Chinese Spirituality & Christian Communities
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European and Chinese Coinage Before the Age of Steam*
《中國文化研究所學報》 Journal of Chinese Studies No. 55 - July 2012 The Great Money Divergence: European and Chinese Coinage before the Age of Steam* Niv Horesh University of Western Sydney 1. Introduction Economic historians have of late been preoccupied with mapping out and dating the “Great Divergence” between north-western Europe and China. However, relatively few studies have examined the path dependencies of either region insofar as the dynamics monetiza- tion, the spread of fiduciary currency or their implications for financial factor prices and domestic-market integration before the discovery of the New World. This article is de- signed to highlight the need for such a comprehensive scholarly undertaking by tracing the varying modes of coin production and circulation across Eurasia before steam-engines came on stream, and by examining what the implications of this currency divergence might be for our understanding of the early modern English and Chinese economies. “California School” historians often challenge the entrenched notion that European technological or economic superiority over China had become evident long before the * Emeritus Professor Mark Elvin in Oxfordshire, Professor Hans Ulrich Vogel at the University of Tübingen, Professor Michael Schiltz and Professor Akinobu Kuroda 黑田明伸 at Tokyo University have all graciously facilitated the research agenda in comparative monetary his- tory, which informs this study. The author also wishes to thank the five anonymous referees. Ms Dipin Ouyang 歐陽迪頻 and Ms Mayumi Shinozaki 篠崎まゆみ of the National Library of Australia, Ms Bick-har Yeung 楊 碧 霞 of the University of Melbourne, and Mr Darrell Dorrington of the Australian National University have all extended invaluable assistance in obtaining the materials which made my foray into this field of enquiry smoother. -
Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
01 (1-10) Sculpting Words in Ice How Buddhist and Christian.Pmd
SCULPTING WORDS IN ICE: HOW BUDDHIST AND CHRISTIAN STYLISTIQUES EN-ACT MUNDANE FAILURE AND ULTIMATE HOPE* Robert Magliola National Taiwan University, (retired) º·¤Ñ´ÂèÍ กก ก ก ก ก กก ( ) ก ก ( 15931633) กก กก ก Shobogenzo---- Dogen Zenji (12001253) ก Dogen- ก Abstract Both Buddhist and Christian teachingtexts often deconstruct the “merely” mundane so that the learner can advance towards beatitude. A pre cious few of these texts teach by miming such a deconstruction via subtle Prajna~- Vihara,- Volume 12, Number 2 JulyDecember 2011, 110 c 2000 by Assumption University Press literary techniques: the textual surfaces or conventions actout the role of naï ve appearance, and the subtexts that subvert them actout how confident trust (in the Buddha’s Teachings, for the Buddhists; in Christ’s Divine Prom ises, for the Christians) can find fulfillment. In the great poem “The Altar” (by George Herbert, 15931633), the holistic appearance of the altar bears hid den signals of its own real brokenness, and these signals point to the subtext that is the Christian’s hope. In the great Shobo-genzo- --- of Dogen Zenji (1200 1253), formal techniques scramble conventional holisms and fixed identities in order to actout the “true nature” of realityreality, for Dogen, is at once “con tinuous flux” (and “absolute density”). Both Buddhism and Christianity affirm “hope” in the sense of confi dent trust: Buddhists trust in the reliability of the Dharma (Teaching) and Chris tians trust in Christ and the Divine Promises. Through most of their histories, both religions have stressed the impermanence of the merelymundane world, and encouraged detachment therefrom. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
Augustinian Christian Philosophy
AUGUSTINIAN CHRISTIAN PHILOSOPHY How does Christianity bear on philosophy? Is there such a thing as Christian philosophy, or are there only Christians who are also philoso phers? How should Christianity and philosophy be related? Should they be related? In "Advice to Christian Philosophers" I said that Christian philosophers should display more autonomy: they have their own fish to fry, their own projects to pursue, (or their own axes to grind, as some might prefer to put it). Here I want to say more about what these projects (or fish, or axes) are like. And the right way to think about these matters, so it seems to me, is broadly Augustinian. Accordingly, I want to propose a program matic sketch (a very programmatic sketch) of a conception of Christian philosophy that grows out of some central Augustinian emphases. I don't claim, however, that Augustine in fact thought of Christian philosophy the way I shall suggest. The primary focus of my paper is not historical (that would in any event be beyond my competence); what I want to do is make a suggestion as to how we should think about Christian philosophy now; but this way of thinking of the matter grows out of Augustinian roots.! It's worth noting, furthermore, that what is at issue is not just a way of thinking about Christianity and philosophy, but about Christianity and scholarship more generally. There are at least four elements in Augustinian Christian philosophy. The first two of these are widely recognized and relatively uncontroversial: I shall therefore be brief about them. -
Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Etienne Gilson Series 21
The Etienne Gilson Series 21 Remapping Scholasticism by MARCIA L. COLISH 3 March 2000 Pontifical Institute of Mediaeval Studies This lecture and its publication was made possible through the generous bequest of the late Charles J. Sullivan (1914-1999) Note: the author may be contacted at: Department of History Oberlin College Oberlin OH USA 44074 ISSN 0-708-319X ISBN 0-88844-721-3 © 2000 by Pontifical Institute of Mediaeval Studies 59 Queen’s Park Crescent East Toronto, Ontario, Canada M5S 2C4 Printed in Canada nce upon a time there were two competing story-lines for medieval intellectual history, each writing a major role for scholasticism into its script. Although these story-lines were O created independently and reflected different concerns, they sometimes overlapped and gave each other aid and comfort. Both exerted considerable influence on the way historians of medieval speculative thought conceptualized their subject in the first half of the twentieth cen- tury. Both versions of the map drawn by these two sets of cartographers illustrated what Wallace K. Ferguson later described as “the revolt of the medievalists.”1 One was confined largely to the academy and appealed to a wide variety of medievalists, while the other had a somewhat narrower draw and reflected political and confessional, as well as academic, concerns. The first was the anti-Burckhardtian effort to push Renaissance humanism, understood as combining a knowledge and love of the classics with “the discovery of the world and of man,” back into the Middle Ages. The second was inspired by the neo-Thomist revival launched by Pope Leo XIII, and was inhabited almost exclusively by Roman Catholic scholars. -
A Chinese Christian: the Transformation of 20 Century
Ip Ka-kei, Benedict Keith,〈A Chinese Christian: the Transformation of 20th Century Catholic Church in John C. H. Wu’s Perspective〉 A Chinese Christian: the Transformation of 20th Century Catholic Church in John C. H. 1 Wu’s Perspective Ip Ka-kei, Benedict Keith 2 一位中國基督徒 ── 從吳經熊先生的觀點 看 20 世紀天主教教會的轉變 葉家祺 [ABSTRACT] John Ching Hsiung Wu ( 吳經熊, 1899-1986), undoubtedly was a prominent figure in the field of Law, Philosophy, translation and Christianity in 20th Century China. His experience, writings and understanding of the Catholic faith since his encounter of St. Thérèse of Lisieux open a way for Chinese to connect the faith with Chinese culture. With his East-West knowledge, his literature presents in the Chinese classics an elegant manner. Many books were translated, including the psalms and the New Testament, which are surprisingly outstanding in terms of presenting Christianity in a true Chinese manner. His way of being a “Chinese Christian” serves as a 1 This article would not be possibly completed without the help of Fr. Matthias Christian, SVD, who generously shared his materials with me at all times. 2 Master of Religious Studies (Specialized in History and Adaptation of Christianity in China and Asia), University of Saint Joseph, Macau. Associate Editor of “O Clarim” (號角報), Catholic Diocese of Macau 《天主教研究學報》〈現代歷史中的基督宗教〉 第五期 2014 年 model for both preserving traditional Chinese values and philosophy, yet interweaving it with the Christian faith. After he returned and settled in Taiwan in 1966, he dedicated his life to realizing his idea of a “Cultural Renaissance” (文化復興), in which he envisioned it as the ultimate goal to achieve in order to transform Eastern and Western Society. -
Being Is Double
Being is double Jean-Luc Marion and John Milbank on God, being and analogy Nathan Edward Lyons B. A. (Adv.) (Hons.) This thesis is submitted in partial fulfilment of the requirements for the degree of Master of Philosophy School of Philosophy Australian Catholic University Graduate Research Office Locked Bag 4115 Fitzroy, Victoria 3065 1st March 2014 i ABSTRACT This thesis examines the contemporary dispute between philosopher Jean-Luc Marion and theologian John Milbank concerning the relation of God to being and the nature of theological analogy. I argue that Marion and Milbank begin from a shared opposition to Scotist univocity but tend in opposite directions in elaborating their constructive theologies. Marion takes an essentially Dionysian approach, emphasising the divine transcendence “beyond being” to such a degree as to produce an essentially equivocal account of theological analogy. Milbank, on the other hand, inspired particularly by Eckhart, affirms a strong version of the Thomist thesis that God is “being itself” and emphasises divine immanence to such a degree that the analogical distinction between created and uncreated being is virtually collapsed. Both thinkers claim fidelity to the premodern Christian theological tradition, but I show that certain difficulties attend both of their claims. I suggest that the decisive issue between them is the authority which should be granted to Heidegger’s account of being and I argue that it is Milbank’s vision of post-Heideggerian theological method which is to be preferred. I conclude that Marion and Milbank give two impressive contemporary answers to the ancient riddle of “double being” raised in the Anonymous Commentary on Plato’s “Parmenides,” a riddle which queries the relation between absolute First being and derived Second being. -
E Virgin Mary and Catholic Identities in Chinese History
e Virgin Mary and Catholic Identities in Chinese History Jeremy Clarke, SJ Hong Kong University Press e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Hong Kong University Press 2013 ISBN 978-988-8139-99-6 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Goodrich Int’l Printing Co., Ltd. in Hong Kong, China Contents List of illustrations ix Acknowledgements xi Introduction: Chinese Catholic identities in the modern period 1 Part 1 Images of Mary in China before 1842 1. Chinese Christian art during the pre-modern period 15 Katerina Ilioni of Yangzhou 21 Madonna and Guanyin 24 Marian images during the late Ming dynasty 31 e Madonna in Master Cheng’s Ink Garden 37 Marian sodalities 40 João da Rocha and the rosary 42 Part 2 e Chinese Catholic Church since 1842 2. Aer the treaties 51 French Marian devotions 57 e eects of the Chinese Rites Controversy 60 A sense of cultural superiority 69 e inuence of Marian events in Europe 74 3. Our Lady of Donglu 83 Visual inuences on the Donglu portrait 89 Photographs of Cixi 95 Liu Bizhen’s painting 100 4. e rise and fall of the French protectorate 111 Benedict XV and Maximum Illud 118 viii Contents Shanghai Plenary Council, 1924 125 Synodal Commission 132 Part 3 Images of Mary in the early twentieth century 5.