Motherless Brooklyn the Irishman Bad Boys for Life

Total Page:16

File Type:pdf, Size:1020Kb

Motherless Brooklyn the Irishman Bad Boys for Life SOCIETY OF CAMERA OPERATORS . WINTER 2020 MOTHERLESS BROOKLYN THE IRISHMAN BAD BOYS FOR LIFE SOC.ORG · WINTER 2020SOC.ORG · VOL. 29, NO.1 STAR WARS: THE RISE OF SKYWALKER CONTENTS DEPARTMENTS FEATURES 4 16 LETTER FROM THE PRESIDENT MOTHERLESS BROOKLYN "Same Place, Different Time" 6 an interview with Craig Haagensen, NEWS & NOTES SOC by Kate McCallum SOC Member David Fredrick 22 Teaches Workshop at AFI, SOC Underwater Camera Operating STAR WARS: THE RISE OF 16 Workshop SKYWALKER 8 "The Force Will Be With You… Always" ESTABLISHING SHOT an interview with Colin Anderson, SOC an interview with Dave Levisohn, by David Daut SOC by Kate McCallum 28 38 THE IRISHMAN THE 2020 SOC LIFETIME "I Heard You Paint Houses" an interview with P. Scott Sakamoto, ACHIEVEMENT AWARDS SOC by Kate McCallum by David Daut 32 42 BAD BOYS FOR LIFE TECH TALK "They’re Back!" "SOC Technical Achievement by Christopher T.J. McGuire, SOC Award 2020: Sony’s VENICE Rialto Extension System" 22 ON THE COVER: BTS; EDWARD NORTON- Lionel Essrog, © 2018 Warner Bros. Entertainment 44 Inc. All Rights Reserved. Photo by Glen Wilson INSIGHT Meet the Members 45 SOC ROSTER 48 SOCIAL SOC 28 32 CAMERA OPERATOR · WINTER 2020 1 Society of Camera Operators OFFICERS Dale Myrand, Benjamin Spek, CONTRIBUTORS Niko Tavernise Dave Thompson, Dan Turrett, Glen Wilson Gary Adock Rob Vuona Board of Governors Colin Anderson, SOC Charities Brian Taylor TRIVIA George Billinger, SOC Membership Drive Lisa Stacilauskas Source imdb.com President George Billinger Peter Cavaciuti, SOC, ACO, Historical Mike Frediani 1st Vice President Mitch Dubin GBCT, ASSOC. BSC TO SUBSCRIBE Membership Dan Gold, 2nd Vice President Dan Turrett Steven Cohen, SOC or for subscription information Dan Turrett Secretary Lisa Stacilauskas Marcis Cole, SOC questions: SOC.org or Technical Standards Eric Fletcher Treasurer Bill McClelland David Daut 818-563-9110 Sergeant-at-Arms Dan Gold Education David Sammons Tom Fletcher FOR ADVERTISING STAFF AND CONSULTANTS David Fredrick, SOC BOARD MEMBERS Craig Haagensen, SOC INFORMATION Membership Services & Operations Colin Anderson Dave Levisohn, SOC (818) 563- 9110 or Coordinator John Bosson David Emmerichs Kate McCallum [email protected] Bookkeeper Angela Delgado Eric Fletcher Christopher T.J. McGuire, SOC For digital editions and back Calligrapher Carrie Imai Michael Frediani Pete Ramano, ASC ißssues: SOC.org Business Consultant Kristin Petrovich Geoffrey Haley P. Scott Sakamoto, SOC Camera Operator is a quarterly and Createasphere Matthew Moriarty Ian S. Takahashi, SOC publication, published by the David Sammons CAMERA OPERATOR MAGAZINE Society of Camera Operators. Dave Thompson PHOTOGRAPHY Publishing Consultant Gretchen Warthen François Duhamelel Kristin Petrovich Chris Haston Managing Editor Kate McCallum COMMITTEE CHAIRS Jonathan Olley Is a registered trademark. Layout & Production Awards George Billinger, Mitch Albert L. Ortega All rights reserved. Stephanie Cameron Dubin, Dan Gold, Geoff Haley, Bill Ben Rothstein Advertising Jeff Victor McClelland, John “Buzz” Moyer, Michael Tackett CAMERA OPERATOR available for free online SOCIETY OF CAMERA OPERATORS . WINTER 2018 SOCIETYSOCIETY OF CAMERA OF CAMERA OPERATORS OPERATORS . FALL 2017 . FALL 2016 THE SHAPE OF WATER DOWNSIZING SOC.ORG · WINTER 2018SOC.ORG · NO.1 VOL. 27, THE POST Sully Only the BraveLa La Land DARKESTNocturnal HOUR Animals SOC THE DISASTERManchester ARTIST by the S SOC.ORG · FALL 2017SOC.ORG · FALL VOL. 26, NO.4 TechnicalWONDERSTRUCK Achievement Awar View issues on your desktop and mobile devices. issuu.com/cameraoperators Michael Frediani, Michael 2 SOCIETY OF CAMERA OPERATORS · SOC.ORG Recording Formats Mounting Points Heads Up Display Timecode Advanced Connections See recording formats, Standard ¼ inch mount View critical status and recording Lock timecode for perfect 12G-SDI, HDMI, microphone resolution and frame rate. points on top and bottom. information or swipe to hide it. sync with camera recordings. inputs and more. Shown with scopes enabled! Built in Scopes HDR Display Media Info Audio Meters SD Card Recorders Professional waveform, vectorscope, Super bright 2,500 nit HDR Displays remaining record Professional audio metering Single or dual SD card recorders RGB parade and histogram. display with 100% DCI P3 color. time on all available media. with customizable ballistics. use standard, inexpensive media. Blackmagic Video Assist 12G HDR Add HDR monitoring, professional scopes and dramatically better record codecs to any camera! Blackmagic Video Assist 12G HDR lets you add professional Advanced 12G-SDI for Working in All Formats monitoring and recording to any SDI or HDMI camera in all HD, The 12G-SDI and HDMI connections are multi-rate which means they automatically Ultra HD, 2K and 4K DCI formats. Available in both 5 inch or 7 inch switch speeds, making them compatible with all SD, HD, Ultra HD, 2K and models, you get 2,500 nit HDR screens, professional broadcast 4K DCI equipment and formats. Formats such as 720p, 1080i, 1080p and scopes, focus assist, 3D LUTs, tally, higher capacity batteries, native Ultra HD are all supported at up to 60 frames per second. You can even record Blackmagic RAW recording from supported cameras and more. 2K and 4K DCI formats at up to 25 frames per second for digital film work! HDR Support with Bright Wide Gamut LCD Better Recording Formats Video Assist supports the latest HDR metadata and image standards and has a If your camera records compressed H.264 or uses expensive, proprietary media, built in 2,500 nit, wide gamut screen that covers 100% of the DCI-P3 colorspace. then adding a Video Assist will let you record better looking images! You get The screen is easy to see in bright sunlight, the built in scopes automatically industry standard ProRes and DNx recording, along with Blackmagic RAW for change to HDR, and all files, SDI streams and HDMI streams are tagged with the select cameras. Plus, the larger display and focus assist tools make it easier to correct PQ and HLG metadata information according to the ST2084 standard. frame and focus shots. Images are recorded onto inexpensive SD cards or you can even record to external USB-C disks. Built In Scopes Ensure Compliance to Standards Blackmagic Video Assist 12G HDR features professional SDR and HDR scopes for technical monitoring so you can ensure compliance to broadcast standards. You get a traditional waveform monitor, vectorscope, RGB parade and histogram Blackmagic Video Assist 5" 12G HDR ................ $795 for checking levels and clipping. The scopes can be overlaid on live video or the picture can be viewed in a small window at the top right of the scope! Blackmagic Video Assist 7" 12G HDR ................ $995 CAMERA LearnOPERATOR more· WINTER 2020 at www.blackmagicdesign.com 3 Letter from the President Dear SOC Members and Camera Operator Readers: Congratulations to the nominees and honorees of this year’s memorable SOC Lifetime Achieve- ment Awards that took place on Saturday, January 18th at the Loews Hollywood Hotel. It was a great honor to present Jamie Lee Curtis with this year’s SOC President’s Award, Na- talie Portman with the SOC Governors Award, and Steven Poster, ASC the SOC Distinguished Service Award for his years of tireless service as President of the ICG: International Cine- matographers Guild. These awards have the legacy of being presented to individuals who demonstrate dedication, consistent and enlightened service, and leadership in the film and media industries. It is with great pleasure that the SOC presented Colin Anderson, SOC with the Lifetime Achievement Award for Camera Operating. Anderson is known for his work on Star Trek: The Rise of Skywalker (2019), Velvet Buzzsaw (2019), Phantom Threads (2017), and Star Trek: Episode IV: The Force Awakens (2015) to name just a few. He was the recipient of the 2011 SOC Camera Operator of the Year – Feature Film Award for his work on The Town. The SOC also awarded Dave Levisohn, SOC the SOC Camera Operator Award for Live & Non-Script- ed. Some of Dave’s credits include; All in the Family, Grease Live, America’s Got Talent, and several prominent awards show such as The Academy Awards, The Grammy Awards, The Golden Globe Awards, and The Screen Actors Guild Awards to name a few. David has also been nominated 54 times and has won 19 EMMY Awards for Outstanding Technical Direc- tion, Camerawork, and Video Control for a Limited Series, Movie or Special. The Camera Operator of the Year – Feature Film went to Geoff Hayley, SOC for his work on Joker, and The Camera Operator of the Year – Television went to Jim McConkey, SOC for his work on The Marvelous Mrs. Maisel. Congratulations! I’d also like to offer a special thank you to our Awards producer, Kristin Petrovich, our vol- unteers, and to everyone who once again helped make the awards such a success. Thank you! This coming year, the Board of Directors will continue to increase our membership and focus our efforts on elevating the position of the camera operator. The SOC believes that through education and working with our fellow industry professionals, we can strengthen and elevate the craft of the camera operator in the entertainment industry. Our continued efforts and passion to advance the art and craft of the camera operator is the result of your dedication, effort and participation, and we thank you—our members and corporate sponsors —for your support! Here’s to continued success in 2020! Sincerely, George Billinger, SOC Society of Camera Operators, President 4 SOCIETY OF CAMERA OPERATORS · SOC.ORG CAMERA OPERATOR · WINTER 2020 5 News & Notes SOC MEMBER DAVID FREDERICK TEACHES WORKSHOP AT AFI Both groups worked with Pete Romano, ASC, were limited in size This past fall, the American Film Institute graduate level first year to ten, and had to be scuba certified. They each had an opportunity to Cinematography Class invited past SOC President David Frederick shoot an underwater shoot and were able to keep the content.
Recommended publications
  • 72Nd CANNES FILM FESTIVAL « Pierre Angénieux Excellens In
    Press Release – April 2019 72nd CANNES FILM FESTIVAL (May 14-25, 2019) « Pierre Angénieux ExcelLens in Cinematography » Tribute to Bruno Delbonnel (A.F.C. and A.S.C.) Friday, May 24, 2019 – 8pm Buñuel Theater, Palais des Festivals Since 2013, as an official partner of the Cannes Film Festival, Angénieux has been paying a tribute to a prominent director of photography during the « Pierre Angénieux ExcelLens in Cinematography » ceremony. This event turns the spotlight on worldwide masters of light, directors of photography, without whom cinema would not exist. After Philippe Rousselot (AFC*, ASC*) in 2013, Vilmos Zsigmond (HSC*, ASC) in 2014, Roger A. Deakins (BSC*, ASC) in 2015, Peter Suschitzky (ASC) in 2016, Christopher Doyle (HKSC*) in 2017 and Edward Lachman (ASC), it is Bruno Delbonnel’s turn to be honored in 2019, at the 72nd Cannes Film Festival, during an exceptional eveninG opened by Thierry Frémaux, presented by French journalist Pierre Zéni and in presence of some of his closest collaborators. Bruno Delbonnel is a world-renowned French director of photography. Born in Nancy in 1957, Bruno Delbonnel first studied philosophy, then graduated from ESEC in the camera and light section, before filming his first and only film at the age of 20 : a short film, Rare Realities. On this film, Jean-Pierre Jeunet was his assistant and Henri Alekan, his DOP… AlonGside the master of black and white photoGraphy, he discovered his passion for liGht was stronGer than directing. He then beGan workinG as a camera assistant during fifteen years for commercials and some feature films, then as a DOP.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Star Wars: the Force Awakens Heroine Rey Debuts As Newest Wax Figure at Madame Tussauds London
    STAR WARS: THE FORCE AWAKENS HEROINE REY DEBUTS AS NEWEST WAX FIGURE AT MADAME TUSSAUDS LONDON Tuesday August 9, 2016. Hot on the heels of her Teen Choice Award for Movie Breakout Star as Rey in Star Wars: The Force Awakens, Daisy Ridley today received another much coveted accolade as her character joined a cast of heroes and villains in the epic Star Wars experience at Madame Tussauds London. Ridley’s character, Rey, is the eighteenth to be portrayed in the hugely popular attraction and stands proudly holding her staff, dressed in an exact replica of the tattered scavenger’s clothing she wears in Star Wars: The Force Awakens. Her figure resides in a set depicting the trader’s tent in the lawless frontier desert world of Jakku and is featured alongside the skittish but loyal astromech droid, BB-8. Guests can step right into the recreated scene and summon up their inner rebels alongside the daring duo. "Since the Star Wars experience opened last May it has proved a massive hit with our guests," commented Edward Fuller, General Manager of Madame Tussauds London. He continued: "The intention was always to add new characters and scenes as the Star Wars story continues to evolve and we are delighted to welcome heroine, Rey, to the experience in the twelfth immersive set. The scenes we feature recreate some of the most powerful moments from the Star Wars universe and guests will recognise the trader’s tent on Jakku with its desert worn features." Rey's figure took a talented team of twenty artists four months to make.
    [Show full text]
  • ARRI Launches Large-Format Camera System
    Contact: Thomas Feuchtmann Head of Marketing BU Camera Systems +49 89 3809 1712 [email protected] Reegan Koester Corporate Communications Manager +49 89 3809 1768 [email protected] NOT FOR RELEASE UNTIL FEBRUARY 2, 2018 (11 AM CET) ARRI launches large-format camera system • A complete new system: ALEXA LF camera, ARRI Signature Prime lenses, and LPL lens mount. • Intimate and emotionally engaging images with an immersive, three- dimensional feel, pulling the viewer in. • Compatible with existing lenses, accessories, and workflows. February 2, 2018, Munich/London – At the BSC Expo in London, ARRI today unveils a complete large-format system that meets and exceeds modern production reQuirements, delivering unprecedented creative freedom. Based on a large-format 4K version of the ALEXA sensor, the system comprises the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible With existing lenses, accessories, and WorkfloWs. ALEXA LF camera Featuring a sensor slightly bigger than full frame, ALEXA LF records native 4K With ARRI’s best overall image Quality. Filmmakers can explore a large-format aesthetic While retaining the sensor’s natural colorimetry, pleasing skin tones and proven suitability for HDR and WCG WorkfloWs. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, provide total flexibility. “The larger ALEXA LF sensor has the same optimal pixel size as other ALEXAs, resulting in a 4448 x 3096 image,” says Marc Shipman-Mueller, ARRI Product Manager for Camera Systems. “This doesn’t just add definition, it creates a whole new look—one that is truly immersive, With a three-dimensional feel.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • January 2020
    Abington Senior High School, Abington, PA, 19001 January 2020 Decade in Review! With the decade coming to a close a few weeks ago, the editorial staff decided that we should fl ashback to the ideas and moments that shaped the decade. As we adjust to life in the new “roaring twenties,” here is a breakdown of the most prominent events of each year from the past decade. 2010: On January 12, an earthquake registering a magnitude 7.0 on the Richter scale struck Haiti, causing about 250,000 deaths and 300,000 injuries. On March 23, the Aff ordable Care Act is signed into law by Barack Obama. Commonly referred to as “Obamacare,” it was considered one of the most extensive health care reform acts since Medicare, which was passed in 1965. On April 20, a Deepwater Horizon drilling rig exploded over the Gulf of Mexico. Killing eleven people, it is considered one of the worst oil spills in history and the largest in US waters. On July 25, Wikileaks, an organization that allows people to anonymously leak classifi ed information, released more than 90,000 documents related to the Afghanistan War. It is oft en referred to as the largest leak of classifi ed information since the Pentagon Papers during the Vietnam War. Th e New Orleans Saints won their fi rst Super Bowl since Hurricane Katrina, LeBron James made his way to Miami, Kobe Bryant won his fi nal title, and Butler went on a Cinderella run to the NCAA Championship. Th e year fi ttingly set the tone for a decade of player empowerment and underdog victories.
    [Show full text]
  • Argo-Mar25-10.Pdf
    ARGO by Chris Terrio Based on true events March 25, 2010 Smoke House (818) 432 0330 INT. BATHROOM STALL - DAY LUKE KNOWLES, late 20s, a slight Texan drawl. His face is bruised and his mouth is swollen. He’s cowering on the floor of the stall next to a toilet filled with vomit and shit. He speaks quietly and urgently. KNOWLES She’s looking at me, is first of all, she’s staring at me like a Chinese waiter and the dress, Shirley Temple, Good Ship Lollipop, she’s saying off, take it off her, and I hear it, school p.a., Voice of America, and it’s loud, it’s saying, This is not a clean world. This is a dirty world. So I said it, I said, ‘Here I am Lord. I got no strings to hold me down so You Show Me. You show me how to clean this dirt -- Someone -- and we can only see his back -- leans down, close to Knowles. Tries to pick him up. Knowles recoils. Then, a voice. It’s quiet, and patient, and it feels like safety. MENDEZ (O.S.) Look at me. I will help you, but you need to trust me. This is what I do. I get people out. A blank look on Knowles’s face. Unclear whether he understands this, or anything. The reverse: TONY MENDEZ, mid-40s, our hero. Fifth generation American. He’s had 19 years with the CIA and he’s the best exfiltration specialist the agency’s ever had. MENDEZ (CONT’D) Take a minute.
    [Show full text]
  • SKYPANEL New Accessories for the Family of LED Soft Lights
    NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible.
    [Show full text]
  • FILM CASE STUDY Plot the Film Is Set on the Fictional Island of Isla Nublar, Located Off Central America's Pacific Coast Near Costa Rica
    1993 FILM CASE STUDY Plot The film is set on the fictional island of Isla Nublar, located off Central America's Pacific Coast near Costa Rica. Three billionaire philanthropist John Hammond and a small team of genetic scientists have created a wildlife park of de-extinct dinosaurs. When industrial sabotage leads to a catastrophic shutdown of the park's power facilities and security precautions, a small group of visitors, and Hammond's grandchildren, struggle to survive and escape the perilous island. ❏ Directed by: Steven Spielberg ❏ Produced by: Kathleen Kennedy,Gerald R. Molen ❏ Screenplay by: Michael Crichton,David Koepp ❏ Based on: Jurassic Park by Michael Crichton ❏ Music: John Williams ❏ Cinematography: Dean Cundey ❏ Edited by: Michael Kahn ❏ Production company: Amblin Entertainment ❏ Distributed by: Universal Pictures ❏ Release date : June 9, 1993 (Uptown Theater) June 11, 1993 (United States) July 16, 1993 (United Kingdom) ❏ Budget: $63 million ❏ Box office: $1.029 billion Director and Writer Before Crichton's novel was published, four studios put in bids for its film rights. With the backing of Universal Studios, Spielberg acquired the rights for $1.5 million before its publication in 1990; Crichton was hired for an additional $500,000 to adapt the novel for the screen. Koepp wrote the final draft, which left out much of the novel's exposition and violence and made numerous changes to the characters. Filming took place in California and Hawaii between August and November 1992, and post-production rolled until May 1993, supervised by Spielberg in Poland as Steven Spielberg Michael Crichton he filmed Schindler's List. Trailer Posters Production Filming After 25 months of pre-production, filming began on August 24, 1992, on the Hawaiian island of Kauaʻi.
    [Show full text]
  • 22Nd NFF Announces Screenwriters Tribute
    FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who ​ will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking ​ ​ ​ television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The ​ ​ ​ ​ 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and ​ ​ his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle ​ Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the ​ ​ Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award ​ ​ include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Movie Draft: Below the Belt
    POOP READING Movie Draft: Below the Belt Alas, with Bale directing the project and shepherding it by Jameson Simmons through every stage of its tortured development, this tone-deafness extends beyond the lead character. Dialogue You often hear of film studios indulging a star's will sometimes switch from serious to goofy and back in a character-based "passion project" in order to garner their single breath. Entire scenes will be elaborately staged in cooperation for some mass-appeal popcorn movie with no order to set up a double-entendre about a walk-on character. artistic integrity (but an automatic greenlight). The way There's an interlude in Blackie Shepherd's Skid Row Sandra Bullock was granted authority to make Hope Floats encampment in which the camera follows two rats having a so she'd acquiesce to appear in the floating turd that was belching contest. At first there's hope that it will be one of Speed 2: Cruise Control. But in this case, the scenario is those movies that's just incompetent enough to be turned entirely on its ear: to convince Christian Bale to unintentionally funny, but it quickly surpasses that threshold. appear in his Oscar-nominated turn in The Fighter, Below the Belt is best left to future film historians – as a Paramount had to finance Below the Belt, the slapstick karate puzzling glimpse into the madness that can envelop a great goof that Bale had spent 13 years developing as a Chris performer when he sets his mind to the wrong task. Farley tribute. Below the Belt is rated R.
    [Show full text]