are you ready? BD "FX" GuitarEff1 (Patch) GuitarEff2 (Patch) Hard 5th Gtr. Roll 06 Roll 07 Roll 08 Computer ControlVox (patch) Cymbal Hard Octave Little Rock Oct. DistGt Snare Brush 2 Snare Brush 3 Snare Brush 4 FX Bell FX China FX Percussion 1 Overdrive P_Hard_5Th (patch) P_Little_R (Patch) Snare Drum "X" Snare Dry Snare Fx 1 FX Percussion 2 Hi Hat "FX" Cl. Hi Hat "FX" Op. -
Rototom 1 Rototom
Rototom 1 Rototom The drum kit 1 Ride cymbal | 2 Floor tom | 3 Toms 4 Bass drum | 5 Snare drum | 6 Hi-hat Other components Crash cymbal | China cymbal | Splash cymbal | Sizzle cymbal Swish cymbal | Cowbell | Wood block | Tambourine Rototom | Octoban | Hardware Rototoms are drums which have no shell. They consist of a single head in a die-cast zinc or aluminum frame. Unlike most other drums, they have a variable definite pitch. Composers are known to write for them as tuned instruments, demanding specific pitches. Rototoms are often used to extend the tom range of a standard drum kit. They were invented by the drumhead company Remo. They can be tuned quickly by rotating the head, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drum head. Master James Holland, former percussionist of the London Philharmonic Orchestra, highly recommends them in his book "Percussion",[1] which is part of the Yehudi Menuhin Music Guides series. Rototoms are often used as a training substitute for timpani students, as they have a very similar sound, are not as loud and expensive as timpani, and do not require as much room space. A few drumming greats who used rototoms were Bill Bruford and Terry Bozzio. Roger Taylor of Duran Duran used rototoms extensively on their self titled debut album Duran Duran of 1981. Roger Taylor of Queen has used rototoms since the early 1970s most recently in the cover of "Let There Be Drums" on the Return of the Champions DVD and album. -
Firchie Snare Drum
PRODUCT CLOSE-U P Firchie Snare Drum by Rick Van Horn Yeah, it looks a little weird. But this unusual drum also offers some genuine innova- tions and unique performance qualities. The Firchie snare drum is the brainchild of drummer/designer Ivan Firchie. It combines a free-floating, seamless alu- minum shell (which I'll touch on later) and a rotational tensioning system simi- For the time being, Firchie drums only killer rimshots—no matter what the lar to that of a RotoTom. The concept is come with a 4 1/2"-deep shell. (A piccolo head tension. that once the heads are lug-tuned evenly model is being experimented with.) The There are a wide range of finishes to a medium tension, the entire drum thin, one-piece aluminum shell features available on Firchie drums, from brass can then be rotated on its stand to pro- specially rounded bearing edges for the and chrome to a variety of colors. The portionally increase or decrease the ten- drumheads, and a unique contour. While drums I examined looked wonderful. A sion of both the top and bottom the shell sits squarely within the hoop of thicker aluminum shell will soon be heads—thus raising or lowering the the bottom head, it tapers so as to be available as an option, and wooden shells pitch of the drum. The sound of the over 1" smaller in diameter than the top are under development. drum can literally be changed from that head. That means that the top head One potential problem with this drum of a piccolo to that of a 10"-deep drum extends beyond the edge of the shell over is its size: The works of the rotational (or anywhere in between) in seconds. -
2017 Drums & Hardware Pricelist
2017 DRUMS & HARDWARE PRICELIST EUR (AT/DE/SK) Contents 3‐4 STAR Bubinga & Maple 5‐6 STAR Walnut 7‐8 Starclassic Bubinga 9‐10 Starclassic Maple 11‐12 Starclassic Performer B/B 13‐14 Superstar Hyper‐Drive Maple 15‐16 Silverstar 17 Imperialstar 18 Rhythm Mate 19‐22 Snare Drums 23‐25 Hardware 25 Power Tower System 26 Clamps & Attachments 26 Microphone Stands 27 TAMA Percussion 27 Practice Tools 28 Bags 29‐30 Accessories 31 Drum Sticks 32‐33 Replacement Parts STAR BUBINGA / STAR MAPLE FEATURES MODEL NUMBER SYSTEM ‐ STAR Bubinga Shells Individual Drums 4.5mm 5ply Bubinga + 1 inner ply Cordia *1 *2 *3 *4 *5 *6 (+1 additional outer ply Indian Laurel for LNTI), TB(TM) B 22 18 S N or 4ply Bubinga + 1 outer & 1 inner ply Cordia for CDKG/CDKR/CSTN, or 6ply Bubinga + 1 outer & innner ply *1 TB : STAR Bubinga Bosse for ESEB/EWSB, w/9mm Sound Focus Rings TM : STAR Maple ‐ STAR Maple Shells *2 B : Bass Drum / F : Floor Tom / T : Tom Tom / 5mm, 5ply Maple w/5mm Sound Focus Ring S : Snare Drum (MGSM: 1 additional outer ply Sycamore, *3 Diameter ESEB/EWSB: 1 additional outer ply Bosse) *4 Depth ‐ Wood Inlay Option: Outside, Outside & Inside or without *5 S : w/ Inlay (outside) ‐ Bass Drum Hoop Finish Option: Matched, Dark Brown Matte, D : w/ Inlay (outside & inside) or Natural Matte (none) : w/o Inlay ‐ Oil‐finished Inside Shell *6 N : Natural Matte Finish Bass Drum Hoops ‐ STAR Bearing Edge B : Dark Brown Matte Finish Bass Drum Hoops ‐ Super Resonant Mounting System (none) : Matched Finish Bass Drum Hoops ‐ Quick‐Lock Tom Brackets ‐ Die‐Cast Hoops (Note) -
Percussion Production 2020/11- Maple Gong Bass Drum - MG20R No
Original Percussion Production 2020/11- Maple Gong Bass Drum - MG20R No. Model No. Description 1 6602 22" Metal Hoop 2 MS676SHP Tension Bolt M6x76mm (set of 2) 3 SRW620P Hold Tight Washers (set of 20) 4 PW620 Plastic Washers (set of 20) 5 6595 Hook (1pc) 6 GN5 Round Nut (1pc) 7 MTLGB Lug w/Screw 7-1 MS412B20P Mounting Screw M4x12mm (set of 20) 8 MTB90 Bracket w/Spacer & Screw 8-1 MTB90A2 Memory Lock 9 MTB20-6 Metal Back Plate for Bracket : discontinued model Gong Bass Drum No. Model No. Description 1 6602 22" Metal hoop 2 6595 Hook 3 MS686SHP Tension Bolt M6x86mm (set of 2) 4 SRW620P Hold Tight Washers (set of 20) 5 PW620 Plastic Washers (set of 20) 6 GN5 Round Nut 7 6592 Lug w/Screw 7-1 MS514BK Mounting Screw M5x14mm 7-2 MS516BK2 Mounting Screw M5x16mm 8 MTB30 Bracket w/Screw Octoban Model No. Description OCT280N Octoban 6"x280mm OCT301N Octoban 6"x301mm OCT343N Octoban 6"x343mm OCT390N Octoban 6"x390mm OCT443N Octoban 6"x443mm OCT472N Octoban 6"x472mm OCT536N Octoban 6"x536mm OCT600N Octoban 6"x600mm No. Model No. Description 1 MFH6-OCT Triple Flanged Hoop for Octoban 2 MS661SHOP Tension Bolt M6x61mm 3 MSL-SCT Lug w/Screws 4 MTB-OCT Bracket w/Screws Original Percussion Production 2019/11- Metalworks “Effect” Mini-Tymp Snare Drums Model No. Description BST63MBK 6"x3" Mini-Tymp Snare Drum BST83MBK 8"x3" Mini-Tymp Snare Drum BST103MBK 10"x3" Mini-Tymp Snare Drum BST143MBK 14"x3" Mini-Tymp Snare Drum No. Model No. -
A Comparison of Solenoid-Based Strategies for Robotic Drumming
A COMPARISON OF SOLENOID-BASED STRATEGIES FOR ROBOTIC DRUMMING Ajay Kapur 1,2,3 Trimpin Eric Singer2 Afzal Suleman1 George Tzanetakis1 Music Intelligence and Sound Technology Interdisciplinary Centre (MISTIC) 1 University of Victoria, Victoria, British Columbia, Canada League of Electronic Urban Music Robots (LEMUR) 2 Brooklyn, New York, USA KarmetiK Technology (A Division of KarmetiK LLC) 3 Reno, Nevada, USA ABSTRACT drums gives the students a more realistic paradigm for concentrated rehearsal. Solenoids are important components of robotic A number of different drumming robots have been drumming systems and several designs have been designed in the academic and artistic communities. proposed. In this paper, we compare different designs Researchers at Harvard University struggled to create an in terms of speed and dynamic range and discuss the accurate robotic drum roll [1], while next door tradeoffs involved. The evaluation is performed in the researchers at MIT developed Cog to control the context of MahaDeviBot, a custom built 12-armed MIDI number of times a stick can bounce [2]. Gil Weinberg controlled mechanical device that performs a variety of developed Haile to explore human to robot interaction Indian folk instruments, including frame-drums, bells, [3]. Mitsuo Kawato continues to develop hydraulic and shakers. To measure speed and dynamic range a systems for humanoid drumming [4]. Many artists have haptic robotic feedback system using piezo sensors was presented a number of different pieces including built. The evaluation methods presented are modular Baginsky’s “Thelxiapeia” for modified rototom [5], and can be administered to any hyperinstrument, new MacMurtie’s life size sculptures [6], Gordon Monohans interface or robotic system to inform composers about “Machine Matrix” [7], and Miles van Dorssen’s “Cell the strengths and limitation of different designs to guide Project” including an 8 octave Xylophone, Bamboo composition and performance. -
Teacher Resource 3Amusic Instruments
A LINHA CURVA Teacher Resource 3a Music Instruments c d b g h 7 5 f e a Rambert A Linha Curva Teacher Resource 3a: Music Instruments page 1 Rambert A Linha Curva Teacher Resource 3a: Music Instruments a page 2 c e g d b f h Rambert A Linha Curva Teacher Resource 3a: Music Instruments page 3 i d a g j e b h f c Rambert A Linha Curva Teacher Resource 3a: Music Instruments c f page 4 h d b e k i a j g Name Description/Sound Quality page 1 a Congas Cuban hand drum, capable of open, closed and slap tones. b Caixixi (also Shaker, woven basket with a bottom made from gourd – usually found in Brazil. caxixi) c Cymbal (crash) In this piece- rolls with soft sticks, and scrapes with piece of metal. d Temple blocks Five pitched resin blocks- modern version of Chinese ‘skulls’ made of wood. e Tube drums Custom made copies of Octobans. f Octobans Like tom-toms, but pitch dictated by length of tube rather than by skin tension g Tom-tom (12”) Simple two skinned drum, normally part of a drum kit, and pitch is dictated by skin tension. h Bongos Cuban hand drum, similar range of tones to congas, but higher pitch. Name Description/Sound Quality page 2 a Berimbau Tensioned steel string with a gourd resonator, struck with a stick, almost guitar like sound (used lots in Capoeira). b Taiko Japanese two skinned drum, played on the skin and rim with sticks. Powerful, tribal sound. -
New Music Series Is Dedicated to Elliott Carter
The 2012-2013 New Music Series is dedicated to Elliott Carter. Program March (1950-66) Elliott Carter From Eight Pieces for Four Timpani (one player) Peter Jarvis New Music Series Canaries (1950-66) Elliott Carter From Eight Pieces for Four Timpani (one player) Peter Jarvis, director John Ferrari Elephant Breath (1997) Evan Hause Presents For Four Percussionists Tim Malone, Steven Nowakowski, David Endem, John Henry Bishop Music Payton MacDonald - Coach with guests Tactic (2012) Gene Pritsker For One Piano (Eight Players) Nicholas Doktor, Amanda Zook, Anthony Fabrizio Travis Salim, Robert Morris - Composer Payton MacDonald, Peter Jarvis, John Ferrari, Gary Van Dyke Septet (1980) Daniel Levitan Taka Kigawa - Pianist For Percussion Ensemble and featuring the WPU Percussion Ensemble New Jersey Percussion Ensemble Patrick Lapinsky, Joseph Scala, Jasmine Henry, Kiana Salameh, with soloists Steve Sarkissian, Anthony Fabrizio and Nick Doktor John Ferrari, Payton MacDonald Peter Jarvis - Coach and Peter Jarvis Incises, (original versión) (1994) Pierre Boulez For Solo Piano Taka Kigawa Monday, November 26, 2012, 7:30 PM Shea Center for Performing Arts Etude, No. 2 "Cordes à vide" (1985) György Ligeti For Solo Piano Etude, No. 6 "Automne à Varsovie" (1985) György Ligeti For Solo Piano Taka Kigawa Concerto for Vibraphone and Percussion Sextet (2011-12) * Peter Jarvis Tactic: Gene Pritsker For Percussion Ensemble Tactic - A plan, procedure, or expedient for promoting a desired end or result, NJPE for this piece to create a large sonority utilizing the full piano and all the 12 tones of the Michael Aberback, Payton MacDonald, Nicholas Doktor, chromatic scale. Various rhythms change the mood and texture of the piece, the Gary Van Dyke, April McCkloskey Stehr, Jeffrey Rubin performers guide the journey by playing and not playing their assigned pitches. -
2005 Tama Drum and Hardware Price List
Starclassic Maple Shell Kits (No Hardware or Tom Mount Included) SM422EAFHS ……………….………....……...… $3,249.99 SM422EAHS ………….………..……...… $3,249.99 SMB2218H 18 x 22" Bass 18x22B SMB2218H 18 x 22" Bass 18x22B SMT1008H 8 x 10" Tom SMT1008H 8 x 10" Tom SMT1209H 9 x 12" Tom 10T 12T 12T SMT1209H 9 x 12" Tom 10T SMT1411H 11 x 14" Tom SMF1616H 16 x 16" Floor 16F 14T These shell kits feature Brushed Nickel Shell Hardware. To order Chrome HW, please remove "H" from the model number. Configuration Suggestion - Kit configurations are for suggestion purposes only. Your options are endless. Fusion Configuration w/ Snare Drum "Accel Driver" Configuration w/ Snare Drum (Shell kit only, no hardware or tom mount included) (Shell kit only, no hardware or tom mount included) 18x22B List Price Includes: 18x22B List Price Includes: 1 - SM422EAFHS 1 - SM422EAHS 10T 12T 12T Plus 10T Plus 1- SMS1455FTH 1- SMS1455FTH 14SD 16F 14T 14SD Total Price ...............$ 3,817.99 Total Price ...............$ 3,8179.99 Starclassic Maple Snare Drums Diameter Depth List Price Brushed Nickel HW Chrome HW G Maple (13ply / 10mm) Available Finishes : GSB - Gold Sunburst, CBK - Cherry Black, SMP - Super Maple 8" $783.99 SGS148H SGS148 14" 6" $675.99 SGS146H SGS146 Standard Maple (6ply / 5mm + 6ply / 5mm Sound Focus Rings) All Starclassic Maple Finishes are available. 6 ½" $583.99 SMS1465FTH SMS1465FT SGS146H CBK ....$675.99 14" 5 ½" $567.99 SMS1455FTH SMS1455FT 4" $537.99 SMS1440FTH SMS1440FT Starclassic Maple Original Percussion Diameter Depth List Price Brushed Nickel HW Chrome HW Tymp-Toms SMS1455FTH MBF ....$567.99 8" 4" $400.00 TSM8H TSM8 10" 4 ½" $440.00 TSM10H TSM10 12" 5" $480.00 TSM12H TSM12 13" 5 ½" $520.00 TSM13H TSM13 14" 6" $560.00 TSM14H TSM14 15" 6 ½" $600.00 TSM15H TSM15 16" 7" $650.00 TSM16H TSM16 Gong Bass* 20" 14" $1,200.00 - SMG20R * Brushed Nickel HW are NOT available.