The Magazine of the Museum of Texas Tech University
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Annual Board Meeting
Annual Board Meeting Thursday, September 10, 2020 10:30 AM VIA ZOOM CONFERENCE Zoom Link Dial-In: #346-248-7799 or #669-900-6833 Meeting ID: 811 1438 5147 Passcode: 859725 Annual Board Meeting Thursday, September 10, 2020 10:30 AM VIA ZOOM CONFERENCE Zoom Link Dial-In Either Number #346-248-7799 or #669-900-6833 Meeting ID: 811 1438 5147 | Passcode: 859725 AGENDA I. Call to Order Leslie Ward, Board Chair II. Approval of Minutes ACTION Tania Schwartz, Vice Chair III. Confirmation of the New Board of Directors for 2021 ACTION John Beckworth, Nominations and Governance Chair IV. Welcome and Updates Leslie Ward, Board Chair a. New Board and Staff Introductions b. Partner Updates i. Texas Commission on the Arts, Gary Gibbs, Executive Director ii. Texans for the Arts, Ann Graham, Executive Director V. Finance Report Marvin Blum, Finance Chair Jesse Dominguez, CFO a. Investment Report Update, Luther King Capital Management, Craig Hester & Jeremy Blackman b. Approval of the FY 2020-2021 Budget ACTION VI. Executive Director Report Heidi Marquez Smith, Executive Director VII. Development Report Guillermo Nicolas, Development Chair VIII. Advocacy Report Mindy Ellmer, Advocacy Chair Lisa Kaufman, Davis Kaufman PLLC IX. Texas Medal of Arts Awards Linda LaMantia and Judy Robison, TMAA Chairs X. Trust Programs Report Jenny Parry, Director of Programs XI. Texas Women for the Arts Report Tania Schwartz, TWA Board Liaison XII. Communications Report Gay Gaddis, Communications Chair Kenneth Franco, Communications Manager XIII. Final Comments and Adjourn Leslie Ward, Board Chair To be the leading voice for the arts in education, advocacy, and economic impact in Texas, spotlighting the artistic excellence of our state. -
At the Museum
The Magazine of the Museum Mof Texas Tech University SEEING AT THE MUSEUM In This Issue | Fall-Winter 2018 Bringing an Preserving Material Objects The Museum Exhibit to Life Railroad History in a Virtual World as a Family Connection The Magazine of The Texas Tech University Museum M The Magazine of the Museum of Texas Tech University Prepare to Party Fall/Winter 2018 Staff Publisher and Executive Editor The Museum of Texas Tech University celebrates its 90th Watch for more information about exhibitions and events Gary Morgan, Ph.D. anniversary in 2019. on our website at museum.ttu.edu and in the spring/summer Editor 2019 issue of M. Sally Logue Post Editorial Committee The idea for a museum took form only four years after Texas Daniel Tyler, Jill Hoffman, Ph.D., Technological College opened. On March 27, 1929, a group of *Information drawn from the book “West Texas Museum Lisa Bradley citizens interested in forming a museum met, as reported in Association 1929-1979.” Design the Daily Toreador, to “form a society to help make collections Armando Godinez Jr. and further the movement (of the Museum) in general.” This issue of M the Magazine of the Moody Planetarium Museum of Texas Tech University is From that meeting grew the Plains Museum Society, which made possible by the generous evolved into the Museum of Texas Tech University Association. Tuesday Saturday Sunday support of the CH Foundation. 1:30 p.m. 11:30 a.m. 1:30 p.m. M is a biannual publication of the The first museum, the West Texas Museum, opened in 1937 in Museum of Texas Tech University. -
Hans 1, Salter
CLASSIC SCORES OF MY~TERYAND HORROR BY FRANK SU1WNER 4' HANS 1, SALTER SLOVAK RADIO SYMP+IONY ORCHES7RA (BRA~ISLAVA) WILLIAM 7. STROMBERCi Hans J. Salter 1896-1 994 .Frank Slcinner 1897-1 968 UNIVERSAL'S CLASSIC SCORES OF MYSTERY AND HORROR Reconstructed and orchestrated by John Morgan except 'Man Made Monster' (25-26)' orchestrated by William T. Stromberg The Ghost of Frankenstein Halls 3. Salter (1942) Universal signature (Jinznzy McHrcglz) Main Title Blowing up the Castle Freeing the Monster Renewed Life Frankenstein's Castle Arrival at Vasaria [81 Erik's Dilemma Baron Frankenstein's Diary The Monster's Trial Elsa's Discovery Dr. Kettering's Death Ygor's Scheme Baron Frankenstein's Advice A New Brain Searching the Castle Monster Kidnaps Child / Monster's Desire Brain Transfer Mob Psychology Monster Talks Death of the Unholy Three End Cast Son of Dracula Hnizs J. Snlfer (1943) Main Title Blaclc Friday Hails Salter; Cl~arlesHenderson, Cltm'les Previn (1940) Hypnosis Man Made Monster Hails J. Snlter (1941) Corlzy Electro-Biology Sherloclc Holmes and the Voice of Terror Frailk Skilzner (1942) Main Title Limehouse Christopher Doclts Voice of Terror The Spider No Time to Lose March of Hate End Title Two years before his death, celebrated Chicago newspaper columnist Mike Royko, in a sentimental gesture aimed at his seven-year-old son, merrily decided one weekend to mount a mini-festival at home highlighting the old Universal horror pictures he had enjoyed so much during his own youthful days. In a Clricogo Tribrrrre column headlined, "Horrors of the Past are G-rated Today," Royko wrote of renting videos of Universal's Drncrrlo, Frnrrker~steirrand Frorrkerrstehr Meets tlre ll'o(fA4or1, then each night viewing one of the classic horror films alongside his son. -
Welcome to the Texas Women's HALL of FAME 2014 PROGRAM
GCW_HOF_program_042514.indd 1 4/28/14 9:20 AM TEXAS Women’s hall of fAME Welcome to The Texas Women’s HALL OF FAME 2014 PROGRAM Welcome Carmen Pagan, Governor’s Commission for Women Chair Invocation Reverend Coby Shorter Presentation The Anita Thigpen Perry School of Nursing at Texas Tech University Keynote Address Governor Rick Perry Induction 2014 Texas Women’s Hall of Fame Honorees Closing 3 Texas Governor‘s Commission for Women GCW_HOF_program_042514.indd 2-3 4/28/14 9:20 AM TEXAS Women’s hall of fAME TEXAS Women’s hall of fAME The Texas Women’s HALL OF FAME AWARDS The Governor’s Commission for Women established the Texas Women’s Hall of Fame in 1984 to honor the remarkable achievements of Texas women while sharing their stories of great determination and innovation. The biennial awards highlight Texas women who have made significant contributions, often despite great odds. Nominations are submitted from across the state and reviewed by a panel of judges. Past honorees include first ladies, Olympic athletes and astronauts. The Texas Women’s HALL OF FAME 2014 Inductees The History of Our HALL OF FAME EXHIBIT In 2003, the Governor’s Commission for Women established a permanent exhibit for the Texas Women’s Hall of Fame on the campus of Texas Woman’s University in Denton, Texas. The exhibit features the biographies, photographs and video interviews of more than 100 notable women who have been chosen to represent the very best from our state. The exhibit is free of charge, and it is open to the public Monday through Friday from 8:00 a.m. -
The Monstrous Woman: Gothic Monstrosity and Graphic Novels
THE MONSTROUS WOMAN: GOTHIC MONSTROSITY AND GRAPHIC NOVELS I fell in love with a monster once. Although I never knew his name, he still managed to change my life. He came to me through the words of Mary Shelley’s Frankenstein, and I would be remiss if I did not pay some homage to her work (especially considering it was the catalyst for this project, over a decade in the making). Now, before you say it--“Oh no! Not ANOTHER Frankenstein narrative!”--let me assure you that this paper is not only about Frankenstein’s Monster. Rather, this paper is about asserting positionality, altering notions of disgust to locations of glory, and declaring monstrosity as one possible site for cultural reclamation. I find this is particularly interesting when considering something Frankenstein was missing--female monstrosity. I remember devouring Frankenstein the first time I read it. Perhaps it is true that humans only see reflections of themselves in literary characters because I instantly fell in love with the Creature. He was a beautiful, complicated outsider, and although he was pieced together with corpses, it was like we shared the same skin. Frankenstein’s Monster is undoubtedly responsible for my attraction to monstrosity; but more importantly, it was his unborn ‘wife’ who brought me to concepts of female monstrosity. Our love story began at first when I started collecting copies of the book, initially interested in the various publishers, cover art, and introductory content. Soon I discovered new adaptations, retellings, and ‘spin-offs’ that seemed to rework or revision the classic. Then I found graphic novels and comic versions, all of which deepened my fascination. -
570183Bk Son of Kong 15/7/07 8:23 PM Page 8
570188bk Frankenstein:570183bk Son of Kong 15/7/07 8:23 PM Page 8 John Morgan Widely regarded in film-music circles as a master colourist with a keen insight into orchestration and the power of music, Los Angeles-based composer John Morgan began his career working alongside such composers as Alex North and Fred Steiner before embarking on his own. Among other projects, he co-composed the richly dramatic score for the cult-documentary film Trinity and Beyond, and has won acclaim for efforts to rescue, restore and re-record lost film scores from the past. William Stromberg A veteran film composer, conductor and film archivist, William Stromberg, working with famed film music reconstructionist and composer John Morgan, has conducted numerous albums of film music for RCA, Naxos, Marco Polo and, most recently, Tribute Film Classics. Upcoming albums include the complete scores to Bernard Herrmann’s Mysterious Island, Max Steiner’s She and Herrmann’s The Kentuckian. Moscow Symphony Orchestra Founded in 1989 as the first independent orchestra in modern Russia, the Moscow Symphony Orchestra maintains a busy schedule both in the concert hall and recording studio. For more than a decade, it has become noted for its pivotal role in a long-running series of recordings devoted to classic film scores conducted by Hollywood composer William Stromberg. Their most recent collaboration was the complete film score for Erich Wolfgang Korngold’s The Sea Hawk (Naxos 8.570110-11). House of Frankenstein guests John Morgan, William Stromberg and Bill Whitaker Photo: Rick Baker 8.570188 8 570188bk Frankenstein:570183bk Son of Kong 15/7/07 8:23 PM Page 2 Hans J. -
For Immediate Release Enzian Theater Announces Universal Classic Monsters Week and Ella Fitzgerald Documentary June 26 – July
Media Contact: Valerie Cisneros [email protected] 407-629-1088 x302 FOR IMMEDIATE RELEASE ENZIAN THEATER ANNOUNCES UNIVERSAL CLASSIC MONSTERS WEEK AND ELLA FITZGERALD DOCUMENTARY JUNE 26 – JULY 2 Orlando, FL – (June 23, 2020) – Perhaps the most influential cycle of films in cinema history, the Universal Classic Monsters of the ‘30s, ‘40s, and early ‘50s have proven to be immortal—dreamlike, macabre, horrific, atmospheric, haunting, and among the most wonderfully crafted films of all time. Spawning hundreds of knock-offs, sequels, models, comic books, magazines, books, toys, t-shirts, lunch boxes and more, these iconic film masterpieces have had a profound effect on the art and culture of multiple generations of movie fans. Based on the works of famed authors such as Bram Stoker, Mary Shelley, H.G. Wells and Gaston Leroux—and featuring the filmmaking talents of celebrated directors such as Tod Browning, James Whale, and Jack Arnold, along with legendary actors like Bela Lugosi, Boris Karloff, Claude Rains, Elsa Lanchester, and Lon Chaney, Jr.—these 8 classics are where it all started for genre lovers (and you know who you are!) For the first time in Enzian’s history, all of them can be seen in the same week. Amazing! In addition to Universal Classic Monsters Week, we are thrilled to bring in Ella Fitzgerald: Just One of Those Things, a documentary that traces the story of Ella Fitzgerald’s life and explores how her music became a soundtrack for a tumultuous century. Enzian is also excited to be able to reschedule special programming that was postponed due to the pandemic. -
Femininity and Agency in Young Adult Horror Fiction June Pulliam Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Monstrous bodies: femininity and agency in Young Adult horror fiction June Pulliam Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Pulliam, June, "Monstrous bodies: femininity and agency in Young Adult horror fiction" (2010). LSU Doctoral Dissertations. 259. https://digitalcommons.lsu.edu/gradschool_dissertations/259 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MONSTROUS BODIES: FEMININITY AND AGENCY IN YOUNG ADULT HORROR FICTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy in The Department of English by June Pulliam B. A., Louisiana State University, 1984 M. A., Louisiana State University, 1987 August 2010 Acknowledgements I would like to thank my family for their patience as I completed this dissertation. In particular I would like to thank my husband Anthony Fonseca for suggesting titles that were of use to me and for reading my drafts. I would also like to express my heart-felt gratitude to Professors Malcolm Richardson, Michelle Massé and Robin Roberts for their confidence in my ability to embark on my program of study. -
“Abbott and Costello Meet Frankenstein” File
FEATURE PRODUCTION THE #1572 “ABBOTT AND COSTELLO MEET FRANKENSTEIN” FILE Part I he inspired idea of melding two of Universal’s most famous franchises had been kicking around the Tstudio for a few years, but it was producer Robert Arthur who got the chance to bring it to life. He gave the concept to a few screenwriters, including Oscar Brodney, Bertram Milhauser, and the team of Robert Lees and Fred Rinaldo. “The minute the studio told Fred and I the basic idea,” Lees recalled in Abbott and Costello in Hollywood, “we said ‘This is the greatest idea for a comedy that ever was!’ But that’s all they gave us. We came up with the rest.” Lees and Rinaldo, who had written Hold That Ghost (1941), came back with a promising treatment. Titled “Ab- bott and Costello Meet Frankenstein,” their first crack at the story was delivered April 21, 1947. It has most of the elements that will be in the final film: the boys are inept baggage handlers who deliver crates to MacDougal’s House of Horrors; the “exhibits” get up and walk away; Larry Talbot, on Dracula’s trail, persuades the boys to help him; there’s a Abbott and Costello Quarterly—7 FEATURE ” “THE BRAIN OF FRANKENSTEIN PRODUCTION # 1572 OCTOBER 1947 START DATE: FEBRUARY 5, 1948 CAST: BUD ABBOTT ........... CHICK LOU COSTELLO ......... WILBUR LON CHANEY ........... TALBOT IAN KEITH ............ DRACULA BELA LUGOSI .......... DRACULA PATRICIA MORISON ..... SANDRA LENORE AUBERT ........ SANDRA GLENN STRANGE ........ THE MONSTER DOROTHY HART ......... JOAN ELLA RAINES .......... JOAN as the linchpin, and JANE RANDOLPH ........ JOAN appropriately re-titled CHARLES BRADSTREET .. -
Jeepers Creepers: Great Songs from Horror Films
Jeepers Creepers: Great Songs from Horror Films A LITTLE NIGHTMARE MUSIC the film’s advertising campaign featured an image of score, using one of Jimmy Van Heusen’s lilting mel- the dead Reynolds, garishly dressed in a bloodied “tin odies for the three songs intended for top billed Pat For an album of tuneful melodies from movies that soldier” dance costume, in tandem with the Johnny Boone. The song itself--”The Faithful Heart,” sung by sometimes took a week or less to make, JEEPERS Mercer lyric, “So you met someone and now you know Boone on a makeshift raft in the center of an under- CREEPERS: GREAT SONGS FROM HORROR how it feels.” Effective, certainly, but as Harrington was ground sea--wound up on the cutting room floor, as FILMS was certainly a long time coming. quick to point out, it gave away the end of the picture! did “Twice as Tall.” (Only “My Love is Like a Red, Red Rose,” for which Van Heusen set Robert Burns’ poem It was some 10 years ago, at a New York book and 3. LOOK FOR A STAR. Some years before he wrote to music, made the final cut.) magazine show, that Scarlet Street magazine manag- a seemingly endless string of Top Ten hits for Petu- Tom Amorosi initially argued against including ing editor Tom Amorosi and I met the multi-talented la Clark (“Downtown,” “I Know a Place,” “Colour My “The Faithful Heart” in this collection, since JOUR- Bruce Kimmel for the first time. A few weeks later, World,” “Don’t Sleep in the Subway”), Tony Hatch, NEY isn’t strictly a horror film. -
Gothic Representations: History, Literature, and Film Daniel Gould Governors State University
Governors State University OPUS Open Portal to University Scholarship All Student Theses Student Theses Fall 2010 Gothic Representations: History, Literature, and Film Daniel Gould Governors State University Follow this and additional works at: http://opus.govst.edu/theses Part of the American Film Studies Commons, Comparative Literature Commons, and the Film and Media Studies Commons Recommended Citation Gould, Daniel, "Gothic Representations: History, Literature, and Film" (2010). All Student Theses. 101. http://opus.govst.edu/theses/101 For more information about the academic degree, extended learning, and certificate programs of Governors State University, go to http://www.govst.edu/Academics/Degree_Programs_and_Certifications/ Visit the Governors State English Department This Thesis is brought to you for free and open access by the Student Theses at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in All Student Theses by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 11 GOTHIC REPRESENTATIONS: HISTORY, LITERATURE, AND FILM By Daniel Gould B.A. Western Michigan University, 2004 THESIS Submitted in partial fulfillment of the requirements For the Degree of Master of Arts With a Major in English Governors State University University Park, IL 60466 2010 111 AKNOWLEDGEMENTS There are numerous people I need to thank for assisting me in the finalization of Gothic Representations. First and foremost is my wife, Jennifer, who took on many more family responsibilities so I could commit the time and energy necessary to completing this project. Also, my brothers, Jeff and Tim, the two most encouraging people I have ever met. -
Fieldlangepspreads-1.Pdf
MONSTER BETWEEN THE COLDEST US from LEAVE TO REMAIN THALIA FIELD and ABIGAIL LANG #47 CONTENTS ESSAY PRESS EP SERIES Introduction vii In the Essay Press EP Series, we give extended space and time to some of our favorite authors Monster Between the Coldest Us 1 currently developing new book-length projects. Author Bio 44 Series Editors Maria Anderson Andy Fitch Ellen Fogelman Aimee Harrison Courtney Mandryk Victoria A. Sanz Travis A. Sharp Ryan Spooner Randall Tyrone Series Assistants Cristiana Baik Ryan Ikeda Christopher Liek Cover Image Jamie Jewett & Dominique Pasqualini Cover Design Courtney Mandryk Layout Aimee Harrison INTRODUCTION After the Great War, new neighbors ask: which war? The great one, the one just starting? Why do you distrust me? Aren’t we friends? How can you not believe me? Are monsters always monsters under cover? What about Santa Claus? How can you lie to me? Isn’t there a quick test like an X-ray that discloses these things? Which war are we discussing again? Are you really a Man? Approaching the movie palace, can we coordinate intelligence? Saving face, are we so odd? Between the wars, do I turn the other cheek? Between the wars, will you keep an eye out? How are they to be detected in time to save the country from them, and them from themselves? Have we been made? So why is it OK to lie to children that Santa Claus is real? GENE OR GERM? IS THERE SUCH A THING AS A HOMOSEXUAL SANTA FIVE-YEAR PLAN? Heads or tails? An earth to turn around!? A natural satellite; but is the moon Earth’s friend? What prompted Beat fellow